A Hundred Collars
LANCASTER bore him--such a little town,Such a great man. It doesn't see him oftenOf late years, though he keeps the old homesteadAnd sends the children down there with their motherTo run wild in the summer--a little wild.Sometimes he joins them for a day or twoAnd sees old friends he somehow can't get near.They meet him in the general store at night,Pre-occupied with formidable mail,Rifling a printed letter as he talks.They seem afraid. He wouldn't have it so:Though a great scholar, he's a democrat,If not at heart, at least on principle.Lately when coming up to LancasterHis train being late he missed another trainAnd had four hours to wait at Woodsville JunctionAfter eleven o'clock at night. Too tiredTo think of sitting such an ordeal out,He turned to the hotel to find a bed."No room," the night clerk said. "Unless----"Woodsville's a place of shrieks and wandering lampsAnd cars that shook and rattle--and one hotel."You say 'unless.'""Unless you wouldn't mindSharing a room with someone else.""Who is it?""A man.""So I should hope. What kind of man?""I know him: he's all right. A man's a man.Separate beds of course you understand."The night clerk blinked his eyes and dared him on."Who's that man sleeping in the office chair?Has he had the refusal of my chance?""He was afraid of being robbed or murdered.What do you say?""I'll have to have a bed."The night clerk led him up three flights of stairsAnd down a narrow passage full of doors,At the last one of which he knocked and entered."Lafe, here's a fellow wants to share your room.""Show him this way. I'm not afraid of him.I'm not so drunk I can't take care of myself."The night clerk clapped a bedstead on the foot."This will be yours. Good-night," he said, and went."Lafe was the name, I think?""Yes, Layfayette.You got it the first time. And yours?""Magoon.Doctor Magoon.""A Doctor?""Well, a teacher.""Professor Square-the-circle-till-you're-tired?Hold on, there's something I don't think of nowThat I had on my mind to ask the firstMan that knew anything I happened in with.I'll ask you later--don't let me forget it."The Doctor looked at Lafe and looked away.A man? A brute. Naked above the waist,He sat there creased and shining in the light,Fumbling the buttons in a well-starched shirt."I'm moving into a size-larger shirt.I've felt mean lately; mean's no name for it.I just found what the matter was to-night:I've been a-choking like a nursery treeWhen it outgrows the wire band of its name tag.I blamed it on the hot spell we've been having.'Twas nothing but my foolish hanging back,Not liking to own up I'd grown a size.Number eighteen this is. What size do you wear?"The Doctor caught his throat convulsively."Oh--ah--fourteen--fourteen.""Fourteen! You say so!I can remember when I wore fourteen.And come to think I must have back at homeMore than a hundred collars, size fourteen.Too bad to waste them all. You ought to have them.They're yours and welcome; let me send them to you.What makes you stand there on one leg like that?You're not much furtherer than where Kike left you.You act as if you wished you hadn't come.Sit down or lie down, friend; you make me nervous."The Doctor made a subdued dash for it,And propped himself at bay against a pillow."Not that way, with your shoes on Kike's white bed.You can't rest that way. Let me pull your shoes off.""Don't touch me, please--I say, don't touch me, please.I'll not be put to bed by you, my man.""Just as you say. Have it your own way then.'My man' is it? You talk like a professor.Speaking of who's afraid of who, however,I'm thinking I have more to lose than youIf anything should happen to be wrong.Who wants to cut your number fourteen throat!Let's have a show down as an evidenceOf good faith. There is ninety dollars.Come, if you're not afraid.""I'm not afraid.There's five: that's all I carry.""I can search you?Where are you moving over to? Stay still.You'd better tuck your money under youAnd sleep on it the way I always doWhen I'm with people I don't trust at night.""Will you believe me if I put it thereRight on the counterpane--that I do trust you?""You'd say so, Mister Man.--I'm a collector.My ninety isn't mine--you won't think that.I pick it up a dollar at a timeAll round the country for the Weekly News,Published in Bow. You know the Weekly News?""Known it since I was young.""Then you know me.Now we are getting on together--talking.I'm sort of Something for it at the front.My business is to find what people want:They pay for it, and so they ought to have it.Fairbanks, he says to me--he's editor--Feel out the public sentiment--he says.A good deal comes on me when all is said.The only trouble is we disagreeIn politics: I'm Vermont Democrat--You know what that is, sort of double-dyed;The News has always been Republican.Fairbanks, he says to me, 'Help us this year,'Meaning by us their ticket. 