Blight
Give me truths;For I am weary of the surfaces,And die of inanition. If I knewOnly the herbs and simples of the wood,Rue, cinquefoil, gill, vervain and agrimony,Blue-vetch and trillium, hawkweed, sassafras,Milkweeds and murky brakes, quaint pipes and sundew,And rare and virtuous roots, which in these woodsDraw untold juices from the common earth,Untold, unknown, and I could surely spellTheir fragrance, and their chemistry applyBy sweet affinities to human flesh,Driving the foe and stablishing the friend,--O, that were much, and I could be a partOf the round day, related to the sunAnd planted world, and full executorOf their imperfect functions.But these young scholars, who invade our hills,Bold as the engineer who fells the wood,And travelling often in the cut he makes,Love not the flower they pluck, and know it not,And all their botany is Latin names.The old men studied magic in the flowers,And human fortunes in astronomy,And an omnipotence in chemistry,Preferring things to names, for these were men,Were unitarians of the united world,And, wheresoever their clear eye-beams fell,They caught the footsteps of the SAME. Our eyesAre armed, but we are strangers to the stars,And strangers to the mystic beast and bird,And strangers to the plant and to the mine.The injured elements say, 'Not in us;'And night and day, ocean and continent,Fire, plant and mineral say, 'Not in us;'And haughtily return us stare for stare.For we invade them impiously for gain;We devastate them unreligiously,And coldly ask their pottage, not their love.Therefore they shove us from them, yield to usOnly what to our griping toil is due;But the sweet affluence of love and song,The rich results of the divine consentsOf man and earth, of world beloved and lover,The nectar and ambrosia, are withheld;And in the midst of spoils and slaves, we thievesAnd pirates of the universe, shut outDaily to a more thin and outward rind,Turn pale and starve. Therefore, to our sick eyes,The stunted trees look sick, the summer short,Clouds shade the sun, which will not tan our hay,And nothing thrives to reach its natural term;And life, shorn of its venerable length,Even at its greatest space is a defeat,And dies in anger that it was a dupe;And, in its highest noon and wantonness,Is early frugal, like a beggar's child;Even in the hot pursuit of the best aimsAnd prizes of ambition, checks its hand,Like Alpine cataracts frozen as they leaped,Chilled with a miserly comparisonOf the toy's purchase with the length of life.
Words in this poem
- cinquefoil n.
- The name of several different species of the genus Potentilla; -- also called five-finger, because of the resemblance of its leaves to the fingers of the hand. [Cinque five + foil, F. feuille leaf. See Foil.]
- trillium n.
- A genus of liliaceous plants; the three-leaved nightshade; -- so called because all the parts of the plant are in threes. [NL.; cf. L. trilix triple-woven, triple.]
- quaint a.
- Prudent; wise; hence, crafty; artful; wily. [OE. queint, queynte, coint, prudent, wise, cunning, pretty, odd, OF. cointe cultivated, amiable, agreeable, neat, fr. L. cognitus known, p. p. of cognoscere to ]
- virtuous a.
- Possessing or exhibiting virtue. Specifically: -- (a) Exhibiting manly courage and strength; valorous; valiant; brave. [OE. vertuous, OF. vertuos, vertuous, F. vertueux, fr. L. Virtuous. See Virtue, and cf. Virtuoso.]
- untold a.
- Not told; not related; not revealed; as, untold secrets.
- omnipotence n.
- The state of being omnipotent; almighty power; hence, one who is omnipotent; the Deity. [L. omnipotentia: cf.F. omnipotence.]
- continent a.
- Serving to restrain or limit; restraining; opposing. [L. continens, -entis, prop., p. pr. of continere to hold together, to repress: cf. F. continent. See Contain.]
- haughtily adv.
- In a haughty manner; arrogantly. [From Haughty.]
- devastate v. t.
- To lay waste; to ravage; to desolate. [L. devastatus, p. p. of devastare to devastate; de + vastare to lay waste, vastus waste. See Vast.]
- coldly adv.
- In a cold manner; without warmth, animation, or feeling; with indifference; calmly.
- affluence n.
- A flowing to or towards; a concourse; an influx. [F. affluence, L. affluentia, fr. affluens, p. pr. of affluere to flow to; ad + fluere to flow. See Flux.]
- defeat v. t.
- To undo; to disfigure; to destroy. [From F. défait, OF. desfait, p. p. ofe défaire, OF. desfaire, to undo; L. dis- + facere to do. See Feat, Fact, and cf. Disfashion.]
- chilled a.
- Hardened on the surface or edge by chilling; as, chilled iron; a chilled wheel.
- miserly a.
- Like a miser; very covetous; sordid; niggardly. [From Miser.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Blight is in the public domain. This text is taken from Poems Household Edition, Project Gutenberg ebook #12843; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Ralph Waldo Emerson, Blight, in Poems (1847), text of Project Gutenberg ebook #12843, Laurel, https://laurelpoetry.com/poem/emerson-poems/blight.html, id L07434.
