On Pain

Kahlil Gibran (1883–1931) · 1923

29 lines · from The Prophet

And a woman spoke, saying, Tell usof Pain.

And he said:

Your pain is the breaking of the shellthat encloses your understanding.

Even as the stone of the fruit mustbreak, that its heart may stand in thesun, so must you know pain.

And could you keep your heart in wonderat the daily miracles of your life, yourpain would not seem less wondrous thanyour joy;

And you would accept the seasons of yourheart, even as you have always acceptedthe seasons that pass over your fields.

And you would watch with serenitythrough the winters of your grief.

Much of your pain is self-chosen.

It is the bitter potion by which thephysician within you heals your sickself.

Therefore trust the physician, and drinkhis remedy in silence and tranquillity:For his hand, though heavy and hard, isguided by the tender hand of the Unseen,And the cup he brings, though it burnyour lips, has been fashioned of theclay which the Potter has moistened withHis own sacred tears.

Words in this poem

spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
wondrous adv.
In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
unseen a.
Not seen or discovered.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

On Pain is in the public domain. This text is taken from The Prophet, Project Gutenberg ebook #58585; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Kahlil Gibran, On Pain, in The Prophet (1923), text of Project Gutenberg ebook #58585, Laurel, https://laurelpoetry.com/poem/gibran-prophet/on-pain.html, id L27269.

About this section

On Pain is prose, printed in 10 paragraphs. It is part of the edition and is kept for reading, but nothing here is measured: the line breaks are the printer's, so no metre, rhyme scheme or scansion is stated.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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