Song of Pain and Beauty

Ivor Gurney (1890–1937) · 1917

iambic pentameter · 112 lines · from Severn and Somme

O MAY these days of pain,These wasted-seeming days,Somewhere reflower againWith scent and savour of praise.Draw out of memory all bitternessOf night with Thy sun’s rays.

And strengthen Thou in meThe love of men here found,And eager charity,That, out of difficult ground,Spring like flowers in barren deserts, orLike light, or a lovely sound.

A simpler heart than mineMight have seen beauty clearWhere I could see no signOf Thee, but only fear.Strengthen me, make me to see Thy beauty alwaysIn every happening here.

I AM dumb, I am dumb!And here’s a Norman orchard and here’s SpringGoading the sullen words that will not come.Romance, beating his distant magical drum,Calls to a soldier bearing alien arms,“Throw off your yoke and hear my darlings sing,Blackbirds” (by red-roofed farms)“More drunk than any poet with May’s delight,Green alive to the eye, and pink and white.”

Joy’s there, but not for me;And song, but shall I singThat live as in a dream of some bad night,Whose memories are of such ecstasyAnd height of passionate joy, that pain aloneIs born of beauty in cloud and flower and tree;Yes, and the great Cathedral’s towering stone.

To me these are but shadowsOf orchards and old meadowsTrodden before the dawn,Trodden after the dusk....All loveliness of France is as a husk,The inner living spirit of beauty gone,To that familiar beauty now withdrawnFrom exiles hungering ever for the sightOf her day-face;England’s;Or in some orchard spaceBreathless to drink peace from her calm night.

How shall I sing, since she sings not to meSongs any more?High rule she holds for ever on the seaThat’s hers, but dreams too might guard the shoreOf France, that’s French and set apart for ever.A Spirit of Love our link of song does sever.Had it been hate(The weakest of all sworn enemies of Love)We should have broken through or passed aboveIts foolish barriers;Here we must bow as to established Fate,And reverently; for, comrades and high peers,Sisters in blood,Our mothers brook no rival in their stateOf motherhood.

But not for ever shall our travail last,And not for ever weBe held by iron Duty over sea.The image of evil shall be overcast,And all his willing slaves and priests of evilScattered like dust, shall lie upon the plain;That image, ground to dust utterly levelWith unregarded weeds and all as vain.The oppressed shall lift their hearts up once again,And we return....Not to scarred lands and homes laid in the dust,Not with hard hearts to sights that sear and burn,But with assured longing and certain trust,To England’s royal grace and dignity,To England’s changing skies, rich greenery,High strength controlled, queenly serenity,Inviolate kept by her confederate seaAnd hearts resolved to every sacrifice.We shall come home,We shall come home again,Living and dead, one huge victorious host--The dead that would not leave their comrades tillThe last steep were topped of the difficult hill,The last farthing paid of the Great Cost,The last thrill suffered of the Great Pain.Living and dead, we shall come home at lastTo her sweet breast,England’s; by one touch be paid in fullFor all things grey and long and terribleOf that dread night which seemed eternity.

O Mother, shall thy kisses not restoreBody and life-sick soul? Yes, and set freeSongs and great floods of lovelier melodyThan thou didst giveWhen we those days of half-awake did live.And joy must surely flower again more fairTo us, who dwelt in shadows and foul air.We’ll breathe and drink in song.

Spring shall blot out all traces of old care;Her clouds of green and waves of gold amongWe shall grow free of heart, and great, and young--Be made anew in that Great Resurrection,Perfect as is the violet’s perfection.Perfect as sheWho sanctifies our memory with sorrow,Hugs, as a mother hugs, the thoughts that harrow,Watching for dawn, hungering for the morrowLone oversea....

I am dumb now, dumb,But in that time what music shall not come?Mother of Beauty, Mistress of the Sea.

