The Message

John Donne (1572–1631) · 1633

iambic pentameter · 83 lines · from Poems

Send home my long strayd eyes to mee,Which (Oh) too long have dwelt on thee;Yet since there they have learn'd such ill,Such forc'd fashions,And false passions,That they beMade by theeFit for no good sight, keep them still.

Send home my harmlesse heart againe,Which no unworthy thought could staine;But if it be taught by thineTo make jestingsOf protestings,And crosse bothWord and oath,Keepe it, for then 'tis none of mine.

Yet send me back my heart and eyes,That I may know, and see thy lyes,And may laugh and joy, when thouArt in anguishAnd dost languishFor some oneThat will none,Or prove as false as thou art now.

Tis the yeares midnight, and it is the dayes,Lucies, who scarce seaven houres herself unmaskes,The Sunne is spent, and now his flasksSend forth light squibs, no constant rayes;The worlds whole sap is sunke:The generall balme th'hydroptique earth hath drunk,Whither, as to the beds-feet, life is shrunke,Dead and enterr'd; yet all these seeme to laugh,Compar'd with mee, who am their Epitaph.

Study me then, you who shall lovers beeAt the next world, that is, at the next Spring:For I am every dead thing,In whom love wrought new Alchimie.For his art did expresseA quintessence even from nothingnesse,From dull privations, and leane emptinesse:He ruin'd mee, and I am re-begotOf absence, darknesse, death; things which are not.

All others, from all things, draw all that's good,Life, soule, forme, spirit, whence they beeing have;I, by loves limbecke, am the graveOf all, that's nothing. Oft a floodHave wee two wept, and soDrownd the whole world, us two; oft did we growTo be two Chaosses, when we did showCare to ought else; and often absencesWithdrew our soules, and made us carcasses.

But I am by her death, (which word wrongs her)Of the first nothing, the Elixer grown;Were I a man, that I were one,I needs must know; I should preferre,If I were any beast,Some ends, some means; Yea plants, yea stones detest,And love; All, all some properties invest;If I an ordinary nothing were,As shadow, a light, and body must be here.

But I am None; nor will my Sunne renew.You lovers, for whose sake, the lesser SunneAt this time to the Goat is runneTo fetch new lust, and give it you,Enjoy your summer all;Since shee enjoyes her long nights festivall,Let mee prepare towards her, and let mee callThis houre her Vigill, and her Eve, since thisBoth the yeares, and the dayes deep midnight is.

I fixe mine eye on thine, and therePitty my picture burning in thine eye,My picture drown'd in a transparent teare,When I looke lower I espie;Hadst thou the wicked skillBy pictures made and mard, to kill,How many wayes mightst thou performe thy will?

But now I have drunke thy sweet salt teares,And though thou poure more I'll depart;My picture vanish'd, vanish feares,That I can be endamag'd by that art;Though thou retaine of meeOne picture more, yet that will bee,Being in thine owne heart, from all malice free.

Words in this poem

crosse n.
The implement with which the ball is thrown and caught in the game of lacrosse.
languish v. i.
To cause to dr Shak.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
generall a.
Relating to a genus or kind; pertaining to a whole class or order; as, a general law of animal or vegetable economy. [F. général, fr. L. generalis. See Genus.]
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
quintessence n.
The fifth or last and highest essence or power in a natural body. [F., fr. L. quinta essentia fifth essence. See Quint, and Essence.]
ought p. p.
Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
detest v. t.
To witness against; to denounce; to condemn. [L. detestare, detestatum, and detestari, to curse while calling a deity to witness, to execrate, detest; de + testari to be a witness, testify, testis a witness]
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
festivall a.
Pertaining to a fest; festive; festal; appropriate to a festival; joyous; mirthful. [OF. festival, fr. L. festivum festive jollity, fr. festivus festive, gay. See Festive.]
vigill n.
Abstinence from sleep, whether at a time when sleep is customary or not; the act of keeping awake, or the state of being awake, or the state of being awake; sleeplessness; wakefulness; watch. [OE. vigile, L. vigilia, from vigil awake, watchful, probably akin to E. wake: cf. F. vigile. See Wake, v. i., and cf. Reveille, Surveillance, Vedette, Vegetable]
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Message is in the public domain. This text is taken from The Poems of John Donne, Volume 1 (of 2) Edited from the Old Editions and Numerous Manuscripts, Project Gutenberg ebook #48688; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Donne, The Message, in Poems (1633), text of Project Gutenberg ebook #48688, Laurel, https://laurelpoetry.com/poem/donne-poems/the-message.html, id L04896.

