Snow

Robert Frost (1874–1963) · 1916

iambic pentameter · unrhymed · 385 lines · from Mountain Interval

The three stood listening to a fresh accessOf wind that caught against the house a moment,Gulped snow, and then blew free again--the ColesDressed, but dishevelled from some hours of sleep,Meserve belittled in the great skin coat he wore.

Meserve was first to speak. He pointed backwardOver his shoulder with his pipe-stem, saying,"You can just see it glancing off the roofMaking a great scroll upward toward the sky,Long enough for recording all our names on.--I think I'll just call up my wife and tell herI'm here--so far--and starting on again.I'll call her softly so that if she's wiseAnd gone to sleep, she needn't wake to answer."Three times he barely stirred the bell, then listened."Why, Lett, still up? Lett, I'm at Cole's. I'm late.I called you up to say Good-night from hereBefore I went to say Good-morning there.--I thought I would.--I know, but, Lett--I know--I could, but what's the sense? The rest won't beSo bad.--Give me an hour for it.--Ho, ho,Three hours to here! But that was all up hill;The rest is down.--Why no, no, not a wallow:They kept their heads and took their time to itLike darlings, both of them. They're in the barn.--My dear, I'm coming just the same. I didn'tCall you to ask you to invite me home.--"He lingered for some word she wouldn't say,Said it at last himself, "Good-night," and then,Getting no answer, closed the telephone.The three stood in the lamplight round the tableWith lowered eyes a moment till he said,"I'll just see how the horses are."

"Yes, do,"Both the Coles said together. Mrs. ColeAdded: "You can judge better after seeing.--I want you here with me, Fred. Leave him here,Brother Meserve. You know to find your wayOut through the shed."

"I guess I know my way,I guess I know where I can find my nameCarved in the shed to tell me who I amIf it don't tell me where I am. I usedTo play--"

"You tend your horses and come back.Fred Cole, you're going to let him!"

"Well, aren't you?How can you help yourself?"

"I called him Brother.Why did I call him that?"

"It's right enough.That's all you ever heard him called round here.He seems to have lost off his Christian name."

"Christian enough I should call that myself.He took no notice, did he? Well, at leastI didn't use it out of love of him,The dear knows. I detest the thought of himWith his ten children under ten years old.I hate his wretched little Racker Sect,All's ever I heard of it, which isn't much.But that's not saying--Look, Fred Cole, it's twelve,Isn't it, now? He's been here half an hour.He says he left the village store at nine.Three hours to do four miles--a mile an hourOr not much better. Why, it doesn't seemAs if a man could move that slow and move.Try to think what he did with all that time.And three miles more to go!"

"Don't let him go.Stick to him, Helen. Make him answer you.That sort of man talks straight on all his lifeFrom the last thing he said himself, stone deafTo anything anyone else may say.I should have thought, though, you could make him hear you."

"What is he doing out a night like this?Why can't he stay at home?""It's no night to be out."

"He may be small,He may be good, but one thing's sure, he's tough."

"And strong of stale tobacco."

"He'll pull through."

"You only say so. Not another houseOr shelter to put into from this placeTo theirs. I'm going to call his wife again."

"Wait and he may. Let's see what he will do.Let's see if he will think of her again.But then I doubt he's thinking of himselfHe doesn't look on it as anything."

"He shan't go--there!"

"It is a night, my dear."

"One thing: he didn't drag God into it."

"He don't consider it a case for God."

"You think so, do you? You don't know the kind.He's getting up a miracle this minute.Privately--to himself, right now, he's thinkingHe'll make a case of it if he succeeds,But keep still if he fails."

"Keep still all over.He'll be dead--dead and buried."

"Such a trouble!Not but I've every reason not to careWhat happens to him if it only takesSome of the sanctimonious conceitOut of one of those pious scalawags."

"Nonsense to that! You want to see him safe."

"You like the runt."

"Don't you a little?"

"Well,I don't like what he's doing, which is whatYou like, and like him for."

"Oh, yes you do.You like your fun as well as anyone;Only you women have to put these airs onTo impress men. You've got us so ashamedOf being men we can't look at a good fightBetween two boys and not feel bound to stop it.Let the man freeze an ear or two, I say.--He's here. I leave him all to you. Go inAnd save his life.--All right, come in, Meserve.Sit down, sit down. How did you find the horses?"

"And ready for some more? My wife hereSays it won't do. You've got to give it up."

"Won't you to please me? Please! If I say please?Mr. Meserve, I'll leave it to your wife.What did your wife say on the telephone?"