Words in this poem 18
somewhere adv.
In some place unknown or not specified; in one place or another.
reflower v. i.
To flower, or cause to flower, again. Sylvester.
savour v. t.
To perceive by the smell or the taste; hence, to perceive; to note. B. Jonson.
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
towering a.
Very high; elevated; rising aloft; as, a towering height.
loveliness n.
The state or quality of being lovely. [From Lovely.]
breathless a.
Spent with labor or violent action; out of breath.
reverently adv.
In a reverent manner; in respectful regard.
motherhood n.
The state of being a mother; the character or office of a mother.
overcast v. t.
To cast or cover over; hence, to cloud; to darken.
greenery n.
Green plants; verdure.
queenly a.
Like, becoming, or suitable to, a queen. [AS. cwenlic feminine.]
inviolate a.
Not violated; uninjured; unhurt; unbroken. [L. inviolatus. See In- not, and Violate.]
didst
, the 2d pers. sing. imp. of Do.
resurrection n.
A rising again; the resumption of vigor. [F. résurrection, L. resurrectio, fr. resurgere, resurrectum, to rise again; pref. re- re- + surgere to rise. See Source.]
lone n.
A lane. See Loanin.
oversea a.
Beyond the sea; foreign.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Song of Pain and Beauty is in the public domain. This text is taken from Severn & Somme, Project Gutenberg ebook #63895; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Ivor Gurney, Song of Pain and Beauty, in Severn and Somme (1917), text of Project Gutenberg ebook #63895, Laurel, https://laurelpoetry.com/poem/gurney-severn-somme/song-of-pain-and-beauty.html, id L02578.

