Deare Thom: To the Countesse of Huntington II
That unripe side of earth, that heavy climeThat gives us man up now, like Adams timeBefore he ate; mans shape, that would yet bee(Knew they not it, and fear'd beasts companie)So naked at this day, as though man thereFrom Paradise so great a distance were,As yet the newes could not arrived beeOf Adams tasting the forbidden tree;Depriv'd of that free state which they were in,And wanting the reward, yet beare the sinne.But, as from extreme hights who downward looks,Sees men at childrens shapes, Rivers at brookes,And loseth younger formes; so, to your eye,These (Madame) that without your distance lie,Must either mist, or nothing seeme to be,Who are at home but wits mere Atomi.But, I who can behold them move, and stay,Have found my selfe to you, just their midway;And now must pitty them; for, as they doeSeeme sick to me, just so must I to you.Yet neither will I vexe your eyes to seeA sighing Ode, nor crosse-arm'd Elegie.I come not to call pitty from your heart,Like some white-liver'd dotard that would partElse from his slipperie soule with a faint groane,And faithfully, (without you smil'd) were gone.I cannot feele the tempest of a frowne,I may be rais'd by love, but not throwne down.Though I can pittie those sigh twice a day,I hate that thing whispers it selfe away.Yet since all love is fever, who to treesDoth talke, doth yet in loves cold ague freeze.'Tis love, but, with such fatall weaknesse made,That it deftroyes it selfe with its owne shade.Who first look'd sad, griev'd, pin'd, and shew'd his paine,Was he that first taught women, to disdaine.As all things were one nothing, dull and weake,Vntill this raw disordered heape did breake,And severall desires led parts away,Water declin'd with earth, the ayre did stay,Fire rose, and each from other but unty'd,Themselves unprison'd were and purify'd:So was love, first in vast confusion hid,An unripe willingnesse which nothing did,A thirst, an Appetite which had no ease,That found a want, but knew not what would please.What pretty innocence in those dayes mov'd?Man ignorantly walk'd by her he lov'd;Both sigh'd and enterchang'd a speaking eye,Both trembled and were sick, both knew not why.That naturall fearefulnesse that struck man dumbe,Might well (those times consider'd) man become.As all discoverers whose first assayFindes but the place, after, the nearest way:So passion is to womans love, about,Nay, farther off, than when we first set out.It is not love that sueth, or doth contend;Love either conquers, or but meets a friend.Man's better part consists of purer fire,And findes it selfe allow'd, ere it desire.Love is wise here, keepes home, gives reason sway,And journeys not till it finde summer-way.A weather-beaten Lover but once knowne,Is sport for every girle to practise on.Who strives through womans scornes, women to know,Is lost, and seekes his shadow to outgoe;It must bee sicknesse, after one disdaine,Though he be call'd aloud, to looke againe.Let others sigh, and grieve; one cunning sleightShall freeze my Love to Christall in a night.I can love first, and (if I winne) love still;And cannot be remov'd, unlesse she will.It is her fault if I unsure remaine,Shee onely can untie, and binde againe.The honesties of love with ease I doe,But am no porter for a tedious woo.But (madame) I now thinke on you; and hereWhere we are at our hights, you but appeare,We are but clouds you rise from, our noone-rayBut a foule shadow, not your breake of day.You are at first hand all that's faire and right,And others good reflects but backe your light.You are a perfectnesse, so curious hit,That youngest flatteries doe scandall it.For, what is more doth what you are restraine,And though beyond, is downe the hill againe.We'have no next way to you, we crosse to it:You are the straight line, thing prais'd, attribute;Each good in you's a light; so many a shadeYou make, and in them are your motions made.These are your pictures to the life. From farreWe see you move, and here your Zani's are:So that no fountaine good there is, doth growIn you, but our dimme actions faintly shew.Then finde I, if mans noblest part be love,Your purest luster must that shadow move.The soule with body, is a heaven combin'dWith earth, and for mans ease, but nearer joyn'd.Where thoughts the starres of soule we understand,We guesse not their large natures, but command.And love in you, that bountie is of light,That gives to all, and yet hath infinite.Whose heat doth force us thither to intend,But soule we finde too earthly to ascend,'Till slow accesse hath made it wholy pure,Able immortall clearnesse to endure.Who dare aspire this journey with a staine,Hath waight will force him headlong backe againe.No more can impure man retaine and moveIn that pure region of a worthy love:Then earthly substance can unforc'd aspire,And leave his nature to converse with fire:Such may have eye, and hand; may sigh, may speak;But like swoln bubles, when they are high'st they break.Though far removed Northerne fleets scarce findeThe Sunnes comfort; others thinke him too kinde.There is an equall distance from her eye,Men perish too farre off, and burne too nigh.But as ayre takes the Sunne-beames equall brightFrom the first Rayes, to his last opposite:So able men, blest with a vertuous Love,Remote or neare, or howsoe'r they move;Their vertue breakes all clouds that might annoy,There is no Emptinesse, but all is Ioy.He much profanes whom violent heats do moveTo stile his wandring rage of passion, Love:Love that imparts in every thing delight,Is fain'd, which only tempts mans appetite.Why love among the vertues is not knowneIs, that love is them all contract in one.