'No,' I says,'I can't and won't. You've been in long enough:It's time you turned around and boosted us.You'll have to pay me more than ten a weekIf I'm expected to elect Bill Taft.I doubt if I could do it anyway.'""You seem to shape the paper's policy.""You see I'm in with everybody, know 'em all.I almost know their farms as well as they do.""You drive around? It must be pleasant work.""It's business, but I can't say it's not fun.What I like best's the lay of different farms,Coming out on them from a stretch of woods,Or over a hill or round a sudden corner.I like to find folks getting out in spring,Raking the dooryard, working near the house.Later they get out further in the fields.Everything's shut sometimes except the barn;The family's all away in some back meadow.There's a hay load a-coming--when it comes.And later still they all get driven in:The fields are stripped to lawn, the garden patchesStripped to bare ground, the apple treesTo whips and poles. There's nobody about.The chimney, though, keeps up a good brisk smoking.And I lie back and ride. I take the reinsOnly when someone's coming, and the mareStops when she likes: I tell her when to go.I've spoiled Jemima in more ways than one.She's got so she turns in at every houseAs if she had some sort of curvature,No matter if I have no errand there.She thinks I'm sociable. I maybe am.It's seldom I get down except for meals, though.Folks entertain me from the kitchen doorstep,All in a family row down to the youngest.""One would suppose they might not be as gladTo see you as you are to see them.""Oh,Because I want their dollar. I don't wantAnything they've not got. I never dun.I'm there, and they can pay me if they like.I go nowhere on purpose: I happen by.Sorry there is no cup to give you a drink.I drink out of the bottle--not your style.Mayn't I offer you----?""No, no, no, thank you.""Just as you say. Here's looking at you then.--And now I'm leaving you a little while.You'll rest easier when I'm gone, perhaps--Lie down--let yourself go and get some sleep.But first--let's see--what was I going to ask you?Those collars--who shall I address them to,Suppose you aren't awake when I come back?""Really, friend, I can't let you. You--may need them.""Not till I shrink, when they'll be out of style.""But really I--I have so many collars.""I don't know who I rather would have have them.They're only turning yellow where they are.But you're the doctor as the saying is.I'll put the light out. Don't you wait for me:I've just begun the night. You get some sleep.I'll knock so-fashion and peep round the doorWhen I come back so you'll know who it is.There's nothing I'm afraid of like scared people.I don't want you should shoot me in the head.What am I doing carrying off this bottle?There now, you get some sleep."He shut the door.The Doctor slid a little down the pillow.
Words in this poem 22
- somehow adv.
- In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
- democrat n.
- One who is an adherent or advocate of democracy, or government by the people. [Cf. F. démocrate.]
- clerk n.
- A clergyman or ecclesiastic. [Either OF. clerc, fr. L. clericus a priest, or AS. clerc, cleric, clerk, priest, fr. L. clericus, fr. Gr. Clergy.]
- shook v. t.
- To pack, as staves, in a shook.
- went n.
- Course; way; path; journey; direction.
- nursery n.
- The act of nursing. [Cf. F. nourricerie.]
- convulsively adv.
- in a convulsive manner.
- ought p. p.
- Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
- furtherer n.
- One who furthers. or helps to advance; a promoter.
- kike v. i.
- To gaze; to stare. [Cf. D. kijken, Sw. kika.]
- mister n.
- A trade, art, or occupation. [OF. mistier trade, office, ministry, need, F. métier trade, fr. L. ministerium service, office, ministry. See Ministry, Mystery trade.]
- anyway adv.
- Anywise; at all. Tennyson. Southey.
- folks n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- raking n.
- The act or process of using a rake; the going over a space with a rake.
- dooryard n.
- A yard in front of a house or around the door of a house.
- nobody n.
- No person; no one; not anybody. [No, a. + body.]
- chimney n.
- A fireplace or hearth. Sir W. Raleigh.
- maybe adv.
- Perhaps; possibly; peradventure. [For it may be.]
- doorstep n.