Meserve seemed to heed nothing but the lampOr something not far from it on the table.By straightening out and lifting a forefinger,He pointed with his hand from where it layLike a white crumpled spider on his knee:"That leaf there in your open book! It movedJust then, I thought. It's stood erect like that,There on the table, ever since I came,Trying to turn itself backward or forward,I've had my eye on it to make out which;If forward, then it's with a friend's impatience--You see I know--to get you on to thingsIt wants to see how you will take, if backwardIt's from regret for something you have passedAnd failed to see the good of. Never mind,Things must expect to come in front of usA many times--I don't say just how many--That varies with the things--before we see them.One of the lies would make it out that nothingEver presents itself before us twice.Where would we be at last if that were so?Our very life depends on everything'sRecurring till we answer from within.The thousandth time may prove the charm.--That leaf!It can't turn either way. It needs the wind's help.But the wind didn't move it if it moved.It moved itself. The wind's at naught in here.It couldn't stir so sensitively poisedA thing as that. It couldn't reach the lampTo get a puff of black smoke from the flame,Or blow a rumple in the collie's coat.You make a little foursquare block of air,Quiet and light and warm, in spite of allThe illimitable dark and cold and storm,And by so doing give these three, lamp, dog,And book-leaf, that keep near you, their repose;Though for all anyone can tell, reposeMay be the thing you haven't, yet you give it.So false it is that what we haven't we can't give;So false, that what we always say is true.I'll have to turn the leaf if no one else will.It won't lie down. Then let it stand. Who cares?"

"I shouldn't want to hurry you, Meserve,But if you're going--Say you'll stay, you know?But let me raise this curtain on a scene,And show you how it's piling up against you.You see the snow-white through the white of frost?Ask Helen how far up the sash it's climbedSince last we read the gage."

"It looks as ifSome pallid thing had squashed its features flatAnd its eyes shut with overeagernessTo see what people found so interestingIn one another, and had gone to sleepOf its own stupid lack of understanding,Or broken its white neck of mushroom stuffShort off, and died against the window-pane."

"Brother Meserve, take care, you'll scare yourselfMore than you will us with such nightmare talk.It's you it matters to, because it's youWho have to go out into it alone."

"Let him talk, Helen, and perhaps he'll stay."

"Before you drop the curtain--I'm reminded:You recollect the boy who came out hereTo breathe the air one winter--had a roomDown at the Averys'? Well, one sunny morningAfter a downy storm, he passed our placeAnd found me banking up the house with snow.And I was burrowing in deep for warmth,Piling it well above the window-sills.The snow against the window caught his eye.'Hey, that's a pretty thought'--those were his words.'So you can think it's six feet deep outside,While you sit warm and read up balanced rations.You can't get too much winter in the winter.'Those were his words. And he went home and allBut banked the daylight out of Avery's windows.Now you and I would go to no such length.At the same time you can't deny it makesIt not a mite worse, sitting here, we three,Playing our fancy, to have the snowline runSo high across the pane outside. There whereThere is a sort of tunnel in the frostMore like a tunnel than a hole--way downAt the far end of it you see a stirAnd quiver like the frayed edge of the driftBlown in the wind. I like that--I like that.Well, now I leave you, people."

"Come, Meserve,We thought you were deciding not to go--The ways you found to say the praise of comfortAnd being where you are. You want to stay."

"I'll own it's cold for such a fall of snow.This house is frozen brittle, all exceptThis room you sit in. If you think the windSounds further off, it's not because it's dying;You're further under in the snow--that's all--And feel it less. Hear the soft bombs of dustIt bursts against us at the chimney mouth,And at the eaves. I like it from insideMore than I shall out in it. But the horsesAre rested and it's time to say good-night,And let you get to bed again. Good-night,Sorry I had to break in on your sleep."

"Lucky for you you did. Lucky for youYou had us for a half-way stationTo stop at. If you were the kind of manPaid heed to women, you'd take my adviceAnd for your family's sake stay where you are.But what good is my saying it over and over?You've done more than you had a right to thinkYou could do--now. You know the risk you takeIn going on."

"Our snow-storms as a ruleAren't looked on as man-killers, and althoughI'd rather be the beast that sleeps the sleepUnder it all, his door sealed up and lost,Than the man fighting it to keep above it,Yet think of the small birds at roost and notIn nests. Shall I be counted less than they are?Their bulk in water would be frozen rockIn no time out to-night. And yet to-morrowThey will come budding boughs from tree to treeFlirting their wings and saying Chickadee,As if not knowing what you meant by the word storm."

"But why when no one wants you to go on?Your wife--she doesn't want you to. We don't,And you yourself don't want to. Who else is there?"

"Save us from being cornered by a woman.Well, there's"--She told Fred afterward that inThe pause right there, she thought the dreaded wordWas coming, "God." But no, he only said"Well, there's--the storm. That says I must go on.That wants me as a war might if it came.Ask any man."

He threw her that as somethingTo last her till he got outside the door.He had Cole with him to the barn to see him off.When Cole returned he found his wife still standingBeside the table near the open book,Not reading it.

"Well, what kind of a manDo you call that?" she said.