of line left blank): Is fancied in the Soul, not in the
Words in this poem 25
- clime n.
- A climate; a tract or region of the earth. See Climate. [L. clima. See Climate.]
- sinne adv.
- Old form of Since. [Obs. or Prov.Eng. & Scot.]
- madame n.
- My lady; -- a French title formerly given to ladies of quality; now, in France, given to all married women. [F., fr. ma my (L. mea) + dame dame. See Dame, and cf. Madonna.]
- midway n.
- The middle of the way or distance; a middle way or course.
- crosse n.
- The implement with which the ball is thrown and caught in the game of lacrosse.
- fatall a.
- Proceeding from, or appointed by, fate or destiny; necessary; inevitable. [L. fatalis, fr. fatum: cf. F. fatal. See Fate.]
- severall adv.
- By itself; severally.
- ignorantly adv.
- In a ignorant manner; without knowledge; inadvertently.
- naturall n.
- A native; an aboriginal. Sir W. Raleigh.
- aloud adv.
- With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
- sleight n.
- Cunning; craft; artful practice. [OE. sleighte, sleihte, sleithe, Icel. sl (for sl) slyness, cunning, fr. sl (for sl) sly, cunning. See Sly.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- winne v. t.
- To gain by superiority in competition or contest; to obtain by victory over competitors or rivals; as, to win the prize in a gate; to win money; to win a battle, or to win a country. [OE. winnen, AS. winnan to strive, labor, fight, endure; akin to OFries. winna, OS. winnan, D. winnen to win, gain, G. gewinnen, OHG. winnan to strive, struggle,]
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
- scandall n.
- Offense caused or experienced; reproach or reprobation called forth by what is regarded as wrong, criminal, heinous, or flagrant: opprobrium or disgrace. [F. scandale, fr. L. scandalum, Gr. scandle, OF. escandle. See Slander.]
- farre n.
- A young pig, or a litter of pigs. [See Farrow.]
- dimme a.
- Not bright or distinct; wanting luminousness or clearness; obscure in luster or sound; dusky; darkish; obscure; indistinct; overcast; tarnished. [AS. dim; akin to OFries. dim, Icel. dimmr: cf. MHG. timmer, timber; of uncertain origin.]
- shew n.
- Show. [Obs. except in shewbread.]
- intend v. t.
- To stretch' to extend; to distend. [OE. entenden to be attentive, F. entendre, fr. L. intendre, intentum, and intensum, to intend, attend, stretch out, extend; pref. in- in + tendere to stretch, s]
- immortall a.
- Not mortal; exempt from liability to die; undying; imperishable; lasting forever; having unlimited, or eternal, existance. [L. immortalis; pref. im- not + mortalis mortal: cf. F. immortel. See Mortal, and cf. Immortelle.]
- aspire v. t.
- To aspire to; to long for; to try to reach; to mount to.
- swoln
- Contraction of Swollen, p. p.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- vertuous a.
- Virtuous; powerful.
