Amour 51
Goe you, my lynes, Embassadours of loue,With my harts tribute to her conquering eyes,From whence, if you one tear of pitty moueFor all my woes, that onely shall suffise.When you Minerua in the sunne behold,At her perfections stand you then and gaze,Where in the compasse of a Marygold,Meridianis sits within a maze.And let Inuention of her beauty vauntWhen Dorus sings his sweet Pamelas loue,And tell the Gods, Mars is predominant,Seated with Sol, and weares Mineruas gloue:And tell the world, that in the world there isA heauen on earth, on earth no heauen but this.
The worlds faire Rose, and Henries frosty fire,Iohns tyrannie; and chast Matilda's wrong,Th'inraged Queene, and furious Mortimer,The scourge of Fraunce, and his chast loue I song;Deposed Richard, Isabell exil'd,The gallant Tudor, and fayre Katherine,Duke Humfrey, and old Cobhams haplesse child,Couragious Pole, and that braue spiritfull Queene;Edward, and that delicious London Dame,Brandon, and that rich dowager of Fraunce,Surrey, with his fayre paragon of fame,Dudleys mishap, and vertuous Grays mischance;Their seuerall loues since I before haue showne,Now giue me leaue at last to sing mine owne.
Into these loues who but for passion lookes,At this first sight, here let him lay them by,And seeke elsewhere in turning other bookes,Which better may his labour satisfie.No far-fetch'd sigh shall euer wound my brest,Loue from mine eye, a teare shall neuer wring,Nor in ah-mees my whyning Sonets drest,(A Libertine) fantasticklie I sing;My verse is the true image of my mind,Euer in motion, still desiring change,To choyce of all varietie inclin'd,And in all humors sportiuely I range;My actiue Muse is of the worlds right straine,That cannot long one fashion entertaine.
Many there be excelling in this kind,Whose well trick'd rimes with all inuention swell,Let each commend as best shall like his minde,Some Sidney, Constable, some Daniell.That thus theyr names familiarly I sing,Let none think them disparaged to be,Poore men with reuerence may speake of a King,And so may these be spoken of by mee;My wanton verse nere keepes one certaine stay,But now, at hand; then, seekes inuention far,And with each little motion runnes astray,Wilde, madding, iocond, and irreguler;Like me that lust, my honest merry rimes,Nor care for Criticke, nor regard the times.
My hart was slaine, and none but you and I,Who should I thinke the murder should commit?Since but your selfe, there was no creature byBut onely I, guiltlesse of murth'ring it.It slew it selfe; the verdict on the viewDoe quit the dead and me not accessarie;Well, well, I feare it will be prou'd by you,The euidence so great a proofe doth carry.But O, see, see, we need enquire no further,Vpon your lips the scarlet drops are found,And in your eye, the boy that did the murther,Your cheekes yet pale since first they gaue the wound.By this, I see, how euer things be past,Yet heauen will still haue murther out at last.
Nothing but no and I, and I and no,How falls it out so strangely you reply?I tell yee (Faire) Ile not be aunswered so,With this affirming no, denying I,I say I loue, you slightly aunswer I?I say you loue, you pule me out a no;I say I die, you eccho me with I,Saue me I cry, you sigh me out a no:Must woe and I, haue naught but no and I?No, I am I, If I no more can haue,Aunswer no more, with silence make reply,And let me take my selfe what I doe craue;Let no and I, with I and you be so,Then aunswer no, and I, and I, and no.
Loue once would daunce within my Mistres eye,And wanting musique fitting for the place,Swore that I should the Instrument supply,And sodainly presents me with her face:Straightwayes my pulse playes liuely in my vaines,My panting breath doth keepe a meaner time,My quau'ring artiers be the Tenours Straynes,My trembling sinewes serue the Counterchime,My hollow sighs the deepest base doe beare,True diapazon in distincted sound:My panting hart the treble makes the ayre,And descants finely on the musiques ground;Thus like a Lute or Violl did I lye,Whilst the proud slaue daunc'd galliards in her eye.
Loue in an humor played the prodigall,And bids my sences to a solemne feast,Yet more to grace the company withall,Inuites my heart to be the chiefest guest;No other drinke would serue this gluttons turne,But precious teares distilling from mine eyne,Which with my sighs this Epicure doth burne,Quaffing carouses in this costly wine,Where, in his cups or'come with foule excesse,Begins to play a swaggering Ruffins part,And at the banquet, in his drunkennes,Slew my deare friend, his kind and truest hart;A gentle warning, friends, thus may you seeWhat 'tis to keepe a drunkard company.