"He had the giftOf words, or is it tongues, I ought to say?""Was ever such a man for seeing likeness?"

"Or disregarding people's civil questions--What? We've found out in one hour more about himThan we had seeing him pass by in the roadA thousand times. If that's the way he preaches!You didn't think you'd keep him after all.Oh, I'm not blaming you. He didn't leave youMuch say in the matter, and I'm just as gladWe're not in for a night of him. No sleepIf he had stayed. The least thing set him going.It's quiet as an empty church without him."

"But how much better off are we as it is?We'll have to sit here till we know he's safe."

"Yes, I suppose you'll want to, but I shouldn't.He knows what he can do, or he wouldn't try.Get into bed I say, and get some rest.He won't come back, and if he telephones,It won't be for an hour or two."

"Well then.We can't be any help by sitting hereAnd living his fight through with him, I suppose."

Cole had been telephoning in the dark.Mrs. Cole's voice came from an inner room:"Did she call you or you call her?"

"She me.You'd better dress: you won't go back to bed.We must have been asleep: it's three and after."

"Had she been ringing long? I'll get my wrapper.I want to speak to her."

"All she said was,He hadn't come and had he really started.""She knew he had, poor thing, two hours ago."

"He had the shovel. He'll have made a fight."

"Why did I ever let him leave this house!"

"Don't begin that. You did the best you couldTo keep him--though perhaps you didn't quiteConceal a wish to see him show the spunkTo disobey you. Much his wife'll thank you."

"Fred, after all I said! You shan't make outThat it was any way but what it was.Did she let on by any word she saidShe didn't thank me?"

"When I told her 'Gone,''Well then,' she said, and 'Well then'--like a threat.And then her voice came scraping slow: 'Oh, you,Why did you let him go'?"

"Asked why we let him?You let me there. I'll ask her why she let him.She didn't dare to speak when he was here.Their number's--twenty-one? The thing won't work.Someone's receiver's down. The handle stumbles.The stubborn thing, the way it jars your arm!It's theirs. She's dropped it from her hand and gone.""Try speaking. Say 'Hello'!"

"What do you hear?"

"I hear an empty room--You know--it sounds that way. And yes, I hear--I think I hear a clock--and windows rattling.No step though. If she's there she's sitting down.""Shout, she may hear you."

"Shouting is no good."

"Keep speaking then."

"Hello. Hello. Hello.You don't suppose--? She wouldn't go out doors?"

"I'm half afraid that's just what she might do."

"And leave the children?"

"Wait and call again.You can't hear whether she has left the doorWide open and the wind's blown out the lampAnd the fire's died and the room's dark and cold?"

"One of two things, either she's gone to bedOr gone out doors."

"In which case both are lost.Do you know what she's like? Have you ever met her?It's strange she doesn't want to speak to us.""Fred, see if you can hear what I hear. Come."

"Don't you hear something else?"

"Why, yes, I hear--what is it?"

"What do you say it is?"

"A baby's crying!Frantic it sounds, though muffled and far off."

"Its mother wouldn't let it cry like that,Not if she's there.""What do you make of it?"

"There's only one thing possible to make,That is, assuming--that she has gone out.Of course she hasn't though." They both sat downHelpless. "There's nothing we can do till morning."

"Fred, I shan't let you think of going out."

"Hold on." The double bell began to chirp.They started up. Fred took the telephone."Hello, Meserve. You're there, then!--And your wife?Good! Why I asked--she didn't seem to answer.He says she went to let him in the barn.--We're glad. Oh, say no more about it, man.Drop in and see us when you're passing."

"Well,She has him then, though what she wants him forI don't see."

"Possibly not for herself.Maybe she only wants him for the children."

"The whole to-do seems to have been for nothing.What spoiled our night was to him just his fun.What did he come in for?--To talk and visit?Thought he'd just call to tell us it was snowing.If he thinks he is going to make our houseA halfway coffee house 'twixt town and nowhere----"

"I thought you'd feel you'd been too much concerned."

"You think you haven't been concerned yourself."

"If you mean he was inconsiderateTo rout us out to think for him at midnightAnd then take our advice no more than nothing,Why, I agree with you. But let's forgive him.We've had a share in one night of his life.What'll you bet he ever calls again?"