- stile n.
- A pin set on the face of a dial, to cast a shadow; a style. See Style. Moxon. [See Style.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Deare Thom: To the Countesse of Huntington II is in the public domain. This text is taken from The Poems of John Donne, Volume 1 (of 2) Edited from the Old Editions and Numerous Manuscripts, Project Gutenberg ebook #48688; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Donne, Deare Thom: To the Countesse of Huntington II, in Poems (1633), text of Project Gutenberg ebook #48688, Laurel, https://laurelpoetry.com/poem/donne-poems/deare-thom-to-the-countesse-of-huntington-ii.html, id L05040.
Form and metre
Deare Thom: To the Countesse of Huntington II is 131 lines in 2 verse paragraphs. It is in rhyming couplets, 72% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA----BBCCDDEEE-FF----GG--HHIIJJKKLLMMNNOOPPQQ--RR----SSTTUUVV----WWXXYYZZ--aabbccddeed-ffgg--hhiiiijjkkllmmnn----ooppqqrr--rrss-- climeA · timeA · bee · companie · there · were · beeB · treeB · inC · sinneC · looksD · brookesD · eyeE · lieE · beE · atomi · stayF · midwayF · doe · you · see · elegie · heartG · partG · groane · gone · frowneH · downH · dayI · awayI · treesJ · freezeJ · madeK · shadeK · paineL · disdaineL · weakeM · breakeM · awayN · stayN · unty'dO · purify'dO · hidP · didP · easeQ · pleaseQ · mov'd · lov'd · eyeR · whyR · dumbe · become · assay · way · aboutS · outS · contendT · friendT · fireU · desireU · swayV · wayV · knowne · on · know · outgoe · disdaineW · againeW · sleightX · nightX · stillY · willY · remaineZ · againeZ · doe · woo · herea · appearea · rayb · dayb · rightc · lightc · hitd · itd · restrainee · againee · itd · attribute · shadef · madef · farreg · areg · grow · shew · loveh · moveh · combin'di · joyn'di · understandi · commandi · lightj · infinitej · intendk · ascendk · purel · endurel · stainem · againem · moven · loven · aspire · fire · speak · break · findeo · kindeo · eyep · nighp · brightq · oppositeq · lover · mover · annoy · ioy · mover · lover · delights · appetites · knowne · one
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| That unripe side of earth, that heavy clime | 10 | ·˘/····/˘· |
| That gives us man up now, like Adams time | 10 | ·······/˘· |
| Before he ate; mans shape, that would yet bee | 10 | ·········· |
| (Knew they not it, and fear'd beasts companie) | 10 | ·········· |
| So naked at this day, as though man there | 10 | ·/˘······· |
| From Paradise so great a distance were, | 10 | ·/˘····/˘· |
| As yet the newes could not arrived bee | 10 | ······˘/˘· |
| Of Adams tasting the forbidden tree; | 10 | ·/˘/˘·˘/˘· |
| Depriv'd of that free state which they were in, | 10 | ˘/········ |
| And wanting the reward, yet beare the sinne. | 10 | ·/˘·˘/···· |
| But, as from extreme hights who downward looks, | 10 | ···˘/··/˘· |
| Sees men at childrens shapes, Rivers at brookes, | 10 | ···/˘·/˘·· |
| And loseth younger formes; so, to your eye, | 10 | ···/˘····· |
| These (Madame) that without your distance lie, | 10 | ·/˘····/˘· |
| Must either mist, or nothing seeme to be, | 10 | ·/˘··/˘··· |
| Who are at home but wits mere Atomi. | 10 | ·········· |
| But, I who can behold them move, and stay, | 10 | ····˘/···· |
| Have found my selfe to you, just their midway; | 10 | ········/· |
| And now must pitty them; for, as they doe | 10 | ·········· |
| Seeme sick to me, just so must I to you. | 10 | ·········· |
| Yet neither will I vexe your eyes to see | 10 | ·/˘······· |
| A sighing Ode, nor crosse-arm'd Elegie. | 10 | ·/˘······· |
| I come not to call pitty from your heart, | 10 | ·········· |
| Like some white-liver'd dotard that would part | 10 | ·····/˘··· |
