Faust, Part One
Den alten Musen die bestäubten KronenNahmst Du, zu neuem Glanz, mit kühner Hand:Du löst die Räthsel ältester AeonenDurch jüngeren Glauben, helleren Verstand,Und machst, wo rege Menschengeister wohnen,Die ganze Erde Dir zum Vaterland;Und Deine Jünger sehn in Dir, verwundert,Verkörpert schon das werdende Jahrhundert.
Was Du gesungen, Aller Lust und Klagen,Des Lebens Wiedersprüche, neu vermählt,—Die Harfe tausendstimmig frisch geschlagen,Die Shakspeare einst, die einst Homer gewählt,—Darf ich in fremde Klänge übertragenDas Alles, wo so Mancher schon gefehlt?Lass Deinen Geist in meiner Stimme klingen,Und was Du sangst, lass mich es Dir nachsingen!
Again ye come, ye hovering Forms! I find ye,As early to my clouded sight ye shone!Shall I attempt, this once, to seize and bind ye?Still o’er my heart is that illusion thrown?Ye crowd more near! Then, be the reign assigned ye,And sway me from your misty, shadowy zone!My bosom thrills, with youthful passion shaken,From magic airs that round your march awaken.
Of joyous days ye bring the blissful vision;The dear, familiar phantoms rise again,And, like an old and half-extinct tradition,First Love returns, with Friendship in his train.Renewed is Pain: with mournful repetitionLife tracks his devious, labyrinthine chain,And names the Good, whose cheating fortune tore themFrom happy hours, and left me to deplore them.
They hear no longer these succeeding measures,The souls, to whom my earliest songs I sang:
Dispersed the friendly troop, with all its pleasures,And still, alas! the echoes first that rang!I bring the unknown multitude my treasures;Their very plaudits give my heart a pang,And those beside, whose joy my Song so flattered,If still they live, wide through the world are scattered.
And grasps me now a long-unwonted yearningFor that serene and solemn Spirit-Land:My song, to faint Aeolian murmurs turning,Sways like a harp-string by the breezes fanned.I thrill and tremble; tear on tear is burning,And the stern heart is tenderly unmanned.What I possess, I see far distant lying,And what I lost, grows real and undying.
You two, who oft a helping handHave lent, in need and tribulation.Come, let me know your expectationOf this, our enterprise, in German land!I wish the crowd to feel itself well treated,Especially since it lives and lets me live;The posts are set, the booth of boards completed.And each awaits the banquet I shall give.Already there, with curious eyebrows raised,They sit sedate, and hope to be amazed.I know how one the People’s taste may flatter,Yet here a huge embarrassment I feel:What they’re accustomed to, is no great matter,But then, alas! they’ve read an awful deal.How shall we plan, that all be fresh and new,—Important matter, yet attractive too?For ’tis my pleasure-to behold them surging,When to our booth the current sets apace,And with tremendous, oft-repeated urging,Squeeze onward through the narrow gate of grace:By daylight even, they push and cram inTo reach the seller’s box, a fighting host,And as for bread, around a baker’s door, in famine,To get a ticket break their necks almost.This miracle alone can work the PoetOn men so various: now, my friend, pray show it.
Speak not to me of yonder motley masses,Whom but to see, puts out the fire of Song!Hide from my view the surging crowd that passes,And in its whirlpool forces us along!No, lead me where some heavenly silence glassesThe purer joys that round the Poet throng,—Where Love and Friendship still divinely fashionThe bonds that bless, the wreaths that crown his passion!Ah, every utterance from the depths of feelingThe timid lips have stammeringly expressed,—Now failing, now, perchance, success revealing,—Gulps the wild Moment in its greedy breast;Or oft, reluctant years its warrant sealing,Its perfect stature stands at last confessed!What dazzles, for the Moment spends its spirit:What’s genuine, shall Posterity inherit.
Posterity! Don’t name the word to me!If I should choose to preach Posterity,Where would you get contemporary fun?That men will have it, there’s no blinking:A fine young fellow’s presence, to my thinking,Is something worth, to every one.Who genially his nature can outpour,Takes from the People’s moods no irritation;The wider circle he acquires, the moreSecurely works his inspiration.Then pluck up heart, and give us sterling coin!Let Fancy be with her attendants fitted,—Sense, Reason, Sentiment, and Passion join,—But have a care, lest Folly be omitted!
Chiefly, enough of incident prepare!They come to look, and they prefer to stare.Reel off a host of threads before their faces,So that they gape in stupid wonder: thenBy sheer diffuseness you have won their graces,And are, at once, most popular of men.Only by mass you touch the mass; for anyWill finally, himself, his bit select:Who offers much, brings something unto many,And each goes home content with the effect,If you’ve a piece, why, just in pieces give it:A hash, a stew, will bring success, believe it!’Tis easily displayed, and easy to invent.What use, a Whole compactly to present?Your hearers pick and pluck, as soon as they receive it!
You do not feel, how such a trade debases;How ill it suits the Artist, proud and true!The botching work each fine pretender tracesIs, I perceive, a principle with you.
