Our Lady of the Mine

Eugene Field (1850–1895) · 1905

iambic heptameter · rhyming couplets · 73 lines · from Hoosier Lyrics

The Blue Horizon wuz a mine us fellers all thought well uv,And there befell the episode I now perpose to tell uv;'Twuz in the year of sixty-nine--somewhere along in summer--There hove in sight one afternoon a new and curious comer;His name wuz Silas Pettibone--an artist by perfession,With a kit of tools and a big mustache and a pipe in his possession;He told us, by our leave, he'd kind uv like to make some sketchesUv the snowy peaks, 'nd the foamin' crick, 'nd the distant mountainstretches;"You're welkim, sir," sez we, although this scenery dodge seemed to usA waste uv time where scenery wuz already sooper-floo-us.

All through the summer Pettibone kep' busy at his sketchin'--At daybreak, off for Eagle Pass, and home at nightfall, fetchin'That everlastin' book uv his with spider lines all through it--Three-Fingered Hoover used to say there warn't no meanin' to it--"God durn a man," sez he to him, "whose shif'less hand is sot atA-drawin' hills that's full of quartz that's pinin' to be got at!""Go on," sez Pettibone, "go on, if joshin' gratifies ye,But one uv these fine times, I'll show ye sumthin' will surprise ye!"The which remark led us to think--although he didn't say it--That Pettibone wuz owin' us a gredge 'nd meant to pay it.

One evenin' as we sat around the restauraw de Casey,A-singin' songs 'nd tellin' yarns the which wuz sumwhat racy,In come that feller Pettibone 'nd sez: "With your permissionI'd like to put a picture I have made on exhibition."He sot the picture on the bar 'nd drew aside its curtain,Sayin': "I recken you'll allow as how that's art, f'r certain!"And then we looked, with jaws agape, but nary word wuz spoken,And f'r a likely spell the charm uv silence wuz unbroken--Till presently, as in a dream, remarked Three-Fingered Hoover:"Onless I am mistaken, this is Pettibone's shef doover!"It wuz a face, a human face--a woman's, fair 'nd tender,Sot gracefully upon a neck white as a swan's, and slender;The hair wuz kind of sunny, 'nd the eyes wuz sort uv dreamy,The mouth wuz half a-smilin', 'nd the cheeks wuz soft 'nd creamy;It seemed like she wuz lookin' off into the west out yonder,And seemed like, while she looked, we saw her eyes grow softer,fonder--Like, lookin' off into the west where mountain mists wuz fallin',She saw the face she longed to see and heerd his voice a-callin';"Hooray!" we cried; "a woman in the camp uv Blue Horizon--Step right up, Colonel Pettibone, 'nd nominate your pizen!"

A curious situation--one deservin' uv your pity--No human, livin' female thing this side of Denver City!But jest a lot uv husky men that lived on sand 'nd bitters--Do you wonder that that woman's face consoled the lonesome critters?And not a one but what it served in some way to remind himOf a mother or a sister or a sweetheart left behind him--And some looked back on happier days and saw the old-time facesAnd heerd the dear familiar sounds in old familiar places--A gracious touch of home--"Look here," sez Hoover, "ever'bodyQuit thinkin' 'nd perceed at oncet to name his favorite toddy!"

It wuzn't long afore the news had spread the country over,And miners come a-flockin' in like honey bees to clover;It kind uv did 'em good they said, to feast their hungry eyes onThat picture uv Our Lady in the camp uv Blue Horizon.But one mean cuss from Nigger Crick passed criticisms on 'er--Leastwise we overheerd him call her Pettibone's madonner,The which we did not take to be respectful to a lady--So we hung him in a quiet spot that wuz cool 'nd dry 'nd shady;Which same might not have been good law, but it wuz the rightmaneuverTo give the critics due respect for Pettibone's shef doover.

Gone is the camp--yes, years ago, the Blue Horizon busted,And every mother's son uv us got up one day 'nd dusted,While Pettibone perceeded east with wealth in his possessionAnd went to Yurrup, as I heerd, to study his perfession;So, like as not, you'll find him now a-paintin' heads 'nd facesAt Venus, Billy Florence and the like I-talyun places--But no such face he'll paint again as at old Blue Horizon,For I'll allow no sweeter face no human soul sot eyes on;And when the critics talk so grand uv Paris 'nd the loover,I say: "Oh, but you orter seen the Pettibone shef doover!"