| Else from his slipperie soule with a faint groane, | 11 | ··········· |
| And faithfully, (without you smil'd) were gone. | 10 | ·/˘˘······ |
| I cannot feele the tempest of a frowne, | 11 | ·˘/···/˘··· |
| I may be rais'd by love, but not throwne down. | 10 | ·········· |
| Though I can pittie those sigh twice a day, | 10 | ·········· |
| I hate that thing whispers it selfe away. | 10 | ····/˘··˘/ |
| Yet since all love is fever, who to trees | 10 | ·····/˘··· |
| Doth talke, doth yet in loves cold ague freeze. | 10 | ·······/˘· |
| 'Tis love, but, with such fatall weaknesse made, | 10 | ·····/˘··· |
| That it deftroyes it selfe with its owne shade. | 9 | ········· |
| Who first look'd sad, griev'd, pin'd, and shew'd his paine, | 10 | ·········· |
| Was he that first taught women, to disdaine. | 10 | ·····/˘··· |
| As all things were one nothing, dull and weake, | 10 | ·····/˘··· |
| Vntill this raw disordered heape did breake, | 10 | ···˘/˘˘··· |
| And severall desires led parts away, | 10 | ·/˘˘/˘··˘/ |
| Water declin'd with earth, the ayre did stay, | 10 | /˘˘/······ |
| Fire rose, and each from other but unty'd, | 10 | /····/˘··· |
| Themselves unprison'd were and purify'd: | 10 | ˘/········ |
| So was love, first in vast confusion hid, | 10 | ······˘/˘· |
| An unripe willingnesse which nothing did, | 10 | ·˘/····/˘· |
| A thirst, an Appetite which had no ease, | 10 | ···/˘····· |
| That found a want, but knew not what would please. | 10 | ·········· |
| What pretty innocence in those dayes mov'd? | 10 | ·/˘/˘˘···· |
| Man ignorantly walk'd by her he lov'd; | 10 | ·/˘˘˘····· |
| Both sigh'd and enterchang'd a speaking eye, | 10 | ·······/˘· |
| Both trembled and were sick, both knew not why. | 10 | ·/˘······· |
| That naturall fearefulnesse that struck man dumbe, | 11 | ·/˘········ |
| Might well (those times consider'd) man become. | 10 | ····˘/˘·˘/ |
| As all discoverers whose first assay | 10 | ········/˘ |
| Findes but the place, after, the nearest way: | 10 | ·······/˘· |
| So passion is to womans love, about, | 10 | ·/˘··/˘··· |
| Nay, farther off, than when we first set out. | 10 | ·/˘······· |
| It is not love that sueth, or doth contend; | 10 | ········˘/ |
| Love either conquers, or but meets a friend. | 10 | ·/˘/˘····· |
| Man's better part consists of purer fire, | 11 | ·/˘·˘/·/˘/˘ |
| And findes it selfe allow'd, ere it desire. | 11 | ····˘/··˘/˘ |
| Love is wise here, keepes home, gives reason sway, | 10 | ·······/˘· |
| And journeys not till it finde summer-way. | 10 | ·/˘····/˘· |
| A weather-beaten Lover but once knowne, | 10 | ·/˘/˘/˘··· |
| Is sport for every girle to practise on. | 11 | ···/˘···/˘· |
| Who strives through womans scornes, women to know, | 10 | ···/˘·/˘·· |
| Is lost, and seekes his shadow to outgoe; | 10 | ·····/···· |
| It must bee sicknesse, after one disdaine, | 10 | ·········· |
| Though he be call'd aloud, to looke againe. | 10 | ····˘/···· |
| Let others sigh, and grieve; one cunning sleight | 10 | ·/˘····/˘· |
| Shall freeze my Love to Christall in a night. | 10 | ·····/˘··· |
| I can love first, and (if I winne) love still; | 10 | ·········· |
| And cannot be remov'd, unlesse she will. | 10 | ·/˘·˘/···· |
| It is her fault if I unsure remaine, | 10 | ······˘/·· |
| Shee onely can untie, and binde againe. | 10 | ·/˘·˘/···· |
| The honesties of love with ease I doe, | 10 | ·/˘˘······ |
| But am no porter for a tedious woo. | 10 | ···/˘··/˘· |
| But (madame) I now thinke on you; and here | 10 | ·/˘······· |
| Where we are at our hights, you but appeare, | 10 | ····/····· |
| We are but clouds you rise from, our noone-ray | 10 | ·······/·· |
