A Funerall Elegie
'Tis lost, to trust a Tombe with such a guest,Or to confine her in a marble chest.Alas, what's Marble, Jeat, or Porphyrie,Priz'd with the Chrysolite of either eye,Or with those Pearles, and Rubies, which she was?Joyne the two Indies in one Tombe, 'tis glasse;And so is all to her materials,Though every inch were ten Escurials,Yet she's demolish'd: can wee keepe her thenIn works of hands, or of the wits of men?Can these memorials, ragges of paper, giveLife to that name, by which name they must live?Sickly, alas, short-liv'd, aborted beeThose carcasse verses, whose soule is not shee.And can shee, who no longer would be shee,Being such a Tabernacle, stoop to beIn paper wrapt; or, when shee would not lieIn such a house, dwell in an Elegie?But 'tis no matter; wee may well allowVerse to live so long as the world will now,For her death wounded it. The world containesPrinces for armes, and Counsellors for braines,Lawyers for tongues, Divines for hearts, and more,The Rich for stomackes, and for backes, the Poore;The Officers for hands, Merchants for feet,By which, remote and distant Countries meet.But those fine spirits which do tune, and setThis Organ, are those peeces which begetWonder and love; and these were shee; and sheeBeing spent, the world must needs decrepit bee;For since death will proceed to triumph still,He can finde nothing, after her, to kill,Except the world it selfe, so great as shee.Thus brave and confident may Nature bee,Death cannot give her such another blow,Because shee cannot such another show.But must wee say she's dead? may't not be saidThat as a sundred clocke is peecemeale laid,Not to be lost, but by the makers handRepollish'd, without errour then to stand,Or as the Affrique Niger streame enwombsIt selfe into the earth, and after comes(Having first made a naturall bridge, to passeFor many leagues) farre greater then it was,May't not be said, that her grave shall restoreHer, greater, purer, firmer, then before?Heaven may say this, and joy in't, but can weeWho live, and lacke her, here this vantage see?What is't to us, alas, if there have beeneAn Angell made a Throne, or Cherubin?Wee lose by't: and as aged men are gladBeing tastlesse growne, to joy in joyes they had,So now the sick starv'd world must feed uponThis joy, that we had her, who now is gone.Rejoyce then Nature, and this World, that you,Fearing the last fires hastning to subdueYour force and vigour, ere it were neere gone,Wisely bestow'd and laid it all on one.One, whose cleare body was so pure and thinne,Because it need disguise no thought within.'Twas but a through-light scarfe, her minde t'inroule;Or exhalation breath'd out from her Soule.One, whom all men who durst no more, admir'd:And whom, who ere had worth enough, desir'd;As when a Temple's built, Saints emulateTo which of them, it shall be consecrate.But, as when heaven lookes on us with new eyes,Those new starres every Artist exercise,What place they should assigne to them they doubt,Argue,'and agree not, till those starres goe out:So the world studied whose this peece should be,Till shee can be no bodies else, nor shee:But like a Lampe of Balsamum, desir'dRather t'adorne, then last, she soone expir'd,Cloath'd in her virgin white integritie,For marriage, though it doe not staine, doth dye.To scape th'infirmities which wait uponWoman, she went away, before sh'was one;And the worlds busie noyse to overcome,Tooke so much death, as serv'd for opium;For though she could not, nor could chuse to dye,She'ath yeelded to too long an extasie:Hee which not knowing her said History,Should come to reade the booke of destiny,How faire, and chast, humble, and high she'ad been,Much promis'd, much perform'd, at not fifteene,And measuring future things, by things before,Should turne the leafe to reade, and reade no more,Would thinke that either destiny mistooke,Or that some leaves were torne out of the booke.But 'tis not so; Fate did but usher herTo yeares of reasons use, and then inferreHer destiny to her selfe, which libertyShe tooke but for thus much, thus much to die.Her modestie not suffering her to beeFellow-Commissioner with Destinie,She did no more but die; if after herAny shall live, which dare true good prefer,Every such person is her deligate,T'accomplish that which should have beene her Fate.They shall make up that Booke and shall have thanksOf Fate, and her, for filling up their blankes.For future vertuous deeds are Legacies,Which from the gift of her example rise;And 'tis in heav'n part of spirituall mirth,To see how well the good play her, on earth.
Clothed in her virgin white integrity--For marriage, though it doth not stain, doth dye--To 'scape &c.
Words in this poem 19
- aborted a.
- Brought forth prematurely.
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- decrepit a.
- Broken down with age; wasted and enfeebled by the infirmities of old age; feeble; worn out. [L. decrepitus, perhaps orig., noised out, noiseless, applied to old people, who creep about quietly; de- + crepare to make a noise, rattle: cf. F. décrépit. See]
- errour n.