Such a reproach not in the least offends;A man who some result intendsMust use the tools that best are fitting.Reflect, soft wood is given to you for splitting,And then, observe for whom you write!If one comes bored, exhausted quite,Another, satiate, leaves the banquet’s tapers,And, worst of all, full many a wightIs fresh from reading of the daily papers.Idly to us they come, as to a masquerade,Mere curiosity their spirits warming:The ladies with themselves, and with their finery, aid,Without a salary their parts performing.What dreams are yours in high poetic places?You’re pleased, forsooth, full houses to behold?Draw near, and view your patrons’ faces!The half are coarse, the half are cold.One, when the play is out, goes home to cards;A wild night on a wench’s breast another chooses:Why should you rack, poor, foolish bards,For ends like these, the gracious Muses?I tell you, give but more—more, ever more, they ask:Thus shall you hit the mark of gain and glory.Seek to confound your auditory!To satisfy them is a task.—What ails you now? Is’t suffering, or pleasure?
Go, find yourself a more obedient slave!What! shall the Poet that which Nature gave,The highest right, supreme Humanity,Forfeit so wantonly, to swell your treasure?Whence o’er the heart his empire free?The elements of Life how conquers he?Is’t not his heart’s accord, urged outward far and dim,To wind the world in unison with him?When on the spindle, spun to endless distance,By Nature’s listless hand the thread is twirled,And the discordant tones of all existenceIn sullen jangle are together hurled,Who, then, the changeless orders of creationDivides, and kindles into rhythmic dance?Who brings the One to join the general ordination,Where it may throb in grandest consonance?Who bids the storm to passion stir the bosom?In brooding souls the sunset burn above?Who scatters every fairest April blossomAlong the shining path of Love?Who braids the noteless leaves to crowns, requitingDesert with fame, in Action’s every field?Who makes Olympus sure, the Gods uniting?The might of Man, as in the Bard revealed.
So, these fine forces, in conjunction,Propel the high poetic function,As in a love-adventure they might play!You meet by accident; you feel, you stay,And by degrees your heart is tangled;Bliss grows apace, and then its course is jangled;You’re ravished quite, then comes a touch of woe,And there’s a neat romance, completed ere you know!Let us, then, such a drama give!Grasp the exhaustless life that all men live!Each shares therein, though few may comprehend:Where’er you touch, there’s interest without end.In motley pictures little light,Much error, and of truth a glimmering mite,Thus the best beverage is supplied,Whence all the world is cheered and edified.Then, at your play, behold the fairest flowerOf youth collect, to hear the revelation!Each tender soul, with sentimental power,Sucks melancholy food from your creation;And now in this, now that, the leaven works.For each beholds what in his bosom lurks.They still are moved at once to weeping or to laughter,Still wonder at your flights, enjoy the show they see:A mind, once formed, is never suited after;One yet in growth will ever grateful be.
Then give me back that time of pleasures,While yet in joyous growth I sang,—When, like a fount, the crowding measuresUninterrupted gushed and sprang!Then bright mist veiled the world before me,In opening buds a marvel woke,As I the thousand blossoms broke,Which every valley richly bore me!I nothing had, and yet enough for youth—Joy in Illusion, ardent thirst for Truth.Give, unrestrained, the old emotion,The bliss that touched the verge of pain,The strength of Hate, Love’s deep devotion,—O, give me back my youth again!
Youth, good my friend, you certainly requireWhen foes in combat sorely press you;When lovely maids, in fond desire,Hang on your bosom and caress you;When from the hard-won goal the wreathBeckons afar, the race awaiting;When, after dancing out your breath,You pass the night in dissipating:—But that familiar harp with soulTo play,—with grace and bold expression,And towards a self-erected goalTo walk with many a sweet digression,—This, aged Sirs, belongs to you,And we no less revere you for that reason:Age childish makes, they say, but ’tis not true;We’re only genuine children still, in Age’s season!
The words you’ve bandied are sufficient;’Tis deeds that I prefer to see:In compliments you’re both proficient,But might, the while, more useful be.What need to talk of Inspiration?’Tis no companion of Delay.If Poetry be your vocation,Let Poetry your will obey!Full well you know what here is wanting;The crowd for strongest drink is panting,And such, forthwith, I’d have you brew.What’s left undone to-day, To-morrow will not do.Waste not a day in vain digression:With resolute, courageous trustSeize every possible impression,And make it firmly your possession;You’ll then work on, because you must.Upon our German stage, you know it,Each tries his hand at what he will;So, take of traps and scenes your fill,And all you find, be sure to show it!Use both the great and lesser heavenly light,—Squander the stars in any number,Beasts, birds, trees, rocks, and all such lumber,Fire, water, darkness, Day and Night!Thus, in our booth’s contracted sphere,The circle of Creation will appear,And move, as we deliberately impel,From Heaven, across the World, to Hell!
Words in this poem 52
- aller a.
- Of all; -- used in composition; as, alderbest, best of all, alderwisest, wisest of all. [From ealra, alra, gen. pl. of AS. eal. The d is excrescent.]
- lust v. i.
- To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
- lass n.
- A youth woman; a girl; a sweetheart. [OE. lasse; prob. of Celtic origin; cf. W. llodes girl, fem. of llawd lad. (Lad a youth.]
- mich v. i.
- To lie hid; to skulk; to act, or carry one's self, sneakingly. [OE. michen; cf. OE. muchier, mucier, to conceal, F. musser, and OHG. muhhen to waylay. Cf. Micher, Curmudgeon, Muset.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- blissful a.
