Part V

Isabella Valancy Crawford (1850–1887) · 1884

iambic pentameter · 183 lines · from Old Spookses' Pass, Malcolm's Katie and Other Poems

Said the high hill, in the morning: "Look on me--"Behold, sweet earth, sweet sister sky, behold"The red flames on my peaks, and how my pines"Are cressets of pure gold; my quarried scars"Of black crevase and shadow-fill'd canon,"Are trac'd in silver mist. How on my breast"Hang the soft purple fringes of the night;"Close to my shoulder droops the weary moon,"Dove-pale, into the crimson surf the sun"Drives up before his prow; and blackly stands"On my slim, loftiest peak, an eagle, with"His angry eyes set sunward, while his cry"Falls fiercely back from all my ruddy heights;"And his bald eaglets, in their bare, broad nest,"Shrill pipe their angry echoes: "'Sun, arise,"'And show me that pale dove, beside her nest,"'Which I shall strike with piercing beak and tear"'With iron talons for my hungry young.'"And that mild dove, secure for yet a space,Half waken'd, turns her ring'd and glossy neckTo watch dawn's ruby pulsing on her breast,And see the first bright golden motes slip downThe gnarl'd trunks about her leaf-deep nest,Nor sees nor fears the eagle on the peak.

"Aye, lassie, sing--I'll smoke my pipe the while,"And let it be a simple, bonnie song,"Such as an old, plain man can gather in"His dulling ear, and feel it slipping thro'"The cold, dark, stony places of his heart.""Yes, sing, sweet Kate," said Alfred in her ear;"I often heard you singing in my dreams"When I was far away the winter past."So Katie on the moonlit window lean'd,And in the airy silver of her voiceSang of the tender, blue "Forget-me-not."

Could every blossom find a voice,And sing a strain to me;I know where I would place my choice,Which my delight should be.I would not choose the lily tall,The rose from musky grot;But I would still my minstrel callThe blue "Forget-me-not!"

And I on mossy bank would lieOf brooklet, ripp'ling clear;And she of the sweet azure eye,Close at my list'ning ear,Should sing into my soul a strainMight never be forgot--So rich with joy, so rich with painThe blue "Forget-me-not!"

Ah, ev'ry blossom hath a taleWith silent grace to tell,From rose that reddens to the galeTo modest heather bell;But O, the flow'r in ev'ry heartThat finds a sacred spotTo bloom, with azure leaves apart,Is the "Forget-me-not!"

Love plucks it from the mosses greenWhen parting hours are nigh,And places it loves palms between,With many an ardent sigh;And bluely up from grassy gravesIn some lov'd churchyard spot,It glances tenderly and waves,The dear "Forget-me-not!"

