The Scene

Ernest Dowson (1867–1900) · 1896–1899

iambic pentameter · heroic couplets · 117 lines · from The Poems of Ernest Dowson

My journey's end! This surely is the gladeWhich I was promised: I have well obeyed!A clue of lilies was I bid to find,Where the green alleys most obscurely wind;Where tall oaks darkliest canopy o'erhead,And moss and violet make the softest bed;Where the path ends, and leagues behind me lieThe gleaming courts and gardens of Versailles;The lilies streamed before me, green and white;I gathered, following; they led me right,To the bright temple and the sacred grove:This is, in truth, the very shrine of Love!

It is so solitary, I grow afraid.Is there no priest here, no devoted maid?Is there no oracle, no voice to speak,Interpreting to me the word I seek?

Too soon! too soon! in that enchanting strain,Days yet unlived, I almost lived again:It almost taught me that I most would know--Why am I here, and why am I Pierrot?

Why came I here, and why am I Pierrot?That music and this silence both affright;Pierrot can never be a friend of night.I never felt my solitude before--Once safe at home, I will return no more.Yet the commandment of the scroll was plain;While the light lingers let me read again.

"He loves to-night who never loved before;Who ever loved, to-night shall love once more."I never loved! I know not what love is.I am so ignorant--but what is this?"Who would adventure to encounter LoveMust rest one night within this hallowed grove.Cast down thy lilies, which have led thee on,Before the tender feet of Cupidon."Thus much is done, the night remains to me.Well, Cupidon, be my security!Here is more writing, but too faint to read.

Hence, vain old parchment. I have learnt thy rede!

Courage, mon Ami! I shall never missSociety with such a friend as this.How merrily the rosy bubbles pass,Across the amber crystal of the glass.I had forgotten you. Methinks this questCan wake no sweeter echo in my breast.

Nay, little god! forgive. I did but jest.

This libation, Cupid, take,With the lilies at thy feet;Cherish Pierrot for their sake:Send him visions strange and sweet,While he slumbers at thy feet.Only love kiss him awake!Only love kiss him awake!

Music, more music, far away and faint:It is an echo of mine heart's complaint.Why should I be so musical and sad?I wonder why I used to be so glad?In single glee I chased blue butterflies,Half butterfly myself, but not so wise,For they were twain, and I was only one.Ah me! how pitiful to be alone.My brown birds told me much, but in mine earThey never whispered this--I learned it here:The soft wood sounds, the rustlings in the breeze,Are but the stealthy kisses of the trees.Each flower and fern in this enchanted woodLeans to her fellow, and is understood;The eglantine, in loftier station set,Stoops down to woo the maidly violet.In gracile pairs the very lilies grow:None is companionless except Pierrot.Music, more music! how its echoes stealUpon my senses with unlooked for weal.Tired am I, tired, and far from this lone gladeSeems mine old joy in rout and masquerade.Sleep cometh over me, now will I prove,By Cupid's grace, what is this thing called love.

Who is this mortalWho ventures to-nightTo woo an immortal?Cold, cold the moon's lightFor sleep at this portal,Bold lover of night.

Fair is the mortalIn soft, silken white,Who seeks an immortal.Ah, lover of night,Be warned at the portal,And save thee in flight!

Forget not, Cupid. Teach me all thy lore:"He loves to-night who never loved before."

Unwitting boy! when, be it soon or late,What Pierrot ever has escaped his fate?What if I warned him! He might yet evade,Through the long windings of this verdant glade;Seek his companions in the blither way,Which, else, must be as lost as yesterday.So might he still pass some unheeding hoursIn the sweet company of birds and flowers.How fair he is, with red lips formed for joy,As softly curved as those of Venus' boy.Methinks his eyes, beneath their silver sheaves,Rest tranquilly like lilies under leaves.Arrayed in innocence, what touch of graceReveals the scion of a courtly race?Well, I will warn him, though, I fear, too late--What Pierrot ever has escaped his fate?But, see, he stirs, new knowledge fires his brain,And Cupid's vision bids him wake again.Dione's Daughter! but how fair he is,Would it be wrong to rouse him with a kiss?

Celestial messenger! remain, remain;Or, if a Vision, visit me again!What is this light, and whither am I comeTo sleep beneath the stars so far from home?