Words in this poem 21
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- maze n.
- A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
- scourge n.
- A lash; a strap or cord; especially, a lash used to inflict pain or punishment; an instrument of punishment or discipline; a whip. [F. escourgée, fr. L. excoriata (sc. scutica) a stripped off (lash or whip), fr. excoriate to strip, to skin. See Excoriate.]
- duke n.
- A leader; a chief; a prince. [F. duc, fr. L. dux, ducis, leader, commander, fr. ducere to lead; akin to AS. teón to draw; cf. AS. heretoga (here army) an army leader, general, G. herzog duke]
- spiritfull a.
- Full of spirit; spirited.
- dame n.
- A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
- paragon n.
- A companion; a match; an equal.
- mishap v. i.
- To happen unluckily; -- used impersonally.
- vertuous a.
- Virtuous; powerful.
- daniell n.
- A Hebrew prophet distinguished for sagacity and ripeness of judgment in youth; hence, a sagacious and upright judge.
- madding a.
- Affected with madness; raging; furious.
- lust v. i.
- To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
- murther n.
- Murder, n. & v.
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- pule v. i.
- To cry like a chicken. [F. piauler; cf. L. pipilare, pipire, to peep, pip, chirp, and E. peep to chirp.]
- violl n.
- A stringed musical instrument formerly in use, of the same form as the violin, but larger, and having six strings, to be struck with a bow, and the neck furnished with frets for stopping the strings. [F. viole; cf. Pr. viola, viula, Sp., Pg., & It. viola, LL. vitula; of uncertain origin; perhaps from L. vitulari to celebrate a festival, keep holiday, be joyfu]
- withall adv.
- With this; with that. [With + all.]
- chiefest a.
- First or foremost; chief; principal. [Superl. of Chief.]
- eyne n.
- Plural of eye; obsolete, or used only in poetry.
- epicure n.
- A follower of Epicurus; an Epicurean.
- deare
- variant of Dere, v. t. & n.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Amour 51 is in the public domain. This text is taken from Minor Poems of Michael Drayton, Project Gutenberg ebook #17873; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Michael Drayton, Amour 51, in Minor Poems (1594–1619), text of Project Gutenberg ebook #17873, Laurel, https://laurelpoetry.com/poem/drayton-minor-poems/amour-51.html, id L20592.
Form and metre
Amour 51 is 112 lines in 8 stanzas of 14 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCDEAEA-- loueA · eyesB · moueA · suffiseB · beholdC · gazeD · marygoldC · mazeD · vauntE · loueA · predominantE · gloueA · is · this
- 2 -A-AB-B-C-C-DD fire · wrongA · mortimer · songA · exil'dB · katherine · childB · queene · dameC · fraunce · fameC · mischance · showneD · owneD
- 3 A-A-BCBCDEDEFF lookesA · by · bookesA · satisfie · brestB · wringC · drestB · singC · mindD · changeE · inclin'dD · rangeE · straineF · entertaineF
- 4 ABABCDCDE-E-FF kindA · swellB · mindeA · daniellB · singC · beD · kingC · meeD · stayE · far · astrayE · irreguler · rimesF · timesF
- 5 ABABCDCDEFEFGG iA · commitB · byA · itB · viewC · accessarieD · youC · carryD · furtherE · foundF · murtherE · woundF · pastG · lastG
- 6 ABABBABABCBCAA noA · replyB · soA · iB · iB · noA · iB · noA · iB · haueC · replyB · craueC · soA · noA
- 7 ABABCDCDEFEFAA eyeA · placeB · supplyA · faceB · vainesC · timeD · straynesC · counterchimeD · beareE · soundF · ayreE · groundF · lyeA · eyeA
- 8 A-A-B-B--C-C-- prodigallA · feast · withallA · guest · turneB · eyne · burneB · wine · excesse · partC · drunkennes · hartC · see · company
