In the Tents of Akbar
In the tents of AkbarAre dole and grief to-day,For the flower of all the IndiesHas gone the silent way.
In the tents of AkbarAre emptiness and gloom,And where the dancers gather,The silence of the tomb.
Across the yellow desert,Across the burning sands,Old Akbar wanders madly,And wrings his fevered hands.
And ever makes his moaningTo the unanswering sky,For Sutna, lovely Sutna,Who was so fair to die.
For Sutna danced at morning,And Sutna danced at eve;Her dusky eyes half hiddenBehind her silken sleeve.
Her pearly teeth out-glancingBetween her coral lips,The tremulous rhythm of passionMarked by her quivering hips.
As lovely as a jewelOf fire and dewdrop blent,So danced the maiden SutnaIn gallant Akbar's tent.
And one who saw her dancing,Saw her bosom's fall and risePut all his body's yearningInto his lovelit eyes.
Then Akbar came and drove him--A jackal--from his door,And bade him wander far and lookOn Sutna's face no more.
Some day the sea disgorges,The wilderness gives back,Those half-dead who have wandered,Aimless, across its track.
And he returned--the lover,Haggard of brow and spent;He found fair Sutna standingBefore her master's tent.
"Not mine, nor Akbar's, Sutna!"He cried and closely pressed,And drove his craven daggerStraight to the maiden's breast.
Oh, weep, oh, weep, for Sutna,So young, so dear, so fair,Her face is gray and silentBeneath her dusky hair.
And wail, oh, wail, for Akbar,Who walks the desert sands,Crying aloud for Sutna,Wringing his fevered hands.
In the tents of AkbarThe tears of sorrow run,But the corpse of Sutna's slayer,Lies rotting in the sun.
Words in this poem
- madly adv.
- In a mad manner; without reason or understanding; wildly. [From Mad, a.]
- glancing a.
- Shooting, as light.
- blent p. p.
- Blinded. Also (Chaucer), 3d sing. pres. Blindeth.
- drove n.
- A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
- bade
- A form of the pat tense of Bid.
- aimless a.
- Without aim or purpose; as, an aimless life.
- haggard a.
- Wild or intractable; disposed to break away from duty; untamed; as, a haggard or refractory hawk. Shak [F. hagard; of German origin, and prop. meaning, of the hegde or woods, wild, untamed. See Hedge, 1st Haw, and -ard.]
- craven v. t.
- To make recreant, weak, spiritless, or cowardly.
- aloud adv.
- With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
- wringing
- a. & n. from Wring, v. Wringing machine, a wringer. See Wringer, 2.
- corpse n.
- A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
- slayer n.
- One who slays; a killer; a murderer; a destrroyer of life.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
In the Tents of Akbar is in the public domain. This text is taken from The Complete Poems of Paul Laurence Dunbar, Project Gutenberg ebook #18338; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Paul Laurence Dunbar, In the Tents of Akbar, in The Complete Poems (1893–1905), text of Project Gutenberg ebook #18338, Laurel, https://laurelpoetry.com/poem/dunbar-poems/in-the-tents-of-akbar.html, id L00793.
Form and metre
In the Tents of Akbar is 60 lines in 15 stanzas of 4 lines each. The metre is common measure, measured from the stress the words themselves fix (confidence 93%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 6.8 syllables. 24 lines end on an unstressed syllable, a feminine ending. 27% of the lines run on without a stop at the line end.