- Full of, characterized by, or causing, joy and felicity; happy in the highest degree.
- devious a.
- Out of a straight line; winding; varying from directness; as, a devious path or way. [L. devius; de + via way. See Viaduct.]
- labyrinthine a.
- Pertaining to, or like, a labyrinth; labyrinthal.
- tore n.
- The dead grass that remains on mowing land in winter and spring. Mortimer. [Probably from the root of tear; cf. W. tór a break, cut, tóri to break, cut.]
- deplore v. t.
- To feel or to express deep and poignant grief for; to bewail; to lament; to mourn; to sorrow over. [L. deplorare; de- + plorare to cry out, wail, lament; prob. akin to pluere to rain, and to E. flow: cf. F. déplorer. Cf. Flow.]
- tenderly adv.
- In a tender manner; with tenderness; mildly; gently; softly; in a manner not to injure or give pain; with pity or affection; kindly.
- unmanned a.
- Etym: [Properly p. p. of unman.]
- undying a.
- Not dying; imperishable; unending; immortal; as, the undying souls of men.
- tribulation n.
- That which occasions distress, trouble, or vexation; severe affliction. [OE. tribulacium, F. tribulation, L. tribulatio, from tribulare to press, afflict, fr. tribulum a thrashing sledge, akin to terere, tritum, to rub. See Trite.]
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
- apace adv.
- With a quick pace; quick; fast; speedily. [Pref. a- + pace. OE. a pas at a walk, in which a is the article. See Pace.]
- tremendous a.
- Fitted to excite fear or terror; such as may astonish or terrify by its magnitude, force, or violence; terrible; dreadful; as, a tremendous wind; a tremendous shower; a tremendous shock or fall. [L. tremendus that is to be trembled at, fearful, fr. tremere to tremble. See Tremble.]
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- famine n.
- General scarcity of food; dearth; a want of provisions; destitution. [F. famine, fr. L. fames hunger; cf. Gr. hani loss, lack, ha to leave.]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- genially adv.
- By genius or nature; naturally.
- outpour n.
- A flowing out; a free discharge.
- diffuseness n.
- The quality of being diffuse; especially, in writing, the use of a great or excessive number of word to express the meaning; copiousness; verbosity; prolixity.
- hash n.
- That which is hashed or chopped up; meat and vegetables, especially such as have been already cooked, chopped into small pieces and mixed. [Formerly hachey, hachee, F. hachis, hacher to hash; of German origin; cf. G. hippe sickle, OHG. hippa, for happia. Cf. Hatchet.]
- invent v. t.
- To come or light upon; to meet; to find. [L. inventus, p. p. of invenire to come upon, to find, invent; pref. in- in + venire to come, akin to E. come: cf. F. inventer. See Come.]
- compactly adv.
- In a compact manner; with close union of parts; densely; tersely.
- artist n.
- One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
- satiate a.
- Filled to satiety; glutted; sated; -- followed by with or of. [L. satiatus, p. p. of satiare to satisfy, from sat, satis, enough. See Sad, a., and cf. Sate.]
- wight n.
- A whit; a bit; a jot. [OE. wight, wiht, a wight, a whit, AS. wiht, wuht, a creature, a thing; skin to D. wicht a child, OS. & OHG. wiht a creature, thing, G. wicht a creature, Icel. v]
- curiosity n.
- The state or quality or being curious; nicety; accuracy; exactness; elaboration. [OE. curiouste, curiosite, OF. curioseté, curiosité, F. curiosit, fr. L. curiositas, fr. curiosus. See Currious, and cf. Curio.]
- finery n.
- Fineness; beauty.
- forsooth v. t.
- To address respectfully with the term forsooth.
- wantonly adv.
- In a wanton manner; without regularity or restraint; loosely; sportively; gayly; playfully; recklessly; lasciviously.
- listless a.
- Having no desire or inclination; indifferent; heedless; spiritless. [OE. listles, lustles. See Lust.]
- sullen a.
- Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
- jangle v. i.
- To sound harshly or discordantly, as bells out of tune. [OE. janglen to quarrel, OF. jangler to rail, quarrel; of Dutch or German origin; cf. D. jangelen, janken, to whimper, chide, brawl, quarrel.]
- changeless a.
- That can not be changed; constant; as, a changeless purpose.
- rhythmic a.
- Pertaining to, or of the nature of, rhythm DAy and night I worked my rhythmic thought. Mrs. Browning. [Gr. rhythmicus, F. rhythmique.]
- throb v. i.
- To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
- noteless a.
- Not attracting notice; not conspicuous.
- exhaustless a.
- Not be exhausted; inexhaustible; as, an exhaustless fund or store.
- sentimental a.
- Having, expressing, or containing a sentiment or sentiments; abounding with moral reflections; containing a moral reflection; didactic. [Cf. F. sentimental.]
- veiled a.
- Covered by, or as by, a veil; hidden.
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- sorely adv.
- In a sore manner; grievously; painfully; as, to be sorely afflicted.
- caress n.
- An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- revere v. t.
- To regard with reverence, or profound respect and affection, mingled with awe or fear; to venerate; to reverence; to honor in estimation. [L. revereri; pref. re- re- + vereri to fear, perh. akin to E. wary: cf. F. révérer.]