Words in this poem 34
somewhere adv.
In some place unknown or not specified; in one place or another.
hove v. i.
To rise; to swell; to heave; to cause to swell.
afternoon n.
The part of the day which follows noon, between noon and evening.
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
comer n.
One who comes, or who has come; one who has arrived, and is present. All comers, all who come, or offer, to take part in a matter, especially in a contest or controversy.
artist n.
One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
mustache n.
That part of the beard which grows on the upper lip; hair left growing above the mouth. [F. moustache, It. mostaccio visage, mostacchio mustache, fr. Gr. mostacho.]
snowy a.
White like snow.
crick n.
The creaking of a door, or a noise resembling it. [See Creak.]
dodge v. i.
To start suddenly aside, as to avoid a blow or a missile; to shift place by a sudden start. [Of uncertain origin: cf. dodder, v., daddle, dade, or dog, v. t.]
daybreak n.
The time of the first appearance of light in the morning.
nightfall n.
The close of the day.
racy a.
Having a strong flavor indicating origin; of distinct characteristic taste; tasting of the soil; hence, fresh; rich. [From Race a tribe, family.]
feller n.
One who, or that which, fells, knocks or cuts down; a machine for felling trees.
agape adv.
Gaping, as with wonder, expectation, or eager attention. [Pref. a- + gape.]
presently adv.
At present; at this time; now.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
dreamy a.
Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
creamy a.
Full of, or containing, cream; resembling cream, in nature, appearance, or taste; creamlike; unctuous.
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
nominate v. t.
To mention by name; to name. [L. nominatus, p. p. of nominare to nominate, fr. nomen name. See Name.]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
husky a.
Abounding with husks; consisting of husks. [From Husk, n.]
bitters n.
A liquor, generally spirituous in which a bitter herb, leaf, or root is steeped.
lonesome a.
Secluded from society; not frequented by human beings; solitary.
remind v. t.
To put (one) in mind of something; to bring to the remembrance of; to bring to the notice or consideration of (a person).
toddy n.
A juice drawn from various kinds of palms in the East Indies; or, a spirituous liquor procured from it by fermentation. [Formed from Hind. ta the juice of the palmyra tree, popularly, toddy, fr. ta the palmyra tree, Skr. tala.]
afore prep.
Before (in all its senses).
nigger n.
A negro; -- in vulgar derision or depreciation.
leastwise adv.
At least; at all events. At leastways, or At leastwise, at least. Fuller.
maneuver n.
Management; dexterous movement; specif., a military or naval evolution, movement, or change of position. [F. manoeuvre, OF. manuevre, LL. manopera, lit., hand work, manual labor; L.manus hand + opera, fr. opus work. See Manual, Operate, and cf. Mainor, Manure.]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
went n.
Course; way; path; journey; direction.
billy n.
A club; esp., a policeman's club.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Our Lady of the Mine is in the public domain. This text is taken from Hoosier Lyrics, Project Gutenberg ebook #36150; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Eugene Field, Our Lady of the Mine, in Hoosier Lyrics (1905), text of Project Gutenberg ebook #36150, Laurel, https://laurelpoetry.com/poem/field-poems/our-lady-of-the-mine.html, id L11578.

Form and metre

Our Lady of the Mine is 73 lines in 6 verse paragraphs. It is in rhyming couplets, 77% of the lines. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 85%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 14.4 syllables. 43 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in iambic heptameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCD-DEE uvA · uvA · summerB · comerB · perfessionC · possessionC · sketchesD · mountain · stretchesD · usE · usE
  2. 2 AABBCCDDBB sketchinA · fetchinA · itB · itB · atC · atC · yeD · yeD · itB · itB
  3. 3 AABBCCDDEEFFGGH-HIIJJ caseyA · racyA · permissionB · exhibitionB · curtainC · certainC · spokenD · unbrokenD · hooverE · dooverE · tenderF · slenderF · dreamyG · creamyG · yonderH · softer · fonderH · fallinI · callinI · horizonJ · pizenJ
  4. 4 AABBCCDDEE pityA · cityA · bittersB · crittersB · himC · himC · facesD · placesD · ever'bodyE · toddyE
  5. 5 AABB--CC-DD overA · cloverA · onB · horizonB · er · madonner · ladyC · shadyC · right · maneuverD · dooverD
  6. 6 AABBCCDDEE bustedA · dustedA · possessionB · perfessionB · facesC · placesC · horizonD · onD · looverE · dooverE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.

