The Bonfire

Robert Frost (1874–1963) · 1916

iambic pentameter · unrhymed · 114 lines · from Mountain Interval

"Oh, let's go up the hill and scare ourselves,As reckless as the best of them to-night,By setting fire to all the brush we piledWith pitchy hands to wait for rain or snow.Oh, let's not wait for rain to make it safe.The pile is ours: we dragged it bough on boughDown dark converging paths between the pines.Let's not care what we do with it to-night.Divide it? No! But burn it as one pileThe way we piled it. And let's be the talkOf people brought to windows by a lightThrown from somewhere against their wall-paper.Rouse them all, both the free and not so freeWith saying what they'd like to do to usFor what they'd better wait till we have done.Let's all but bring to life this old volcano,If that is what the mountain ever was--And scare ourselves. Let wild fire loose we will....""And scare you too?" the children said together.

"Why wouldn't it scare me to have a fireBegin in smudge with ropy smoke and knowThat still, if I repent, I may recall it,But in a moment not: a little spurtOf burning fatness, and then nothing butThe fire itself can put it out, and thatBy burning out, and before it burns outIt will have roared first and mixed sparks with stars,And sweeping round it with a flaming sword,Made the dim trees stand back in wider circle--Done so much and I know not how much moreI mean it shall not do if I can bind it.Well if it doesn't with its draft bring onA wind to blow in earnest from some quarter,As once it did with me upon an April.The breezes were so spent with winter blowingThey seemed to fail the bluebirds under themShort of the perch their languid flight was toward;And my flame made a pinnacle to heavenAs I walked once round it in possession.But the wind out of doors--you know the saying.There came a gust. You used to think the treesMade wind by fanning since you never knewIt blow but that you saw the trees in motion.Something or someone watching made that gust.It put the flame tip-down and dabbed the grassOf over-winter with the least tip-touchYour tongue gives salt or sugar in your hand.The place it reached to blackened instantly.The black was all there was by day-light,That and the merest curl of cigarette smoke--And a flame slender as the hepaticas,Blood-root, and violets so soon to be now.But the black spread like black death on the ground,And I think the sky darkened with a cloudLike winter and evening coming on together.There were enough things to be thought of then.Where the field stretches toward the northAnd setting sun to Hyla brook, I gave itTo flames without twice thinking, where it vergesUpon the road, to flames too, though in fearThey might find fuel there, in withered brake,Grass its full length, old silver golden-rod,And alder and grape vine entanglement,To leap the dusty deadline. For my ownI took what front there was beside. I kneltAnd thrust hands in and held my face away.Fight such a fire by rubbing not by beating.A board is the best weapon if you have it.I had my coat. And oh, I knew, I knew,And said out loud, I couldn't bide the smotherAnd heat so close in; but the thought of allThe woods and town on fire by me, and allThe town turned out to fight for me--that held me.I trusted the brook barrier, but fearedThe road would fail; and on that side the fireDied not without a noise of crackling wood--Of something more than tinder-grass and weed--That brought me to my feet to hold it backBy leaning back myself, as if the reinsWere round my neck and I was at the plough.I won! But I'm sure no one ever spreadAnother color over a tenth the spaceThat I spread coal-black over in the timeIt took me. Neighbors coming home from townCouldn't believe that so much black had come thereWhile they had backs turned, that it hadn't been thereWhen they had passed an hour or so beforeGoing the other way and they not seen it.They looked about for someone to have done it.But there was no one. I was somewhere wonderingWhere all my weariness had gone and whyI walked so light on air in heavy shoesIn spite of a scorched Fourth-of-July feeling.Why wouldn't I be scared remembering that?""If it scares you, what will it do to us?"

"Scare you. But if you shrink from being scared,What would you say to war if it should come?That's what for reasons I should like to know--If you can comfort me by any answer."

"Oh, but war's not for children--it's for men."

"Now we are digging almost down to China.My dears, my dears, you thought that--we all thought it.So your mistake was ours. Haven't you heard, though,About the ships where war has found them outAt sea, about the towns where war has comeThrough opening clouds at night with droning speedFurther o'erhead than all but stars and angels,--And children in the ships and in the towns?Haven't you heard what we have lived to learn?Nothing so new--something we had forgotten:War is for everyone, for children too.I wasn't going to tell you and I mustn't.The best way is to come up hill with meAnd have our fire and laugh and be afraid."

