Religio Laici: The Preface

John Dryden (1631–1700) · 1660–1700

iambic pentameter · 5 lines · from Absalom and Achitophel, and Other Poems

It remains that I acquaint the reader, that these verses were writtenfor an ingenious young gentleman, my friend, upon his translation of"The Critical History of the Old Testament," composed by the learnedFather Simon: the verses, therefore, are addressed to the translator ofthat work, and the style of them is, what it ought to be, epistolary.

Words in this poem

acquaint v. t.
To furnish or give experimental knowledge of; to make (one) to know; to make familiar; -- followed by with. [OE. aqueinten, acointen, OF. acointier, LL. adcognitare, fr. L. ad + cognitus, p. p. of cognoscere to know; con- + noscere to know. See Quaint, Know.]
translator n.
One who translates; esp., one who renders into another language; one who expresses the sense of words in one language by equivalent words in another. [L. translator: cf. F. translateur.]
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Religio Laici: The Preface is in the public domain. This text is taken from The Poetical Works of John Dryden, Volume 1 With Life, Critical Dissertation, and Explanatory Notes, Project Gutenberg ebook #11488; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Dryden, Religio Laici: The Preface, in Absalom and Achitophel, and Other Poems (1660–1700), text of Project Gutenberg ebook #11488, Laurel, https://laurelpoetry.com/poem/dryden-poems/religio-laici-the-preface.html, id L26095.

Form and metre

Religio Laici: The Preface is 5 lines in a single stanza. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A- written · ofA · learned · ofA · epistolary
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
It remains that I acquaint the reader, that these verses were written17·˘/··˘/·/˘··/˘·/˘
for an ingenious young gentleman, my friend, upon his translation of17··˘/˘·/˘·····˘/˘·
"The Critical History of the Old Testament," composed by the learned15·/˘/˘···/˘˘/···
Father Simon: the verses, therefore, are addressed to the translator of18/˘/˘·/˘···˘/··˘/˘·
that work, and the style of them is, what it ought to be, epistolary.18·············˘/˘·˘
Notes from the edition 1

George Gilfillan's notes to the Poetical Works of John Dryden (1855; Project Gutenberg #11488).

  1. Line 2 The son of the celebrated John Hampden. He was in the Ryehouse Plot, and fined £15,000, which was remitted at the Revolution.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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