Cousin Nancy

T. S. Eliot (1888–1965) · 1917

iambic pentameter · 35 lines · from Prufrock and Other Observations

Miss Nancy EllicotStrode across the hills and broke themRode across the hills and broke them--The barren New England hillsRiding to houndsOver the cow-pasture.

Miss Nancy Ellicott smokedAnd danced all the modern dances;And her aunts were not quite sure how they felt about it,But they knew that it was modern.

Upon the glazen shelves kept watchMatthew and Waldo, guardians of the faith,The army of unalterable law.

When Mr. Apollinax visited the United StatesHis laughter tinkled among the teacups.I thought of Fragilion, that shy figure among the birch-trees,And of Priapus in the shrubberyGaping at the lady in the swing.In the palace of Mrs. Phlaccus, at Professor Channing-Cheetah’sHe laughed like an irresponsible foetus.His laughter was submarine and profoundLike the old man of the seatsHidden under coral islandsWhere worried bodies of drowned men drift down in the green silence,Dropping from fingers of surf.I looked for the head of Mr. Apollinax rolling under a chair,Or grinning over a screenWith seaweed in its hair.I heard the beat of centaurs’ hoofs over the hard turfAs his dry and passionate talk devoured the afternoon.“He is a charming man”--“But after all what did he mean?”--“He has pointed ears ... he must be unbalanced,”--“There was something he said that I might have challenged.”Of dowager Mrs. Phlaccus, and Professor and Mrs. CheetahI remember a slice of lemon and a bitten macaroon.

Words in this poem

broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
rode n.
Redness; complexion. [See Rud.]
glazen a.
Resembling glass; glasslike; glazed. Wyclif. [AS. glæsen.]
shrubbery n.
A collection of shrubs.
cheetah n.
A species of leopard (Cynælurus jubatus) tamed and used for hunting in India. The woolly cheetah of South Africa is C. laneus. [Hind. chita.]
irresponsible a.
Nor responsible; not liable or able to answer fro consequences; innocent. [Pref. ir- not + responsible: cf. F. irresponsable.]
afternoon n.
The part of the day which follows noon, between noon and evening.
unbalanced a.
Not balanced; not in equipoise; having no counterpoise, or having insufficient counterpoise. [In senses 1 and 2, pref. un- not + balanced; in sense 3, 1st pref. un- + balance.]
macaroon n.
A small cake, composed chiefly of the white of eggs, almonds, and sugar.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Cousin Nancy is in the public domain. This text is taken from Prufrock and Other Observations, Project Gutenberg ebook #1459; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: T. S. Eliot, Cousin Nancy, in Prufrock and Other Observations (1917), text of Project Gutenberg ebook #1459, Laurel, https://laurelpoetry.com/poem/eliot-prufrock/cousin-nancy.html, id L04660.

Form and metre

Cousin Nancy is 35 lines in 4 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter. 88% of its stressed syllables fall where the metre puts the beat. The lines average 10.3 syllables. 11 lines end on an unstressed syllable, a feminine ending. 43% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -AA--- ellicot · themA · themA · hills · hounds · pasture
  2. 4 --A--A-----BCDCBED---E states · teacups · treesA · shrubbery · swing · cheetah'sA · foetus · profound · seats · islands · silence · surfB · chairC · screenD · hairC · turfB · afternoonE · meanD · unbalanced · challenged · cheetah · macaroonE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Miss Nancy Ellicot6·/˘···
Strode across the hills and broke them8·˘/·····
Rode across the hills and broke them--8·˘/·····
The barren New England hills7·/˘·/˘·
Riding to hounds4/˘··
Over the cow-pasture.6····/˘
Miss Nancy Ellicott smoked7·/˘/˘˘·
And danced all the modern dances;9··˘··/˘/˘
And her aunts were not quite sure how they felt about it,13·············
But they knew that it was modern.8······/˘
Upon the glazen shelves kept watch8···/˘···
Matthew and Waldo, guardians of the faith,10/˘·/˘/˘···
The army of unalterable law.10·/˘·˘/˘˘˘·
When Mr. Apollinax visited the United States14·/˘····/˘·˘/˘·
His laughter tinkled among the teacups.10·/˘/˘···/·
I thought of Fragilion, that shy figure among the birch-trees,15········/˘·····
And of Priapus in the shrubbery9······/˘˘
Gaping at the lady in the swing.9/˘··/˘···
In the palace of Mrs. Phlaccus, at Professor Channing-Cheetah’s17··/˘·/˘···˘/˘/˘/˘
He laughed like an irresponsible foetus.11····˘˘/˘˘/˘
His laughter was submarine and profound10·/˘·/˘··˘/
Like the old man of the seats7·······
Hidden under coral islands8/˘··/˘/˘
Where worried bodies of drowned men drift down in the green silence,15·/˘/˘········/˘
Dropping from fingers of surf.7/˘·/˘··
I looked for the head of Mr. Apollinax rolling under a chair,18······/˘····/˘····
Or grinning over a screen7·/˘····
With seaweed in its hair.6·/····
I heard the beat of centaurs’ hoofs over the hard turf12·····/······
As his dry and passionate talk devoured the afternoon.13····/˘·˘/··˘/
“He is a charming man”--“But after all what did he mean?”--14···/˘·········
“He has pointed ears ... he must be unbalanced,”--11··/˘····˘/˘
“There was something he said that I might have challenged.”12··/˘······/˘
Of dowager Mrs. Phlaccus, and Professor and Mrs. Cheetah16·/˘/˘···˘/˘·/˘/˘
I remember a slice of lemon and a bitten macaroon.16·˘/˘···/˘··/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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