- A wandering; a roving or irregular course. [OF. error, errur, F. erreur, L. error, fr. errare to err. See Err.]
- naturall n.
- A native; an aboriginal. Sir W. Raleigh.
- passe a.
- Past; gone by; hence, past one's prime; worn; faded; as, a passée belle. Ld. Lytton. [F.]
- farre n.
- A young pig, or a litter of pigs. [See Farrow.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- vantage v. t.
- To profit; to aid.
- cherubin a.
- Cherubic; angelic.
- vigour v. t.
- To invigorate. Feltham.
- thinne a.
- Having little thickness or extent from one surface to its opposite; as, a thin plate of metal; thin paper; a thin board; a thin covering. [OE. thinne, thenne, thunne, AS. þynne; akin to D. dun, G. dünn, OHG. dunni, Icel. þunnr, Sw. tunn, Dan. tynd, Gael. & Ir. tana, W. teneu, L. tenuis, Gr. tanu th]
- artist n.
- One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
- went n.
- Course; way; path; journey; direction.
- inferre v. t.
- To bring on; to induce; to occasion. Harvey. [L. inferre to bring into, bring forward, occasion, infer; pref. in- in + ferre to carry, bring: cf. F. inférer. See 1 st Bear.]
- deligate v. t.
- To bind up; to bandage. [L. deligatus, p. p. of deligare to bind up; de- + ligare to bind.]
- vertuous a.
- Virtuous; powerful.
- spirituall a.
- Consisting of spirit; not material; incorporeal; as, a spiritual substance or being. [L. spiritualis: cf. F. spirituel. See Spirit.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Funerall Elegie is in the public domain. This text is taken from The Poems of John Donne, Volume 1 (of 2) Edited from the Old Editions and Numerous Manuscripts, Project Gutenberg ebook #48688; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Donne, A Funerall Elegie, in Poems (1633), text of Project Gutenberg ebook #48688, Laurel, https://laurelpoetry.com/poem/donne-poems/a-funerall-elegie.html, id L04984.
Form and metre
A Funerall Elegie is 109 lines in 2 verse paragraphs. It is in rhyming couplets, 62% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 12 lines end on an unstressed syllable, a feminine ending. 28% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA----BBCC--DDDDD-EEFF--GGHHIIJJIIKK--LL----MMNN--OO--PP--QQRRSSTTUUVVWW------XX----YYZZaabb-cc-ddee--ffgg guestA · chestA · porphyrie · eye · was · glasse · materialsB · escurialsB · thenC · menC · give · live · beeD · sheeD · sheeD · beD · lieD · elegie · allowE · nowE · containesF · brainesF · more · poore · feetG · meetG · setH · begetH · sheeI · beeI · stillJ · killJ · sheeI · beeI · blowK · showK · said · laid · handL · standL · enwombs · comes · passe · was · restoreM · beforeM · weeN · seeN · beene · cherubin · gladO · hadO · upon · gone · youP · subdueP · gone · one · thinneQ · withinQ · t'inrouleR · souleR · admir'dS · desir'dS · emulateT · consecrateT · eyesU · exerciseU · doubtV · outV · beW · sheeW · desir'd · expir'd · integritie · dye · upon · one · overcomeX · opiumX · dye · extasie · history · destiny · beenY · fifteeneY · beforeZ · moreZ · mistookea · bookea · herb · inferreb · liberty · diec · beec · destinie · herd · preferd · deligatee · fatee · thanks · blankes · legaciesf · risef · mirthg · earthg
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| 'Tis lost, to trust a Tombe with such a guest, | 10 | ·········· |
| Or to confine her in a marble chest. | 10 | ··˘/···/˘· |
| Alas, what's Marble, Jeat, or Porphyrie, | 10 | ˘/·/˘····· |
| Priz'd with the Chrysolite of either eye, | 10 | ···/˘˘·/˘· |
| Or with those Pearles, and Rubies, which she was? | 10 | ·····/˘··· |
| Joyne the two Indies in one Tombe, 'tis glasse; | 10 | ···/˘····· |
| And so is all to her materials, | 10 | ······˘/˘˘ |
| Though every inch were ten Escurials, | 10 | ·/˘˘······ |
| Yet she's demolish'd: can wee keepe her then | 10 | ··˘/˘····· |
| In works of hands, or of the wits of men? | 10 | ·········· |