- vocation n.
- A call; a summons; a citation; especially, a designation or appointment to a particular state, business, or profession. [L. vocatio a bidding, invitation, fr. vocare to call, fr. vox, vocis, voice: cf. F. vocation. See Vocal.]
- forthwith adv.
- Immediately; without delay; directly.
- brew v. t.
- To boil or seethe; to cook. [OE. brewen, AS. breówan; akin to D. brouwen, OHG. priuwan, MHG. briuwen, br, G. brauen, Icel. brugga, Sw. brygga, Dan. brygge, and perh. to L. defrutum must boi]
- undone a.
- Not done or performed; neglected. [Pref. un- not + done.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Faust, Part One is in the public domain. This text is taken from Faust, Part One, Project Gutenberg ebook #14591, the Bayard Taylor translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Johann Wolfgang von Goethe, Faust, Part One, (1870), text of Project Gutenberg ebook #14591, Laurel, https://laurelpoetry.com/poem/goethe-faust/faust-part-one.html, id L14383.
Form and metre
Faust, Part One is 258 lines in 18 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 98 lines end on an unstressed syllable, a feminine ending. 12% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABABCC kronenA · handB · aeonenA · verstandB · wohnenA · vaterlandB · verwundertC · jahrhundertC
- 2 ABABABAA klagenA · vermähltB · geschlagenA · gewähltB · übertragenA · gefehltB · klingenA · nachsingenA
- 3 ABABABCC yeA · shoneB · yeA · thrownB · yeA · zoneB · shakenC · awakenC
- 4 AABABACC visionA · againA · traditionB · trainA · repetitionB · chainA · themC · themC
- 6 ABABCC pleasuresA · rangB · treasuresA · pangB · flatteredC · scatteredC
- 7 ABABABCC yearningA · landB · turningA · fannedB · burningA · unmannedB · lyingC · undyingC
- 8 ABBACDCDEEFGFGHHIJIJ-K-KLL handA · tribulationB · expectationB · landA · treatedC · liveD · completedC · giveD · raisedE · amazedE · flatterF · feelG · matterF · dealG · newH · tooH · surgingI · apaceJ · urgingI · graceJ · in · hostK · famine · almostK · poetL · itL
- 9 ABABABCCDEDEDE-- massesA · songB · passesA · alongB · glassesA · throngB · fashionC · passionC · feelingD · expressedE · revealingD · breastE · sealingD · confessedE · spirit · inherit
- 10 --ABBACDCDEFEF me · posterity · funA · blinkingB · thinkingB · oneA · outpourC · irritationD · moreC · inspirationD · coinE · fittedF · joinE · omittedF
- 11 AABCBCDEDEFFGGF prepareA · stareA · facesB · thenC · gracesB · menC · anyD · selectE · manyD · effectE · itF · itF · inventG · presentG · itF
- 12 ABAB debasesA · trueB · tracesA · youB
- 13 AABBCCDCDEFEFGHGHIJIJKLLK- offendsA · intendsA · fittingB · splittingB · writeC · quiteC · tapersD · wightC · papersD · masqueradeE · warmingF · aidE · performingF · placesG · beholdH · facesG · coldH · cardsI · choosesJ · bardsI · musesJ · askK · gloryL · auditoryL · taskK · pleasure
- 14 AA--BBCCDEDEFDFD-G-GHIHI slaveA · gaveA · humanity · treasure · freeB · heB · dimC · himC · distanceD · twirledE · existenceD · hurledE · creationF · danceD · ordinationF · consonanceD · bosom · aboveG · blossom · loveG · requitingH · fieldI · unitingH · revealedI
- 15 AABBCCDDEEFFGGHHIJIJKKLMLM conjunctionA · functionA · playB · stayB · tangledC · jangledC · woeD · knowD · giveE · liveE · comprehendF · endF · lightG · miteG · suppliedH · edifiedH · flowerI · revelationJ · powerI · creationJ · worksK · lurksK · laughterL · seeM · afterL · beM
- 16 ABABCDDCEEFGFG pleasuresA · sangB · measuresA · sprangB · meC · wokeD · brokeD · meC · youthE · truthE · emotionF · painG · devotionF · againG
- 17 ABAB-C-CDEDEBFBF requireA · youB · desireA · youB · wreath · awaitingC · breath · dissipatingC · soulD · expressionE · goalD · digressionE · youB · reasonF · trueB · seasonF
- 18 ABABCDCD--EEFGFFGHIIHJKKJLLMM sufficientA · seeB · proficientA · beB · inspirationC · delayD · vocationC · obeyD · wanting · panting · brewE · doE · digressionF · trustG · impressionF · possessionF · mustG · itH · willI · fillI · itH · lightJ · numberK · lumberK · nightJ · sphereL · appearL · impelM · hellM
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Den alten Musen die bestäubten Kronen | 11 | ·········/˘ |
