The Generations of Men

Robert Frost (1874–1963) · 1914

iambic pentameter · unrhymed · 225 lines · from North of Boston

A GOVERNOR it was proclaimed this time,When all who would come seeking in New HampshireAncestral memories might come together.And those of the name Stark gathered in Bow,A rock-strewn town where farming has fallen off,And sprout-lands flourish where the axe has gone.Someone had literally run to earthIn an old cellar hole in a by-roadThe origin of all the family there.Thence they were sprung, so numerous a tribeThat now not all the houses left in townMade shift to shelter them without the helpOf here and there a tent in grove and orchard.They were at Bow, but that was not enough:Nothing would do but they must fix a dayTo stand together on the crater's vergeThat turned them on the world, and try to fathomThe past and get some strangeness out of it.But rain spoiled all. The day began uncertain,With clouds low trailing and moments of rain that misted.The young folk held some hope out to each otherTill well toward noon when the storm settled downWith a swish in the grass. "What if the othersAre there," they said. "It isn't going to rain."Only one from a farm not far awayStrolled thither, not expecting he would findAnyone else, but out of idleness.One, and one other, yes, for there were two.The second round the curving hillside roadWas a girl; and she halted some way offTo reconnoitre, and then made up her mindAt least to pass by and see who he was,And perhaps hear some word about the weather.This was some Stark she didn't know. He nodded."No fête to-day," he said."It looks that way."She swept the heavens, turning on her heel."I only idled down.""I idled down."Provision there had been for just such meetingOf stranger cousins, in a family treeDrawn on a sort of passport with the branchOf the one bearing it done in detail--Some zealous one's laborious device.She made a sudden movement toward her bodice,As one who clasps her heart. They laughed together."Stark?" he inquired. "No matter for the proof.""Yes, Stark. And you?""I'm Stark." He drew his passport."You know we might not be and still be cousins:The town is full of Chases, Lowes, and Baileys,All claiming some priority in Starkness.My mother was a Lane, yet might have marriedAnyone upon earth and still her childrenWould have been Starks, and doubtless here to-day.""You riddle with your genealogyLike a Viola. I don't follow you.""I only mean my mother was a StarkSeveral times over, and by marrying fatherNo more than brought us back into the name.""One ought not to be thrown into confusionBy a plain statement of relationship,But I own what you say makes my head spin.You take my card--you seem so good at such things--And see if you can reckon our cousinship.Why not take seats here on the cellar wallAnd dangle feet among the raspberry vines?""Under the shelter of the family tree.""Just so--that ought to be enough protection.""Not from the rain. I think it's going to rain.""It's raining.""No, it's misting; let's be fair.Does the rain seem to you to cool the eyes?"The situation was like this: the roadBowed outward on the mountain half-way up,And disappeared and ended not far off.No one went home that way. The only houseBeyond where they were was a shattered seedpod.And below roared a brook hidden in trees,The sound of which was silence for the place.This he sat listening to till she gave judgment."On father's side, it seems, we're--let me see----""Don't be too technical.--You have three cards.""Four cards, one yours, three mine, one for each branchOf the Stark family I'm a member of.""D'you know a person so related to herselfIs supposed to be mad.""I may be mad.""You look so, sitting out here in the rainStudying genealogy with meYou never saw before. What will we come toWith all this pride of ancestry, we Yankees?I think we're all mad. Tell me why we're hereDrawn into town about this cellar holeLike wild geese on a lake before a storm?What do we see in such a hole, I wonder.""The Indians had a myth of Chicamoztoc,Which means The Seven Caves that We Came out of.This is the pit from which we Starks were digged.""You must be learned. That's what you see in it?""And what do you see?""Yes, what do I see?First let me look. I see raspberry vines----""Oh, if you're going to use your eyes, just hearWhat I see. It's a little, little boy,As pale and dim as a match flame in the sun;He's groping in the cellar after jam,He thinks it's dark and it's flooded with daylight.""He's nothing. Listen. When I lean like thisI can make out old Grandsir Stark distinctly,--With his pipe in his mouth and his brown jug--Bless you, it isn't Grandsir Stark, it's Granny,But the pipe's there and smoking and the jug.She's after cider, the old girl, she's thirsty;Here's hoping she gets her drink and gets out safely.""Tell me about her. Does she look like me?""She should, shouldn't she, you're so many timesOver descended from