The Fear

Robert Frost (1874–1963) · 1914

iambic pentameter · unrhymed · 103 lines · from North of Boston

A LANTERN light from deeper in the barnShone on a man and woman in the doorAnd threw their lurching shadows on a houseNear by, all dark in every glossy window.A horse's hoof pawed once the hollow floor,And the back of the gig they stood besideMoved in a little. The man grasped a wheel,The woman spoke out sharply, "Whoa, stand still!""I saw it just as plain as a white plate,"She said, "as the light on the dashboard ranAlong the bushes at the roadside--a man's face.You must have seen it too.""I didn't see it.Are you sure----""Yes, I'm sure!""--it was a face?""Joel, I'll have to look. I can't go in,I can't, and leave a thing like that unsettled.Doors locked and curtains drawn will make no difference.I always have felt strange when we came homeTo the dark house after so long an absence,And the key rattled loudly into placeSeemed to warn someone to be getting outAt one door as we entered at another.What if I'm right, and someone all the time--Don't hold my arm!""I say it's someone passing.""You speak as if this were a travelled road.You forget where we are. What is beyondThat he'd be going to or coming fromAt such an hour of night, and on foot too.What was he standing still for in the bushes?""It's not so very late--it's only dark.There's more in it than you're inclined to say.Did he look like----?""He looked like anyone.I'll never rest to-night unless I know.Give me the lantern.""You don't want the lantern."She pushed past him and got it for herself."You're not to come," she said. "This is my business.If the time's come to face it, I'm the oneTo put it the right way. He'd never dare--Listen! He kicked a stone. Hear that, hear that!He's coming towards us. Joel, go in--please.Hark!--I don't hear him now. But please go in.""In the first place you can't make me believe it's----""It is--or someone else he's sent to watch.And now's the time to have it out with himWhile we know definitely where he is.Let him get off and he'll be everywhereAround us, looking out of trees and bushesTill I sha'n't dare to set a foot outdoors.And I can't stand it. Joel, let me go!""But it's nonsense to think he'd care enough.""You mean you couldn't understand his caring.Oh, but you see he hadn't had enough--Joel, I won't--I won't--I promise you.We mustn't say hard things. You mustn't either.""I'll be the one, if anybody goes!But you give him the advantage with this light.What couldn't he do to us standing here!And if to see was what he wanted, whyHe has seen all there was to see and gone."He appeared to forget to keep his hold,But advanced with her as she crossed the grass."What do you want?" she cried to all the dark.She stretched up tall to overlook the lightThat hung in both hands hot against her skirt."There's no one; so you're wrong," he said."There is.--What do you want?" she cried, and then herselfWas startled when an answer really came."Nothing." It came from well along the road.She reached a hand to Joel for support:The smell of scorching woollen made her faint."What are you doing round this house at night?""Nothing." A pause: there seemed no more to say.And then the voice again: "You seem afraid.I saw by the way you whipped up the horse.I'll just come forward in the lantern lightAnd let you see.""Yes, do.--Joel, go back!"She stood her ground against the noisy stepsThat came on, but her body rocked a little."You see," the voice said."Oh." She looked and looked."You don't see--I've a child here by the hand.""What's a child doing at this time of night----?""Out walking. Every child should have the memoryOf at least one long-after-bedtime walk.What, son?""Then I should think you'd try to findSomewhere to walk----""The highway as it happens--We're stopping for the fortnight down at Dean's.""But if that's all--Joel--you realize--You won't think anything. You understand?You understand that we have to be careful.This is a very, very lonely place.Joel!" She spoke as if she couldn't turn.The swinging lantern lengthened to the ground,It touched, it struck it, clattered and went out.

Words in this poem

spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
whoa interj.
Stop; stand; hold. See Ho, 2.
dashboard n.
A board placed on the fore part of a carriage, sleigh, or other vechicle, to intercept water, mud, or snow, thrown up by the heels of the horses; -- in England commonly called splashboard.
anyone n.
One taken at random rather than by selection; anybody.
outdoors adv.
Abread; out of the house; out of doors.
scorching a.
Burning; parching or shriveling with heat.
somewhere adv.
In some place unknown or not specified; in one place or another.
fortnight n.
The space of fourteen days; two weeks. [Contr. fr. fourteen nights, our ancestors reckoning time by nights and winters; so, also, seven nights, sennight, a week.]
realize v. t.
To make real; to convert from the imaginary or fictitious into the actual; to bring into concrete existence; to accomplish; as, to realize a scheme or project. [Cf. F. réaliser.]
went n.
Course; way; path; journey; direction.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Fear is in the public domain. This text is taken from North of Boston, Project Gutenberg ebook #3026; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Frost, The Fear, in North of Boston (1914), text of Project Gutenberg ebook #3026, Laurel, https://laurelpoetry.com/poem/frost-north-of-boston/the-fear.html, id L04615.