And with the faint last cadence, stole a glanceAt Malcolm's soften'd face--a bird-soft touchLet flutter on the rugged silver snarlsOf his thick locks, and laid her tender lipsA second on the iron of his hand."And did you ever meet," he sudden ask'd,Of Alfred, sitting pallid in the shade,"Out by yon unco place, a lad,--a lad"Nam'd Maxwell Gordon; tall, and straight, and strong;"About my size, I take it, when a lad?"And Katie at the sound of Max's name,First spoken for such space by Malcolm's lips,Trembl'd and started, and let down her brow,Hiding its sudden rose on Malcolm's arm."Max Gordon? Yes. Was he a friend of yours?""No friend of mine, but of the lassie's here--"How comes he on? I wager he's a drone,"And never will put honey in the hive.""No drone," said Alfred, laughing; "when I left"He and his axe were quarr'ling with the woods"And making forests reel--love steels a lover's arm."O, blush that stole from Katie's swelling heart,And with its hot rose brought the happy dewInto her hidden eyes. "Aye, aye! is that the way?"Said Malcolm smiling. "Who may be his love?""In that he is a somewhat simple soul,"Why, I suppose he loves--" he paused, and KateLook'd up with two "forget-me-nots" for eyes,With eager jewels in their centres setOf happy, happy tears, and Alfred's heartBecame a closer marble than before."--Why I suppose he loves--his lawful wife.""His wife! his wife!" said Malcolm, in a maze,And laid his heavy hand on Katie's head;"Did you play me false, my little lass?"Speak and I'll pardon! Katie, lassie, what?""He has a wife," said Alfred, "lithe and bronz'd,"An Indian woman, comelier than her kind;"And on her knee a child with yellow locks,"And lake-like eyes of mystic Indian brown."And so you knew him? He is doing well.""False, false!" said Katie, lifting up her head."O, you know not the Max my father means!""He came from yonder farm-house on the slope.""Some other Max--we speak not of the same.""He has a red mark on his temple set.""It matters not--'tis not the Max we know.""He wears a turquoise ring slung round his neck.""And many wear them--they are common stones.""His mother's ring--her name was Helen Wynde.""And there be many Helens who have sons.""O Katie, credit me--it is the man.""O not the man! Why, you have never told"Us of the true soul that the true Max has;"The Max we know has such a soul, I know.""How know you that, my foolish little lass?"Said Malcolm, a storm of anger boundWithin his heart, like Samson with green withs--"Belike it is the false young cur we know!""No, no," said Katie, simply, and low-voic'd;"If he were traitor I must needs be false,"For long ago love melted our two hearts."And time has moulded those two hearts in one,"And he is true since I am faithful still."She rose and parted, trembling as she went,Feeling the following steel of Alfred's eyes,And with the icy hand of scorn'd mistrustSearching about the pulses of her heart--Feeling for Max's image in her breast."To-night she conquers Doubt; to-morrow's noon"His following soldiers sap the golden wall,"And I shall enter and possess the fort,"Said Alfred, in his mind. "O Katie, child,"Wilt thou be Nemesis, with yellow hair,"To rend my breast? for I do feel a pulse"Stir when I look into thy pure-barb'd eyes--"O, am I breeding that false thing, a heart?"Making my breast all tender for the fangs"Of sharp Remorse to plunge their hot fire in."I am a certain dullard! Let me feel"But one faint goad, fine as a needle's point,"And it shall be the spur in my soul's side"To urge the madd'ning thing across the jags"And cliffs of life, into the soft embrace"Of that cold mistress, who is constant too,"And never flings her lovers from her arms--"Not Death, for she is still a fruitful wife,"Her spouse the Dead, and their cold marriage yields"A million children, born of mould'ring flesh--"So Death and Flesh live on--immortal they!"I mean the blank-ey'd queen whose wassail bowl"Is brimm'd from Lethe, and whose porch is red"With poppies, as it waits the panting soul--"She, she alone is great! No scepter'd slave"Bowing to blind creative giants, she;"No forces seize her in their strong, mad hands,"Nor say, "'Do this--be that!'" Were there a God,"His only mocker, she, great Nothingness!"And to her, close of kin, yet lover too,"Flies this large nothing that we call the soul."

"Doth true Love lonely grow?Ah, no! ah, no!Ah, were it only so--That it alone might showIts ruddy rose upon its sapful tree,Then, then in dewy morn,Joy might his brow adornWith Love's young rose as fair and glad as he."

But with Love's rose doth blowAh, woe! ah, woe!Truth with its leaves of snow,And Pain and Pity growWith Love's sweet roses on its sapful tree!Love's rose buds not alone,But still, but still doth ownA thousand blossoms cypress-hued to see!

Words in this poem 26
quarried a.
Provided with prey.
blackly adv.
In a black manner; darkly, in color; gloomily; threateningly; atrociously.
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
sunward adv.
Toward the sun.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
lassie n.
A young girl; a lass.
kate n.
The brambling finch.
moonlit a.
Illumined by the moon.
bluely adv.
With a blue color.
churchyard n.
The ground adjoining a church, in which the dead are buried; a cemetery.
tenderly adv.
In a tender manner; with tenderness; mildly; gently; softly; in a manner not to injure or give pain; with pity or affection; kindly.
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
unco a.
Unknown; strange, or foreign; unusual, or surprising; distant in manner; reserved. [Scot. The same word as E. uncouth.]
closer n.
One who, or that which, closes; specifically, a boot closer. See under Boot.
maze n.
A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
lass n.
A youth woman; a girl; a sweetheart. [OE. lasse; prob. of Celtic origin; cf. W. llodes girl, fem. of llawd lad. (Lad a youth.]
lithe v. i.
To listen or listen to; to hearken to. P. Plowman. [Icel Listen.]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
belike adv.
It is likely or probably; perhaps. -- Be*like"ly, adv. [Pref. be- (for by) + like.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
went n.
Course; way; path; journey; direction.
nemesis n.
The goddess of retribution or vengeance; hence, retributive justice personified; divine vengeance. [L., fr. gr. Nomad.]
spouse v. t.
To wed; to espouse. [See Espouse, and Spouse, n.]
lethe n.
A river of Hades whose waters when drunk caused forgetfulness of the past.
sapful a.
Abounding in sap; sappy.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part V is in the public domain. This text is taken from Old Spookses' Pass, Malcolm's Katie, and other poems, Project Gutenberg ebook #6815; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Isabella Valancy Crawford, Part V, in Old Spookses' Pass, Malcolm's Katie and Other Poems (1884), text of Project Gutenberg ebook #6815, Laurel, https://laurelpoetry.com/poem/crawford-poems/part-v.html, id L11148.

