Contralto

Théophile Gautier (1811–1872), translated by Agnes Lee · 1903

iambic pentameter · ABAB · 76 lines · from Enamels and Cameos and Other Poems

There lies within a great museum's hall,Upon a snowy bed of carven stone,A statue ever strange and mystical,With some fair fascination all its own.

And is it youth or is it maiden sweet,A goddess or a god come down to sway?Love fearful, hesitating, turns his feet,Nor any word's avowal will betray.

Sideways it lieth, with averted face,Stretching its lovely limbs, half mischievous,Unto the curious crowd, an idle graceLighting its marble form luxurious.

For fashioning of its evil beauty broughtThe sexes twain each one its magic dower.Man whispers "Aphrodite!" in his thought,And woman "Eros!" wondering at its power.

Uncertain sex and certain grace, that seemTo melt forever in a fountain's kiss,Waters that whelm the body as they gleamAnd merge, and it is one with Salmacis.

Ardent chimera, effort venturesomeOf Art and Pleasure--figure fanciful!Into thy presence with delight I come,Loving thy beauty strange and multiple.

Though I may never close to thee draw nigh,How often have my glances pierced the taut,Straight fold of thine austerest drapery,Fast at the end about thine ankle caught!

O dream of poet passing every bound!My thought hath built a fancy of thy form,Till it is molten into silver sound,And boy and girl are one in cadence warm.

O tone divine, O richest tone of earth,The beautiful, bright statue's counterpart!Contralto, thou fantastical of birth,The voice's own Hermaphrodite thou art!

Thou art the plaintive dove, the linnet rare,Perched on one rose tree, mellow in one note.Thou art fair Juliet and Romeo fair,Singing across the night with one warm throat.

Thou art the young wife of the castellan,Chaffing an amorous page below her bower,--Upon her balcony the lady wan,The lover at the base of her high tower.

Thou art the yellow butterfly that swings,Pursuing soft a butterfly of snow,In spiral flights and subtle traversings,One winging high, the other winging low;

The angel flitting up and down the goldOf the bright stair's aerial extent,The bell in whose alloy of mighty mouldArc voice of bronze and voice of silver blent

Yea, melody and harmony art thou,Song with its true accompaniment, and graceMatched unto force,--the woman plighting vowTo her Beloved with a close embrace;

Or thou art Cinderella doomed to spendHer night before the embers of the fire,Deep in a conversation with her friend,The cricket, as the latter hours expire;

Or Arsaces, the great and valorous,Waging his righteous battle for a realm,Or Tancred with his breastplate luminous,Cuirassed and splendid with his sword and helm;

Or Desdemona with her willow song,Zerlina laughing at Mazetto, orMalcolm, his plaid upon his shoulder strong.Thee, O thou dear Contralto, I adore!

For these thou art, thou dearest charm of each,O fair Contralto, double-throated dove!The Kaled of a Lara, for thy speech,Thou mightest, like the lost Gulnare, prove,--

In whose heart-stirring, passionate caressIn one wild, tremulous note there blend and mountA woman's sigh of plaintive tenderness,And virile accents from a firmer fount.

