The Deserted Farm-House
This antique dome the insatiate tooth of timeNow level with the dust has almost laid;--Yet ere 'tis gone, I seize my humble themeFrom these low ruins, that his years have made.
Behold the unsocial hearth!--where once the firesBlazed high, and soothed the storm-stay'd traveller's woes;See! the weak roof, that abler props requires,Admits the winds, and swift descending snows.
Here, to forget the labours of the day,No more the swains at evening hours repair,But wandering flocks assume the well known wayTo shun the rigours of the midnight air.
In yonder chamber, half to ruin gone,Once stood the ancient housewife's curtained bed--Timely the prudent matron has withdrawn,And each domestic comfort with her fled.
The trees, the flowers that her own hands had reared,The plants, the vines, that were so verdant seen,--The trees, the flowers, the vines have disappear'd,And every plant has vanish'd from the green.
So sits in tears on wide Campania's plainRome, once the mistress of a world enslaved;That triumph'd o'er the land, subdued the main,And Time himself, in her wild transports, braved.
So sits in tears on Palestina's shoreThe Hebrew town, of splendour once divine--Her kings, her lords, her triumphs are no more;Slain are her priests, and ruin'd every shrine.
Once, in the bounds of this deserted room,Perhaps some swain nocturnal courtship made,Perhaps some Sherlock mused amidst the gloom;Since Love and Death forever seek the shade.
Perhaps some miser, doom'd to discontent,Here counted o'er the heaps acquired with pain;He to the dust--his gold, on traffick sent,Shall ne'er disgrace these mouldering walls again.
Nor shall the glow-worm fopling, sunshine bred,Seek, at the evening hour this wonted dome--Time has reduced the fabrick to a shed,Scarce fit to be the wandering beggar's home.
And none but I its dismal case lament--None, none but I o'er its cold relics mourn,Sent by the muse--(the time perhaps misspent)--To write dull stanzas on this dome forlorn.
Words in this poem
- insatiate a.
- Insatiable; as, insatiate thirst. [L. insatiatus.]
- props n.
- A game of chance, in which four sea shells, each called a prop, are used instead of dice.
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- courtship n.
- The act of paying court, with the intent to solicit a favor.
- amidst prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- fopling n.
- A petty fop. Landor.
- sunshine n.
- The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
- wonted a.
- Accustomed; customary; usual.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- dismal a.
- Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Deserted Farm-House is in the public domain. This text is taken from The Poems of Philip Freneau, Poet of the American Revolution. Volume 1 (of 3), Project Gutenberg ebook #38475; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Philip Freneau, The Deserted Farm-House, in Columbus to Ferdinand, and other poems (1786–1815), text of Project Gutenberg ebook #38475, Laurel, https://laurelpoetry.com/poem/freneau-poems/the-deserted-farm-house.html, id L12712.
Form and metre
The Deserted Farm-House is 44 lines in 11 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 10 of its 11 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 14% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A time · laidA · theme · madeA
- 2 ABAB firesA · woesB · requiresA · snowsB
- 3 ABAB dayA · repairB · wayA · airB
- 4 ABAB goneA · bedB · withdrawnA · fledB
- 5 ABAB rearedA · seenB · disappear'dA · greenB
- 6 ABAB plainA · enslavedB · mainA · bravedB
- 7 ABAB shoreA · divineB · moreA · shrineB
- 8 ABAB roomA · madeB · gloomA · shadeB
- 9 ABAB discontentA · painB · sentA · againB
- 10 ABAB bredA · domeB · shedA · homeB
- 11 ABAB lamentA · mournB · misspentA · forlornB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| This antique dome the insatiate tooth of time | 12 | ·˘/··˘/˘˘··· |
| Now level with the dust has almost laid;-- | 10 | ·/˘····/·· |
| Yet ere 'tis gone, I seize my humble theme | 10 | ·······/˘· |
| From these low ruins, that his years have made. | 10 | ···/˘····· |
| Behold the unsocial hearth!--where once the fires | 11 | ˘/········/ |
| Blazed high, and soothed the storm-stay'd traveller's woes; | 10 | ·······/˘· |
| See! the weak roof, that abler props requires, | 10 | ·····/˘·˘/ |
| Admits the winds, and swift descending snows. | 10 | ˘/····˘/˘· |
| Here, to forget the labours of the day, | 10 | ··˘/·/˘··· |
| No more the swains at evening hours repair, | 10 | ·····/˘/˘/ |
| But wandering flocks assume the well known way | 10 | ·/˘·˘/···· |
| To shun the rigours of the midnight air. | 10 | ···/˘··/·· |
| In yonder chamber, half to ruin gone, | 10 | ·/˘/˘··/˘· |
| Once stood the ancient housewife's curtained bed-- | 10 | ···/˘/·/˘· |
| Timely the prudent matron has withdrawn, | 10 | /˘·/˘/˘·˘/ |
| And each domestic comfort with her fled. | 10 | ··˘/˘/˘··· |
| The trees, the flowers that her own hands had reared, | 10 | ···/······ |
| The plants, the vines, that were so verdant seen,-- | 10 | ·······/˘· |
| The trees, the flowers, the vines have disappear'd, | 10 | ···/····˘/ |
| And every plant has vanish'd from the green. | 10 | ·/˘··/˘··· |
| So sits in tears on wide Campania's plain | 10 | ·········· |
| Rome, once the mistress of a world enslaved; | 10 | ···/˘···˘/ |
| That triumph'd o'er the land, subdued the main, | 10 | ·/˘···˘/·· |
| And Time himself, in her wild transports, braved. | 10 | ··˘/···/˘· |
| So sits in tears on Palestina's shore | 10 | ·········· |
| The Hebrew town, of splendour once divine-- | 10 | ·/˘··/˘·˘/ |
| Her kings, her lords, her triumphs are no more; | 10 | ·····/˘··· |
| Slain are her priests, and ruin'd every shrine. | 10 | ·····/˘/˘· |
| Once, in the bounds of this deserted room, | 10 | ······˘/˘· |
| Perhaps some swain nocturnal courtship made, | 10 | ˘/··˘/˘/·· |
| Perhaps some Sherlock mused amidst the gloom; | 10 | ˘/·/··˘/·· |
| Since Love and Death forever seek the shade. | 10 | ····˘/˘··· |
| Perhaps some miser, doom'd to discontent, | 10 | ˘/·/˘··˘˘/ |
| Here counted o'er the heaps acquired with pain; | 10 | ·/˘···˘/·· |
| He to the dust--his gold, on traffick sent, | 10 | ·········· |
| Shall ne'er disgrace these mouldering walls again. | 10 | ··˘/·/˘·˘/ |
| Nor shall the glow-worm fopling, sunshine bred, | 10 | ·····/˘/·· |
| Seek, at the evening hour this wonted dome-- | 10 | ···/˘/·/˘· |
| Time has reduced the fabrick to a shed, | 10 | ··˘/······ |
| Scarce fit to be the wandering beggar's home. | 10 | ·····/˘/˘· |
| And none but I its dismal case lament-- | 10 | ·····/˘·˘/ |
| None, none but I o'er its cold relics mourn, | 10 | ·······/˘· |
| Sent by the muse--(the time perhaps misspent)-- | 10 | ······˘/˘/ |
| To write dull stanzas on this dome forlorn. | 10 | ···/˘···˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.