The Reflection
She had no life except to be what menRequired of her to be.They came for sympathy, and came againFor sympathy.
She never knew the way her heart to spareWhen they were hurt or worn,Whatever one may for another bearBy her was borne.
They said, you give us of yourself so much!She heard them with a smile,Knowing she only gave to such and suchThemselves awhile.
Their interests, their frets, their loneliness,Their sorrows and despairs,She wore for them--they saw her in no dressThat was not theirs.
She learned to understand the solitudesWhen she by none was sought;Men of themselves grow sick, and in those moodsNeeded her not,
Getting relief of others who gave thingsBy their own purpose lit;If she too had some freshness in her springs,None wanted it.
She grew accustomed to be quietly shutAway, was used to seeLove limping dutifully in a rutThat once ran free;
She knew the signs when friends began to castWhat they had asked her for--Some asked for much, some little, all at lastAsked nothing more.
And when she died they sorrowed, it is true,But not for long, becauseThey had seen some pale reflection that she threw,Not what she was.
Words in this poem
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- loneliness n.
- The condition of being lonely; solitude; seclusion.
- sorrowed a.
- Accompanied with sorrow; sorrowful.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Reflection is in the public domain. This text is taken from Sonnets and Poems, Project Gutenberg ebook #56244; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Eleanor Farjeon, The Reflection, in Sonnets and Poems (1918), text of Project Gutenberg ebook #56244, Laurel, https://laurelpoetry.com/poem/farjeon-sonnets-poems/the-reflection.html, id L21978.
Form and metre
The Reflection is 36 lines in 9 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 7 of its 9 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-A- menA · be · againA · sympathy
- 2 ABAB spareA · wornB · bearA · borneB
- 3 ABAB muchA · smileB · suchA · awhileB
- 4 ABAB lonelinessA · despairsB · dressA · theirsB
- 5 A-A- solitudesA · sought · moodsA · not
- 6 ABAB thingsA · litB · springsA · itB
- 7 ABAB shutA · seeB · rutA · freeB
- 8 ABAB castA · forB · lastA · moreB
- 9 ABAB trueA · becauseB · threwA · wasB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| She had no life except to be what men | 10 | ·········· |
| Required of her to be. | 7 | ˘/˘···· |
| They came for sympathy, and came again | 9 | ···/˘··˘/ |
| For sympathy. | 4 | ·/˘˘ |
| She never knew the way her heart to spare | 9 | ·/······· |
| When they were hurt or worn, | 6 | ······ |
| Whatever one may for another bear | 10 | ·/˘···˘/˘· |
| By her was borne. | 4 | ···· |
| They said, you give us of yourself so much! | 10 | ······˘/·· |
| She heard them with a smile, | 6 | ······ |
| Knowing she only gave to such and such | 9 | /·/˘····· |
| Themselves awhile. | 4 | ˘/˘/ |
| Their interests, their frets, their loneliness, | 9 | ·/˘···/˘˘ |
| Their sorrows and despairs, | 6 | ·/˘·˘/ |
| She wore for them--they saw her in no dress | 10 | ·········· |
| That was not theirs. | 4 | ···· |
| She learned to understand the solitudes | 10 | ····˘/·/˘· |
| When she by none was sought; | 6 | ······ |
| Men of themselves grow sick, and in those moods | 10 | ··˘/······ |
| Needed her not, | 4 | /˘·· |
| Getting relief of others who gave things | 10 | /˘˘/·/˘··· |
| By their own purpose lit; | 6 | ···/˘· |
| If she too had some freshness in her springs, | 10 | ·····/˘··· |
| None wanted it. | 4 | ·/˘· |
| She grew accustomed to be quietly shut | 10 | ··˘/˘··/˘· |
| Away, was used to see | 6 | ˘/···· |
| Love limping dutifully in a rut | 8 | ·/˘/˘··· |
| That once ran free; | 4 | ···· |
| She knew the signs when friends began to cast | 10 | ······˘/·· |
| What they had asked her for-- | 6 | ······ |
| Some asked for much, some little, all at last | 10 | ·····/˘··· |
| Asked nothing more. | 4 | ·/˘· |
| And when she died they sorrowed, it is true, | 10 | ·····/˘··· |
| But not for long, because | 6 | ······ |
| They had seen some pale reflection that she threw, | 11 | ·····˘/˘··· |
| Not what she was. | 4 | ···· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.