Words in this poem 30
glancing a.
Shooting, as light.
lett v. t.
To retard; to hinder; to impede; to oppose. [OE.letten, AS. lettan to delay, to hinder, fr. læt slow; akin to D. letten to hinder, G. verletzen to hurt, Icel. letja to hold back, Goth. latjan. See Late.]
went n.
Course; way; path; journey; direction.
lamplight n.
Light from a lamp.
cole n.
A plant of the Brassica or Cabbage genus; esp. that form of B. [OE. col, caul, AS. cawl, cawel, fr. L. caulis, the stalk or stem of a plant, esp. a cabbage stalk, cabbage, akin to Gr. Cauliflower, Kale.]
fred n.
Peace; -- a word used in composition, especially in proper names; as, Alfred; Frederic. [AS. fri peace. See Frith inclosure.]
detest v. t.
To witness against; to denounce; to condemn. [L. detestare, detestatum, and detestari, to curse while calling a deity to witness, to execrate, detest; de + testari to be a witness, testify, testis a witness]
anyone n.
One taken at random rather than by selection; anybody.
sanctimonious a.
Possessing sanctimony; holy; sacred; saintly. [See Sanctimony.]
runt n.
Any animal which is unusually small, as compared with others of its kind; -- applied particulary to domestic animals. [Scot. runt an old cow. rund a bullock, an ox or Rother, a.]
forefinger n.
The finger next to the thumb; the index.
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
foursquare a.
Having four sides and four equal angles. Sir W. Raleigh.
pane n.
The narrow edge of a hammer head. See Peen. [F. panne.]
scare v. t.
To frighten; to strike with sudden fear; to alarm. [OE. skerren, skeren, Icel. skirra to bar, prevent, skirrask to shun , shrink from; or fr. OE. skerre, adj., scared, Icel. skjarr; both perhaps akin to E. sheer ]
recollect v. t.
To recover or recall the knowledge of; to bring back to the mind or memory; to remember. [Pref. re- + collect: cf. L. recolligere, recollectum, to collect. Cf. Recollet.]
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
banking n.
The business of a bank or of a banker. Banking house, an establishment or office in which, or a firm by whom, banking is done.
daylight n.
The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
chimney n.
A fireplace or hearth. Sir W. Raleigh.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
chickadee n.
A small bird, the blackcap titmouse (Parus atricapillus), of North America; -- named from its note.
cornered p. a.
1 Having corners or angles.
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
stayed a.
Staid; fixed; settled; sober; -- now written staid. See Staid.
spunk n.
Wood that readily takes fire; touchwood; also, a kind of tinder made from a species of fungus; punk; amadou. Sir T. Browne. [Gael. spong, or Ir. sponc, tinder, sponge; cf. AS. sponge a sponge (L. spongia), spon a chip. Cf. Sponge, Punk.]
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
maybe adv.
Perhaps; possibly; peradventure. [For it may be.]
nowhere adv.
Not anywhere; not in any place or state; as, the book is nowhere to be found. [AS. nahwær. See No, and Where.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Snow is in the public domain. This text is taken from Mountain Interval, Project Gutenberg ebook #29345; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Frost, Snow, in Mountain Interval (1916), text of Project Gutenberg ebook #29345, Laurel, https://laurelpoetry.com/poem/frost-mountain-interval/snow.html, id L02668.