Stay, I remember this is Venus' Grove,And I am hither come to encounter--

Words in this poem 22
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
clue n.
A ball of thread, yarn, or cord; also, The thread itself. [OE. clewe, clowe, clue, AS. cleowen, cliwen, clywe ball of thread; akin to D. kluwen, OHG. chliwa, chliuwa, G. dim. kleuel, knäuel, and perch. to L. gluma hull,]
oracle v. i.
To utter oracles.
unlived a.
Bereft or deprived of life. [See 1st pref. Un-, and Life, Live.]
commandment n.
An order or injunction given by authority; a command; a charge; a precept; a mandate. [OF. commandement, F. commandement.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
rede v. t.
To advise or counsel. [See Read, v. t.]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
libation n.
The act of pouring a liquid or liquor, usually wine, either on the ground or on a victim in sacrifice, in honor of some deity; also, the wine or liquid thus poured out. [L. libatio, fr. libare to take a little from anything, to taste, to pour out as an offering: cf. F. libation.]
cupid
The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
glee n.
Music; minstrelsy; entertainment.
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
gracile a.
Slender; thin. Bailey. [L. gracilis, gracilentus.]
companionless a.
Without a companion.
unlooked a.
Not observed or foreseen; unexpected; -- generally with for. [Pref. un- not + looked.]
lone n.
A lane. See Loanin.
unwitting a.
Not knowing; unconscious; ignorant.
tranquilly adv.
In a tranquil manner; calmly.
courtly a.
Relating or belonging to a court. [From Court.]
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Scene is in the public domain. This text is taken from The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons, Project Gutenberg ebook #8497; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Ernest Dowson, The Scene, in The Poems of Ernest Dowson (1896–1899), text of Project Gutenberg ebook #8497, Laurel, https://laurelpoetry.com/poem/dowson-poems/the-scene.html, id L01658.