Form and metre
Blight is 62 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 87% of its stressed syllables fall where the metre puts the beat. The lines average 9.7 syllables. 11 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --A---A------------------------------------------------------- truths · surfaces · knewA · wood · agrimony · sassafras · sundewA · woods · earth · spell · apply · flesh · friend · part · sun · executor · functions · hills · wood · makes · not · names · flowers · astronomy · chemistry · men · world · fell · eyes · stars · bird · mine · us · continent · us · stare · gain · unreligiously · love · us · due · song · consents · lover · withheld · thieves · out · rind · eyes · short · hay · term · length · defeat · dupe · wantonness · child · aims · hand · leaped · comparison · life
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Give me truths; | 3 | ··· |
| For I am weary of the surfaces, | 9 | ···/˘··/˘ |
| And die of inanition. If I knew | 10 | ·········· |
| Only the herbs and simples of the wood, | 10 | /˘···/˘··· |
| Rue, cinquefoil, gill, vervain and agrimony, | 11 | ·/˘·/˘·/˘˘˘ |
| Blue-vetch and trillium, hawkweed, sassafras, | 11 | ···/˘˘/˘/˘· |
| Milkweeds and murky brakes, quaint pipes and sundew, | 11 | /··/˘····/˘ |
| And rare and virtuous roots, which in these woods | 10 | ···/˘····· |
| Draw untold juices from the common earth, | 10 | ·˘//˘··/˘· |
| Untold, unknown, and I could surely spell | 10 | ˘/˘/···/˘· |
| Their fragrance, and their chemistry apply | 9 | ·/˘··/˘˘/ |
| By sweet affinities to human flesh, | 9 | ··˘/˘·/˘· |
| Driving the foe and stablishing the friend,-- | 10 | /˘········ |
| O, that were much, and I could be a part | 10 | ·········· |
| Of the round day, related to the sun | 10 | ····˘/˘··· |
| And planted world, and full executor | 9 | ·/˘···˘/˘ |
| Of their imperfect functions. | 7 | ··˘/˘/˘ |
| But these young scholars, who invade our hills, | 10 | ···/˘·˘//· |
| Bold as the engineer who fells the wood, | 10 | ···/˘/···· |
| And travelling often in the cut he makes, | 10 | ·/˘/˘····· |
| Love not the flower they pluck, and know it not, | 10 | ···/······ |
| And all their botany is Latin names. | 9 | ···/˘·/˘· |
| The old men studied magic in the flowers, | 10 | ···/˘/˘··/ |
| And human fortunes in astronomy, | 9 | ·/˘/˘·˘/˘ |
| And an omnipotence in chemistry, | 9 | ··˘/˘·/˘˘ |
| Preferring things to names, for these were men, | 10 | ˘/˘······· |
| Were unitarians of the united world, | 11 | ··˘/˘··˘/˘· |
| And, wheresoever their clear eye-beams fell, | 10 | ·········· |
| They caught the footsteps of the SAME. Our eyes | 10 | ···/····/· |
| Are armed, but we are strangers to the stars, | 10 | ·····/˘··· |
| And strangers to the mystic beast and bird, | 10 | ·/˘··/˘··· |
| And strangers to the plant and to the mine. | 10 | ·/˘······· |
| The injured elements say, 'Not in us;' | 9 | ·/˘/˘···· |
| And night and day, ocean and continent, | 9 | ····/·/˘˘ |
| Fire, plant and mineral say, 'Not in us;' | 9 | /··/˘···· |
| And haughtily return us stare for stare. | 9 | ·/˘˘/···· |
| For we invade them impiously for gain; | 10 | ··˘/······ |
| We devastate them unreligiously, | 10 | ·/˘······· |
| And coldly ask their pottage, not their love. | 10 | ·/˘··/˘··· |
| Therefore they shove us from them, yield to us | 10 | ·········· |
| Only what to our griping toil is due; | 10 | /˘··//˘··· |
| But the sweet affluence of love and song, | 9 | ···/˘···· |
| The rich results of the divine consents | 10 | ··˘/··˘/˘/ |
| Of man and earth, of world beloved and lover, | 11 | ······˘/·/˘ |
| The nectar and ambrosia, are withheld; | 10 | ·/˘·˘/˘·˘/ |
| And in the midst of spoils and slaves, we thieves | 10 | ·········· |
| And pirates of the universe, shut out | 10 | ·/˘··/˘··· |
| Daily to a more thin and outward rind, | 9 | /˘·····/· |
| Turn pale and starve. Therefore, to our sick eyes, | 10 | ·······/·· |
| The stunted trees look sick, the summer short, | 10 | ·/˘····/˘· |
| Clouds shade the sun, which will not tan our hay, | 10 | ········/· |
| And nothing thrives to reach its natural term; | 10 | ·/˘····/˘· |
| And life, shorn of its venerable length, | 8 | ·····/˘· |
| Even at its greatest space is a defeat, | 10 | /··/˘···˘/ |
| And dies in anger that it was a dupe; | 10 | ···/˘····· |
| And, in its highest noon and wantonness, | 10 | ···/˘··/˘˘ |
| Is early frugal, like a beggar's child; | 10 | ·/˘/˘··/˘· |
| Even in the hot pursuit of the best aims | 10 | /···˘/···· |
| And prizes of ambition, checks its hand, | 10 | ·/˘·˘/˘··· |
| Like Alpine cataracts frozen as they leaped, | 11 | ·/·/˘·/˘··· |
| Chilled with a miserly comparison | 9 | ···/˘˘/˘˘ |
| Of the toy's purchase with the length of life. | 10 | ···/˘····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.