Form and metre

Snow is 385 lines in 83 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 9.5 syllables. 62 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 -----AB----CCD-D-------B---A backward · saying · roof · sky · on · herA · againB · wise · answer · listened · late · hereC · thereC · knowD · be · hoD · hill · wallow · it · barn · didn't · home · say · thenB · telephone · table · said · areA
  2. 4 A---A wayA · name · am · used · playA
  3. 9 --AA----B-B---- myself · least · himA · himA · old · sect · much · twelve · hourB · nine · hourB · seem · move · time · go
  4. 10 -A---A go · youA · life · deaf · say · youA
  5. 38 ---------AA- snow · except · wind · dying · all · dust · mouth · inside · horses · nightA · nightA · sleep
  6. 39 -AA------ you · stationA · manA · advice · are · over · think · take · on
  7. 42 AA--A-- womanA · inA · word · said · onA · came · man
  8. 46 -A-------A questions · himA · road · preaches · all · you · glad · sleep · going · himA
  9. 59 AA------ himA · himA · here · work · stumbles · arm · gone · hello
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
The three stood listening to a fresh access10···/˘···/·
Of wind that caught against the house a moment,11·········/˘
Gulped snow, and then blew free again--the Coles10······˘/··
Dressed, but dishevelled from some hours of sleep,10··˘/˘··/··
Meserve belittled in the great skin coat he wore.12/˘˘/˘·······
Meserve was first to speak. He pointed backward11/˘·····/˘/˘
Over his shoulder with his pipe-stem, saying,11···/˘····/˘
"You can just see it glancing off the roof10·····/˘···
Making a great scroll upward toward the sky,11/˘···/˘····
Long enough for recording all our names on.--11·˘/·˘/˘·/··
I think I'll just call up my wife and tell her11···········
I'm here--so far--and starting on again.10·····/˘·˘/
I'll call her softly so that if she's wise10···/˘·····
And gone to sleep, she needn't wake to answer."11·····/˘··/˘
Three times he barely stirred the bell, then listened.11···/˘····/˘
"Why, Lett, still up? Lett, I'm at Cole's. I'm late.10··········
I called you up to say Good-night from here10··········
Before I went to say Good-morning there.--10·······/˘·
I thought I would.--I know, but, Lett--I know--10··········
I could, but what's the sense? The rest won't be10··········
So bad.--Give me an hour for it.--Ho, ho,10·····/····
Three hours to here! But that was all up hill;10·/········
The rest is down.--Why no, no, not a wallow:11·········/˘
They kept their heads and took their time to it10··········
Like darlings, both of them. They're in the barn.--10·/˘·······
My dear, I'm coming just the same. I didn't11···/˘····/˘
Call you to ask you to invite me home.--"10······˘/··
He lingered for some word she wouldn't say,10·/˘····/˘·
Said it at last himself, "Good-night," and then,10····˘/····
Getting no answer, closed the telephone.10/˘·/˘··/˘·
The three stood in the lamplight round the table11·····/˘··/˘
With lowered eyes a moment till he said,10·/˘··/˘···
"I'll just see how the horses are."8·····/˘·
"Yes, do,"2··
Both the Coles said together. Mrs. Cole10····˘/˘/˘·
Added: "You can judge better after seeing.--11/˘···/˘··/˘
I want you here with me, Fred. Leave him here,10··········
Brother Meserve. You know to find your way10/˘/˘······
Out through the shed."4····
"I guess I know my way,6······
I guess I know where I can find my name10··········
Carved in the shed to tell me who I am10··········
If it don't tell me where I am. I used10··········
To play--"2··
"You tend your horses and come back.8···/˘···
Fred Cole, you're going to let him!"8···/˘···
"Well, aren't you?4·/˘·
How can you help yourself?"6····˘/
"I called him Brother.5···/˘
Why did I call him that?"6······
"It's right enough.4··˘/
That's all you ever heard him called round here.10···/˘·····
He seems to have lost off his Christian name."10·······/˘·
"Christian enough I should call that myself.10/˘˘/·····/
He took no notice, did he? Well, at least10···/˘·····
I didn't use it out of love of him,10·/˘·······
The dear knows. I detest the thought of him10····˘/····
With his ten children under ten years old.10···/˘·····
I hate his wretched little Racker Sect,10···/˘/˘/˘·
All's ever I heard of it, which isn't much.10·/·····/˘·
But that's not saying--Look, Fred Cole, it's twelve,10···/˘·····
Isn't it, now? He's been here half an hour.11˘˘·······/˘
He says he left the village store at nine.10·····/˘···
Three hours to do four miles--a mile an hour11·/·······/˘
Or not much better. Why, it doesn't seem10···/˘··/˘·
As if a man could move that slow and move.10··········
Try to think what he did with all that time.10··········
And three miles more to go!"6······
"Don't let him go.4····
Stick to him, Helen. Make him answer you.10···/˘··/˘·
That sort of man talks straight on all his life10··········
From the last thing he said himself, stone deaf10······˘/··
To anything anyone else may say.10·/˘·/˘˘···
I should have thought, though, you could make him hear you."11···········
"What is he doing out a night like this?10···/˘·····
Why can't he stay at home?"6······
"It's no night to be out."6······
"He may be small,4····
He may be good, but one thing's sure, he's tough."10··········
"And strong of stale tobacco."7····˘/·
"He'll pull through."3···
