Looking Across
IT is dark in the sky,And silence is whereOur laughs rang high;And recall do IThat One is out there.
The dawn is not nigh,And the trees are bare,And the waterways sighThat a year has drawn by,And Two are out there.
The wind drops to dieLike the phantom of CareToo frail for a cry,And heart brings to eyeThat Three are out there.
This Life runs dryThat once ran rareAnd rosy in dye,And fleet the days fly,And Four are out there.
Tired, tired am IOf this earthly air,And my wraith asks: Why,Since these calm lie,Are not Five out there?
(Young Lover’s Reverie)
I WENT and stood outside myself,Spelled the dark skyAnd ship-lights nigh,And grumbling winds that passed thereby.
Then next inside myself I looked,And there, aboveAll, shone my Love,That nothing matched the image of.
Beyond myself again I ranged;And saw the freeLife by the sea,And folk indifferent to me.
O ’twas a charm to draw withinThereafter, whereBut she was; careFor one thing only, her hid there!
But so it chanced, without myselfI had to look,And then I tookMore heed of what I had long forsook:
The boats, the sands, the esplanade,The laughing crowd;Light-hearted, loudGreetings from some not ill-endowed;
The evening sunlit cliffs, the talk,Hailings and halts,The keen sea-salts,The band, the Morgenblätter Waltz.
Still, when at night I drew insideForward she came,Sad, but the sameAs when I first had known her name.
Then rose a time when, as by force,Outwardly wooedBy contacts crude,Her image in abeyance stood . . .
At last I said: This outside lifeShall not endure;I’ll seek the pureThought-world, and bask in her allure.
Myself again I crept within,Scanned with keen careThe temple whereShe’d shone, but could not find her there.
I sought and sought. But O her soulHas not since thrownUpon my ownOne beam! Yea, she is gone, is gone.
From an old note.
Words in this poem
- wraith n.
- An apparition of a person in his exact likeness, seen before death, or a little after; hence, an apparition; a specter; a vision; an unreal image. [Scot. wraith, warth; probably originally, a guardian angel, from Icel. vörthr a warden, guardian, akin to E. ward. See Ward a guard.]
- reverie n.
- A loose or irregular train of thought occurring in musing or mediation; deep musing; daydream. [F. réverie, fr. rêver to dream, rave, be light-headed. Cf. Rave.]
- went n.
- Course; way; path; journey; direction.
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- thereafter adv.
- After that; afterward. [AS. th\'d6ræfter after that. See There, and After.]
- sunlit a.
- Lighted by the sun.
- waltz n.
- A dance performed by two persons in circular figures with a whirling motion; also, a piece of music composed in triple measure for this kind of dance. [G. walzer, from walzen to roll, revolve, dance, OHG. walzan to roll; akin to AS. wealtan. See Welter.]
- abeyance n.
- Expectancy; condition of being undetermined. [OF. abeance expectation, longing; a (L. ad) + baer, beer, to gape, to look with open mouth, to expect, F. bayer, LL. badare to gape.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- bask v. i.
- To lie in warmth; to be exposed to genial heat. [OScand. ba to bathe one's self, or perh. bakask to bake one's self, sk being reflexive. See Bath, n., Bake, v. t.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Looking Across is in the public domain. This text is taken from Moments of Vision and Miscellaneous Verses, Project Gutenberg ebook #3255; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Thomas Hardy, Looking Across, in Moments of Vision and Miscellaneous Verses (1917), text of Project Gutenberg ebook #3255, Laurel, https://laurelpoetry.com/poem/hardy-moments-of-vision/looking-across.html, id L24188.
Form and metre
Looking Across is 75 lines in 19 stanzas. The commonest rhyme scheme is ABAAB, in 5 of the 19 stanzas; the rest vary or could not be confirmed. The metre is iambic dimeter, measured from the stress the words themselves fix (confidence 88%).