| Nahmst Du, zu neuem Glanz, mit kühner Hand: | 11 | ·····///··· |
| Du löst die Räthsel ältester Aeonen | 9 | ········· |
| Durch jüngeren Glauben, helleren Verstand, | 11 | ··········· |
| Und machst, wo rege Menschengeister wohnen, | 10 | ·········· |
| Die ganze Erde Dir zum Vaterland; | 8 | ········ |
| Und Deine Jünger sehn in Dir, verwundert, | 10 | ·········· |
| Verkörpert schon das werdende Jahrhundert. | 10 | ·········· |
| Was Du gesungen, Aller Lust und Klagen, | 11 | ·····/˘···· |
| Des Lebens Wiedersprüche, neu vermählt,— | 9 | ·/˘······ |
| Die Harfe tausendstimmig frisch geschlagen, | 10 | ·········· |
| Die Shakspeare einst, die einst Homer gewählt,— | 10 | ······/˘·· |
| Darf ich in fremde Klänge übertragen | 8 | ········ |
| Das Alles, wo so Mancher schon gefehlt? | 9 | ········· |
| Lass Deinen Geist in meiner Stimme klingen, | 9 | ·····/··· |
| Und was Du sangst, lass mich es Dir nachsingen! | 11 | ··········· |
| Again ye come, ye hovering Forms! I find ye, | 11 | ˘/···/˘···· |
| As early to my clouded sight ye shone! | 10 | ·/˘··/˘··· |
| Shall I attempt, this once, to seize and bind ye? | 11 | ··˘/······· |
| Still o’er my heart is that illusion thrown? | 10 | ······˘/˘· |
| Ye crowd more near! Then, be the reign assigned ye, | 11 | ········˘/· |
| And sway me from your misty, shadowy zone! | 10 | ·····/˘/˘· |
| My bosom thrills, with youthful passion shaken, | 11 | ·/˘··/˘/˘/˘ |
| From magic airs that round your march awaken. | 11 | ·/˘·····˘/˘ |
| Of joyous days ye bring the blissful vision; | 11 | ·/˘····/˘/˘ |
| The dear, familiar phantoms rise again, | 10 | ··˘/˘/˘·˘/ |
| And, like an old and half-extinct tradition, | 11 | ······˘/˘/˘ |
| First Love returns, with Friendship in his train. | 10 | ··˘/·/˘··· |
| Renewed is Pain: with mournful repetition | 11 | ˘/···/˘·˘/˘ |
| Life tracks his devious, labyrinthine chain, | 10 | ···/˘·˘/·· |
| And names the Good, whose cheating fortune tore them | 11 | ·····/˘/˘·· |
| From happy hours, and left me to deplore them. | 11 | ·/˘/····˘/· |
| They hear no longer these succeeding measures, | 11 | ···/˘·˘/˘/˘ |
| The souls, to whom my earliest songs I sang: | 10 | ·····/˘··· |
| Dispersed the friendly troop, with all its pleasures, | 11 | ˘/·/˘····/˘ |
| And still, alas! the echoes first that rang! | 10 | ··˘/·/˘··· |
| I bring the unknown multitude my treasures; | 11 | ···˘//˘··/˘ |
| Their very plaudits give my heart a pang, | 10 | ·/˘/˘····· |
| And those beside, whose joy my Song so flattered, | 11 | ··˘/·····/˘ |
| If still they live, wide through the world are scattered. | 11 | ·········/˘ |
| And grasps me now a long-unwonted yearning | 11 | ······˘/˘/˘ |
| For that serene and solemn Spirit-Land: | 9 | ··˘/·/˘/· |
| My song, to faint Aeolian murmurs turning, | 10 | ······/˘/˘ |
| Sways like a harp-string by the breezes fanned. | 10 | ·······/˘· |
| I thrill and tremble; tear on tear is burning, | 11 | ···/˘····/˘ |
| And the stern heart is tenderly unmanned. | 9 | ·····/˘˘/ |
| What I possess, I see far distant lying, | 11 | ··˘/···/˘/˘ |
| And what I lost, grows real and undying. | 10 | ·······˘/˘ |
| You two, who oft a helping hand | 8 | ·····/˘· |
| Have lent, in need and tribulation. | 9 | ······˘/˘ |
| Come, let me know your expectation | 9 | ······˘/˘ |
| Of this, our enterprise, in German land! | 10 | ··//˘··/˘· |
| I wish the crowd to feel itself well treated, | 11 | ······˘/·/˘ |
| Especially since it lives and lets me live; | 10 | ˘/˘······· |
| The posts are set, the booth of boards completed. | 11 | ········˘/˘ |
| And each awaits the banquet I shall give. | 10 | ··˘/·/˘··· |
| Already there, with curious eyebrows raised, | 10 | ˘/˘··/˘/·· |
| They sit sedate, and hope to be amazed. | 10 | ··˘/····˘/ |
| I know how one the People’s taste may flatter, | 11 | ·····/˘··/˘ |
| Yet here a huge embarrassment I feel: | 9 | ····˘/˘·· |
| What they’re accustomed to, is no great matter, | 11 | ··˘/˘····/˘ |
| But then, alas! they’ve read an awful deal. | 10 | ··˘/···/˘· |
| How shall we plan, that all be fresh and new,— | 10 | ·········· |