Form and metre

Song of Pain and Beauty is 112 lines in 11 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 81%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 8.5 syllables. 20 lines end on an unstressed syllable, a feminine ending. 35% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB-B painA · daysB · againA · praiseB · bitterness · raysB
  2. 2 -A-A-A me · foundA · charity · groundA · or · soundA
  3. 3 ABAB-B mineA · clearB · signA · fearB · always · hereB
  4. 4 ABAACBCDD dumbA · springB · comeA · drumA · armsC · singB · farmsC · delightD · whiteD
  5. 5 A---BAB meA · sing · night · ecstasy · aloneB · treeA · stoneB
  6. 6 AABCCBBDE-ED shadowsA · meadowsA · dawnB · duskC · huskC · goneB · withdrawnB · sightD · faceE · england's · spaceE · nightD
  7. 7 ABABCCDEE-D-FDF meA · moreB · seaA · shoreB · everC · severC · hateD · loveE · aboveE · barriers · fateD · peers · bloodF · stateD · motherhoodF
  8. 8 ABBA-C-CCDEDE---B--C-FF-CA-GG- lastA · weB · seaB · overcastA · evil · plainC · level · vainC · againC · returnD · dustE · burnD · trustE · dignity · greenery · serenity · seaB · sacrifice · home · againC · host · tillF · hillF · cost · painC · lastA · breast · fullG · terribleG · eternity
  9. 9 ---AABB- restore · free · melody · giveA · liveA · fairB · airB · song
  10. 10 -AABBCD-DC care · amongA · youngA · resurrectionB · perfectionB · sheC · sorrowD · harrow · morrowD · overseaC
  11. 11 AA- dumbA · comeA · sea
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
O MAY these days of pain,6······
These wasted-seeming days,6·/˘/˘·
Somewhere reflower again7/·˘/˘˘/
With scent and savour of praise.7···/˘··
Draw out of memory all bitterness10···/˘˘·/˘˘
Of night with Thy sun’s rays.6······
And strengthen Thou in me6·/˘···
The love of men here found,6······
And eager charity,6·/˘/˘˘
That, out of difficult ground,7···/˘˘·
Spring like flowers in barren deserts, or10··/˘·/˘/˘·
Like light, or a lovely sound.7····/˘·
A simpler heart than mine7·/˘˘···
Might have seen beauty clear6···/˘·
Where I could see no sign6······
Of Thee, but only fear.6···/˘·
Strengthen me, make me to see Thy beauty always12/˘······/˘/·
In every happening here.8·/˘˘/˘˘·
I AM dumb, I am dumb!6······
And here’s a Norman orchard and here’s Spring10···/˘/˘···
Goading the sullen words that will not come.10/˘·/˘·····
Romance, beating his distant magical drum,10˘//˘·/˘/˘·
Calls to a soldier bearing alien arms,10···/˘/˘/˘·
“Throw off your yoke and hear my darlings sing,10·······/˘·
Blackbirds” (by red-roofed farms)6/˘····
“More drunk than any poet with May’s delight,11···/˘/˘··˘/
Green alive to the eye, and pink and white.”10·˘/·······
Joy’s there, but not for me;6······
And song, but shall I sing6······
That live as in a dream of some bad night,10··········
Whose memories are of such ecstasy10·/˘˘···/˘˘
And height of passionate joy, that pain alone10···/˘···˘/
Is born of beauty in cloud and flower and tree;11···/˘···/··
Yes, and the great Cathedral’s towering stone.10····˘/˘/˘·
To me these are but shadows7·····/·
Of orchards and old meadows7·/˘··/·
Trodden before the dawn,6/˘····
Trodden after the dusk....6/˘····
All loveliness of France is as a husk,10·/˘˘······
The inner living spirit of beauty gone,10·/˘/˘/·/˘·
To that familiar beauty now withdrawn10··˘/˘/˘·˘/
From exiles hungering ever for the sight10·/·/˘˘/···
Of her day-face;4····
England’s;2
Or in some orchard space6···/˘·
Breathless to drink peace from her calm night.9/˘·······
How shall I sing, since she sings not to me10··········
Songs any more?4·/˘·
High rule she holds for ever on the sea10·····/˘···
That’s hers, but dreams too might guard the shore9·········
Of France, that’s French and set apart for ever.11······˘/·/˘
A Spirit of Love our link of song does sever.11·/··/····/˘
Had it been hate4····
(The weakest of all sworn enemies of Love)10·/˘···/˘··
We should have broken through or passed above10···/˘·····
Its foolish barriers;6·/˘/˘˘
Here we must bow as to established Fate,10······˘/˘·
And reverently; for, comrades and high peers,10·/˘˘·/····
Sisters in blood,4/˘··
Our mothers brook no rival in their state10//˘··/˘···
Of motherhood.4·/˘·
But not for ever shall our travail last,10···/·/˘˘/·
And not for ever we6···/˘·
Be held by iron Duty over sea.10···/˘/˘···
The image of evil shall be overcast,10·/˘·/··/˘·
And all his willing slaves and priests of evil11···/˘····/˘
Scattered like dust, shall lie upon the plain;10/˘········
That image, ground to dust utterly level11·/˘···/˘˘/˘
With unregarded weeds and all as vain.10··········
The oppressed shall lift their hearts up once again,11·˘/······˘/
And we return....4··˘/
Not to scarred lands and homes laid in the dust,10··········
Not with hard hearts to sights that sear and burn,10··········
But with assured longing and certain trust,10··˘//˘·/˘·
To England’s royal grace and dignity,10·/˘/˘··/˘˘
To England’s changing skies, rich greenery,10·/˘/˘··/˘˘
High strength controlled, queenly serenity,10··˘//˘˘/˘˘
Inviolate kept by her confederate sea10˘/˘···˘/˘·
And hearts resolved to every sacrifice.10··˘/·/˘/˘·
We shall come home,4····
We shall come home again,6····˘/
Living and dead, one huge victorious host--10/˘····˘/˘·
The dead that would not leave their comrades till10·······/··
The last steep were topped of the difficult hill,10·······/˘·
The last farthing paid of the Great Cost,9··/˘·····
The last thrill suffered of the Great Pain.10···/˘˘····
Living and dead, we shall come home at last10/˘········
To her sweet breast,4····
England’s; by one touch be paid in full9/˘·······
For all things grey and long and terrible10·······/˘˘
Of that dread night which seemed eternity.10······˘/˘˘
O Mother, shall thy kisses not restore10·/˘··/˘·˘/
Body and life-sick soul? Yes, and set free10/˘········
Songs and great floods of lovelier melody11········/˘˘
Than thou didst give4····
When we those days of half-awake did live.10······˘/··
And joy must surely flower again more fair10···/˘/˘/··
To us, who dwelt in shadows and foul air.10·····/····
We’ll breathe and drink in song.6······
Spring shall blot out all traces of old care;10·····/˘···
Her clouds of green and waves of gold among10··········
We shall grow free of heart, and great, and young--10··········
Be made anew in that Great Resurrection,11··˘/····˘/˘
Perfect as is the violet’s perfection.11˘/···/˘˘˘/˘
Perfect as she4˘/··
Who sanctifies our memory with sorrow,11·/˘˘//˘˘·/˘
Hugs, as a mother hugs, the thoughts that harrow,11···/˘····/˘
Watching for dawn, hungering for the morrow11/˘··/˘˘··/˘
Lone oversea....4··˘/
I am dumb now, dumb,5·····
But in that time what music shall not come?10·····/˘···
Mother of Beauty, Mistress of the Sea.10/˘·/˘/˘···

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