Elegie on D. D

John Donne (1572–1631) · 1633

iambic pentameter · heroic couplets · 48 lines · from Poems

Now, by one yeare, time and our frailtie haveLessened our first confusion, since the GraveClos'd thy deare Ashes, and the teares which flowIn these, have no springs, but of solid woe:Or they are drops, which cold amazement frozeAt thy decease, and will not thaw in Prose:All streames of Verse which shall lament that day,Doe truly to the Ocean tribute pay;But they have lost their saltnesse, which the eyeIn recompence of wit, strives to supply:Passions excesse for thee wee need not feare,Since first by thee our passions hallowed were;Thou mad'st our sorrowes, which before had binOnely for the Successe, sorrowes for sinne,We owe thee all those teares, now thou art dead,Which we shed not, which for our selves we shed.Nor didst thou onely consecrate our teares,Give a religious tincture to our feares;But even our joyes had learn'd an innocence,Thou didst from gladnesse separate offence:All mindes at once suckt grace from thee, as where(The curse revok'd) the Nations had one eare.Pious dissector: thy one houre did treateThe thousand mazes of the hearts deceipt;Thou didst pursue our lov'd and subtill sinne,Through all the foldings wee had wrapt it in,And in thine owne large minde finding the wayBy which our selves we from our selves convey,Didst in us, narrow models, know the sameAngles, though darker, in our meaner frame.How short of praise is this? My Muse, alas,Climbes weakly to that truth which none can passe,Hee that writes best, may onely hope to leaveA Character of all he could conceiveBut none of thee, and with mee must confesse,That fansie findes some checke, from an excesseOf merit most, of nothing, it hath spun,And truth, as reasons task and theame, doth shunne.She makes a fairer flight in emptinesse,Than when a bodied truth doth her oppresse.Reason againe denies her scales, becauseHers are but scales, shee judges by the lawesOf weake comparison, thy vertue sleightsHer feeble Beame, and her unequall Weights.What prodigie of wit and pietieHath she else knowne, by which to measure thee?Great soule: we can no more the worthinesseOf what you were, then what you are, expresse.

Words in this poem

deare
variant of Dere, v. t. & n.
amazement n.
The condition of being amazed; bewilderment ; overwhelming wonder, as from surprise, sudden fear, horror, or admiration.
thaw v. i.
To melt, dissolve, or become fluid; to soften; -- said of that which is frozen; as, the ice thaws.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
sinne adv.
Old form of Since. [Obs. or Prov.Eng. & Scot.]
didst
, the 2d pers. sing. imp. of Do.
offence n.
The act of offending in any sense; esp., a crime or a sin, an affront or an injury. [F., fr. L. offensa. See Offend.]
dissector n.
One who dissects; an anatomist. [Cf. F. dissecteur.]
passe a.
Past; gone by; hence, past one's prime; worn; faded; as, a passée belle. Ld. Lytton. [F.]
shunne v. t.
To avoid; to keep clear of; to get out of the way of; to escape from; to eschew; as, to shun rocks, shoals, vice. [OE. shunien, schunien, schonien, AS. scunian, sceonian; cf. D. schuinen to slepe, schuin oblique, sloping, Icel. skunda, skynda, to hasten. Cf. Schooner, Scound]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Elegie on D. D is in the public domain. This text is taken from The Poems of John Donne, Volume 1 (of 2) Edited from the Old Editions and Numerous Manuscripts, Project Gutenberg ebook #48688; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Donne, Elegie on D. D, in Poems (1633), text of Project Gutenberg ebook #48688, Laurel, https://laurelpoetry.com/poem/donne-poems/elegie-on-d-d.html, id L05031.

Form and metre

Elegie on D. D is 48 lines in a single stanza. It is in rhyming couplets, 71% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 1 line ends on an unstressed syllable, a feminine ending. 38% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEE--FFGG--HH----IIJJKK-JLLMMNNMMOO----PP haveA · graveA · flowB · woeB · frozeC · proseC · dayD · payD · eyeE · supplyE · feare · were · binF · sinneF · deadG · shedG · teares · feares · innocenceH · offenceH · where · eare · treate · deceipt · sinneI · inI · wayJ · conveyJ · sameK · frameK · alas · passeJ · leaveL · conceiveL · confesseM · excesseM · spunN · shunneN · emptinesseM · oppresseM · becauseO · lawesO · sleights · weights · pietie · thee · worthinesseP · expresseP
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Now, by one yeare, time and our frailtie have10······/···
Lessened our first confusion, since the Grave10/˘/·˘/˘···
Clos'd thy deare Ashes, and the teares which flow10···/˘·····
In these, have no springs, but of solid woe:10·······/˘·
Or they are drops, which cold amazement froze10······˘/˘·
At thy decease, and will not thaw in Prose:10··˘/······
All streames of Verse which shall lament that day,10······˘/··
Doe truly to the Ocean tribute pay;10·/˘··/˘/˘·
But they have lost their saltnesse, which the eye10··········
In recompence of wit, strives to supply:10········˘/
Passions excesse for thee wee need not feare,10/˘········
Since first by thee our passions hallowed were;10····//˘/˘·
Thou mad'st our sorrowes, which before had bin10··//˘·····
Onely for the Successe, sorrowes for sinne,10/˘····/˘··
We owe thee all those teares, now thou art dead,10··········
Which we shed not, which for our selves we shed.10······/···
Nor didst thou onely consecrate our teares,10···/˘/˘·/·
Give a religious tincture to our feares;10··˘/˘/˘·/·
But even our joyes had learn'd an innocence,11·//˘····/˘˘
Thou didst from gladnesse separate offence:10·····/˘·˘/
All mindes at once suckt grace from thee, as where10··········
(The curse revok'd) the Nations had one eare.10··˘/·/˘···
Pious dissector: thy one houre did treate10/˘˘/˘·····
The thousand mazes of the hearts deceipt;10·/˘/˘·····
Thou didst pursue our lov'd and subtill sinne,10··˘//·····
Through all the foldings wee had wrapt it in,10···/˘·····
And in thine owne large minde finding the way10······/˘··
By which our selves we from our selves convey,10··/···/·˘/
Didst in us, narrow models, know the same10···/˘/˘···
Angles, though darker, in our meaner frame.10/˘·/˘·//˘·
How short of praise is this? My Muse, alas,10········˘/
Climbes weakly to that truth which none can passe,11·/˘·······/
Hee that writes best, may onely hope to leave10·····/˘···
A Character of all he could conceive10·/˘˘····˘/
But none of thee, and with mee must confesse,10··········
That fansie findes some checke, from an excesse10··········
Of merit most, of nothing, it hath spun,10·/˘··/˘···
And truth, as reasons task and theame, doth shunne.10···/˘·····
She makes a fairer flight in emptinesse,10···/˘·····
Than when a bodied truth doth her oppresse.10···/˘·····
Reason againe denies her scales, because10/˘··˘/····
Hers are but scales, shee judges by the lawes10·····/˘···
Of weake comparison, thy vertue sleights10··˘/˘˘····
Her feeble Beame, and her unequall Weights.10·/˘···˘/˘·
What prodigie of wit and pietie9·········
Hath she else knowne, by which to measure thee?10·······/˘·
Great soule: we can no more the worthinesse10··········
Of what you were, then what you are, expresse.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by John Donne