The Faerie Queene, Book I

Edmund Spenser (1552–1599) · 1590

Mostly iambic pentameter · 5,572 lines in 12 sections

The Legend of the Knight of the Red Cross, the first book of Spenser's allegorical epic, in the nine-line stanza named after him.

What this poem is

The Faerie Queene is an English epic poem by Edmund Spenser. Books I–III were first published in 1590, then republished in 1596 together with books IV–VI. The Faerie Queene is notable for its form: at 3,848 stanzas and nearly 35,000 lines, it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues. The poem is also an allegorical work. As such, it can be read on several levels, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing The Faerie Queene was to "fashion a gentleman or noble person in virtuous and gentle discipline".

Spenser presented the first three books of The Faerie Queene to Elizabeth I in 1589, probably sponsored by Walter Raleigh. The poem was a clear effort to gain court favour, and as a reward Elizabeth granted Spenser a pension for life amounting to £50 a year, though there is no further evidence that Elizabeth ever read any of the poem. This royal patronage elevated the poem to a level of success that made it Spenser's defining work.

Book I is centred on the virtue of Holiness as embodied in the Redcrosse Knight. Largely self-contained, Book I can be understood to be its own miniature epic. At first, the Redcrosse Knight and his lady Una travel together when he defeats the monster Errour. Then they travel separately after the wizard Archimago, using a false dream, tricks the Redcrosse Knight into thinking that Una is unchaste. The Redcrosse Knight meets Duessa, who feigns distress in order to entrap him. Duessa leads the Redcrosse Knight to captivity by the giant Orgoglio. Meanwhile, Una seeks tirelessly to be reunited with the Redcrosse Knight.

She overcomes many perils, meets Arthur, and finally rescues the Redcrosse Knight from his capture, from Duessa, and from Despair. Una and Arthur help the Redcrosse Knight recover in the House of Holiness, with the House's ruler Caelia and her three daughters joining them. There, the Redcrosse Knight sees a vision of his future. He then returns Una to her parents' castle and rescues them from a dragon, and the two are betrothed after resisting Archimago one last time.

Adapted from the Wikipedia article “The Faerie Queene” (revision 1367417401), used under CC BY-SA 4.0. Laurel's own notes and measurements are not from Wikipedia.

Measured across the book

Across its 5,572 lines, 97% of stressed syllables fall on the beat (95% interval 97% to 97%). Alliteration runs at 1.36 times what shuffling the words would give (0.34 observed against 0.25 expected). 6% of the lines have a feminine ending.

Baselines and intervals are described in the methods.

Contents

About this text

Public domain. Text from The Faerie Queene, Book I, Project Gutenberg ebook #15272. Free to read, print, copy and reuse.

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