her. I believeShe does look like you. Stay the way you are.The nose is just the same, and so's the chin--Making allowance, making due allowance.""You poor, dear, great, great, great, great Granny!""See that you get her greatness right. Don't stint her.""Yes, it's important, though you think it isn't.I won't be teased. But see how wet I am.""Yes, you must go; we can't stay here for ever.But wait until I give you a hand up.A bead of silver water more or lessStrung on your hair won't hurt your summer looks.I wanted to try something with the noiseThat the brook raises in the empty valley.We have seen visions--now consult the voices.Something I must have learned riding in trainsWhen I was young. I used the roarTo set the voices speaking out of it,Speaking or singing, and the band-music playing.Perhaps you have the art of what I mean.I've never listened in among the soundsThat a brook makes in such a wild descent.It ought to give a purer oracle.""It's as you throw a picture on a screen:The meaning of it all is out of you;The voices give you what you wish to hear.""Strangely, it's anything they wish to give.""Then I don't know. It must be strange enough.I wonder if it's not your make-believe.What do you think you're like to hear to-day?""From the sense of our having been together--But why take time for what I'm like to hear?I'll tell you what the voices really say.You will do very well right where you areA little longer. I mustn't feel too hurried,Or I can't give myself to hear the voices.""Is this some trance you are withdrawing into?""You must be very still; you mustn't talk.""I'll hardly breathe.""The voices seem to say----""I'm waiting.""Don't! The voices seem to say:Call her Nausicaa, the unafraidOf an acquaintance made adventurously.""I let you say that--on consideration.""I don't see very well how you can help it.You want the truth. I speak but by the voices.You see they know I haven't had your name,Though what a name should matter between us----""I shall suspect----""Be good. The voices say:Call her Nausicaa, and take a timberThat you shall find lies in the cellar charredAmong the raspberries, and hew and shape itFor a door-sill or other corner pieceIn a new cottage on the ancient spot.The life is not yet all gone out of it.And come and make your summer dwelling here,And perhaps she will come, still unafraid,And sit before you in the open doorWith flowers in her lap until they fade,But not come in across the sacred sill----""I wonder where your oracle is tending.You can see that there's something wrong with it,Or it would speak in dialect. Whose voiceDoes it purport to speak in? Not old Grandsir'sNor Granny's, surely. Call up one of them.They have best right to be heard in this place.""You seem so partial to our great-grandmother(Nine times removed. Correct me if I err.)You will be likely to regard as sacredAnything she may say. But let me warn you,Folks in her day were given to plain speaking.You think you'd best tempt her at such a time?""It rests with us always to cut her off.""Well then, it's Granny speaking: 'I dunnow!Mebbe I'm wrong to take it as I do.There ain't no names quite like the old ones though,Nor never will be to my way of thinking.One mustn't bear too hard on the new comers,But there's a dite too many of them for comfort.I should feel easier if I could seeMore of the salt wherewith they're to be salted.Son, you do as you're told! You take the timber--It's as sound as the day when it was cut--And begin over----' There, she'd better stop.You can see what is troubling Granny, though.But don't you think we sometimes make too muchOf the old stock? What counts is the ideals,And those will bear some keeping still about.""I can see we are going to be good friends.""I like your 'going to be.' You said just nowIt's going to rain.""I know, and it was raining.I let you say all that. But I must go now.""You let me say it? on consideration?How shall we say good-bye in such a case?""How shall we?""Will you leave the way to me?""No, I don't trust your eyes. You've said enough.Now give me your hand up.--Pick me that flower.""Where shall we meet again?""Nowhere but hereOnce more before we meet elsewhere.""In rain?""It ought to be in rain. Sometime in rain.In rain to-morrow, shall we, if it rains?But if we must, in sunshine." So she went.

Words in this poem 28
stark adv.
Wholly; entirely; absolutely; quite; as, stark mind.
strangeness n.
The state or quality of being strange (in any sense of the adjective).
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
swish v. t.
To flourish, so as to make the sound swish. Coleridge. [From the sound. Cf. Swash.]
anyone n.
One taken at random rather than by selection; anybody.
reconnoitre v. t.
To examine with the eye to make a preliminary examination or survey of; esp., to survey with a view to military or engineering operations. [F. reconnoitre, a former spelling of reconnaître. See Recognize.]
passport n.