- The stone or plank forming a step before an outer door.
- nowhere adv.
- Not anywhere; not in any place or state; as, the book is nowhere to be found. [AS. nahwær. See No, and Where.]
- thank n.
- A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Hundred Collars is in the public domain. This text is taken from North of Boston, Project Gutenberg ebook #3026; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Frost, A Hundred Collars, in North of Boston (1914), text of Project Gutenberg ebook #3026, Laurel, https://laurelpoetry.com/poem/frost-north-of-boston/a-hundred-collars.html, id L04606.
Form and metre
A Hundred Collars is 194 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 9.5 syllables. 34 lines end on an unstressed syllable, a feminine ending. 16% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA------B---B-CCD-D--------------E-E--E-------------------F---F-----------------------------------G-GG--G-----H-H--------------------------------II---------------------J---J--KK---L--L---------- townA · oftenA · homestead · mother · wild · two · near · night · mailB · talks · so · democrat · principleB · lancaster · trainC · junctionC · tiredD · out · bedD · unless · lamps · hotel · unless · mind · else · it · man · man · man · understand · on · chair · chance · murderedE · say · bedE · stairs · doors · enteredE · room · him · myself · foot · went · think · layfayette · yours · magoon · magoon · doctor · teacher · tired · now · first · with · it · away · waist · lightF · shirt · shirt · it · nightF · tree · tag · having · back · size · wear · convulsively · fourteen · so · fourteen · home · fourteen · them · you · that · you · come · nervous · it · pillow · bed · off · please · man · then · professor · however · you · wrong · throat · evidence · dollars · afraid · afraid · carry · youG · still · youG · doG · night · there · youG · collector · that · time · news · news · youngH · me · talkingH · front · want · it · editor · says · said · disagree · democrat · dyed · republican · year · says · enough · us · week · taft · anyway · policy · all · do · work · fun · farms · woods · corner · spring · house · fields · barn · meadow · comes · in · patchesI · treesI · about · smoking · reins · mare · go · one · house · curvature · there · am · though · doorstep · youngest · glad · them · oh · want · dun · like · by · drink · styleJ · you · you · then · whileJ · perhaps · sleep · youK · toK · back · them · style · collarsL · them · are · isL · me · sleep · door · is · people · head · bottle · sleep · door · pillow
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| LANCASTER bore him--such a little town, | 10 | /·˘····/˘· |
| Such a great man. It doesn't see him often | 11 | ·····/˘··/˘ |
| Of late years, though he keeps the old homestead | 10 | ········/· |
| And sends the children down there with their mother | 11 | ···/˘····/˘ |
| To run wild in the summer--a little wild. | 11 | ·····/˘·/˘· |
| Sometimes he joins them for a day or two | 10 | ˘/········ |
| And sees old friends he somehow can't get near. | 10 | ·····/···· |
| They meet him in the general store at night, | 10 | ·····/˘··· |
| Pre-occupied with formidable mail, | 10 | ·/˘··/˘˘˘· |
| Rifling a printed letter as he talks. | 10 | /˘·/˘/˘··· |
| They seem afraid. He wouldn't have it so: | 10 | ··˘/·/˘··· |
| Though a great scholar, he's a democrat, | 10 | ···/˘··/˘· |
| If not at heart, at least on principle. | 10 | ·······/˘˘ |
| Lately when coming up to Lancaster | 10 | /˘·/˘··/˘˘ |
| His train being late he missed another train | 10 | ··/···˘/˘· |
| And had four hours to wait at Woodsville Junction | 12 | ···/······/˘ |