| But a foule shadow, not your breake of day. | 11 | ··/˘/······ |
| You are at first hand all that's faire and right, | 10 | ·········· |
| And others good reflects but backe your light. | 10 | ·/˘·˘/···· |
| You are a perfectnesse, so curious hit, | 10 | ·······/˘· |
| That youngest flatteries doe scandall it. | 10 | ·/˘/˘˘·/˘· |
| For, what is more doth what you are restraine, | 10 | ·········· |
| And though beyond, is downe the hill againe. | 10 | ·········· |
| We'have no next way to you, we crosse to it: | 11 | ··········· |
| You are the straight line, thing prais'd, attribute; | 10 | ·······/˘· |
| Each good in you's a light; so many a shade | 10 | ·······/·· |
| You make, and in them are your motions made. | 10 | ·······/˘· |
| These are your pictures to the life. From farre | 10 | ···/˘····· |
| We see you move, and here your Zani's are: | 10 | ·······/˘· |
| So that no fountaine good there is, doth grow | 10 | ···˘/····· |
| In you, but our dimme actions faintly shew. | 10 | ···/·/˘/˘· |
| Then finde I, if mans noblest part be love, | 10 | ·····/˘··· |
| Your purest luster must that shadow move. | 10 | ·/˘/˘··/·· |
| The soule with body, is a heaven combin'd | 10 | ···/˘··/˘/ |
| With earth, and for mans ease, but nearer joyn'd. | 10 | ·······/˘· |
| Where thoughts the starres of soule we understand, | 10 | ········˘/ |
| We guesse not their large natures, but command. | 10 | ·····/˘·˘/ |
| And love in you, that bountie is of light, | 10 | ·········· |
| That gives to all, and yet hath infinite. | 10 | ·······/˘˘ |
| Whose heat doth force us thither to intend, | 10 | ·····/˘·˘/ |
| But soule we finde too earthly to ascend, | 10 | ·····/˘·˘/ |
| 'Till slow accesse hath made it wholy pure, | 10 | ·········· |
| Able immortall clearnesse to endure. | 10 | /˘˘/˘···˘/ |
| Who dare aspire this journey with a staine, | 10 | ··˘/·/˘··· |
| Hath waight will force him headlong backe againe. | 10 | ·····/···· |
| No more can impure man retaine and move | 10 | ···˘/····· |
| In that pure region of a worthy love: | 10 | ···/˘··/˘· |
| Then earthly substance can unforc'd aspire, | 10 | ·/˘/˘···˘/ |
| And leave his nature to converse with fire: | 11 | ···/˘·˘/·/˘ |
| Such may have eye, and hand; may sigh, may speak; | 10 | ·········· |
| But like swoln bubles, when they are high'st they break. | 11 | ·······/˘·· |
| Though far removed Northerne fleets scarce finde | 10 | ··˘/˘····· |
| The Sunnes comfort; others thinke him too kinde. | 10 | ··/˘/˘···· |
| There is an equall distance from her eye, | 10 | ···/˘/˘··· |
| Men perish too farre off, and burne too nigh. | 10 | ·/˘······· |
| But as ayre takes the Sunne-beames equall bright | 10 | ·······/˘· |
| From the first Rayes, to his last opposite: | 10 | ·······/˘˘ |
| So able men, blest with a vertuous Love, | 11 | ·/˘····/˘˘· |
| Remote or neare, or howsoe'r they move; | 9 | ˘/······· |
| Their vertue breakes all clouds that might annoy, | 10 | ········˘/ |
| There is no Emptinesse, but all is Ioy. | 10 | ·········· |
| He much profanes whom violent heats do move | 10 | ··˘/·/˘··· |
| To stile his wandring rage of passion, Love: | 10 | ···/˘··/˘· |
| Love that imparts in every thing delight, | 10 | ··˘/·/˘·˘/ |
| Is fain'd, which only tempts mans appetite. | 10 | ···/˘··/˘· |
| Why love among the vertues is not knowne | 10 | ·········· |
| Is, that love is them all contract in one. | 10 | ······/··· |
| of line left blank): Is fancied in the Soul, not in the | 13 | ·····/˘······ |
Notes from the edition 47
Herbert Grierson's record of the readings of the early editions and manuscripts, from his Poems of John Donne (Oxford, 1912; Project Gutenberg #48688).