Form and metre

The Message is 83 lines in 10 stanzas. 97% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 8 lines end on an unstressed syllable, a feminine ending. 31% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCAAB meeA · theeA · illB · fashionsC · passionsC · beA · theeA · stillB
  2. 2 AABCCDDB againeA · staineA · thineB · jestingsC · protestingsC · bothD · oathD · mineB
  3. 3 AABCCDDB eyesA · lyesA · thouB · anguishC · languishC · oneD · noneD · nowB
  4. 4 A--ABBBCC dayesA · unmaskes · flasks · rayesA · sunkeB · drunkB · shrunkeB · laughC · epitaphC
  5. 5 -AA-BBB-- bee · springA · thingA · alchimie · expresseB · nothingnesseB · emptinesseB · begot · not
  6. 6 ABBACCC-- goodA · haveB · graveB · floodA · soC · growC · showC · absences · carcasses
  7. 7 A--A-BBA- herA · grown · one · preferreA · beast · detestB · investB · wereA · here
  8. 8 ABBACCC-- renewA · sunneB · runneB · youA · allC · festivallC · callC · this · is
  9. 9 A-A-BBB thereA · eye · teareA · espie · skillB · killB · willB
  10. 10 -A-ABBB teares · departA · feares · artA · meeB · beeB · freeB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
Send home my long strayd eyes to mee,8········
Which (Oh) too long have dwelt on thee;8········
Yet since there they have learn'd such ill,8········
Such forc'd fashions,4··/˘
And false passions,4··/˘
That they be3···
Made by thee3···
Fit for no good sight, keep them still.8········
Send home my harmlesse heart againe,8········
Which no unworthy thought could staine;8··˘/˘···
But if it be taught by thine7·······
To make jestings4····
Of protestings,4·˘/˘
And crosse both3···
Word and oath,3···
Keepe it, for then 'tis none of mine.8········
Yet send me back my heart and eyes,8········
That I may know, and see thy lyes,8········
And may laugh and joy, when thou7·······
Art in anguish4··/˘
And dost languish4··/˘
For some one3···
That will none,3···
Or prove as false as thou art now.8········
Tis the yeares midnight, and it is the dayes,10···/······
Lucies, who scarce seaven houres herself unmaskes,11/˘····/˘/˘/
The Sunne is spent, and now his flasks8········
Send forth light squibs, no constant rayes;8·····/˘·
The worlds whole sap is sunke:6······
The generall balme th'hydroptique earth hath drunk,10·/˘·······
Whither, as to the beds-feet, life is shrunke,10/˘········
Dead and enterr'd; yet all these seeme to laugh,10··········
Compar'd with mee, who am their Epitaph.10˘/·····/˘·
Study me then, you who shall lovers bee10/˘·····/˘·
At the next world, that is, at the next Spring:10··········
For I am every dead thing,8···/˘˘··
In whom love wrought new Alchimie.8········
For his art did expresse6······
A quintessence even from nothingnesse,10·˘/˘/˘····
From dull privations, and leane emptinesse:10··˘/˘·····
He ruin'd mee, and I am re-begot10·/˘·····˘/
Of absence, darknesse, death; things which are not.10·/˘·······
All others, from all things, draw all that's good,10·/˘·······
Life, soule, forme, spirit, whence they beeing have;10··/˘/·····
I, by loves limbecke, am the grave8········
Of all, that's nothing. Oft a flood8···/˘···
Have wee two wept, and so6······
Drownd the whole world, us two; oft did we grow10··········
To be two Chaosses, when we did show10···/˘˘····
Care to ought else; and often absences10·····/˘/˘˘
Withdrew our soules, and made us carcasses.11˘//˘····/˘˘
But I am by her death, (which word wrongs her)10··········
Of the first nothing, the Elixer grown;10···/˘·····
Were I a man, that I were one,8········
I needs must know; I should preferre,8······˘/
If I were any beast,6···/˘·
Some ends, some means; Yea plants, yea stones detest,10········˘/
And love; All, all some properties invest;10·····/˘˘˘/
If I an ordinary nothing were,10···/˘·˘/˘·
As shadow, a light, and body must be here.11·/····/˘···
But I am None; nor will my Sunne renew.10········˘/
You lovers, for whose sake, the lesser Sunne10·/˘····/˘·
At this time to the Goat is runne8········
To fetch new lust, and give it you,8········
Enjoy your summer all;6˘/·/˘·
Since shee enjoyes her long nights festivall,10··˘/···/˘˘
Let mee prepare towards her, and let mee call10··˘/······
This houre her Vigill, and her Eve, since this10···/˘·····
Both the yeares, and the dayes deep midnight is.10·······/··
I fixe mine eye on thine, and there8········
Pitty my picture burning in thine eye,10···/˘/˘···
My picture drown'd in a transparent teare,10·/˘···˘/˘·
When I looke lower I espie;8···/˘···
Hadst thou the wicked skill6···/˘·
By pictures made and mard, to kill,8·/˘·····
How many wayes mightst thou performe thy will?10·/˘·······
But now I have drunke thy sweet salt teares,9·········
And though thou poure more I'll depart;8······˘/
My picture vanish'd, vanish feares,8·/˘/˘/˘·
That I can be endamag'd by that art;10··········
Though thou retaine of mee6······
One picture more, yet that will bee,8·/˘·····
Being in thine owne heart, from all malice free.10/······/˘·
Notes from the edition 10

Herbert Grierson's record of the readings of the early editions and manuscripts, from his Poems of John Donne (Oxford, 1912; Project Gutenberg #48688).

  1. Stanza 1, line 2 thee; Ed: thee, 1633-69
  2. Stanza 1, line 5 And though] Although 1669 And though thou therefore poure more will depart; B, H40
  3. Stanza 1, line 6 to kill, Ed: to kill? 1633-39: to kill; 1650-69
  4. Stanza 1, line 6 that] thy JC, O'F, S96
  5. Stanza 2, line 2 staine;] staine, 1633-69
  6. Stanza 2, line 3 But 1635-69: Which 1633, A18, A25, D, H49, Lec, N, TC
  7. Stanza 2, line 6 crosse, A18, A25, B, Cy, D, H49, JC, Lec, N, O'F, P, S, S96, TC: breake 1633-69
  8. Stanza 3, line 3 And may laugh, when that Thou D, H49, Lec
  9. Stanza 3, line 8 art now.] dost now. 1669
  10. Stanza 6, line 1 all; Ed: all, 1633-69 and Chambers, who places a full stop after festivall

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