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Goe you, my lynes, Embassadours of loue, | 10 | ·········· |
| With my harts tribute to her conquering eyes, | 10 | ···/˘··/˘· |
| From whence, if you one tear of pitty moue | 10 | ·········· |
| For all my woes, that onely shall suffise. | 10 | ·····/˘··· |
| When you Minerua in the sunne behold, | 10 | ········˘/ |
| At her perfections stand you then and gaze, | 10 | ··˘/˘····· |
| Where in the compasse of a Marygold, | 10 | ···/˘····· |
| Meridianis sits within a maze. | 9 | ········· |
| And let Inuention of her beauty vaunt | 10 | ·······/˘· |
| When Dorus sings his sweet Pamelas loue, | 10 | ······/˘˘· |
| And tell the Gods, Mars is predominant, | 10 | ······˘/˘˘ |
| Seated with Sol, and weares Mineruas gloue: | 10 | /˘········ |
| And tell the world, that in the world there is | 10 | ·········· |
| A heauen on earth, on earth no heauen but this. | 10 | ·········· |
| The worlds faire Rose, and Henries frosty fire, | 11 | ·····/˘/˘/˘ |
| Iohns tyrannie; and chast Matilda's wrong, | 10 | ······˘/˘· |
| Th'inraged Queene, and furious Mortimer, | 10 | ····/˘˘/˘˘ |
| The scourge of Fraunce, and his chast loue I song; | 10 | ·········· |
| Deposed Richard, Isabell exil'd, | 10 | ˘/˘/˘˘˘//· |
| The gallant Tudor, and fayre Katherine, | 10 | ·/˘/˘··/˘˘ |
| Duke Humfrey, and old Cobhams haplesse child, | 10 | ·/˘······· |
| Couragious Pole, and that braue spiritfull Queene; | 11 | ··········· |
| Edward, and that delicious London Dame, | 10 | /˘··˘/˘/˘· |
| Brandon, and that rich dowager of Fraunce, | 10 | /˘···/˘˘·· |
| Surrey, with his fayre paragon of fame, | 10 | /˘···/˘··· |
| Dudleys mishap, and vertuous Grays mischance; | 11 | /˘/··/˘˘·˘/ |
| Their seuerall loues since I before haue showne, | 10 | ·········· |
| Now giue me leaue at last to sing mine owne. | 10 | ·········· |
| Into these loues who but for passion lookes, | 10 | ·······/˘· |
| At this first sight, here let him lay them by, | 10 | ·········· |
| And seeke elsewhere in turning other bookes, | 10 | ··/··/˘/˘· |
| Which better may his labour satisfie. | 10 | ·/˘··/···· |
| No far-fetch'd sigh shall euer wound my brest, | 9 | ········· |
| Loue from mine eye, a teare shall neuer wring, | 10 | ·······/˘· |
| Nor in ah-mees my whyning Sonets drest, | 10 | ·······/˘· |
| (A Libertine) fantasticklie I sing; | 10 | ·/˘······· |
| My verse is the true image of my mind, | 10 | ·····/˘··· |
| Euer in motion, still desiring change, | 10 | ··/˘·˘/˘˘· |
| To choyce of all varietie inclin'd, | 9 | ·······˘/ |
| And in all humors sportiuely I range; | 10 | ···/˘····· |
| My actiue Muse is of the worlds right straine, | 9 | ········· |
| That cannot long one fashion entertaine. | 10 | ·/˘··/˘··· |
| Many there be excelling in this kind, | 10 | /˘··˘/˘··· |
| Whose well trick'd rimes with all inuention swell, | 10 | ·········· |
| Let each commend as best shall like his minde, | 10 | ··˘/······ |
| Some Sidney, Constable, some Daniell. | 9 | ·/˘/˘˘·/˘ |
| That thus theyr names familiarly I sing, | 10 | ····/˘˘˘·· |
| Let none think them disparaged to be, | 10 | ····˘/˘˘·· |
| Poore men with reuerence may speake of a King, | 10 | ·········· |
| And so may these be spoken of by mee; | 10 | ·····/˘··· |
| My wanton verse nere keepes one certaine stay, | 10 | ·/˘······· |
| But now, at hand; then, seekes inuention far, | 10 | ·········· |
| And with each little motion runnes astray, | 10 | ···/˘/˘·˘/ |
| Wilde, madding, iocond, and irreguler; | 10 | ·/˘······· |
| Like me that lust, my honest merry rimes, | 10 | ·····/˘/˘· |
| Nor care for Criticke, nor regard the times. | 10 | ······˘/·· |