- Stanza 1, line 2 man] men P
- Stanza 1, line 3 ate; 1635-39: eat; 1650-69
- Stanza 1, line 11 downward] inward TCD
- Stanza 1, line 14 without] om. TCD
- Stanza 1, line 17 who] that P, TCD
- Stanza 1, line 20 you.] you, 1635-69
- Stanza 1, line 28 down. 1635-54: down, 1669
- Stanza 1, line 30 whispers] whispered P: vapours TCD
- Stanza 1, line 31 fever] feverish 1669
- Stanza 1, line 32 doth yet] yet doth 1669
- Stanza 1, line 35 paine,] paine. 1635-39
- Stanza 1, line 36 women] woman TCD
- Stanza 1, line 37 were one] were but one 1669
- Stanza 1, line 47 those dayes] that day 1669
- Stanza 1, line 50 both knew 1635-54: but knew P, TCD: yet, knew 1669
- Stanza 1, line 52 consider'd Ed: considered 1635-69
- Stanza 1, line 57 sueth, or] sues and P
- Stanza 1, line 65 womans] womens P
- Stanza 1, line 67 It must be] It is meer 1669
- Stanza 1, line 69 sigh P, TCD: sinne, 1635-69
- Stanza 1, line 74 and P: I 1635-69, TCD
- Stanza 1, line 76 woo. TCD: wooe. P: woe. 1635-69, Chambers and Grolier
- Stanza 1, line 77 I now] now I TCD
- Stanza 1, line 78 hights] height TCD
- Stanza 1, line 79 clouds you rise from, our noone-ray Grolier: clouds, you rise from our noone-ray, 1635-69, TCD, and Chambers
- Stanza 1, line 81 right] bright P
- Stanza 1, line 83 a perfectnesse] all perfections P
- Stanza 1, line 84 youngest] quaintest TCD
- Stanza 1, line 86 though] what's P
- Stanza 1, line 87 We'have Ed: We have 1635-69
- Stanza 1, line 88 straight line,] streight-lace P
- Stanza 1, line 91 These] Those TCD
- Stanza 1, line 98 With earth] om. TCD
- Stanza 1, line 99 thoughts] through P
- Stanza 1, line 105 wholy] holy TCD
- Stanza 1, line 106 endure.] endure 1635
- Stanza 1, line 108 waight] weights P, TCD
- Stanza 1, line 109 impure] vapore P
- Stanza 1, line 119 But as the aire takes all sunbeams equall bright P
- Stanza 1, line 120 the first Rayes, 1635-54: the Raies first, 1669, TCD: the rise first P
- Stanza 1, line 121 able men P: able man, 1635-54: happy man, 1669: happy['s] man Grosart and Chambers
- Stanza 1, line 123 Their 1669, P, TCD: There 1635-54, Chambers and Grolier
- Stanza 1, line 125 violent P, TCD: valiant 1635-69
- Stanza 1, line 126 Love: Ed: Love. 1635-54: Love, 1669
- Stanza 1, line 127 imparts] imports 1669, TCD
- Stanza 1, line 128 Is fain'd, which ... appetite. P: Is thought the mansion of sweet appetite. TCD: Is fancied 1635-39 (rest of line left blank): Is fancied in the Soul, not in the sight. 1650-54: Is fancied by the Soul, not appetite. 1669
- Stanza 1, line 130 Is, that] Is, 'cause TCD
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