"You only say so. Not another house10·/˘···˘/˘·
Or shelter to put into from this place10·/˘·······
To theirs. I'm going to call his wife again."10···/····˘/
"Wait and he may. Let's see what he will do.10··········
Let's see if he will think of her again.10········˘/
But then I doubt he's thinking of himself10·····/˘·˘/
He doesn't look on it as anything."10·/˘····/˘·
"He shan't go--there!"4····
"It is a night, my dear."6······
"One thing: he didn't drag God into it."10···/˘·····
"He don't consider it a case for God."10··˘/˘·····
"You think so, do you? You don't know the kind.10··········
He's getting up a miracle this minute.11·/˘··/˘˘·/˘
Privately--to himself, right now, he's thinking11/˘˘·˘/···/˘
He'll make a case of it if he succeeds,10········˘/
But keep still if he fails."6······
"Keep still all over.5·····
He'll be dead--dead and buried."7·····/˘
"Such a trouble!4··/˘
Not but I've every reason not to care10···/˘/˘···
What happens to him if it only takes10·/˘····/˘·
Some of the sanctimonious conceit10····˘/˘˘˘/
Out of one of those pious scalawags."10·····/˘···
"Nonsense to that! You want to see him safe."10/˘········
"You like the runt."4····
"Don't you a little?"5···/˘
"Well,1·
I don't like what he's doing, which is what10·····/˘···
You like, and like him for."6······
"Oh, yes you do.4····
You like your fun as well as anyone;10·······/˘·
Only you women have to put these airs on11/˘·/˘······
To impress men. You've got us so ashamed10·/······˘/
Of being men we can't look at a good fight10·/········
Between two boys and not feel bound to stop it.11···········
Let the man freeze an ear or two, I say.--10··········
He's here. I leave him all to you. Go in10··········
And save his life.--All right, come in, Meserve.10········/˘
Sit down, sit down. How did you find the horses?"11·········/˘
"And ready for some more? My wife here9·/˘······
Says it won't do. You've got to give it up."10··········
"Won't you to please me? Please! If I say please?10··········
Mr. Meserve, I'll leave it to your wife.10/˘/˘······
What did your wife say on the telephone?"10·······/˘·
Meserve seemed to heed nothing but the lamp10/˘···/˘···
Or something not far from it on the table.11·/˘······/˘
By straightening out and lifting a forefinger,11·/˘··/˘·/·˘
He pointed with his hand from where it lay10·/˘·······
Like a white crumpled spider on his knee:10···/˘/˘···
"That leaf there in your open book! It moved10·····/˘···
Just then, I thought. It's stood erect like that,10······˘/··
There on the table, ever since I came,10···/˘/˘···
Trying to turn itself backward or forward,11/˘··˘//˘·/˘
I've had my eye on it to make out which;10··········
If forward, then it's with a friend's impatience--11·/˘·····˘/˘
You see I know--to get you on to things10··········
It wants to see how you will take, if backward11·········/˘
It's from regret for something you have passed10··˘/·/˘···
And failed to see the good of. Never mind,10·······/˘·
Things must expect to come in front of us10··˘/······
A many times--I don't say just how many--11·/˘······/˘
That varies with the things--before we see them.11·/˘········
One of the lies would make it out that nothing11·········/˘
Ever presents itself before us twice.10/˘/˘˘/····
Where would we be at last if that were so?10··········
Our very life depends on everything's10//˘·˘/·/˘·
Recurring till we answer from within.10˘/˘··/˘···
The thousandth time may prove the charm.--That leaf!10·/˘·······
It can't turn either way. It needs the wind's help.11···/˘······
But the wind didn't move it if it moved.10···/˘·····
It moved itself. The wind's at naught in here.10··˘/······
It couldn't stir so sensitively poised10·/˘··/˘˘˘·
A thing as that. It couldn't reach the lamp10·····/˘···
To get a puff of black smoke from the flame,10··········
Or blow a rumple in the collie's coat.10···/˘··/˘·
You make a little foursquare block of air,10···/˘//···
Quiet and light and warm, in spite of all10/˘········
The illimitable dark and cold and storm,11·˘/˘˘˘·····
And by so doing give these three, lamp, dog,10···/˘·····
And book-leaf, that keep near you, their repose;10········˘/
Though for all anyone can tell, repose10···/˘···˘/
May be the thing you haven't, yet you give it.11·····/˘····
So false it is that what we haven't we can't give;12·······/˘···
So false, that what we always say is true.10·····/····
I'll have to turn the leaf if no one else will.11···········
It won't lie down. Then let it stand. Who cares?"10··········
"I shouldn't want to hurry you, Meserve,10·/˘··/˘·/˘
But if you're going--Say you'll stay, you know?10···/˘·····
But let me raise this curtain on a scene,10·····/˘···
And show you how it's piling up against you.11·····/˘····
You see the snow-white through the white of frost?10··········
Ask Helen how far up the sash it's climbed10·/˘·······
Since last we read the gage."6······
"It looks as if4····
Some pallid thing had squashed its features flat10·/˘····/˘·
And its eyes shut with overeagerness10··········
To see what people found so interesting10···/˘··/˘˘
In one another, and had gone to sleep10··˘/˘·····
Of its own stupid lack of understanding,11···/˘···˘/˘
Or broken its white neck of mushroom stuff10·/˘····/˘·
Short off, and died against the window-pane."10·······/˘·
"Brother Meserve, take care, you'll scare yourself10/˘/˘····/˘