| Can these memorials, ragges of paper, give | 10 | ··˘/˘··/˘· |
| Life to that name, by which name they must live? | 10 | ·········· |
| Sickly, alas, short-liv'd, aborted bee | 10 | /˘˘/··˘/˘· |
| Those carcasse verses, whose soule is not shee. | 10 | ···/˘····· |
| And can shee, who no longer would be shee, | 10 | ·····/˘··· |
| Being such a Tabernacle, stoop to be | 10 | /··/˘·˘··· |
| In paper wrapt; or, when shee would not lie | 10 | ·/˘······· |
| In such a house, dwell in an Elegie? | 10 | ·········· |
| But 'tis no matter; wee may well allow | 10 | ···/˘···˘/ |
| Verse to live so long as the world will now, | 10 | ·········· |
| For her death wounded it. The world containes | 10 | ···/˘···˘/ |
| Princes for armes, and Counsellors for braines, | 10 | /˘···/˘˘·· |
| Lawyers for tongues, Divines for hearts, and more, | 10 | /˘··˘/···· |
| The Rich for stomackes, and for backes, the Poore; | 10 | ·········· |
| The Officers for hands, Merchants for feet, | 10 | ·/˘˘··/˘·· |
| By which, remote and distant Countries meet. | 10 | ··˘/·/˘/˘· |
| But those fine spirits which do tune, and set | 10 | ···/˘····· |
| This Organ, are those peeces which beget | 10 | ·/˘·····˘/ |
| Wonder and love; and these were shee; and shee | 10 | /˘········ |
| Being spent, the world must needs decrepit bee; | 10 | /·····˘/˘· |
| For since death will proceed to triumph still, | 10 | ····˘/·/˘· |
| He can finde nothing, after her, to kill, | 10 | ···/˘····· |
| Except the world it selfe, so great as shee. | 10 | ·········· |
| Thus brave and confident may Nature bee, | 10 | ···/˘˘·/˘· |
| Death cannot give her such another blow, | 10 | ·/˘···˘/˘· |
| Because shee cannot such another show. | 10 | ···/˘·˘/˘· |
| But must wee say she's dead? may't not be said | 10 | ·········· |
| That as a sundred clocke is peecemeale laid, | 12 | ···/˘······· |
| Not to be lost, but by the makers hand | 10 | ·······/˘· |
| Repollish'd, without errour then to stand, | 10 | ·····/˘··· |
| Or as the Affrique Niger streame enwombs | 10 | ·····/˘··· |
| It selfe into the earth, and after comes | 10 | ·········· |
| (Having first made a naturall bridge, to passe | 11 | /˘···/˘···/ |
| For many leagues) farre greater then it was, | 10 | ·/˘··/˘··· |
| May't not be said, that her grave shall restore | 10 | ········˘/ |
| Her, greater, purer, firmer, then before? | 10 | ·/˘/˘/˘··· |
| Heaven may say this, and joy in't, but can wee | 10 | /········· |
| Who live, and lacke her, here this vantage see? | 10 | ·······/˘· |
| What is't to us, alas, if there have beene | 10 | ····˘/···· |
| An Angell made a Throne, or Cherubin? | 10 | ·/˘····/˘˘ |
| Wee lose by't: and as aged men are glad | 9 | ········· |
| Being tastlesse growne, to joy in joyes they had, | 10 | /········· |
| So now the sick starv'd world must feed upon | 10 | ·········· |
| This joy, that we had her, who now is gone. | 10 | ·········· |
| Rejoyce then Nature, and this World, that you, | 10 | ···/˘····· |
| Fearing the last fires hastning to subdue | 10 | /˘··/···˘/ |
| Your force and vigour, ere it were neere gone, | 10 | ···/˘····· |
| Wisely bestow'd and laid it all on one. | 10 | /˘˘/······ |
| One, whose cleare body was so pure and thinne, | 10 | ···/˘····· |
| Because it need disguise no thought within. | 10 | ····˘/···· |
| 'Twas but a through-light scarfe, her minde t'inroule; | 11 | ··········· |
| Or exhalation breath'd out from her Soule. | 10 | ··˘/˘····· |
| One, whom all men who durst no more, admir'd: | 11 | ········˘/˘ |
| And whom, who ere had worth enough, desir'd; | 11 | ······˘/˘/˘ |
| As when a Temple's built, Saints emulate | 10 | ···/˘··/˘· |
| To which of them, it shall be consecrate. | 10 | ·······/˘· |
| But, as when heaven lookes on us with new eyes, | 10 | ···/······ |
| Those new starres every Artist exercise, | 10 | ···/˘/˘/˘· |
| What place they should assigne to them they doubt, | 10 | ·········· |