Permission to pass; a document given by the competent officer of a state, permitting the person therein named to pass or travel from place to place, without molestation, by land or by water. [F. passeport, orig., a permission to leave a port or to sail into it; passer to pass + port a port, harbor. See Pass, and Port a harbor.]
bodice n.
A kind of under waist stiffened with whalebone, etc., worn esp. by women; a corset; stays. [This is properly the plural of body, Oe. bodise a pair of bodies, equiv. to a bodice. Cf. Corset, and see Body.]
starkness n.
The quality or state of being stark.
doubtless a.
Free from fear or suspicion.
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
cousinship n.
The relationship of cousins; state of being cousins; cousinhood. G. Eliot.
dangle v. i.
To hang loosely, or with a swinging or jerking motion. [Akin to Dan. dangle, dial. Sw. dangla, Dan. dingle, Sw. dingla, Icel. dingla; perh. from E. ding.]
went n.
Course; way; path; journey; direction.
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
granny n.
A grandmother; a grandam; familiarly, an old woman. Granny's bend, or Granny's knot (Naut.), a kind of insecure knot or hitch; a reef knot crossed the wrong way.
consult n.
The act of consulting or deliberating; consultation; also, the result of consulation; determination; decision.
oracle v. i.
To utter oracles.
strangely adv.
As something foreign, or not one's own; in a manner adapted to something foreign and strange.
adventurously adv.
In an adventurous manner; venturesomely; boldly; daringly.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
purport n.
Design or tendency; meaning; import; tenor. [OF. purport; pur, pour, for (L. pro) + porter to bear, carry. See Port demeanor.]
folks n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
dite v. t.
To prepare for action or use; to make ready; to dight. [See Dight.]
wherewith adv.
With which; -- used relatively.
nowhere adv.
Not anywhere; not in any place or state; as, the book is nowhere to be found. [AS. nahwær. See No, and Where.]
sometime adv.
At a past time indefinitely referred to; once; formerly.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Generations of Men is in the public domain. This text is taken from North of Boston, Project Gutenberg ebook #3026; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Frost, The Generations of Men, in North of Boston (1914), text of Project Gutenberg ebook #3026, Laurel, https://laurelpoetry.com/poem/frost-north-of-boston/the-generations-of-men.html, id L04613.

Form and metre

The Generations of Men is 225 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 60 lines end on an unstressed syllable, a feminine ending. 27% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ------------------A--A-----------BB--------CC---------------DED-E---FF-----------------------------------------------------------G-G----H---H-----I--I-------------------------J-J-------------------K---K-------L--L-MM---NN---- time · hampshire · together · bow · off · gone · earth · road · there · tribe · town · help · orchard · enough · day · verge · fathom · it · uncertainA · misted · other · downA · others · rain · away · find · idleness · two · road · off · mind · was · weather · noddedB · saidB · way · heel · down · down · meeting · tree · branch · detail · deviceC · bodiceC · together · proof · you · passport · cousins · baileys · starkness · married · children · day · genealogy · you · stark · father · name · confusionD · relationshipE · spinD · things · cousinshipE · wall · vines · tree · protectionF · rainF · raining · fair · eyes · road · up · off · house · seedpod · trees · place · judgment · see · cards · branch · of · herself · mad · mad · rain · me · to · yankees · here · hole · storm · wonder · chicamoztoc · of · digged · it · see · see · vines · hear · boy · sun · jam · daylight · this · distinctly · jug · granny · jug · thirsty · safely · me · times · believe · are · chin · allowance · granny · her · isn't · am · ever · up · less · looks · noiseG · valley · voicesG · trains · roar · it · playing · meanH · sounds · descent · oracle · screenH · you · hear · give · enough · believe · dayI · together · hear · sayI · are · hurried · voices · into · talk · breathe · say · waiting · say · unafraid · adventurously · consideration · it · voices · name · us · suspect · say · timber · charred · it · piece · spot · it · here · unafraidJ · door · fadeJ · sill · tending · it · voice · grandsir's · them · place · grandmother · err · sacred · you · speaking · time · off · dunnow · do · though · thinking · comers · comfortK · see · salted · timber · cutK · stop · though · much · ideals · about · friends · now · rainL · raining · now · considerationL · case · weM · meM · enough · flower · again · hereN · elsewhereN · rain · rain · rains · went