Words in this poem 21
snowy a.
White like snow.
carven a.
Wrought by carving; ornamented by carvings; carved.
fascination n.
The act of fascinating, bewhiching, or enchanting; enchantment; witchcraft; the exercise of a powerful or irresistible influence on the affections or passions; unseen, inexplicable influence. [L. fascinatio; cf. F. fascination.]
averted a.
Turned away, esp. as an expression of feeling; also, offended; unpropitious.
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
aphrodite n.
The Greek goddess of love, corresponding to the Venus of the Romans.
eros n.
Love; the god of love; -- by earlier writers represented as one of the first and creative gods, by later writers as the son of Aphrodite, equivalent to the Latin god Cupid.
whelm v. t.
To cover with water or other fluid; to cover by immersion in something that envelops on all sides; to overwhelm; to ingulf.
merge v. t.
To cause to be swallowed up; to immerse; to sink; to absorb. [L. mergere, mersum. Cf. Emerge, Immerse, Marrow.]
chimera n.
A monster represented as vomiting flames, and as having the head of a lion, the body of a goat, and the tail of a dragon. [L. chimaera a chimera (in sense 1), Gr. qymbr a yearling ewe.]
fantastical a.
Fanciful; unreal; whimsical; capricious; fantastic.
castellan n.
A goveror or warden of a castle. [OF. castelain, F. châtelain, L. castellanus pertaining to a castle, an occupant of a caste, LL., a governor of a castle, fr. L. catellum castle, citadel, dim. o]
chaffing n.
The use of light, frivolous language by way of fun or ridicule; raillery; banter.
flitting n.
A flying with lightness and celerity; a fluttering.
mould n.
Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
blent p. p.
Blinded. Also (Chaucer), 3d sing. pres. Blindeth.
valorous a.
Possessing or exhibiting valor; brave; courageous; valiant; intrepid. [Cf. F. valeureux, LL. valorosus.]
cuirassed a.
Wearing a cuirass.
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
caress n.
An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Contralto is in the public domain. This text is taken from Enamels and Cameos and Other Poems, Project Gutenberg ebook #29521, the Agnes Lee translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Théophile Gautier, Contralto, in Enamels and Cameos and Other Poems (1903), text of Project Gutenberg ebook #29521, Laurel, https://laurelpoetry.com/poem/gautier-enamels-cameos/contralto.html, id L26997.

