Confessio Amantis
The Lover's Confession: Gower's frame of tales on the seven deadly sins, in octosyllabic couplets, written for Richard II.
What this poem is
Confessio Amantis ("The Lover's Confession") is a 33,000-line Middle English poem by John Gower, which uses the confession made by an ageing lover to the chaplain of Venus as a frame story for a collection of shorter narrative poems. According to its prologue, it was composed at the request of Richard II. It stands with the works of Chaucer, Langland, and the Pearl poet as one of the great works of late 14th-century English literature. The Index of Middle English Verse shows that in the era before the printing press it was one of the most-often copied manuscripts (59 copies) along with The Canterbury Tales (72 copies) and Piers Plowman (63 copies).
In genre it is usually considered a poem of consolation, a medieval form inspired by Boethius' Consolation of Philosophy and typified by works such as Pearl. Despite this, it is more usually studied alongside other tale collections with similar structures, such as the Decameron of Boccaccio, and particularly Chaucer's Canterbury Tales, with which the Confessio has several stories in common.
Composition of the work probably began circa 1386, and the work was completed in 1390. The prologue of this first recension recounts that the work was commissioned by Richard II after a chance meeting with the royal barge on the River Thames; the epilogue dedicates the work to Richard and to Geoffrey Chaucer, as the "disciple and poete" of Venus. This version of the work saw widespread circulation, perhaps due to its royal connections (Peck 2000), and was the most popular of Gower's works, with at least 32 of the 49 surviving manuscripts of the Confessio containing this version.
The subsequent history is complicated and not entirely certain. Much revision took place, some of it by Gower and some probably by individual scribes. What follows is the conventional history as formulated by Macaulay (1901:xxi). The true story is probably somewhat more complicated (see e.g. Watt 2003:11–13 for an overview of recent work).
Adapted from the Wikipedia article “Confessio Amantis” (revision 1370221931), used under CC BY-SA 4.0. Laurel's own notes and measurements are not from Wikipedia.
Measured across the book
Across its 33,495 lines, 98% of stressed syllables fall on the beat (95% interval 98% to 98%). Alliteration runs at 0.90 times what shuffling the words would give (0.07 observed against 0.08 expected). 10% of the lines have a feminine ending.
Baselines and intervals are described in the methods.
Contents
About this text
Public domain. Text from Confessio Amantis; Or, Tales of the Seven Deadly Sins, Project Gutenberg ebook #266. Free to read, print, copy and reuse.