More than you will us with such nightmare talk.10·······/··
It's you it matters to, because it's you10···/˘·····
Who have to go out into it alone."10········˘/
"Let him talk, Helen, and perhaps he'll stay."10···/˘·˘/··
"Before you drop the curtain--I'm reminded:11·····/˘·˘/˘
You recollect the boy who came out here10··˘/······
To breathe the air one winter--had a room10·····/˘···
Down at the Averys'? Well, one sunny morning12········/˘/˘
After a downy storm, he passed our place10···/˘···/·
And found me banking up the house with snow.10···/˘·····
And I was burrowing in deep for warmth,10···/˘˘····
Piling it well above the window-sills.10/˘·····/˘·
The snow against the window caught his eye.10·····/˘···
'Hey, that's a pretty thought'--those were his words.10···/˘·····
'So you can think it's six feet deep outside,10········//
While you sit warm and read up balanced rations.11·······/˘/˘
You can't get too much winter in the winter.'11·····/˘··/˘
Those were his words. And he went home and all10··········
But banked the daylight out of Avery's windows.11···/···/˘/˘
Now you and I would go to no such length.10··········
At the same time you can't deny it makes10······˘/··
It not a mite worse, sitting here, we three,10·····/˘···
Playing our fancy, to have the snowline run11/˘//˘······
So high across the pane outside. There where10··˘/··//··
There is a sort of tunnel in the frost10·····/˘···
More like a tunnel than a hole--way down10···/˘·····
At the far end of it you see a stir10··········
And quiver like the frayed edge of the drift10·/˘·······
Blown in the wind. I like that--I like that.10··········
Well, now I leave you, people."7·····/˘
"Come, Meserve,3·/˘
We thought you were deciding not to go--10····˘/˘···
The ways you found to say the praise of comfort11·········/˘
And being where you are. You want to stay."10·/˘·······
"I'll own it's cold for such a fall of snow.10··········
This house is frozen brittle, all except10···/˘/˘···
This room you sit in. If you think the wind10··········
Sounds further off, it's not because it's dying;11·/˘······/˘
You're further under in the snow--that's all--10·/˘·······
And feel it less. Hear the soft bombs of dust10··········
It bursts against us at the chimney mouth,10·······/˘·
And at the eaves. I like it from inside10········˘/
More than I shall out in it. But the horses11·········/˘
Are rested and it's time to say good-night,10·/˘·······
And let you get to bed again. Good-night,10······˘/··
Sorry I had to break in on your sleep."10/˘········
"Lucky for you you did. Lucky for you10/˘····/˘··
You had us for a half-way station9·······/˘
To stop at. If you were the kind of man10··········
Paid heed to women, you'd take my advice10···/˘···˘/
And for your family's sake stay where you are.10···/˘·····
But what good is my saying it over and over?11·····/˘····
You've done more than you had a right to think10··········
You could do--now. You know the risk you take10··········
In going on."4·/˘·
"Our snow-storms as a rule7/˘·····
Aren't looked on as man-killers, and although11/˘····/˘···
I'd rather be the beast that sleeps the sleep10·/˘·······
Under it all, his door sealed up and lost,10··········
Than the man fighting it to keep above it,11···/˘······
Yet think of the small birds at roost and not10··········
In nests. Shall I be counted less than they are?11·····/˘····
Their bulk in water would be frozen rock10···/˘··/˘·
In no time out to-night. And yet to-morrow11·········/˘
They will come budding boughs from tree to tree10···/˘·····
Flirting their wings and saying Chickadee,10/˘···/˘/˘˘
As if not knowing what you meant by the word storm."11···/·······
"But why when no one wants you to go on?10··········
Your wife--she doesn't want you to. We don't,10···/˘·····
And you yourself don't want to. Who else is there?"11··˘/·······
"Save us from being cornered by a woman.11···/˘/˘··/˘
Well, there's"--She told Fred afterward that in10·····/˘˘··
The pause right there, she thought the dreaded word10·······/˘·
Was coming, "God." But no, he only said10·/˘····/˘·
"Well, there's--the storm. That says I must go on.10··········
That wants me as a war might if it came.10··········
Ask any man."4·/˘·
He threw her that as something7·····/˘
To last her till he got outside the door.10······//··
He had Cole with him to the barn to see him off.12············
When Cole returned he found his wife still standing11··˘/·····/˘
Beside the table near the open book,10˘/·/˘··/˘·
Not reading it.4·/˘·
"Well, what kind of a man6······
Do you call that?" she said.6······
"He had the gift4····
Of words, or is it tongues, I ought to say?"10··········
"Was ever such a man for seeing likeness?"11·/˘····/˘/˘
"Or disregarding people's civil questions--11··˘/˘/˘/˘/˘
What? We've found out in one hour more about him11······/····
Than we had seeing him pass by in the road10···/······
A thousand times. If that's the way he preaches!11·/˘······/˘
You didn't think you'd keep him after all.10·/˘·······
Oh, I'm not blaming you. He didn't leave you11···/˘··/˘··
Much say in the matter, and I'm just as glad11····/˘·····
We're not in for a night of him. No sleep10··········
If he had stayed. The least thing set him going.11·········/˘
It's quiet as an empty church without him."10·/··/˘····