Words in this poem

scare v. t.
To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
piled a.
Having a pile or point; pointed. [From 2d Pile.]
pitchy a.
Partaking of the qualities of pitch; resembling pitch. [From 1st Pitch.]
somewhere adv.
In some place unknown or not specified; in one place or another.
smudge n.
A suffocating smoke. Grose. [Cf. Dan. smuds smut, E. smutch, or smoke.]
repent a.
Prostrate and rooting; -- said of stems. Gray. [L. repens, -entis, creeping, p. pr. of repere to creep.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
pinnacle n.
An architectural member, upright, and generally ending in a small spire, -- used to finish a buttress, to constitute a part in a proportion, as where pinnacles flank a gable or spire, and the like. [OE. pinacle, F. pinacle, L. pinnaculum, fr. pinna pinnacle, feather. See Pin a peg.]
cigarette n.
A little cigar; a little fine tobacco rolled in paper for smoking. [F. cigarette.]
alder a.
Of all; -- used in composition; as, alderbest, best of all, alderwisest, wisest of all. [From ealra, alra, gen. pl. of AS. eal. The d is excrescent.]
bide v. i.
To dwell; to inhabit; to abide; to stay. [OE. biden, AS. bidan; akin to OHG. bitan, Goth. beidan, Icel. bi; perh. orig., to wait with trust, and akin to bid. See Bid, v. t., and cf. Abide.]
backs n.
Among leather dealers, the thickest and stoutest tanned hides.
everyone n.
Everybody; -- commonly separated, every one. [OE. everychon.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Bonfire is in the public domain. This text is taken from Mountain Interval, Project Gutenberg ebook #29345; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Frost, The Bonfire, in Mountain Interval (1916), text of Project Gutenberg ebook #29345, Laurel, https://laurelpoetry.com/poem/frost-mountain-interval/the-bonfire.html, id L02660.