Form and metre

The Fear is 103 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 17 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A--A------------------------------B-BB--B---B---C-C------------------------D---D-------------EE------- barn · doorA · house · window · floorA · beside · wheel · still · plate · ran · face · too · it · sure · sure · face · in · unsettled · difference · home · absence · place · out · another · time · arm · passing · road · beyond · from · too · bushes · dark · say · like · anyoneB · know · lanternB · lanternB · herself · business · oneB · dare · that · please · inB · it's · watch · him · isC · everywhere · bushesC · outdoors · go · enough · caring · enough · you · either · goes · light · here · why · gone · hold · grass · dark · light · skirt · said · is · herself · came · road · support · faint · nightD · say · afraid · horse · lightD · see · back · steps · little · said · looked · hand · night · memory · walk · son · find · walk · happensE · dean'sE · realize · understand · careful · place · turn · ground · out
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
A LANTERN light from deeper in the barn10·/˘··/˘···
Shone on a man and woman in the door10·····/˘···
And threw their lurching shadows on a house10···/˘/····
Near by, all dark in every glossy window.11·····/˘/˘/˘
A horse's hoof pawed once the hollow floor,10·/˘····/˘·
And the back of the gig they stood beside10········˘/
Moved in a little. The man grasped a wheel,10···/˘·····
The woman spoke out sharply, "Whoa, stand still!"10·/˘··/˘···
"I saw it just as plain as a white plate,"10··········
She said, "as the light on the dashboard ran10·······/··
Along the bushes at the roadside--a man's face.12˘/·/˘··/····
You must have seen it too."6······
"I didn't see it.5·/˘··
Are you sure----"3···
"Yes, I'm sure!"3···
"--it was a face?"4····
"Joel, I'll have to look. I can't go in,10/˘········
I can't, and leave a thing like that unsettled.11········˘/˘
Doors locked and curtains drawn will make no difference.11···/˘····/˘
I always have felt strange when we came home10·/········
To the dark house after so long an absence,11·········/˘
And the key rattled loudly into place10···/˘/˘···
Seemed to warn someone to be getting out10···/···/˘·
At one door as we entered at another.11·····/˘·˘/˘
What if I'm right, and someone all the time--10·····/····
Don't hold my arm!"4····
"I say it's someone passing."7···/·/˘
"You speak as if this were a travelled road.10·······/˘·
You forget where we are. What is beyond10·˘/·······
That he'd be going to or coming from10···/˘··/˘·
At such an hour of night, and on foot too.10···/······
What was he standing still for in the bushes?"11···/˘····/˘
"It's not so very late--it's only dark.10···/˘··/˘·
There's more in it than you're inclined to say.10······˘/··
Did he look like----?"4····
"He looked like anyone.6···/˘·
I'll never rest to-night unless I know.10·/˘·······
Give me the lantern."5···/˘
"You don't want the lantern."6····/˘
She pushed past him and got it for herself.10········˘/
"You're not to come," she said. "This is my business.11·········/˘
If the time's come to face it, I'm the one10··········
To put it the right way. He'd never dare--10·······/˘·
Listen! He kicked a stone. Hear that, hear that!10/˘········
He's coming towards us. Joel, go in--please.10·/˘··/˘···
Hark!--I don't hear him now. But please go in."10··········
"In the first place you can't make me believe it's----"11········˘/·
"It is--or someone else he's sent to watch.10···/······
And now's the time to have it out with him10··········
While we know definitely where he is.10···/˘˘˘···
Let him get off and he'll be everywhere10·······/˘·
Around us, looking out of trees and bushes11···/˘····/˘
Till I sha'n't dare to set a foot outdoors.10········//
And I can't stand it. Joel, let me go!"10·····/˘···
"But it's nonsense to think he'd care enough."10··/˘····˘/
"You mean you couldn't understand his caring.11···/˘·˘/·/˘
Oh, but you see he hadn't had enough--10·····/˘·˘/
Joel, I won't--I won't--I promise you.10/˘·····/˘·
We mustn't say hard things. You mustn't either."11·/˘····/˘/˘
"I'll be the one, if anybody goes!10·····/˘˘˘·
But you give him the advantage with this light.11·····˘/˘···
What couldn't he do to us standing here!10·/˘····/˘·
And if to see was what he wanted, why10·······/˘·
He has seen all there was to see and gone."10··········
He appeared to forget to keep his hold,10·˘/·˘/····
But advanced with her as she crossed the grass.10·˘/·······
"What do you want?" she cried to all the dark.10··········
She stretched up tall to overlook the light10·····/˘···
That hung in both hands hot against her skirt.10··········
"There's no one; so you're wrong," he said.8········
"There is.--2··
What do you want?" she cried, and then herself10········˘/
Was startled when an answer really came.10·/˘··/˘/˘·
"Nothing." It came from well along the road.10/˘····˘/··
She reached a hand to Joel for support:10·····/˘·˘/
The smell of scorching woollen made her faint.10···/˘/˘···
"What are you doing round this house at night?"10···/˘·····
"Nothing." A pause: there seemed no more to say.10/˘········
And then the voice again: "You seem afraid.10····˘/··˘/
I saw by the way you whipped up the horse.10··········
I'll just come forward in the lantern light10···/˘··/˘·
And let you see."4····
"Yes, do.--Joel, go back!"6··/˘··
She stood her ground against the noisy steps10·······/˘·
That came on, but her body rocked a little.11·····/˘··/˘
"You see," the voice said.5·····
"Oh." She looked and looked.5·····
"You don't see--I've a child here by the hand."10··········
"What's a child doing at this time of night----?"10···/˘·····
"Out walking. Every child should have the memory11·/˘/˘····/˘
Of at least one long-after-bedtime walk.10·······/··
What, son?"2··
"Then I should think you'd try to find8········
Somewhere to walk----"4/···
"The highway as it happens--7·/···/˘
We're stopping for the fortnight down at Dean's."10·/˘··/····
"But if that's all--Joel--you realize--9····/˘·/·
You won't think anything. You understand?10···/˘···˘/
You understand that we have to be careful.11··˘/·····/˘
This is a very, very lonely place.10···/˘/˘/˘·
Joel!" She spoke as if she couldn't turn.10/˘·····/˘·
The swinging lantern lengthened to the ground,10·/˘/˘/˘···
It touched, it struck it, clattered and went out.10·····/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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