See other poems in common measure.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A akbar · dayA · indies · wayA
- 2 -A-A akbar · gloomA · gather · tombA
- 3 -A-A desert · sandsA · madly · handsA
- 4 -A-A moaning · skyA · sutna · dieA
- 5 -A-A morning · eveA · hidden · sleeveA
- 6 -A-A glancing · lipsA · passion · hipsA
- 7 -A-A jewel · blentA · sutna · tentA
- 8 -A-A dancing · riseA · yearning · eyesA
- 9 -A-A him · doorA · look · moreA
- 10 -A-A disgorges · backA · wandered · trackA
- 11 -A-A lover · spentA · standing · tentA
- 12 -A-A sutna · pressedA · dagger · breastA
- 13 -A-A sutna · fairA · silent · hairA
- 14 -A-A akbar · sandsA · sutna · handsA
- 15 -A-A akbar · runA · slayer · sunA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In the tents of Akbar | 6 | ····/˘ |
| Are dole and grief to-day, | 6 | ······ |
| For the flower of all the Indies | 9 | ··/˘···/˘ |
| Has gone the silent way. | 6 | ···/˘· |
| In the tents of Akbar | 6 | ····/˘ |
| Are emptiness and gloom, | 6 | ·/˘˘·· |
| And where the dancers gather, | 7 | ···/˘/˘ |
| The silence of the tomb. | 6 | ·/˘··· |
| Across the yellow desert, | 7 | ˘/·/˘/˘ |
| Across the burning sands, | 6 | ˘/·/˘· |
| Old Akbar wanders madly, | 7 | ·/˘/˘/˘ |
| And wrings his fevered hands. | 7 | ···/˘˘· |
| And ever makes his moaning | 7 | ·/˘··/˘ |
| To the unanswering sky, | 7 | ······· |
| For Sutna, lovely Sutna, | 7 | ···/˘·· |
| Who was so fair to die. | 6 | ······ |
| For Sutna danced at morning, | 8 | ····˘·/˘ |
| And Sutna danced at eve; | 7 | ····˘·· |
| Her dusky eyes half hidden | 7 | ·/˘··/˘ |
| Behind her silken sleeve. | 6 | ···/˘· |
| Her pearly teeth out-glancing | 7 | ·/˘··/˘ |
| Between her coral lips, | 6 | ···/˘· |
| The tremulous rhythm of passion | 9 | ·/˘˘/˘·/˘ |
| Marked by her quivering hips. | 8 | ·˘··/˘˘· |
| As lovely as a jewel | 7 | ·/˘··/˘ |
| Of fire and dewdrop blent, | 7 | ·/˘·/˘· |
| So danced the maiden Sutna | 8 | ··˘·/˘·· |
| In gallant Akbar's tent. | 6 | ·/˘/˘· |
| And one who saw her dancing, | 7 | ·····/˘ |
| Saw her bosom's fall and rise | 7 | ··/˘··· |
| Put all his body's yearning | 7 | ···/˘/˘ |
| Into his lovelit eyes. | 7 | ······· |
| Then Akbar came and drove him-- | 7 | ·/˘···· |
| A jackal--from his door, | 6 | ·/˘··· |
| And bade him wander far and look | 8 | ···/˘··· |
| On Sutna's face no more. | 6 | ······ |
| Some day the sea disgorges, | 7 | ····˘/˘ |
| The wilderness gives back, | 6 | ·/˘˘·· |
| Those half-dead who have wandered, | 8 | ·····/˘˘ |
| Aimless, across its track. | 6 | /˘˘/·· |
| And he returned--the lover, | 8 | ··˘/˘·/˘ |
| Haggard of brow and spent; | 6 | /˘···· |
| He found fair Sutna standing | 7 | ·····/˘ |
| Before her master's tent. | 6 | ···/˘· |
| "Not mine, nor Akbar's, Sutna!" | 7 | ···/˘·· |
| He cried and closely pressed, | 7 | ···/˘·˘ |
| And drove his craven dagger | 7 | ···/˘/˘ |
| Straight to the maiden's breast. | 6 | ···/˘· |
| Oh, weep, oh, weep, for Sutna, | 7 | ······· |
| So young, so dear, so fair, | 6 | ······ |
| Her face is gray and silent | 7 | ·····/˘ |
| Beneath her dusky hair. | 6 | ···/˘· |
| And wail, oh, wail, for Akbar, | 7 | ·····/˘ |
| Who walks the desert sands, | 6 | ···/˘· |
| Crying aloud for Sutna, | 7 | /˘˘/··· |
| Wringing his fevered hands. | 7 | /˘·/˘˘· |
| In the tents of Akbar | 6 | ····/˘ |
| The tears of sorrow run, | 6 | ···/˘· |
| But the corpse of Sutna's slayer, | 8 | ······/˘ |
| Lies rotting in the sun. | 6 | ·/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.