"But how much better off are we as it is?11···/˘······
We'll have to sit here till we know he's safe."10··········
"Yes, I suppose you'll want to, but I shouldn't.11··˘/·····/˘
He knows what he can do, or he wouldn't try.11········/˘·
Get into bed I say, and get some rest.10··········
He won't come back, and if he telephones,10·······/˘·
It won't be for an hour or two."9·····/˘··
"Well then.2··
We can't be any help by sitting here10···/˘··/˘·
And living his fight through with him, I suppose."11·/˘······˘/
Cole had been telephoning in the dark.10···/˘·˘···
Mrs. Cole's voice came from an inner room:10/˘·····/˘·
"Did she call you or you call her?"8········
"She me.2··
You'd better dress: you won't go back to bed.10·/˘·······
We must have been asleep: it's three and after."11····˘/·····
"Had she been ringing long? I'll get my wrapper.11···/˘····/˘
I want to speak to her."6······
"All she said was,4····
He hadn't come and had he really started."11·/˘····/˘/˘
"She knew he had, poor thing, two hours ago."10·······/˘/
"He had the shovel. He'll have made a fight."10···/˘·····
"Why did I ever let him leave this house!"10···/˘·····
"Don't begin that. You did the best you could10·˘/·······
To keep him--though perhaps you didn't quite10····˘/·/˘·
Conceal a wish to see him show the spunk10˘/········
To disobey you. Much his wife'll thank you."11··˘/·······
"Fred, after all I said! You shan't make out10··········
That it was any way but what it was.10···/˘·····
Did she let on by any word she said10·····/˘···
She didn't thank me?"5·/˘··
"When I told her 'Gone,'5·····
'Well then,' she said, and 'Well then'--like a threat.10··········
And then her voice came scraping slow: 'Oh, you,10·····/˘···
Why did you let him go'?"6······
"Asked why we let him?5·····
You let me there. I'll ask her why she let him.11···········
She didn't dare to speak when he was here.10·/˘·······
Their number's--twenty-one? The thing won't work.10·/˘/˘·····
Someone's receiver's down. The handle stumbles.11/·˘/˘··/˘/˘
The stubborn thing, the way it jars your arm!10·/˘·······
It's theirs. She's dropped it from her hand and gone."10··········
"Try speaking. Say 'Hello'!"6·/˘·˘/
"What do you hear?"4····
"I hear an empty room--6···/˘·
You know--it sounds that way. And yes, I hear--10··········
I think I hear a clock--and windows rattling.11·······/˘/˘
No step though. If she's there she's sitting down."10·······/˘·
"Shout, she may hear you."5·····
"Shouting is no good."5/˘···
"Keep speaking then."4·/˘·
"Hello. Hello. Hello.6˘/˘/˘/
You don't suppose--? She wouldn't go out doors?"10··˘/·/˘···
"I'm half afraid that's just what she might do."10··˘/······
"And leave the children?"5···/˘
"Wait and call again.5···˘/
You can't hear whether she has left the door10··········
Wide open and the wind's blown out the lamp10·/˘·······
And the fire's died and the room's dark and cold?"10··/·······
"One of two things, either she's gone to bed10····/˘····
Or gone out doors."4····
"In which case both are lost.6······
Do you know what she's like? Have you ever met her?11········/··
It's strange she doesn't want to speak to us."10···/˘·····
"Fred, see if you can hear what I hear. Come."10··········
"Don't you hear something else?"6···/˘·
"Why, yes, I hear--what is it?"7·······
"What do you say it is?"6······
"A baby's crying!5·/˘/˘
Frantic it sounds, though muffled and far off."10/˘···/˘···
"Its mother wouldn't let it cry like that,10·/˘/˘·····
Not if she's there."4····
"What do you make of it?"6······
"There's only one thing possible to make,10·/˘··/˘˘··
That is, assuming--that she has gone out.10··˘/˘·····
Of course she hasn't though." They both sat down10···/˘·····
Helpless. "There's nothing we can do till morning."11/˘·/˘····/˘
"Fred, I shan't let you think of going out."10·······/˘·
"Hold on." The double bell began to chirp.10···/˘·˘/··
They started up. Fred took the telephone.10·/˘····/˘·
"Hello, Meserve. You're there, then!--And your wife?10˘//˘······
Good! Why I asked--she didn't seem to answer.11·····/˘··/˘
He says she went to let him in the barn.--10··········
We're glad. Oh, say no more about it, man.10··········
Drop in and see us when you're passing."9·······/˘
"Well,1·
She has him then, though what she wants him for10··········
I don't see."3···
"Possibly not for herself.7/˘˘··˘/
Maybe she only wants him for the children."11/˘·/˘····/˘
"The whole to-do seems to have been for nothing.11·········/˘
What spoiled our night was to him just his fun.10··/·······
What did he come in for?--To talk and visit?11·········/˘
Thought he'd just call to tell us it was snowing.11·········/˘
If he thinks he is going to make our house10·····/··/·
A halfway coffee house 'twixt town and nowhere----"11·///˘····/·
"I thought you'd feel you'd been too much concerned."10········˘/
"You think you haven't been concerned yourself."10···/˘·˘/˘/
"If you mean he was inconsiderate10··········
To rout us out to think for him at midnight11·········/·
And then take our advice no more than nothing,11···/˘/···/˘
Why, I agree with you. But let's forgive him.11··˘/····˘/·
We've had a share in one night of his life.10··········
What'll you bet he ever calls again?"10/˘···/˘·˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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