| After eleven o'clock at night. Too tired | 11 | ··˘/˘/···/˘ |
| To think of sitting such an ordeal out, | 10 | ···/˘··˘/· |
| He turned to the hotel to find a bed. | 10 | ····˘/···· |
| "No room," the night clerk said. "Unless----" | 8 | ········ |
| Woodsville's a place of shrieks and wandering lamps | 10 | ·······/˘· |
| And cars that shook and rattle--and one hotel. | 11 | ·····/˘··˘/ |
| "You say 'unless.'" | 4 | ···· |
| "Unless you wouldn't mind | 6 | ···/˘· |
| Sharing a room with someone else." | 8 | /˘···/·· |
| "Who is it?" | 3 | ··· |
| "A man." | 2 | ·· |
| "So I should hope. What kind of man?" | 8 | ········ |
| "I know him: he's all right. A man's a man. | 10 | ·········· |
| Separate beds of course you understand." | 10 | /˘˘·····˘/ |
| The night clerk blinked his eyes and dared him on. | 10 | ·········· |
| "Who's that man sleeping in the office chair? | 10 | ···/˘··/˘· |
| Has he had the refusal of my chance?" | 10 | ····˘/˘··· |
| "He was afraid of being robbed or murdered. | 11 | ··˘/·/˘··/˘ |
| What do you say?" | 4 | ···· |
| "I'll have to have a bed." | 6 | ······ |
| The night clerk led him up three flights of stairs | 10 | ·········· |
| And down a narrow passage full of doors, | 10 | ···/˘/˘··· |
| At the last one of which he knocked and entered. | 11 | ·········/˘ |
| "Lafe, here's a fellow wants to share your room." | 10 | ···/˘····· |
| "Show him this way. I'm not afraid of him. | 10 | ······˘/·· |
| I'm not so drunk I can't take care of myself." | 11 | ··········/ |
| The night clerk clapped a bedstead on the foot. | 10 | ·····/˘··· |
| "This will be yours. Good-night," he said, and went. | 10 | ·········· |
| "Lafe was the name, I think?" | 6 | ······ |
| "Yes, Layfayette. | 3 | ··· |
| You got it the first time. And yours?" | 8 | ········ |
| "Magoon. | 2 | ˘/ |
| Doctor Magoon." | 4 | /˘˘/ |
| "A Doctor?" | 3 | ·/˘ |
| "Well, a teacher." | 4 | ··/˘ |
| "Professor Square-the-circle-till-you're-tired? | 11 | ˘/˘··/˘··/˘ |
| Hold on, there's something I don't think of now | 10 | ···/˘····· |
| That I had on my mind to ask the first | 10 | ·········· |
| Man that knew anything I happened in with. | 11 | ···/˘··/˘·· |
| I'll ask you later--don't let me forget it." | 11 | ···/˘···˘/· |
| The Doctor looked at Lafe and looked away. | 10 | ·/˘·····˘/ |
| A man? A brute. Naked above the waist, | 10 | ····/˘···· |
| He sat there creased and shining in the light, | 10 | ·····/˘··· |
| Fumbling the buttons in a well-starched shirt. | 10 | /˘·/˘····· |
| "I'm moving into a size-larger shirt. | 10 | ·/˘····/˘· |
| I've felt mean lately; mean's no name for it. | 10 | ···/˘····· |
| I just found what the matter was to-night: | 10 | ·····/˘··· |
| I've been a-choking like a nursery tree | 10 | ···/˘··/˘· |
| When it outgrows the wire band of its name tag. | 11 | ···/·/····· |
| I blamed it on the hot spell we've been having. | 11 | ·········/˘ |
| 'Twas nothing but my foolish hanging back, | 10 | ·/˘··/˘/˘· |
| Not liking to own up I'd grown a size. | 10 | ·/˘······· |
| Number eighteen this is. What size do you wear?" | 11 | /˘//······· |
| The Doctor caught his throat convulsively. | 10 | ·/˘···˘/˘˘ |
| "Oh--ah--fourteen--fourteen." | 6 | ···/·/ |
| "Fourteen! You say so! | 5 | ·/··· |
| I can remember when I wore fourteen. | 10 | ··˘/˘····/ |
| And come to think I must have back at home | 10 | ·········· |
| More than a hundred collars, size fourteen. | 10 | ···/˘/˘··/ |
| Too bad to waste them all. You ought to have them. | 11 | ··········· |
| They're yours and welcome; let me send them to you. | 11 | ···/˘······ |
| What makes you stand there on one leg like that? | 10 | ·········· |