Form and metre

The Scene is 117 lines in 16 verse paragraphs. It is in rhyming couplets, 67% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.4 syllables. 11 lines end on an unstressed syllable, a feminine ending. 14% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEE-- gladeA · obeyedA · findB · windB · o'erheadC · bedC · lieD · versaillesD · whiteE · rightE · grove · love
  2. 2 AABB afraidA · maidA · speakB · seekB
  3. 3 AA-- strainA · againA · know · pierrot
  4. 4 -AABBCC pierrot · affrightA · nightA · beforeB · moreB · plainC · againC
  5. 5 AA--------- beforeA · moreA · is · this · love · grove · on · cupidon · me · security · read
  6. 7 AABBCC missA · thisA · passB · glassB · questC · breastC
  7. 9 ABABBAA takeA · feetB · sakeA · sweetB · feetB · awakeA · awakeA
  8. 10 AABBCC--DDEEFFGG--HHIIJJ faintA · complaintA · sadB · gladB · butterfliesC · wiseC · one · alone · earD · hereD · breezeE · treesE · woodF · understoodF · setG · violetG · grow · pierrot · stealH · wealH · gladeI · masqueradeI · proveJ · loveJ
  9. 11 ABABAB mortalA · nightB · immortalA · lightB · portalA · nightB
  10. 12 ABABAB mortalA · whiteB · immortalA · nightB · portalA · flightB
  11. 13 AA loreA · beforeA
  12. 14 AABBCCDDEEFFGGAAHH-- lateA · fateA · evadeB · gladeB · wayC · yesterdayC · hoursD · flowersD · joyE · boyE · sheavesF · leavesF · graceG · raceG · lateA · fateA · brainH · againH · is · kiss
  13. 15 AABB remainA · againA · comeB · homeB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
My journey's end! This surely is the glade10·/˘··/˘···
Which I was promised: I have well obeyed!10···/˘···˘/
A clue of lilies was I bid to find,10···/˘·····
Where the green alleys most obscurely wind;10···/˘·˘/˘·
Where tall oaks darkliest canopy o'erhead,10·····/˘˘··
And moss and violet make the softest bed;10···/˘··/˘·
Where the path ends, and leagues behind me lie10··········
The gleaming courts and gardens of Versailles;10·/˘··/˘·˘/
The lilies streamed before me, green and white;10·/˘·······
I gathered, following; they led me right,10·/˘/˘˘····
To the bright temple and the sacred grove:10···/˘··/˘·
This is, in truth, the very shrine of Love!10·····/˘···
It is so solitary, I grow afraid.11···/˘·˘··˘/
Is there no priest here, no devoted maid?10······˘/˘·
Is there no oracle, no voice to speak,10···/˘˘····
Interpreting to me the word I seek?10/˘·˘······
Too soon! too soon! in that enchanting strain,10······˘/˘·
Days yet unlived, I almost lived again:10··˘/·/··˘/
It almost taught me that I most would know--10·/········
Why am I here, and why am I Pierrot?10··········
Why came I here, and why am I Pierrot?10··········
That music and this silence both affright;10·/˘··/˘·˘/
Pierrot can never be a friend of night.10···/˘·····
I never felt my solitude before--10·/˘··/˘···
Once safe at home, I will return no more.10······˘/··
Yet the commandment of the scroll was plain;10··˘/˘·····
While the light lingers let me read again.10···/˘···˘/
"He loves to-night who never loved before;10·····/˘···
Who ever loved, to-night shall love once more."10·/˘·······
I never loved! I know not what love is.10·/˘·······
I am so ignorant--but what is this?10···/˘˘····
"Who would adventure to encounter Love10··˘/˘·˘/˘·
Must rest one night within this hallowed grove.10·······/˘·
Cast down thy lilies, which have led thee on,10···/˘·····
Before the tender feet of Cupidon."10···/˘·····
Thus much is done, the night remains to me.10······˘/··
Well, Cupidon, be my security!10······˘/˘˘
Here is more writing, but too faint to read.10···/˘·····
Hence, vain old parchment. I have learnt thy rede!10···/˘·····
Courage, mon Ami! I shall never miss10/˘·/˘··/˘·
Society with such a friend as this.10˘/˘˘······
How merrily the rosy bubbles pass,10·/˘˘·/˘/˘·
Across the amber crystal of the glass.10˘/·/˘/˘···
I had forgotten you. Methinks this quest10··˘/˘·˘/··
Can wake no sweeter echo in my breast.10···/˘/˘···
Nay, little god! forgive. I did but jest.10·/˘·˘/····
This libation, Cupid, take,7·˘/˘/˘·
With the lilies at thy feet;7··/˘···
Cherish Pierrot for their sake:7/˘·····
Send him visions strange and sweet,7··/˘···
While he slumbers at thy feet.7··/˘···
Only love kiss him awake!7/˘···˘/
Only love kiss him awake!7/˘···˘/
Music, more music, far away and faint:10/˘·/˘·˘/··
It is an echo of mine heart's complaint.10···/˘···˘/
Why should I be so musical and sad?10·····/˘˘··
I wonder why I used to be so glad?10·/˘·······
In single glee I chased blue butterflies,10·/˘····/˘·
Half butterfly myself, but not so wise,10·/˘··/····
For they were twain, and I was only one.10·······/˘·
Ah me! how pitiful to be alone.10···/˘˘··˘/
My brown birds told me much, but in mine ear10··········
They never whispered this--I learned it here:10·/˘/˘·····
The soft wood sounds, the rustlings in the breeze,10·····/˘···
Are but the stealthy kisses of the trees.10···/˘/˘···
Each flower and fern in this enchanted wood10·/····˘/˘·
Leans to her fellow, and is understood;10···/˘···˘/
The eglantine, in loftier station set,10·/˘··/˘/˘·
Stoops down to woo the maidly violet.10·······/˘˘
In gracile pairs the very lilies grow:10·/˘··/˘/˘·
None is companionless except Pierrot.10··˘/˘˘····
Music, more music! how its echoes steal10/˘·/˘··/˘·
Upon my senses with unlooked for weal.10···/˘·˘/··
Tired am I, tired, and far from this lone glade10/··/······
Seems mine old joy in rout and masquerade.10········˘/
Sleep cometh over me, now will I prove,10·/˘·······
By Cupid's grace, what is this thing called love.10·/˘·······
Who is this mortal5···/˘
Who ventures to-night5·/˘··
To woo an immortal?6···˘/˘
Cold, cold the moon's light5·····
For sleep at this portal,6····/˘
Bold lover of night.5·/˘··
Fair is the mortal5···/˘
In soft, silken white,5··/˘·
Who seeks an immortal.6···˘/˘
Ah, lover of night,5·/˘··
Be warned at the portal,6····/˘
And save thee in flight!5·····
Forget not, Cupid. Teach me all thy lore:10˘/·/˘·····
"He loves to-night who never loved before."10·····/˘···
Unwitting boy! when, be it soon or late,10˘/˘·······
What Pierrot ever has escaped his fate?10···/˘·˘/··
What if I warned him! He might yet evade,10········˘/
Through the long windings of this verdant glade;10···/˘··/˘·
Seek his companions in the blither way,10··˘/˘·····
Which, else, must be as lost as yesterday.10·······/˘·
So might he still pass some unheeding hours11·········/˘
In the sweet company of birds and flowers.11···/˘˘···/˘
How fair he is, with red lips formed for joy,10··········
As softly curved as those of Venus' boy.10·/˘····/˘·
Methinks his eyes, beneath their silver sheaves,10˘/·····/˘·
Rest tranquilly like lilies under leaves.10·/˘˘·/˘···
Arrayed in innocence, what touch of grace10˘/·/˘˘····
Reveals the scion of a courtly race?10˘/·/˘··/˘·
Well, I will warn him, though, I fear, too late--10··········
What Pierrot ever has escaped his fate?10···/˘·˘/··
But, see, he stirs, new knowledge fires his brain,10·····/˘/··
And Cupid's vision bids him wake again.10·/˘/˘···˘/
Dione's Daughter! but how fair he is,9/˘/˘·····
Would it be wrong to rouse him with a kiss?10··········
Celestial messenger! remain, remain;10˘/˘/˘˘˘/˘/
Or, if a Vision, visit me again!10···/˘/˘·˘/
What is this light, and whither am I come10·····/˘···
To sleep beneath the stars so far from home?10··········
Stay, I remember this is Venus' Grove,10··˘/˘··/˘·
And I am hither come to encounter--10···/˘··˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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