| Important matter, yet attractive too? | 10 | ˘/˘/˘·˘/˘· |
| For ’tis my pleasure-to behold them surging, | 11 | ···/˘·˘/·/˘ |
| When to our booth the current sets apace, | 10 | ··/··/˘·˘/ |
| And with tremendous, oft-repeated urging, | 11 | ··˘/˘·˘/˘/˘ |
| Squeeze onward through the narrow gate of grace: | 10 | ·/˘··/˘··· |
| By daylight even, they push and cram in | 9 | ·/·/····· |
| To reach the seller’s box, a fighting host, | 10 | ···/˘··/˘· |
| And as for bread, around a baker’s door, in famine, | 13 | ·······/˘··/˘ |
| To get a ticket break their necks almost. | 10 | ···/˘···/· |
| This miracle alone can work the Poet | 10 | ·/˘˘/···/˘ |
| On men so various: now, my friend, pray show it. | 11 | ···/˘······ |
| Speak not to me of yonder motley masses, | 11 | ·····/˘/˘/˘ |
| Whom but to see, puts out the fire of Song! | 10 | ·······/·· |
| Hide from my view the surging crowd that passes, | 11 | ·····/˘··/˘ |
| And in its whirlpool forces us along! | 10 | ···/·/˘·˘/ |
| No, lead me where some heavenly silence glasses | 11 | ·····/˘/˘/˘ |
| The purer joys that round the Poet throng,— | 10 | ·/˘····/˘· |
| Where Love and Friendship still divinely fashion | 11 | ···/˘·˘/˘/˘ |
| The bonds that bless, the wreaths that crown his passion! | 11 | ·········/˘ |
| Ah, every utterance from the depths of feeling | 11 | ·/˘/˘····/˘ |
| The timid lips have stammeringly expressed,— | 11 | ·/˘······˘/ |
| Now failing, now, perchance, success revealing,— | 11 | ·/˘·˘/˘/˘/˘ |
| Gulps the wild Moment in its greedy breast; | 10 | ···/˘··/˘· |
| Or oft, reluctant years its warrant sealing, | 11 | ··˘/˘··/˘/˘ |
| Its perfect stature stands at last confessed! | 10 | ·/·/˘···˘/ |
| What dazzles, for the Moment spends its spirit: | 10 | ·/˘··/˘··/ |
| What’s genuine, shall Posterity inherit. | 10 | ·/˘·˘/˘˘/˘ |
| Posterity! Don’t name the word to me! | 9 | ˘/˘······ |
| If I should choose to preach Posterity, | 9 | ······˘/˘ |
| Where would you get contemporary fun? | 10 | ····˘/˘·˘· |
| That men will have it, there’s no blinking: | 9 | ·······/˘ |
| A fine young fellow’s presence, to my thinking, | 11 | ···/˘/˘··/˘ |
| Is something worth, to every one. | 8 | ·/˘··/˘· |
| Who genially his nature can outpour, | 10 | ·/˘˘·/˘··/ |
| Takes from the People’s moods no irritation; | 11 | ···/˘···˘/˘ |
| The wider circle he acquires, the more | 9 | ·//˘·˘/·· |
| Securely works his inspiration. | 9 | ˘/˘···˘/˘ |
| Then pluck up heart, and give us sterling coin! | 10 | ·······/˘· |
| Let Fancy be with her attendants fitted,— | 11 | ·/˘···˘/˘/˘ |
| Sense, Reason, Sentiment, and Passion join,— | 9 | ·/˘/˘·/˘· |
| But have a care, lest Folly be omitted! | 11 | ·····/˘·˘/˘ |
| Chiefly, enough of incident prepare! | 9 | /˘˘/·/˘˘/ |
| They come to look, and they prefer to stare. | 10 | ······˘/·· |
| Reel off a host of threads before their faces, | 11 | ·········/˘ |
| So that they gape in stupid wonder: then | 10 | ·····/˘/˘· |
| By sheer diffuseness you have won their graces, | 11 | ··˘/˘····/˘ |
| And are, at once, most popular of men. | 9 | ·····/˘·· |
| Only by mass you touch the mass; for any | 11 | /˘·······/˘ |
| Will finally, himself, his bit select: | 9 | ·/˘˘/··˘/ |
| Who offers much, brings something unto many, | 10 | ·/˘··/˘··/ |
| And each goes home content with the effect, | 10 | ····˘/··˘/ |
| If you’ve a piece, why, just in pieces give it: | 11 | ·······/˘·· |
| A hash, a stew, will bring success, believe it! | 11 | ······˘/˘/· |
| ’Tis easily displayed, and easy to invent. | 11 | ·/˘˘/·/˘·˘/ |
| What use, a Whole compactly to present? | 10 | ····˘/˘·˘/ |
| Your hearers pick and pluck, as soon as they receive it! | 13 | ·/˘·······˘/· |
| You do not feel, how such a trade debases; | 11 | ········˘/˘ |
| How ill it suits the Artist, proud and true! | 10 | ·····/˘··· |
| The botching work each fine pretender traces | 11 | ·/˘···˘/˘/˘ |
| Is, I perceive, a principle with you. | 9 | ··˘/·/˘·· |
| Such a reproach not in the least offends; | 10 | ··˘/····˘/ |
| A man who some result intends | 8 | ····˘/˘/ |
| Must use the tools that best are fitting. | 9 | ·······/˘ |