Form and metre

Part V is 183 lines in 9 stanzas. The commonest rhyme scheme is ABABCDCD, in 3 of the 9 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 9.2 syllables. 2 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ----AB-AA----B-B----B-B- me · behold · pines · scars · canonA · breastB · night · moonA · sunA · stands · with · cry · heights · nestB · arise · nestB · tear · young · space · neck · breastB · down · nestB · peak
  2. 3 ABABC-C- voiceA · meB · choiceA · beB · tallC · grot · callC · not
  3. 4 ABABCDCD lieA · clearB · eyeA · earB · strainC · forgotD · painC · notD
  4. 5 ABABCDCD taleA · tellB · galeA · bellB · heartC · spotD · apartC · notD
  5. 6 ABABCDCD greenA · nighB · betweenA · sighB · gravesC · spotD · wavesC · notD
  6. 7 ------------------------------------------------------------------------------------------A-A------- glance · touch · snarls · lips · hand · ask'd · shade · lad · strong · lad · name · lips · brow · arm · yours · here · drone · hive · left · woods · arm · heart · dew · way · love · soul · kate · eyes · set · heart · before · wife · maze · head · lass · what · bronz'd · kind · locks · brown · well · head · means · slope · same · set · know · neck · stones · wynde · sons · man · told · has · know · lass · bound · withs · know · voic'd · false · hearts · one · still · went · eyes · mistrust · heart · breast · noon · wall · fort · child · hair · pulse · eyes · heart · fangs · in · feel · point · side · jags · embrace · too · arms · wife · yields · flesh · they · bowlA · red · soulA · slave · she · hands · god · nothingness · too · soul
  7. 8 AAAABCCB growA · noA · soA · showA · treeB · mornC · adornC · heB
  8. 9 AAAABCCB blowA · woeA · snowA · growA · treeB · aloneC · ownC · seeB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Said the high hill, in the morning: "Look on me--11······/˘···
"Behold, sweet earth, sweet sister sky, behold10˘/···/˘·˘/
"The red flames on my peaks, and how my pines10··········
"Are cressets of pure gold; my quarried scars10·······/˘·
"Of black crevase and shadow-fill'd canon,10·····/··/˘
"Are trac'd in silver mist. How on my breast10···/˘·····
"Hang the soft purple fringes of the night;10···/˘/˘···
"Close to my shoulder droops the weary moon,10···/˘··/˘·
"Dove-pale, into the crimson surf the sun10·····/˘···
"Drives up before his prow; and blackly stands10·······/˘·
"On my slim, loftiest peak, an eagle, with10·······/˘·
"His angry eyes set sunward, while his cry10·/˘··/˘···
"Falls fiercely back from all my ruddy heights;10·/˘····/˘·
"And his bald eaglets, in their bare, broad nest,10··········
"Shrill pipe their angry echoes: "'Sun, arise,10···/˘/˘·˘/
"'And show me that pale dove, beside her nest,10······˘/··
"'Which I shall strike with piercing beak and tear10·····/˘···
"'With iron talons for my hungry young.'"9·//˘··/˘·
And that mild dove, secure for yet a space,10····˘/····
Half waken'd, turns her ring'd and glossy neck10·······/˘·
To watch dawn's ruby pulsing on her breast,10···/˘/˘···
And see the first bright golden motes slip down10·····/˘···
The gnarl'd trunks about her leaf-deep nest,9·········
Nor sees nor fears the eagle on the peak.10·····/˘···
"Aye, lassie, sing--I'll smoke my pipe the while,10·/˘·······
"And let it be a simple, bonnie song,10·····/˘/˘·
"Such as an old, plain man can gather in10·······/˘·
"His dulling ear, and feel it slipping thro'10·/˘····/˘·
"The cold, dark, stony places of his heart."10···/˘/˘···
"Yes, sing, sweet Kate," said Alfred in her ear;10·····/˘···
"I often heard you singing in my dreams10·/˘··/˘···
"When I was far away the winter past."10····˘/·/˘·
So Katie on the moonlit window lean'd,10·/˘··/·/˘·
And in the airy silver of her voice10···/˘/˘···