| You're not much furtherer than where Kike left you. | 11 | ···/˘˘····· |
| You act as if you wished you hadn't come. | 10 | ·······/˘· |
| Sit down or lie down, friend; you make me nervous." | 11 | ·········/˘ |
| The Doctor made a subdued dash for it, | 10 | ·/˘··˘/··· |
| And propped himself at bay against a pillow. | 11 | ··˘/·····/˘ |
| "Not that way, with your shoes on Kike's white bed. | 10 | ·········· |
| You can't rest that way. Let me pull your shoes off." | 11 | ··········· |
| "Don't touch me, please--I say, don't touch me, please. | 10 | ·········· |
| I'll not be put to bed by you, my man." | 10 | ·········· |
| "Just as you say. Have it your own way then. | 10 | ·········· |
| 'My man' is it? You talk like a professor. | 11 | ········˘/˘ |
| Speaking of who's afraid of who, however, | 11 | /˘··˘/···/˘ |
| I'm thinking I have more to lose than you | 10 | ·/˘······· |
| If anything should happen to be wrong. | 10 | ·/˘··/˘··· |
| Who wants to cut your number fourteen throat! | 10 | ·····/˘//· |
| Let's have a show down as an evidence | 10 | ·······/˘˘ |
| Of good faith. There is ninety dollars. | 9 | ·····/˘/˘ |
| Come, if you're not afraid." | 6 | ····˘/ |
| "I'm not afraid. | 4 | ··˘/ |
| There's five: that's all I carry." | 7 | ·····/˘ |
| "I can search you? | 4 | ···· |
| Where are you moving over to? Stay still. | 10 | ···/˘····· |
| You'd better tuck your money under you | 10 | ·/˘··/˘··· |
| And sleep on it the way I always do | 10 | ·······/·· |
| When I'm with people I don't trust at night." | 10 | ···/˘····· |
| "Will you believe me if I put it there | 10 | ··˘/······ |
| Right on the counterpane--that I do trust you?" | 11 | ···/˘˘····· |
| "You'd say so, Mister Man.--I'm a collector. | 11 | ···/˘···˘/˘ |
| My ninety isn't mine--you won't think that. | 10 | ·/˘/˘····· |
| I pick it up a dollar at a time | 10 | ·····/˘··· |
| All round the country for the Weekly News, | 10 | ···/˘··/˘· |
| Published in Bow. You know the Weekly News?" | 10 | /˘·····/˘· |
| "Known it since I was young." | 6 | ······ |
| "Then you know me. | 4 | ···· |
| Now we are getting on together--talking. | 11 | ···/˘·˘/˘/˘ |
| I'm sort of Something for it at the front. | 10 | ···/˘····· |
| My business is to find what people want: | 10 | ·/˘····/˘· |
| They pay for it, and so they ought to have it. | 11 | ··········· |
| Fairbanks, he says to me--he's editor-- | 10 | /˘·····/˘˘ |
| Feel out the public sentiment--he says. | 10 | ···/˘/˘˘·· |
| A good deal comes on me when all is said. | 10 | ·········· |
| The only trouble is we disagree | 10 | ·/˘/˘··˘˘/ |
| In politics: I'm Vermont Democrat-- | 10 | ·/˘··˘//˘· |
| You know what that is, sort of double-dyed; | 10 | ·······/˘· |
| The News has always been Republican. | 10 | ···/˘·˘/˘˘ |
| Fairbanks, he says to me, 'Help us this year,' | 10 | /˘········ |
| Meaning by us their ticket. 'No,' I says, | 10 | /˘···/˘··· |
| 'I can't and won't. You've been in long enough: | 10 | ········˘/ |
| It's time you turned around and boosted us. | 10 | ·······/˘· |
| You'll have to pay me more than ten a week | 10 | ·········· |
| If I'm expected to elect Bill Taft. | 10 | ··˘/˘·˘/·· |
| I doubt if I could do it anyway.'" | 10 | ·······/˘· |
| "You seem to shape the paper's policy." | 10 | ·····/˘/˘˘ |
| "You see I'm in with everybody, know 'em all. | 12 | ·····/˘·˘··· |
| I almost know their farms as well as they do." | 11 | ·/········· |
| "You drive around? It must be pleasant work." | 10 | ·······/˘· |
| "It's business, but I can't say it's not fun. | 10 | ·/˘······· |
| What I like best's the lay of different farms, | 10 | ·······/˘· |
| Coming out on them from a stretch of woods, | 10 | /˘········ |