Form and metre

Contralto is 76 lines in 19 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 16 of its 19 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB hallA · stoneB · mysticalA · ownB
  2. 2 ABAB sweetA · swayB · feetA · betrayB
  3. 3 AAAA faceA · mischievousA · graceA · luxuriousA
  4. 4 A-A- broughtA · dower · thoughtA · power
  5. 5 ABAB seemA · kissB · gleamA · salmacisB
  6. 6 ABAB venturesomeA · fancifulB · comeA · multipleB
  7. 7 -A-A nigh · tautA · drapery · caughtA
  8. 8 ABAB boundA · formB · soundA · warmB
  9. 9 ABAB earthA · counterpartB · birthA · artB
  10. 10 ABAB rareA · noteB · fairA · throatB
  11. 11 ABAB castellanA · bowerB · wanA · towerB
  12. 12 ABAB swingsA · snowB · traversingsA · lowB
  13. 13 ABAB goldA · extentB · mouldA · blentB
  14. 14 ABAB thouA · graceB · vowA · embraceB
  15. 15 ABAB spendA · fireB · friendA · expireB
  16. 16 ABAB valorousA · realmB · luminousA · helmB
  17. 17 ABAB songA · orB · strongA · adoreB
  18. 18 ABAB eachA · doveB · speechA · proveB
  19. 19 ABAB caressA · mountB · tendernessA · fountB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
There lies within a great museum's hall,10······˘/˘·
Upon a snowy bed of carven stone,10···/˘··/˘·
A statue ever strange and mystical,10·/·/˘··/˘˘
With some fair fascination all its own.10····˘/˘···
And is it youth or is it maiden sweet,10·······/˘·
A goddess or a god come down to sway?10·/˘·······
Love fearful, hesitating, turns his feet,10·/˘/˘·˘···
Nor any word's avowal will betray.10·/˘·˘/˘·˘/
Sideways it lieth, with averted face,9/····˘/˘·
Stretching its lovely limbs, half mischievous,10/˘·/˘··/˘˘
Unto the curious crowd, an idle grace10···/˘··/˘·
Lighting its marble form luxurious.10/˘·/˘·˘/˘˘
For fashioning of its evil beauty brought10·/˘˘··//˘·
The sexes twain each one its magic dower.10·/˘····/˘·
Man whispers "Aphrodite!" in his thought,10·/˘·˘/˘···
And woman "Eros!" wondering at its power.10·/˘/˘/˘··/
Uncertain sex and certain grace, that seem10˘/˘··/˘···
To melt forever in a fountain's kiss,10··˘/˘··/˘·
Waters that whelm the body as they gleam10/˘···/˘···
And merge, and it is one with Salmacis.10··········
Ardent chimera, effort venturesome10/˘˘/˘/˘/˘˘
Of Art and Pleasure--figure fanciful!10···/˘/˘/˘˘
Into thy presence with delight I come,10···/˘·˘/··
Loving thy beauty strange and multiple.10/˘·/˘··/˘˘
Though I may never close to thee draw nigh,10···/˘·····
How often have my glances pierced the taut,10·/˘··/˘···
Straight fold of thine austerest drapery,10····/˘˘/˘˘
Fast at the end about thine ankle caught!10·······/˘·
O dream of poet passing every bound!10···/˘/˘/˘·
My thought hath built a fancy of thy form,10·····/˘···
Till it is molten into silver sound,10···/˘··/˘·
And boy and girl are one in cadence warm.10·······/˘·
O tone divine, O richest tone of earth,10··˘/·/˘···
The beautiful, bright statue's counterpart!10·/˘˘·/·/˘·
Contralto, thou fantastical of birth,10˘/˘·˘/˘˘··
The voice's own Hermaphrodite thou art!10·/˘·˘/˘···
Thou art the plaintive dove, the linnet rare,10···/˘··/˘·
Perched on one rose tree, mellow in one note.10·····/˘···
Thou art fair Juliet and Romeo fair,11···/˘··/˘··
Singing across the night with one warm throat.10/˘˘/······
Thou art the young wife of the castellan,10·······/˘˘
Chaffing an amorous page below her bower,--10/˘·/˘····/
Upon her balcony the lady wan,10···/˘˘·/˘·
The lover at the base of her high tower.11·/˘······/˘
Thou art the yellow butterfly that swings,10···/˘/˘···
Pursuing soft a butterfly of snow,10˘/˘··/˘···
In spiral flights and subtle traversings,10·/˘··/˘˘/˘
One winging high, the other winging low;10·/˘··/˘/˘·
The angel flitting up and down the gold10·/˘/˘·····
Of the bright stair's aerial extent,9····/˘˘˘/
The bell in whose alloy of mighty mould10····/··/˘·
Arc voice of bronze and voice of silver blent10·······/˘·
Yea, melody and harmony art thou,10·/˘˘·/˘˘··
Song with its true accompaniment, and grace10····˘/˘˘··
Matched unto force,--the woman plighting vow10·····/˘/˘·
To her Beloved with a close embrace;10··˘/˘···˘/
Or thou art Cinderella doomed to spend10····˘/˘···
Her night before the embers of the fire,11·····/˘··/˘
Deep in a conversation with her friend,10····˘/˘···
The cricket, as the latter hours expire;10·/˘··/˘/˘/
Or Arsaces, the great and valorous,10·······/˘˘
Waging his righteous battle for a realm,10/˘·/˘/˘···
Or Tancred with his breastplate luminous,10··˘··/·/˘˘
Cuirassed and splendid with his sword and helm;10˘/·/˘·····
Or Desdemona with her willow song,10·······/··
Zerlina laughing at Mazetto, or10˘/˘/˘·····
Malcolm, his plaid upon his shoulder strong.10/˘·····/˘·
Thee, O thou dear Contralto, I adore!10····˘/˘·˘/
For these thou art, thou dearest charm of each,10·····/˘···
O fair Contralto, double-throated dove!10··˘/˘/˘/˘·
The Kaled of a Lara, for thy speech,10··˘··/˘···
Thou mightest, like the lost Gulnare, prove,--9·/˘······
In whose heart-stirring, passionate caress10···/˘/˘˘˘/
In one wild, tremulous note there blend and mount10···/˘·····
A woman's sigh of plaintive tenderness,10·/˘··/˘/˘˘
And virile accents from a firmer fount.10·/˘/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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