Sang of the tender, blue "Forget-me-not."10···/˘·˘/··
Could every blossom find a voice,8·/˘/˘···
And sing a strain to me;6······
I know where I would place my choice,8········
Which my delight should be.6··˘/··
I would not choose the lily tall,8·····/˘·
The rose from musky grot;6···/˘·
But I would still my minstrel call8·····/˘·
The blue "Forget-me-not!"6··˘/··
And I on mossy bank would lie8···/˘···
Of brooklet, ripp'ling clear;7·/˘/˘˘·
And she of the sweet azure eye,8·····/˘·
Close at my list'ning ear,6······
Should sing into my soul a strain8········
Might never be forgot--6·/˘·˘/
So rich with joy, so rich with pain8········
The blue "Forget-me-not!"6··˘/··
Ah, ev'ry blossom hath a tale8···/˘···
With silent grace to tell,6·/˘···
From rose that reddens to the gale8···/˘···
To modest heather bell;6·/˘/˘·
But O, the flow'r in ev'ry heart8········
That finds a sacred spot7···/˘˘·
To bloom, with azure leaves apart,8···/˘·˘/
Is the "Forget-me-not!"6··˘/··
Love plucks it from the mosses green8·····/˘·
When parting hours are nigh,7·/˘/˘··
And places it loves palms between,8·/˘·····
With many an ardent sigh;7·/˘·/˘·
And bluely up from grassy graves8·/˘··/˘·
In some lov'd churchyard spot,6···/··
It glances tenderly and waves,8·/˘/˘˘··
The dear "Forget-me-not!"6··˘/··
And with the faint last cadence, stole a glance10·····/˘···
At Malcolm's soften'd face--a bird-soft touch10·/˘/˘·····
Let flutter on the rugged silver snarls10·/˘··/˘/˘·
Of his thick locks, and laid her tender lips10·······/˘·
A second on the iron of his hand.9·/˘··/···
"And did you ever meet," he sudden ask'd,9···/··/˘·
Of Alfred, sitting pallid in the shade,10·/˘/˘/˘···
"Out by yon unco place, a lad,--a lad10···/˘·····
"Nam'd Maxwell Gordon; tall, and straight, and strong;10·/·/˘·····
"About my size, I take it, when a lad?"10··········
And Katie at the sound of Max's name,10·/˘····/˘·
First spoken for such space by Malcolm's lips,10·/˘····/˘·
Trembl'd and started, and let down her brow,10/˘·/˘·····
Hiding its sudden rose on Malcolm's arm.10/˘·/˘··/˘·
"Max Gordon? Yes. Was he a friend of yours?"10·/˘·······
"No friend of mine, but of the lassie's here--10·······/˘·
"How comes he on? I wager he's a drone,10·····/˘···
"And never will put honey in the hive."9·/··/˘···
"No drone," said Alfred, laughing; "when I left10···/˘/˘···
"He and his axe were quarr'ling with the woods10··········
"And making forests reel--love steels a lover's arm."12·/˘/˘····/˘·
O, blush that stole from Katie's swelling heart,10·····/˘/˘·
And with its hot rose brought the happy dew10·······/˘·
Into her hidden eyes. "Aye, aye! is that the way?"12···/˘·······
Said Malcolm smiling. "Who may be his love?"10·/˘/˘·····
"In that he is a somewhat simple soul,10·····///˘·
"Why, I suppose he loves--" he paused, and Kate10··˘/······
Look'd up with two "forget-me-nots" for eyes,10····˘/····
With eager jewels in their centres set10·/˘/˘··/˘·
Of happy, happy tears, and Alfred's heart10·/˘/˘··/˘·
Became a closer marble than before.10˘/·/˘/˘···
"--Why I suppose he loves--his lawful wife."10··˘/···/˘·
"His wife! his wife!" said Malcolm, in a maze,10·····/˘···
And laid his heavy hand on Katie's head;10···/˘··/˘·
"Did you play me false, my little lass?9······/˘·
"Speak and I'll pardon! Katie, lassie, what?"10···/˘/˘/˘·
"He has a wife," said Alfred, "lithe and bronz'd,10·····/˘···
"An Indian woman, comelier than her kind;11·/˘/˘······
"And on her knee a child with yellow locks,10·······/˘·
"And lake-like eyes of mystic Indian brown.10·····/˘/˘·
"And so you knew him? He is doing well."9·······/·
"False, false!" said Katie, lifting up her head.10···/˘/˘···
"O, you know not the Max my father means!"10·······/˘·
"He came from yonder farm-house on the slope."10···/˘·····
"Some other Max--we speak not of the same."10·/˘·······