LineSyl.Stress
The Blue Horizon wuz a mine us fellers all thought well uv,15··˘/˘····/˘····
And there befell the episode I now perpose to tell uv;15··˘/·/˘········
'Twuz in the year of sixty-nine--somewhere along in summer--15·····/˘·/·˘/·/˘
There hove in sight one afternoon a new and curious comer;15······˘/···/˘/˘
His name wuz Silas Pettibone--an artist by perfession,15···/˘····/˘····
With a kit of tools and a big mustache and a pipe in his possession;18········/······˘/˘
He told us, by our leave, he'd kind uv like to make some sketches15····/········/˘
Uv the snowy peaks, 'nd the foamin' crick, 'nd the distant mountain16··/˘········/˘/˘
stretches;2
"You're welkim, sir," sez we, although this scenery dodge seemed to us15·········/˘····
A waste uv time where scenery wuz already sooper-floo-us.15·····/˘·˘/˘····
All through the summer Pettibone kep' busy at his sketchin'--15···/˘····/˘····
At daybreak, off for Eagle Pass, and home at nightfall, fetchin'15·/···/˘····/···
That everlastin' book uv his with spider lines all through it--14·········/····
Three-Fingered Hoover used to say there warn't no meanin' to it--15·/˘/˘··········
"God durn a man," sez he to him, "whose shif'less hand is sot at15···············
A-drawin' hills that's full of quartz that's pinin' to be got at!"15···············
"Go on," sez Pettibone, "go on, if joshin' gratifies ye,15···········/˘··
But one uv these fine times, I'll show ye sumthin' will surprise ye!"15············˘/·
The which remark led us to think--although he didn't say it--15··˘/·······/˘··
That Pettibone wuz owin' us a gredge 'nd meant to pay it.15···············
One evenin' as we sat around the restauraw de Casey,16··············/˘
A-singin' songs 'nd tellin' yarns the which wuz sumwhat racy,15·/˘··/˘······/˘
In come that feller Pettibone 'nd sez: "With your permission15···/˘·······˘/˘
I'd like to put a picture I have made on exhibition."15·····/˘·····˘/˘
He sot the picture on the bar 'nd drew aside its curtain,15···/˘·····˘/·/˘
Sayin': "I recken you'll allow as how that's art, f'r certain!"15/˘····˘/·····/˘
And then we looked, with jaws agape, but nary word wuz spoken,15······˘/·/˘··/˘
And f'r a likely spell the charm uv silence wuz unbroken--15···/˘····/˘·˘/˘
Till presently, as in a dream, remarked Three-Fingered Hoover:14·/˘····˘/·/˘/˘
"Onless I am mistaken, this is Pettibone's shef doover!"15····˘/˘········
It wuz a face, a human face--a woman's, fair 'nd tender,15·····/˘··/˘··/˘
Sot gracefully upon a neck white as a swan's, and slender;14·/˘·········/˘
The hair wuz kind of sunny, 'nd the eyes wuz sort uv dreamy,15·····/˘······/˘
The mouth wuz half a-smilin', 'nd the cheeks wuz soft 'nd creamy;15·············/˘
It seemed like she wuz lookin' off into the west out yonder,15·····/˘······/˘
And seemed like, while she looked, we saw her eyes grow softer,13···········/˘
fonder--2
Like, lookin' off into the west where mountain mists wuz fallin',15·/˘······/˘··/˘
She saw the face she longed to see and heerd his voice a-callin';15···············
"Hooray!" we cried; "a woman in the camp uv Blue Horizon--15˘/···/˘·····˘/˘
Step right up, Colonel Pettibone, 'nd nominate your pizen!"14···/˘····/˘···
A curious situation--one deservin' uv your pity--15·/˘·˘/˘······/˘
No human, livin' female thing this side of Denver City!15·/˘/˘/·····/˘/˘
But jest a lot uv husky men that lived on sand 'nd bitters--15·····/˘······/˘
Do you wonder that that woman's face consoled the lonesome critters?16··/˘··/˘·˘/·/˘/˘
And not a one but what it served in some way to remind him15············˘/·
Of a mother or a sister or a sweetheart left behind him--16··/˘··/˘··/·····
And some looked back on happier days and saw the old-time faces15·····/˘······/˘
And heerd the dear familiar sounds in old familiar places--15····˘/˘···˘/˘/˘
A gracious touch of home--"Look here," sez Hoover, "ever'body15·/˘······/˘····
Quit thinkin' 'nd perceed at oncet to name his favorite toddy!"15·/˘········/˘/˘
It wuzn't long afore the news had spread the country over,13···˘/·····/˘·
And miners come a-flockin' in like honey bees to clover;14·/······/˘··/˘
It kind uv did 'em good they said, to feast their hungry eyes on15···········/˘··
That picture uv Our Lady in the camp uv Blue Horizon.15·/˘·//˘·····˘/˘
But one mean cuss from Nigger Crick passed criticisms on 'er--15·····/˘··/˘·˘··
Leastwise we overheerd him call her Pettibone's madonner,15···············
The which we did not take to be respectful to a lady--15········˘/˘··/˘
So we hung him in a quiet spot that wuz cool 'nd dry 'nd shady;16······/·······/˘
Which same might not have been good law, but it wuz the right13·············
maneuver3˘/˘
To give the critics due respect for Pettibone's shef doover.15···/˘·˘/·······
Gone is the camp--yes, years ago, the Blue Horizon busted,15······˘/··˘/˘/˘
And every mother's son uv us got up one day 'nd dusted,15·/˘/˘········/˘
While Pettibone perceeded east with wealth in his possession15············˘/˘
And went to Yurrup, as I heerd, to study his perfession;15·········/˘····
So, like as not, you'll find him now a-paintin' heads 'nd faces15·············/˘
At Venus, Billy Florence and the like I-talyun places--15·/˘/˘/˘······/˘
But no such face he'll paint again as at old Blue Horizon,15······˘/····˘/˘
For I'll allow no sweeter face no human soul sot eyes on;15··˘/·/˘··/˘····
And when the critics talk so grand uv Paris 'nd the loover,15···/˘····/˘··/˘
I say: "Oh, but you orter seen the Pettibone shef doover!"15···············

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