| Reflect, soft wood is given to you for splitting, | 11 | ˘/···/···/˘ |
| And then, observe for whom you write! | 8 | ··˘/···· |
| If one comes bored, exhausted quite, | 8 | ····˘/˘· |
| Another, satiate, leaves the banquet’s tapers, | 12 | ˘/˘/˘˘··/˘/˘ |
| And, worst of all, full many a wight | 8 | ·····/·· |
| Is fresh from reading of the daily papers. | 11 | ···/˘··/˘/˘ |
| Idly to us they come, as to a masquerade, | 12 | /˘········˘/ |
| Mere curiosity their spirits warming: | 10 | ··˘/˘·/˘/˘ |
| The ladies with themselves, and with their finery, aid, | 12 | ·/˘·˘/···/˘· |
| Without a salary their parts performing. | 10 | ···/˘··˘/˘ |
| What dreams are yours in high poetic places? | 11 | ······˘/˘/˘ |
| You’re pleased, forsooth, full houses to behold? | 10 | ··˘/·/˘·˘/ |
| Draw near, and view your patrons’ faces! | 9 | ·····/˘/˘ |
| The half are coarse, the half are cold. | 8 | ········ |
| One, when the play is out, goes home to cards; | 10 | ·········· |
| A wild night on a wench’s breast another chooses: | 12 | ·······˘/˘/˘ |
| Why should you rack, poor, foolish bards, | 8 | ·····/˘· |
| For ends like these, the gracious Muses? | 9 | ·····/˘/˘ |
| I tell you, give but more—more, ever more, they ask: | 11 | ·······/··· |
| Thus shall you hit the mark of gain and glory. | 11 | ·········/˘ |
| Seek to confound your auditory! | 9 | ··˘/·/˘·˘ |
| To satisfy them is a task.— | 8 | ·/˘····· |
| What ails you now? Is’t suffering, or pleasure? | 10 | ·····/˘·/˘ |
| Go, find yourself a more obedient slave! | 10 | ··˘/··˘/˘· |
| What! shall the Poet that which Nature gave, | 10 | ···/˘··/˘· |
| The highest right, supreme Humanity, | 9 | ·/˘·˘/˘/˘ |
| Forfeit so wantonly, to swell your treasure? | 10 | /˘·/˘···/˘ |
| Whence o’er the heart his empire free? | 8 | ·····/˘· |
| The elements of Life how conquers he? | 9 | ·/˘···/˘· |
| Is’t not his heart’s accord, urged outward far and dim, | 11 | ····˘/·/··· |
| To wind the world in unison with him? | 9 | ·····/˘·· |
| When on the spindle, spun to endless distance, | 11 | ···/˘··/˘/˘ |
| By Nature’s listless hand the thread is twirled, | 10 | ·/˘/˘····· |
| And the discordant tones of all existence | 11 | ··˘/˘···˘/˘ |
| In sullen jangle are together hurled, | 10 | ·/˘/˘·˘/˘· |
| Who, then, the changeless orders of creation | 11 | ···/˘/˘·˘/˘ |
| Divides, and kindles into rhythmic dance? | 10 | ˘/·/˘··/˘· |
| Who brings the One to join the general ordination, | 13 | ·······/˘·˘/˘ |
| Where it may throb in grandest consonance? | 10 | ·····/˘··· |
| Who bids the storm to passion stir the bosom? | 11 | ·····/˘··/˘ |
| In brooding souls the sunset burn above? | 10 | ·/˘··/···· |
| Who scatters every fairest April blossom | 11 | ·/˘/˘/˘/˘/˘ |
| Along the shining path of Love? | 8 | ˘/·/˘··· |
| Who braids the noteless leaves to crowns, requiting | 11 | ···/˘······ |
| Desert with fame, in Action’s every field? | 10 | ˘/···/˘/˘· |
| Who makes Olympus sure, the Gods uniting? | 11 | ··˘/˘···˘/˘ |
| The might of Man, as in the Bard revealed. | 10 | ········˘/ |
| So, these fine forces, in conjunction, | 9 | ···/˘·˘/˘ |
| Propel the high poetic function, | 9 | ˘/··˘/˘/˘ |
| As in a love-adventure they might play! | 10 | ····˘/˘··· |
| You meet by accident; you feel, you stay, | 9 | ···/˘···· |
| And by degrees your heart is tangled; | 9 | ··˘/···/˘ |
| Bliss grows apace, and then its course is jangled; | 11 | ··˘/·····/˘ |
| You’re ravished quite, then comes a touch of woe, | 10 | ·········· |
| And there’s a neat romance, completed ere you know! | 12 | ····˘/˘/˘··· |
| Let us, then, such a drama give! | 8 | ·····/˘· |
| Grasp the exhaustless life that all men live! | 10 | ··˘/˘····· |
| Each shares therein, though few may comprehend: | 10 | ········˘/ |
| Where’er you touch, there’s interest without end. | 11 | ˘˘/···/˘··· |
| In motley pictures little light, | 8 | ·/˘/˘/˘· |
| Much error, and of truth a glimmering mite, | 10 | ·/˘····/˘· |
| Thus the best beverage is supplied, | 8 | ···/˘·˘/ |
| Whence all the world is cheered and edified. | 9 | ········· |
| Then, at your play, behold the fairest flower | 10 | ····˘/·/˘/ |