| Or over a hill or round a sudden corner. | 11 | ·······/˘/˘ |
| I like to find folks getting out in spring, | 10 | ·····/˘··· |
| Raking the dooryard, working near the house. | 10 | /˘·/˘/˘··· |
| Later they get out further in the fields. | 10 | /˘···/˘··· |
| Everything's shut sometimes except the barn; | 10 | /˘··/····· |
| The family's all away in some back meadow. | 11 | ·/˘·˘/···/· |
| There's a hay load a-coming--when it comes. | 10 | ·····/˘··· |
| And later still they all get driven in: | 10 | ·/˘····/˘· |
| The fields are stripped to lawn, the garden patches | 11 | ·······/˘/˘ |
| Stripped to bare ground, the apple trees | 9 | ·˘····/˘· |
| To whips and poles. There's nobody about. | 10 | ·····/···· |
| The chimney, though, keeps up a good brisk smoking. | 11 | ·/˘······/˘ |
| And I lie back and ride. I take the reins | 10 | ·········· |
| Only when someone's coming, and the mare | 10 | /˘·/·/˘··· |
| Stops when she likes: I tell her when to go. | 10 | ·········· |
| I've spoiled Jemima in more ways than one. | 10 | ··˘/˘····· |
| She's got so she turns in at every house | 10 | ·······/˘· |
| As if she had some sort of curvature, | 10 | ·······/˘˘ |
| No matter if I have no errand there. | 10 | ·/˘····/˘· |
| She thinks I'm sociable. I maybe am. | 10 | ···/˘˘·/˘· |
| It's seldom I get down except for meals, though. | 11 | ·/˘········ |
| Folks entertain me from the kitchen doorstep, | 11 | ··˘/···/˘/· |
| All in a family row down to the youngest." | 11 | ···/˘····/˘ |
| "One would suppose they might not be as glad | 10 | ··˘/······ |
| To see you as you are to see them." | 9 | ········· |
| "Oh, | 1 | · |
| Because I want their dollar. I don't want | 10 | ·····/˘··· |
| Anything they've not got. I never dun. | 10 | /˘·····/˘· |
| I'm there, and they can pay me if they like. | 10 | ·········· |
| I go nowhere on purpose: I happen by. | 11 | ··/··/˘·/˘· |
| Sorry there is no cup to give you a drink. | 11 | /˘········· |
| I drink out of the bottle--not your style. | 10 | ·····/˘··· |
| Mayn't I offer you----?" | 5 | ··/˘· |
| "No, no, no, thank you." | 5 | ····· |
| "Just as you say. Here's looking at you then.-- | 10 | ·····/˘··· |
| And now I'm leaving you a little while. | 10 | ···/˘··/˘· |
| You'll rest easier when I'm gone, perhaps-- | 10 | ··/˘˘···˘/ |
| Lie down--let yourself go and get some sleep. | 10 | ···˘/····· |
| But first--let's see--what was I going to ask you? | 11 | ·······/··· |
| Those collars--who shall I address them to, | 10 | ·/˘···˘/·· |
| Suppose you aren't awake when I come back?" | 11 | ˘/·/˘˘/···· |
| "Really, friend, I can't let you. You--may need them." | 11 | /˘········· |
| "Not till I shrink, when they'll be out of style." | 10 | ·········· |
| "But really I--I have so many collars." | 11 | ·/˘····/˘/˘ |
| "I don't know who I rather would have have them. | 11 | ·····/˘···· |
| They're only turning yellow where they are. | 10 | ·/˘/˘/˘··· |
| But you're the doctor as the saying is. | 10 | ···/˘··/˘· |
| I'll put the light out. Don't you wait for me: | 10 | ·········· |
| I've just begun the night. You get some sleep. | 10 | ··˘/······ |
| I'll knock so-fashion and peep round the door | 10 | ···/˘····· |
| When I come back so you'll know who it is. | 10 | ·········· |
| There's nothing I'm afraid of like scared people. | 11 | ·/˘·˘/···/˘ |
| I don't want you should shoot me in the head. | 10 | ·········· |
| What am I doing carrying off this bottle? | 11 | ···//˘˘··/˘ |
| There now, you get some sleep." | 6 | ······ |
| He shut the door. | 4 | ···· |
| The Doctor slid a little down the pillow. | 11 | ·/˘··/˘··/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.