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
A GOVERNOR it was proclaimed this time,10·/˘˘··˘/··
When all who would come seeking in New Hampshire11·····/˘··/˘
Ancestral memories might come together.11˘/˘/˘˘··˘/˘
And those of the name Stark gathered in Bow,10······/˘··
A rock-strewn town where farming has fallen off,11·····/˘·/˘·
And sprout-lands flourish where the axe has gone.10···/˘·····
Someone had literally run to earth10/··/˘˘˘···
In an old cellar hole in a by-road10···/˘·····
The origin of all the family there.10·/˘···/˘˘·
Thence they were sprung, so numerous a tribe10·····/˘˘··
That now not all the houses left in town10·····/˘···
Made shift to shelter them without the help10···/˘·····
Of here and there a tent in grove and orchard.11·········/˘
They were at Bow, but that was not enough:10········˘/
Nothing would do but they must fix a day10/˘········
To stand together on the crater's verge10··˘/˘··/˘·
That turned them on the world, and try to fathom11·········/˘
The past and get some strangeness out of it.10·····/˘···
But rain spoiled all. The day began uncertain,11······˘/˘/˘
With clouds low trailing and moments of rain that misted.13···/˘·/˘···/˘
The young folk held some hope out to each other11·········/˘
Till well toward noon when the storm settled down11········/˘·
With a swish in the grass. "What if the others11·········/˘
Are there," they said. "It isn't going to rain."10·····/˘/··
Only one from a farm not far away10/˘······˘/
Strolled thither, not expecting he would find10·/˘·˘/˘···
Anyone else, but out of idleness.10/˘·····/˘˘
One, and one other, yes, for there were two.10···/˘·····
The second round the curving hillside road10·/˘··/˘/··
Was a girl; and she halted some way off10·····/˘···
To reconnoitre, and then made up her mind11··˘/˘······
At least to pass by and see who he was,10··········
And perhaps hear some word about the weather.11·˘/······/˘
This was some Stark she didn't know. He nodded.11·····/˘··/˘
"No fête to-day," he said.6······
"It looks that way."4····
She swept the heavens, turning on her heel.10···/˘/˘···
"I only idled down."6·/˘/˘·
"I idled down."4·/˘·
Provision there had been for just such meeting11˘/˘······/˘
Of stranger cousins, in a family tree10·/˘/˘··/˘·
Drawn on a sort of passport with the branch10·····/····
Of the one bearing it done in detail--10···/˘···˘/
Some zealous one's laborious device.10·/˘·˘/˘˘˘/
She made a sudden movement toward her bodice,12···/˘/˘···/˘
As one who clasps her heart. They laughed together.11········˘/˘
"Stark?" he inquired. "No matter for the proof."10··˘/·/˘···
"Yes, Stark. And you?"4····
"I'm Stark." He drew his passport.7·····/·
"You know we might not be and still be cousins:11·········/˘
The town is full of Chases, Lowes, and Baileys,11·····/˘··/˘
All claiming some priority in Starkness.11·/˘·˘/˘˘·/˘
My mother was a Lane, yet might have married11·/˘······/˘
Anyone upon earth and still her children11/˘˘······/˘
Would have been Starks, and doubtless here to-day."10·····/˘···
"You riddle with your genealogy10·/˘···˘/˘˘
Like a Viola. I don't follow you."10··˘/˘··/˘·
"I only mean my mother was a Stark10·/˘··/˘···
Several times over, and by marrying father11/˘····/˘˘/˘
No more than brought us back into the name."10··········
"One ought not to be thrown into confusion11········˘/˘
By a plain statement of relationship,10···/˘·˘/˘·
But I own what you say makes my head spin.10··········
You take my card--you seem so good at such things--11···········
And see if you can reckon our cousinship.11·····/˘//˘˘
Why not take seats here on the cellar wall10·······/˘·
And dangle feet among the raspberry vines?"11·/˘····/·˘·