| Of youth collect, to hear the revelation! | 11 | ··˘/····˘/˘ |
| Each tender soul, with sentimental power, | 10 | ·/˘···˘/˘/ |
| Sucks melancholy food from your creation; | 11 | ·/˘·˘···˘/˘ |
| And now in this, now that, the leaven works. | 10 | ·······/˘· |
| For each beholds what in his bosom lurks. | 10 | ··˘/···/˘· |
| They still are moved at once to weeping or to laughter, | 13 | ·······/˘··/˘ |
| Still wonder at your flights, enjoy the show they see: | 12 | ·/˘···˘/···· |
| A mind, once formed, is never suited after; | 10 | ·····//˘·· |
| One yet in growth will ever grateful be. | 9 | ·····//˘· |
| Then give me back that time of pleasures, | 9 | ·······/˘ |
| While yet in joyous growth I sang,— | 8 | ···/˘··· |
| When, like a fount, the crowding measures | 9 | ·····/˘/˘ |
| Uninterrupted gushed and sprang! | 8 | ·˘˘/˘··· |
| Then bright mist veiled the world before me, | 9 | ········· |
| In opening buds a marvel woke, | 8 | ·/˘··/˘· |
| As I the thousand blossoms broke, | 8 | ···/˘/˘· |
| Which every valley richly bore me! | 9 | ·/˘/˘/˘·· |
| I nothing had, and yet enough for youth— | 10 | ·/˘···˘/·· |
| Joy in Illusion, ardent thirst for Truth. | 10 | ··˘/˘/˘··· |
| Give, unrestrained, the old emotion, | 9 | ··˘/··˘/˘ |
| The bliss that touched the verge of pain, | 8 | ········ |
| The strength of Hate, Love’s deep devotion,— | 9 | ······˘/˘ |
| O, give me back my youth again! | 8 | ······˘/ |
| Youth, good my friend, you certainly require | 9 | ·····/˘·/ |
| When foes in combat sorely press you; | 9 | ···/˘/˘·· |
| When lovely maids, in fond desire, | 9 | ·/˘···˘/˘ |
| Hang on your bosom and caress you; | 9 | ···/˘·˘/· |
| When from the hard-won goal the wreath | 8 | ········ |
| Beckons afar, the race awaiting; | 9 | /˘˘/··˘/˘ |
| When, after dancing out your breath, | 8 | ···/˘··· |
| You pass the night in dissipating:— | 9 | ·····/˘·˘ |
| But that familiar harp with soul | 8 | ··˘/˘··· |
| To play,—with grace and bold expression, | 9 | ······˘/˘ |
| And towards a self-erected goal | 8 | ····˘/˘· |
| To walk with many a sweet digression,— | 9 | ···/··˘/˘ |
| This, aged Sirs, belongs to you, | 7 | ···˘/·· |
| And we no less revere you for that reason: | 11 | ····˘/···/˘ |
| Age childish makes, they say, but ’tis not true; | 10 | ·/˘······· |
| We’re only genuine children still, in Age’s season! | 13 | ·/˘/˘/˘··/˘/˘ |
| The words you’ve bandied are sufficient; | 9 | ···/˘·˘/˘ |
| ’Tis deeds that I prefer to see: | 8 | ····˘/·· |
| In compliments you’re both proficient, | 9 | ·/˘˘··˘/˘ |
| But might, the while, more useful be. | 8 | ·····/˘· |
| What need to talk of Inspiration? | 9 | ······˘/˘ |
| ’Tis no companion of Delay. | 8 | ··˘/˘·˘/ |
| If Poetry be your vocation, | 9 | ·/˘˘··˘/˘ |
| Let Poetry your will obey! | 8 | ·/˘˘··˘/ |
| Full well you know what here is wanting; | 9 | ·······/˘ |
| The crowd for strongest drink is panting, | 9 | ···/˘··/˘ |
| And such, forthwith, I’d have you brew. | 8 | ··//···· |
| What’s left undone to-day, To-morrow will not do. | 12 | ··˘/···/˘··· |
| Waste not a day in vain digression: | 9 | ······˘/˘ |
| With resolute, courageous trust | 8 | ·/˘·˘/˘· |
| Seize every possible impression, | 9 | ·/˘/˘˘˘/˘ |
| And make it firmly your possession; | 9 | ···/˘·˘/˘ |
| You’ll then work on, because you must. | 8 | ········ |
| Upon our German stage, you know it, | 9 | ··//˘···· |
| Each tries his hand at what he will; | 8 | ········ |
| So, take of traps and scenes your fill, | 8 | ········ |
| And all you find, be sure to show it! | 9 | ········· |
| Use both the great and lesser heavenly light,— | 10 | ·····/˘/˘· |
| Squander the stars in any number, | 9 | /˘···/˘/˘ |
| Beasts, birds, trees, rocks, and all such lumber, | 9 | ·······/˘ |
| Fire, water, darkness, Day and Night! | 8 | //˘/˘··· |
| Thus, in our booth’s contracted sphere, | 8 | ··/·/˘˘· |
| The circle of Creation will appear, | 10 | ·/˘·˘/˘·˘/ |
| And move, as we deliberately impel, | 9 | ····˘/˘˘/ |
| From Heaven, across the World, to Hell! | 8 | ·/˘/···· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.