See other poems in iambic dimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAAB skyA · whereB · highA · iA · thereB
- 2 ABAAB nighA · bareB · sighA · byA · thereB
- 3 ABAAB dieA · careB · cryA · eyeA · thereB
- 4 ABAAB dryA · rareB · dyeA · flyA · thereB
- 5 ABAAB iA · airB · whyA · lieA · thereB
- 7 -AAA myself · skyA · nighA · therebyA
- 8 -AAA looked · aboveA · loveA · ofA
- 9 -AAA ranged · freeA · seaA · meA
- 10 -AAA within · whereA · careA · thereA
- 11 -AAA myself · lookA · tookA · forsookA
- 12 -AAA esplanade · crowdA · loudA · endowedA
- 13 -AAA talk · haltsA · saltsA · waltzA
- 14 -AAA inside · cameA · sameA · nameA
- 15 -AA- force · wooedA · crudeA · stood
- 16 -AAA life · endureA · pureA · allureA
- 17 -AAA within · careA · whereA · thereA
- 18 -AA- soul · thrownA · ownA · gone
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic dimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| IT is dark in the sky, | 6 | ······ |
| And silence is where | 5 | ·/˘·· |
| Our laughs rang high; | 5 | /˘··· |
| And recall do I | 5 | ·/··· |
| That One is out there. | 5 | ····· |
| The dawn is not nigh, | 5 | ····· |
| And the trees are bare, | 5 | ····· |
| And the waterways sigh | 6 | ··/˘·· |
| That a year has drawn by, | 6 | ······ |
| And Two are out there. | 5 | ····· |
| The wind drops to die | 5 | ····· |
| Like the phantom of Care | 6 | ··/˘·· |
| Too frail for a cry, | 5 | ····· |
| And heart brings to eye | 5 | ····· |
| That Three are out there. | 5 | ····· |
| This Life runs dry | 4 | ···· |
| That once ran rare | 4 | ···· |
| And rosy in dye, | 5 | ·/˘·· |
| And fleet the days fly, | 5 | ····· |
| And Four are out there. | 5 | ····· |
| Tired, tired am I | 6 | /˘/˘·· |
| Of this earthly air, | 5 | ··/˘· |
| And my wraith asks: Why, | 5 | ····· |
| Since these calm lie, | 4 | ···· |
| Are not Five out there? | 5 | ····· |
| (Young Lover’s Reverie) | 6 | ·/˘/˘˘ |
| I WENT and stood outside myself, | 8 | ····//·/ |
| Spelled the dark sky | 4 | ···· |
| And ship-lights nigh, | 4 | ···· |
| And grumbling winds that passed thereby. | 8 | ·/˘····· |
| Then next inside myself I looked, | 8 | ··˘/·/·· |
| And there, above | 4 | ···· |
| All, shone my Love, | 4 | ···· |
| That nothing matched the image of. | 8 | ·/˘··/˘· |
| Beyond myself again I ranged; | 8 | ···/˘/·· |
| And saw the free | 4 | ···· |
| Life by the sea, | 4 | ···· |
| And folk indifferent to me. | 7 | ··˘/˘·· |
| O ’twas a charm to draw within | 8 | ········ |
| Thereafter, where | 4 | ˘/˘· |
| But she was; care | 4 | ···· |
| For one thing only, her hid there! | 8 | ···/˘··· |
| But so it chanced, without myself | 8 | ·······/ |
| I had to look, | 4 | ···· |
| And then I took | 4 | ···· |
| More heed of what I had long forsook: | 9 | ·······˘/ |
| The boats, the sands, the esplanade, | 8 | ······˘/ |
| The laughing crowd; | 4 | ·/˘· |
| Light-hearted, loud | 4 | ·/˘· |
| Greetings from some not ill-endowed; | 8 | /˘····˘/ |
| The evening sunlit cliffs, the talk, | 8 | ·/˘/···· |
| Hailings and halts, | 4 | /˘·· |
| The keen sea-salts, | 4 | ···· |
| The band, the Morgenblätter Waltz. | 8 | ········ |
| Still, when at night I drew inside | 8 | ······˘/ |
| Forward she came, | 4 | /˘·· |
| Sad, but the same | 4 | ···· |
| As when I first had known her name. | 8 | ········ |
| Then rose a time when, as by force, | 8 | ········ |
| Outwardly wooed | 4 | /˘˘· |
| By contacts crude, | 4 | ·/·· |
| Her image in abeyance stood . . . | 8 | ·/˘·˘/˘· |
| At last I said: This outside life | 8 | ·····//· |
| Shall not endure; | 4 | ··˘/ |
| I’ll seek the pure | 4 | ···· |
| Thought-world, and bask in her allure. | 8 | ······˘/ |
| Myself again I crept within, | 8 | ·/˘/···· |
| Scanned with keen care | 4 | ···· |
| The temple where | 4 | ·/˘· |
| She’d shone, but could not find her there. | 8 | ········ |
| I sought and sought. But O her soul | 8 | ········ |
| Has not since thrown | 4 | ···· |
| Upon my own | 4 | ···· |
| One beam! Yea, she is gone, is gone. | 8 | ········ |
| From an old note. | 4 | ···· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.