| My hart was slaine, and none but you and I, | 10 | ·········· |
| Who should I thinke the murder should commit? | 10 | ·····/˘·˘/ |
| Since but your selfe, there was no creature by | 10 | ·······/˘· |
| But onely I, guiltlesse of murth'ring it. | 10 | ·/˘······· |
| It slew it selfe; the verdict on the view | 10 | ·····/˘··· |
| Doe quit the dead and me not accessarie; | 11 | ··········· |
| Well, well, I feare it will be prou'd by you, | 10 | ·········· |
| The euidence so great a proofe doth carry. | 10 | ········/˘ |
| But O, see, see, we need enquire no further, | 11 | ······˘/·/˘ |
| Vpon your lips the scarlet drops are found, | 9 | ····/˘··· |
| And in your eye, the boy that did the murther, | 11 | ·········/˘ |
| Your cheekes yet pale since first they gaue the wound. | 10 | ·········· |
| By this, I see, how euer things be past, | 9 | ········· |
| Yet heauen will still haue murther out at last. | 10 | ·····/˘··· |
| Nothing but no and I, and I and no, | 10 | /˘········ |
| How falls it out so strangely you reply? | 10 | ·····/˘·˘/ |
| I tell yee (Faire) Ile not be aunswered so, | 11 | ··········· |
| With this affirming no, denying I, | 10 | ··˘/˘·˘/˘· |
| I say I loue, you slightly aunswer I? | 10 | ·····/˘··· |
| I say you loue, you pule me out a no; | 11 | ··········· |
| I say I die, you eccho me with I, | 10 | ·········· |
| Saue me I cry, you sigh me out a no: | 10 | ·········· |
| Must woe and I, haue naught but no and I? | 10 | ·········· |
| No, I am I, If I no more can haue, | 10 | ·········· |
| Aunswer no more, with silence make reply, | 10 | ·····/˘·˘/ |
| And let me take my selfe what I doe craue; | 10 | ·········· |
| Let no and I, with I and you be so, | 10 | ·········· |
| Then aunswer no, and I, and I, and no. | 10 | ·········· |
| Loue once would daunce within my Mistres eye, | 10 | ·······/˘· |
| And wanting musique fitting for the place, | 10 | ·/˘··/˘··· |
| Swore that I should the Instrument supply, | 10 | ·····/˘˘˘/ |
| And sodainly presents me with her face: | 10 | ····/˘···· |
| Straightwayes my pulse playes liuely in my vaines, | 9 | ········· |
| My panting breath doth keepe a meaner time, | 10 | ·/˘····/˘· |
| My quau'ring artiers be the Tenours Straynes, | 10 | ·······/˘· |
| My trembling sinewes serue the Counterchime, | 10 | ·/˘······· |
| My hollow sighs the deepest base doe beare, | 10 | ·/˘··/˘··· |
| True diapazon in distincted sound: | 9 | ·····˘/˘· |
| My panting hart the treble makes the ayre, | 10 | ·/˘··/˘··· |
| And descants finely on the musiques ground; | 10 | ···/˘····· |
| Thus like a Lute or Violl did I lye, | 9 | ········· |
| Whilst the proud slaue daunc'd galliards in her eye. | 10 | ·········· |
| Loue in an humor played the prodigall, | 10 | ···/˘··/˘˘ |
| And bids my sences to a solemne feast, | 10 | ·········· |
| Yet more to grace the company withall, | 10 | ·····/˘˘·· |
| Inuites my heart to be the chiefest guest; | 10 | /˘·····/˘· |
| No other drinke would serue this gluttons turne, | 10 | ·/˘····/˘· |
| But precious teares distilling from mine eyne, | 10 | ·/˘·˘/˘··· |
| Which with my sighs this Epicure doth burne, | 10 | ·····/˘··· |
| Quaffing carouses in this costly wine, | 10 | ··˘/˘··/˘· |
| Where, in his cups or'come with foule excesse, | 11 | ·······/˘·· |
| Begins to play a swaggering Ruffins part, | 10 | ˘/···/˘/˘· |
| And at the banquet, in his drunkennes, | 9 | ···/˘··/˘ |
| Slew my deare friend, his kind and truest hart; | 10 | ·······/˘· |
| A gentle warning, friends, thus may you see | 10 | ·/˘/˘····· |
| What 'tis to keepe a drunkard company. | 10 | ·····/˘/˘˘ |
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