Form and metre

The Bonfire is 114 lines in 5 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 25 lines end on an unstressed syllable, a feminine ending. 45% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-----A--A-------- ourselves · nightA · piled · snow · safe · bough · pines · nightA · pile · talk · lightA · paper · free · us · done · volcano · was · will · together
  2. 5 --------AA---- china · it · though · out · come · speed · angels · towns · learnA · forgottenA · too · mustn't · me · afraid
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
"Oh, let's go up the hill and scare ourselves,10········˘/
As reckless as the best of them to-night,10·/˘·······
By setting fire to all the brush we piled10·/˘/······
With pitchy hands to wait for rain or snow.10·/˘·······
Oh, let's not wait for rain to make it safe.10··········
The pile is ours: we dragged it bough on bough10···/······
Down dark converging paths between the pines.10··˘/˘·····
Let's not care what we do with it to-night.10··········
Divide it? No! But burn it as one pile10˘/········
The way we piled it. And let's be the talk10··········
Of people brought to windows by a light10·/˘··/˘···
Thrown from somewhere against their wall-paper.10··/·····/˘
Rouse them all, both the free and not so free10··········
With saying what they'd like to do to us10·/˘·······
For what they'd better wait till we have done.10···/˘·····
Let's all but bring to life this old volcano,11········˘/˘
If that is what the mountain ever was--10·····/˘/˘·
And scare ourselves. Let wild fire loose we will...."10··˘/··/···
"And scare you too?" the children said together.11·····/˘·˘/˘
"Why wouldn't it scare me to have a fire11·/˘······/˘
Begin in smudge with ropy smoke and know10˘/···/˘···
That still, if I repent, I may recall it,11····˘/··˘/·
But in a moment not: a little spurt10···/˘··/˘·
Of burning fatness, and then nothing but10·/˘/˘··/˘·
The fire itself can put it out, and that10·/˘/······
By burning out, and before it burns out10·/˘·······
It will have roared first and mixed sparks with stars,10··········
And sweeping round it with a flaming sword,10·/˘····/˘·
Made the dim trees stand back in wider circle--11·······/˘/˘
Done so much and I know not how much more10··········
I mean it shall not do if I can bind it.11···········
Well if it doesn't with its draft bring on10···/˘·····
A wind to blow in earnest from some quarter,11·····/˘··/˘
As once it did with me upon an April.11·········/˘
The breezes were so spent with winter blowing11·/˘····/˘/˘
They seemed to fail the bluebirds under them10·····/····
Short of the perch their languid flight was toward;11·····/˘····
And my flame made a pinnacle to heaven11·····/˘˘·/˘
As I walked once round it in possession.10·······˘/˘
But the wind out of doors--you know the saying.11·········/˘
There came a gust. You used to think the trees10··········
Made wind by fanning since you never knew10···/˘··/˘·
It blow but that you saw the trees in motion.11·········/˘
Something or someone watching made that gust.10/˘·/·/˘···
It put the flame tip-down and dabbed the grass10··········
Of over-winter with the least tip-touch10···/˘·····
Your tongue gives salt or sugar in your hand.10·····/˘···
The place it reached to blackened instantly.10·····/˘/˘˘
The black was all there was by day-light,9·········
That and the merest curl of cigarette smoke--11···/˘···˘/·
And a flame slender as the hepaticas,11···/˘······
Blood-root, and violets so soon to be now.10···/˘·····
But the black spread like black death on the ground,10··········
And I think the sky darkened with a cloud10·····/˘···
Like winter and evening coming on together.12·/˘·/˘/˘·˘/˘
There were enough things to be thought of then.10··˘/······
Where the field stretches toward the north9···/˘····
And setting sun to Hyla brook, I gave it11·/˘········
To flames without twice thinking, where it verges11·····/˘··/˘
Upon the road, to flames too, though in fear10··········
They might find fuel there, in withered brake,10···/˘··/˘·
Grass its full length, old silver golden-rod,10·····/˘/˘·
And alder and grape vine entanglement,10·/˘···˘/˘˘
To leap the dusty deadline. For my own10···/˘/····
I took what front there was beside. I knelt10······˘/··
And thrust hands in and held my face away.10········˘/
Fight such a fire by rubbing not by beating.11···/·/˘··/˘
A board is the best weapon if you have it.11·····/˘····
I had my coat. And oh, I knew, I knew,10··········
And said out loud, I couldn't bide the smother11·····/˘··/˘
And heat so close in; but the thought of all10··········
The woods and town on fire by me, and all10·····/····
The town turned out to fight for me--that held me.11···········
I trusted the brook barrier, but feared10·/˘··/˘˘··
The road would fail; and on that side the fire11·········/˘
Died not without a noise of crackling wood--10·······/˘·
Of something more than tinder-grass and weed--10·/˘··/˘···
That brought me to my feet to hold it back10··········
By leaning back myself, as if the reins10·/˘··/····
Were round my neck and I was at the plough.10··········
I won! But I'm sure no one ever spread10·······/˘·
Another color over a tenth the space10˘/˘/˘·····
That I spread coal-black over in the time10··········
It took me. Neighbors coming home from town10···/˘/˘···
Couldn't believe that so much black had come there11/˘˘/·······
While they had backs turned, that it hadn't been there11·······/˘··
When they had passed an hour or so before10·····/····
Going the other way and they not seen it.10/·/˘······
They looked about for someone to have done it.11·····/·····
But there was no one. I was somewhere wondering11·······/·/˘
Where all my weariness had gone and why10···/˘˘····
I walked so light on air in heavy shoes10·······/˘·
In spite of a scorched Fourth-of-July feeling.11········//˘
Why wouldn't I be scared remembering that?"10·/˘···˘/˘·
"If it scares you, what will it do to us?"10··········
"Scare you. But if you shrink from being scared,10·······/˘·
What would you say to war if it should come?10··········
That's what for reasons I should like to know--10···/˘·····
If you can comfort me by any answer."11···/˘··/˘/˘
"Oh, but war's not for children--it's for men."10·····/˘···
"Now we are digging almost down to China.11···/˘/···/˘
My dears, my dears, you thought that--we all thought it.11···········
So your mistake was ours. Haven't you heard, though,11··˘/·//˘···
About the ships where war has found them out10··········
At sea, about the towns where war has come10··········
Through opening clouds at night with droning speed10·/˘····/˘·
Further o'erhead than all but stars and angels,--11/˘·······/˘
And children in the ships and in the towns?10·/˘·······
Haven't you heard what we have lived to learn?10/˘········
Nothing so new--something we had forgotten:11/˘··/˘··˘/˘
War is for everyone, for children too.10···/˘··/˘·
I wasn't going to tell you and I mustn't.11·/˘/·····/˘
The best way is to come up hill with me10··········
And have our fire and laugh and be afraid."10··//····˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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