The Midlands

John Drinkwater (1882–1937) · 1919

iambic pentameter · ABABCDCDEE · 50 lines · from Poems, 1908-1919

Black in the summer night my Cotswold hillAslant my window sleeps, beneath a skyDeep as the bedded violets that fillMarch woods with dusky passion. As I lieAbed between cool walls I watch the hostOf the slow stars lit over Gloucester plain,And drowsily the habit of these mostBeloved of English lands moves in my brain,While silence holds dominion of the dark,Save when the foxes from the spinneys bark.

I see the valleys in their morning mistWreathed under limpid hills in moving light,Happy with many a yeoman melodist:I see the little roads of twinkling whiteBusy with fieldward teams and market gearOf rosy men, cloth-gaitered, who can tellThe many-minded changes of the year,Who know why crops and kine fare ill or well;I see the sun persuade the mist away,Till town and stead are shining to the day.

I see the wagons move along the rowsOf ripe and summer-breathing clover-flower,I see the lissom husbandman who knowsDeep in his heart the beauty of his power,As, lithely pitched, the full-heaped fork bids onThe harvest home. I hear the rickyard fillWith gossip as in generations gone,While wagon follows wagon from the hill.I think how, when our seasons all are sealed,Shall come the unchanging harvest from the field.

I see the barns and comely manors plannedBy men who somehow moved in comely thought,Who, with a simple shippon to their hand,As men upon some godlike business wrought;I see the little cottages that keepTheir beauty still where since PlantagenetHave come the shepherds happily to sleep,Finding the loaves and cups of cider set;I see the twisted shepherds, brown and old,Driving at dusk their glimmering sheep to fold.

And now the valleys that upon the sunBroke from their opal veils, are veiled again,And the last light upon the wolds is done,And silence falls on flocks and fields and men;And black upon the night I watch my hill,And the stars shine, and there an owly wingBrushes the night, and all again is still,And, from this land of worship that I sing,I turn to sleep, content that from my siresI draw the blood of England’s midmost shires.

Words in this poem 16
aslant adv.
Toward one side; in a slanting direction; obliquely. [Pref. a- + slant.]
bedded a.
Provided with a bed; as, double-bedded room; placed or arranged in a bed or beds.
abed adv.
In bed, or on the bed. [Pref. a- in, on + bed.]
drowsily adv.
In a drowsy manner.
melodist n.
A composer or singer of melodies. [Cf. F. mélodiste.]
twinkling n.
The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
lissom a.
Limber; supple; flexible; lithe; lithesome. [For lithesome.]
husbandman n.
The master of a family.
lithely adv.
In a lithe, pliant, or flexible manner.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
somehow adv.
In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
shippon n.
A cowhouse; a shippen.
happily adv.
By chance; peradventure; haply. Piers Plowman. [From Happy.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
veiled a.
Covered by, or as by, a veil; hidden.
midmost a.
Middle; middlemost. [OE. middemiste. Cf. Foremost.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Midlands is in the public domain. This text is taken from Poems, 1908-1919, Project Gutenberg ebook #51575; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Drinkwater, The Midlands, in Poems, 1908-1919 (1919), text of Project Gutenberg ebook #51575, Laurel, https://laurelpoetry.com/poem/drinkwater-poems/the-midlands.html, id L23103.

Form and metre

The Midlands is 50 lines in 5 stanzas of 10 lines each. Every stanza rhymes ABABCDCDEE. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCDEE hillA · skyB · fillA · lieB · hostC · plainD · mostC · brainD · darkE · barkE
  2. 2 ABABCDCDEE mistA · lightB · melodistA · whiteB · gearC · tellD · yearC · wellD · awayE · dayE
  3. 3 ABABCDCDEE rowsA · flowerB · knowsA · powerB · onC · fillD · goneC · hillD · sealedE · fieldE
  4. 4 ABABCDCDEE plannedA · thoughtB · handA · wroughtB · keepC · plantagenetD · sleepC · setD · oldE · foldE
  5. 5 ABABCDCDEE sunA · againB · doneA · menB · hillC · wingD · stillC · singD · siresE · shiresE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Black in the summer night my Cotswold hill10···/˘··/˘·
Aslant my window sleeps, beneath a sky10˘/·/˘·····
Deep as the bedded violets that fill10···/˘/˘˘··
March woods with dusky passion. As I lie10···/˘/˘···
Abed between cool walls I watch the host10˘/········
Of the slow stars lit over Gloucester plain,10·······/˘·
And drowsily the habit of these most10·/˘˘·/˘···
Beloved of English lands moves in my brain,10˘/·/˘·····
While silence holds dominion of the dark,10·/˘·˘/˘···
Save when the foxes from the spinneys bark.10···/˘··/˘·
I see the valleys in their morning mist10···/˘··/˘·
Wreathed under limpid hills in moving light,10···/˘··/˘·
Happy with many a yeoman melodist:11/˘·/˘·/˘/˘˘
I see the little roads of twinkling white10···/˘··/˘·
Busy with fieldward teams and market gear10/˘·····/˘·
Of rosy men, cloth-gaitered, who can tell10·/˘··/˘···
The many-minded changes of the year,10·/˘/˘/˘···
Who know why crops and kine fare ill or well;10··········
I see the sun persuade the mist away,10····˘/··˘/
Till town and stead are shining to the day.10·····/˘···
I see the wagons move along the rows10···/˘·˘/··
Of ripe and summer-breathing clover-flower,11···/˘/˘/˘/˘
I see the lissom husbandman who knows10·····/˘˘··
Deep in his heart the beauty of his power,11·····/˘··/˘
As, lithely pitched, the full-heaped fork bids on10·/˘·······
The harvest home. I hear the rickyard fill10·/˘·······
With gossip as in generations gone,10·/˘···˘/˘·
While wagon follows wagon from the hill.10·/˘/˘/˘···
I think how, when our seasons all are sealed,10····//˘···
Shall come the unchanging harvest from the field.11···˘/˘/˘···
I see the barns and comely manors planned10·····/˘/˘·
By men who somehow moved in comely thought,10···/···/˘·
Who, with a simple shippon to their hand,10···/˘/˘···
As men upon some godlike business wrought;10·····/˘/˘·
I see the little cottages that keep10···/˘/˘˘··
Their beauty still where since Plantagenet10·/˘·······
Have come the shepherds happily to sleep,10···/˘/˘˘··
Finding the loaves and cups of cider set;10/˘·····/˘·
I see the twisted shepherds, brown and old,10···/˘/˘···
Driving at dusk their glimmering sheep to fold.10/˘···/˘···
And now the valleys that upon the sun10···/˘·····
Broke from their opal veils, are veiled again,10···/˘···˘/
And the last light upon the wolds is done,10··········
And silence falls on flocks and fields and men;10·/˘·······
And black upon the night I watch my hill,10··········
And the stars shine, and there an owly wing10··········
Brushes the night, and all again is still,10/˘····˘/··
And, from this land of worship that I sing,10·····/˘···
I turn to sleep, content that from my sires10····/˘····
I draw the blood of England’s midmost shires.10·····/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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