"He has a red mark on his temple set."10·······/˘·
"It matters not--'tis not the Max we know."10·/˘·······
"He wears a turquoise ring slung round his neck."10···/˘·····
"And many wear them--they are common stones."9·/····/˘·
"His mother's ring--her name was Helen Wynde."10·/˘····/˘·
"And there be many Helens who have sons."9···//˘···
"O Katie, credit me--it is the man."10·/˘/˘·····
"O not the man! Why, you have never told9·······/·
"Us of the true soul that the true Max has;10··········
"The Max we know has such a soul, I know."10··········
"How know you that, my foolish little lass?"10·····/˘/˘·
Said Malcolm, a storm of anger bound9·/˘···/˘·
Within his heart, like Samson with green withs--10·····/˘···
"Belike it is the false young cur we know!"10˘/········
"No, no," said Katie, simply, and low-voic'd;10···/˘/˘···
"If he were traitor I must needs be false,10···/˘·····
"For long ago love melted our two hearts.10··˘/·/˘/··
"And time has moulded those two hearts in one,10···/˘·····
"And he is true since I am faithful still."10·······/˘·
She rose and parted, trembling as she went,10···/˘/˘···
Feeling the following steel of Alfred's eyes,10/˘·/˘··/˘·
And with the icy hand of scorn'd mistrust10···/˘···˘/
Searching about the pulses of her heart--10/˘···/˘···
Feeling for Max's image in her breast.10/˘·/˘/˘···
"To-night she conquers Doubt; to-morrow's noon10···/˘··/˘·
"His following soldiers sap the golden wall,10·/˘/˘··/˘·
"And I shall enter and possess the fort,"10···/˘·˘/··
Said Alfred, in his mind. "O Katie, child,10·/˘····/˘·
"Wilt thou be Nemesis, with yellow hair,9···/˘·/˘·
"To rend my breast? for I do feel a pulse10··········
"Stir when I look into thy pure-barb'd eyes--10··········
"O, am I breeding that false thing, a heart?10···/˘·····
"Making my breast all tender for the fangs10/˘···/˘···
"Of sharp Remorse to plunge their hot fire in.10··˘/····/·
"I am a certain dullard! Let me feel10···/˘/˘···
"But one faint goad, fine as a needle's point,10·······/˘·
"And it shall be the spur in my soul's side10··········
"To urge the madd'ning thing across the jags10······˘/··
"And cliffs of life, into the soft embrace10········˘/
"Of that cold mistress, who is constant too,10···/˘··/˘·
"And never flings her lovers from her arms--9·/··/˘···
"Not Death, for she is still a fruitful wife,10·······/˘·
"Her spouse the Dead, and their cold marriage yields10·······/˘·
"A million children, born of mould'ring flesh--10·/˘/˘·····
"So Death and Flesh live on--immortal they!10······˘/˘·
"I mean the blank-ey'd queen whose wassail bowl10·······/˘·
"Is brimm'd from Lethe, and whose porch is red10···/˘·····
"With poppies, as it waits the panting soul--10·/˘····/˘·
"She, she alone is great! No scepter'd slave10··˘/······
"Bowing to blind creative giants, she;10/˘··˘/˘/˘·
"No forces seize her in their strong, mad hands,10·/˘·······
"Nor say, "'Do this--be that!'" Were there a God,10··········
"His only mocker, she, great Nothingness!9·/˘/˘··/˘
"And to her, close of kin, yet lover too,10·······/˘·
"Flies this large nothing that we call the soul."10···/˘·····
"Doth true Love lonely grow?6···/˘·
Ah, no! ah, no!4····
Ah, were it only so--6···/˘·
That it alone might show6··˘/··
Its ruddy rose upon its sapful tree,10·/˘····/˘·
Then, then in dewy morn,6···/˘·
Joy might his brow adorn6····˘/
With Love's young rose as fair and glad as he."10··········
But with Love's rose doth blow6······
Ah, woe! ah, woe!4····
Truth with its leaves of snow,6······
And Pain and Pity grow6···/˘·
With Love's sweet roses on its sapful tree!10···/˘··/˘·
Love's rose buds not alone,6····˘/
But still, but still doth own6······
A thousand blossoms cypress-hued to see!10·/˘/˘/˘···

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