"Under the shelter of the family tree."10···/˘··/˘·
"Just so--that ought to be enough protection."11······˘/˘/˘
"Not from the rain. I think it's going to rain."10·······/··
"It's raining."3·/˘
"No, it's misting; let's be fair.7··/˘···
Does the rain seem to you to cool the eyes?"10··········
The situation was like this: the road10··˘/˘·····
Bowed outward on the mountain half-way up,10·/˘··/˘···
And disappeared and ended not far off.10··˘/·/˘···
No one went home that way. The only house10·······/˘·
Beyond where they were was a shattered seedpod.11·······/˘/·
And below roared a brook hidden in trees,10······/˘··
The sound of which was silence for the place.10·····/˘···
This he sat listening to till she gave judgment.11···/˘····/˘
"On father's side, it seems, we're--let me see----"10·/˘·······
"Don't be too technical.--You have three cards."10···/˘˘····
"Four cards, one yours, three mine, one for each branch10··········
Of the Stark family I'm a member of."10···/˘··/˘·
"D'you know a person so related to herself12···/˘·˘/˘·˘/
Is supposed to be mad."6·˘/···
"I may be mad."4····
"You look so, sitting out here in the rain10···/˘·····
Studying genealogy with me10/˘˘·˘/˘˘··
You never saw before. What will we come to10·/········
With all this pride of ancestry, we Yankees?11·····/˘˘·/˘
I think we're all mad. Tell me why we're here10··········
Drawn into town about this cellar hole10·······/˘·
Like wild geese on a lake before a storm?10··········
What do we see in such a hole, I wonder."11·········/˘
"The Indians had a myth of Chicamoztoc,11·/˘········
Which means The Seven Caves that We Came out of.10···/······
This is the pit from which we Starks were digged."10··········
"You must be learned. That's what you see in it?"10··········
"And what do you see?"5·····
"Yes, what do I see?5·····
First let me look. I see raspberry vines----"10······/·˘·
"Oh, if you're going to use your eyes, just hear10···/······
What I see. It's a little, little boy,10·····/˘/˘·
As pale and dim as a match flame in the sun;11···········
He's groping in the cellar after jam,10·/˘··/˘···
He thinks it's dark and it's flooded with daylight."11······/˘·/·
"He's nothing. Listen. When I lean like this10·/˘/˘·····
I can make out old Grandsir Stark distinctly,--11········˘/˘
With his pipe in his mouth and his brown jug--10··········
Bless you, it isn't Grandsir Stark, it's Granny,11···/˘····/˘
But the pipe's there and smoking and the jug.10·····/˘···
She's after cider, the old girl, she's thirsty;11···/˘····/˘
Here's hoping she gets her drink and gets out safely."12·/˘·······/˘
"Tell me about her. Does she look like me?"10··········
"She should, shouldn't she, you're so many times10··/˘···/˘·
Over descended from her. I believe10··˘/˘···˘/
She does look like you. Stay the way you are.10··········
The nose is just the same, and so's the chin--10··········
Making allowance, making due allowance."11/˘˘/˘/˘·˘/˘
"You poor, dear, great, great, great, great Granny!"9·······/˘
"See that you get her greatness right. Don't stint her."11·····/˘····
"Yes, it's important, though you think it isn't.11··˘/˘····/˘
I won't be teased. But see how wet I am."10··········
"Yes, you must go; we can't stay here for ever.11·········/˘
But wait until I give you a hand up.10··········
A bead of silver water more or less10···/˘/˘···
Strung on your hair won't hurt your summer looks.10·······/˘·
I wanted to try something with the noise10·/˘··/˘···
That the brook raises in the empty valley.11···/˘··/˘/˘
We have seen visions--now consult the voices.11···/˘·˘/·/˘
Something I must have learned riding in trains10/˘····/˘··
When I was young. I used the roar8········
To set the voices speaking out of it,10···/˘/˘···
Speaking or singing, and the band-music playing.12/˘·/˘···/˘/˘
Perhaps you have the art of what I mean.10˘/········
I've never listened in among the sounds10·/˘/˘·····
That a brook makes in such a wild descent.10········˘/
It ought to give a purer oracle."10·····/˘/˘˘
"It's as you throw a picture on a screen:10·····/˘···
The meaning of it all is out of you;10·/˘·······
The voices give you what you wish to hear."10·/˘·······
"Strangely, it's anything they wish to give."10/˘·/˘·····