| Argue,'and agree not, till those starres goe out: | 11 | /˘·˘/······ |
| So the world studied whose this peece should be, | 10 | ···/˘····· |
| Till shee can be no bodies else, nor shee: | 10 | ·····/˘··· |
| But like a Lampe of Balsamum, desir'd | 11 | ········˘/˘ |
| Rather t'adorne, then last, she soone expir'd, | 10 | /˘······˘/ |
| Cloath'd in her virgin white integritie, | 10 | ···/˘····· |
| For marriage, though it doe not staine, doth dye. | 10 | ·/˘······· |
| To scape th'infirmities which wait upon | 9 | ········· |
| Woman, she went away, before sh'was one; | 10 | /˘··˘/···· |
| And the worlds busie noyse to overcome, | 10 | ·······/˘· |
| Tooke so much death, as serv'd for opium; | 10 | ·······/˘˘ |
| For though she could not, nor could chuse to dye, | 10 | ·········· |
| She'ath yeelded to too long an extasie: | 10 | ·········· |
| Hee which not knowing her said History, | 10 | ···/˘··/˘˘ |
| Should come to reade the booke of destiny, | 10 | ·······/˘˘ |
| How faire, and chast, humble, and high she'ad been, | 10 | ····/˘···· |
| Much promis'd, much perform'd, at not fifteene, | 10 | ·/˘·˘/···· |
| And measuring future things, by things before, | 10 | ·/˘/˘····· |
| Should turne the leafe to reade, and reade no more, | 10 | ·········· |
| Would thinke that either destiny mistooke, | 10 | ···/˘/˘˘·· |
| Or that some leaves were torne out of the booke. | 10 | ·········· |
| But 'tis not so; Fate did but usher her | 10 | ·······/˘· |
| To yeares of reasons use, and then inferre | 10 | ···/˘···˘/ |
| Her destiny to her selfe, which liberty | 11 | ·/˘˘····/˘˘ |
| She tooke but for thus much, thus much to die. | 10 | ·········· |
| Her modestie not suffering her to bee | 10 | ·····/˘··· |
| Fellow-Commissioner with Destinie, | 10 | /˘˘/˘˘···· |
| She did no more but die; if after her | 10 | ·········· |
| Any shall live, which dare true good prefer, | 10 | /˘······˘/ |
| Every such person is her deligate, | 11 | /˘˘·/˘··/˘˘ |
| T'accomplish that which should have beene her Fate. | 10 | ·········· |
| They shall make up that Booke and shall have thanks | 10 | ·········· |
| Of Fate, and her, for filling up their blankes. | 10 | ·····/˘··· |
| For future vertuous deeds are Legacies, | 11 | ·/˘/˘˘··/˘˘ |
| Which from the gift of her example rise; | 10 | ······˘/˘· |
| And 'tis in heav'n part of spirituall mirth, | 10 | ······/˘˘· |
| To see how well the good play her, on earth. | 10 | ·········· |
| Clothed in her virgin white integrity | 10 | ···/˘·˘/˘˘ |
| --For marriage, though it doth not stain, doth dye-- | 10 | ·/˘······· |
| To 'scape &c. | 3 | ··· |
Notes from the edition 19
Herbert Grierson's record of the readings of the early editions and manuscripts, from his Poems of John Donne (Oxford, 1912; Project Gutenberg #48688).
- Stanza 1, line 1 lost, 1611, 1612-25: lost 1633: losse 1635-69
- Stanza 1, line 2 chest. 1611-21: chest, 1625-69
- Stanza 1, line 8 Escurials,] escurials. 1611-25
- Stanza 1, line 13 aborted 1611, 1612-33: abortive 1635-69
- Stanza 1, line 17 or, 1612-25: or 1633-69
- Stanza 1, line 18 a] an 1635-69
- Stanza 1, line 22 Princes, Counsellors &c. all in capitals except Officers 1611, 1612-25: later editions erratic
- Stanza 1, line 28 peeces] peeces, 1633-69
- Stanza 1, line 30 1625 inserts marginal note, Smalnesse of stature. See p. 235
- Stanza 1, line 33 as 1611-21: om. 1625: was 1633-69
- Stanza 1, line 47 in't,] in't; 1612-21: in'ts, 1625
- Stanza 1, line 48 her, here 1611, 1612-25: her, here, 1633: her here, 1635-69
- Stanza 1, line 58 one. 1612-25: one; 1633-69
- Stanza 1, line 64 worth] worke 1633
- Stanza 1, line 74 expir'd, 1633-69: expir'd; 1611, 1612-25
- Stanza 1, line 75 integritie, 1633-69: integritie; 1611-25
- Stanza 1, line 83 said 1611, 1612-33: sad 1635-69
- Stanza 1, line 94 tooke 1611, 1612-25: tooke, 1633-69
- Stanza 1, line 98 prefer, 1611, 1612-25: prefer; 1633-69
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