"Then I don't know. It must be strange enough.10········˘/
I wonder if it's not your make-believe.10·/˘·····˘/
What do you think you're like to hear to-day?"10··········
"From the sense of our having been together--11····//˘·˘/˘
But why take time for what I'm like to hear?10··········
I'll tell you what the voices really say.10·····/˘/˘·
You will do very well right where you are10···/˘·····
A little longer. I mustn't feel too hurried,12·/˘/˘·/˘··/˘
Or I can't give myself to hear the voices."11·····/···/˘
"Is this some trance you are withdrawing into?"11······˘/˘··
"You must be very still; you mustn't talk."10···/˘··/˘·
"I'll hardly breathe."4·/˘·
"The voices seem to say----"6·/˘···
"I'm waiting."3·/˘
"Don't! The voices seem to say:7··/˘···
Call her Nausicaa, the unafraid9·······˘/
Of an acquaintance made adventurously."11··˘/˘·˘/˘˘˘
"I let you say that--on consideration."11······˘·˘/˘
"I don't see very well how you can help it.11···/˘······
You want the truth. I speak but by the voices.11·········/˘
You see they know I haven't had your name,10·····/˘···
Though what a name should matter between us----"10·····/˘···
"I shall suspect----"4··˘/
"Be good. The voices say:6···/˘·
Call her Nausicaa, and take a timber10········/˘
That you shall find lies in the cellar charred10·······/˘·
Among the raspberries, and hew and shape it11···/·˘·····
For a door-sill or other corner piece10·····/˘/˘·
In a new cottage on the ancient spot.10···/˘··/˘·
The life is not yet all gone out of it.10··········
And come and make your summer dwelling here,10·····/˘/˘·
And perhaps she will come, still unafraid,10·˘/·····˘/
And sit before you in the open door10·······/˘·
With flowers in her lap until they fade,10·/˘·······
But not come in across the sacred sill----"10····˘/·/˘·
"I wonder where your oracle is tending.11·/˘··/˘˘·/˘
You can see that there's something wrong with it,10·····/˘···
Or it would speak in dialect. Whose voice10·····/˘···
Does it purport to speak in? Not old Grandsir's11··/········
Nor Granny's, surely. Call up one of them.10·/˘/˘·····
They have best right to be heard in this place."10··········
"You seem so partial to our great-grandmother11···/˘·/·/·˘
(Nine times removed. Correct me if I err.)10··˘/˘/····
You will be likely to regard as sacred11···/˘·˘/·/˘
Anything she may say. But let me warn you,11/˘·········
Folks in her day were given to plain speaking.11·····/˘··/˘
You think you'd best tempt her at such a time?"10··········
"It rests with us always to cut her off."10····/·····
"Well then, it's Granny speaking: 'I dunnow!10···/˘/˘···
Mebbe I'm wrong to take it as I do.9·········
There ain't no names quite like the old ones though,10··········
Nor never will be to my way of thinking.11·/˘······/˘
One mustn't bear too hard on the new comers,11·/˘······/˘
But there's a dite too many of them for comfort.11·····/···/˘
I should feel easier if I could see10···/˘˘····
More of the salt wherewith they're to be salted.11····˘/···/˘
Son, you do as you're told! You take the timber--11·········/˘
It's as sound as the day when it was cut--10··········
And begin over----' There, she'd better stop.10·˘/····/˘·
You can see what is troubling Granny, though.10·····/˘/˘·
But don't you think we sometimes make too much10·····˘/···
Of the old stock? What counts is the ideals,10········˘/
And those will bear some keeping still about."10·····/˘···
"I can see we are going to be good friends."10·····/····
"I like your 'going to be.' You said just now10···/······
It's going to rain."5·/˘··
"I know, and it was raining.7·····/˘
I let you say all that. But I must go now."11···········
"You let me say it? on consideration?11······˘·˘/˘
How shall we say good-bye in such a case?"10··········
"How shall we?"3···
"Will you leave the way to me?"7·······
"No, I don't trust your eyes. You've said enough.10········˘/
Now give me your hand up.--Pick me that flower."11·········/˘
"Where shall we meet again?"6····˘/
"Nowhere but here4/···
Once more before we meet elsewhere."8······/·
"In rain?"2··
"It ought to be in rain. Sometime in rain.10······/···
In rain to-morrow, shall we, if it rains?10···/˘·····
But if we must, in sunshine." So she went.10·····/····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Robert Frost