Mary Seeking Jesus When Lost

Richard Crashaw (c. 1613–1649) · 1646–1652

iambic dimeter · rhyming couplets · 50 lines · from Steps to the Temple and Other Poems

And is He gone, Whom these armes held but now?Their hope, their vow!Did euer greife and joy in one poore heartSoe soone change part?Hee's gone! The fair'st flower that e're bosome drest;My soule's sweet rest.My wombe's chast pride is gone, my heauen-borne boy;And where is joy?Hee's gone! and His lou'd steppes to wait vpon,My joy, is gone.My joyes, and Hee are gone; my greife, and IAlone must ly.Hee's gone! not leaving with me, till He come,One smile at home.Oh come then, bring Thy mother her lost joy:Oh come, sweet boy!Make hast, and come, or e're my greife and IMake hast, and dy.Peace, heart! The heauens are angry, all their spheresRivall thy teares.I was mistaken, some faire sphere or otherWas Thy blest mother.What but the fairest heauen, could owne the birthOf soe faire earth?Yet sure Thou did'st lodge heere: this wombe of mineWas once call'd Thine!Oft haue these armes Thy cradle envied,Beguil'd Thy bed.Oft to Thy easy eares hath this shrill tongueTrembled, and sung.Oft haue I wrapt Thy slumbers in soft aires,And stroak't Thy cares.Oft hath this hand those silken casements kept,While their sunnes slept.Oft haue my hungry kisses made Thine eyesToo early rise.Oft haue I spoild my kisses' daintiest diet,To spare Thy quiet.Oft from this breast to Thine, my loue-tost heartHath leapt, to part.Oft my lost soule haue I bin glad to seekeOn Thy soft cheeke.Oft haue these armes--alas!--show'd to these eyesTheir now lost joyes.Dawne then to me, Thou morne of mine owne day,And lett heauen stay.Oh, would'st Thou heere still fixe Thy faire abode,My bosome God:What hinders, but my bosome still might beThy heauen to Thee?

Words in this poem

hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
angry a.
Troublesome; vexatious; rigorous. [See Anger.]
rivall n.
A person having a common right or privilege with another; a partner. [F. rival (cf. It. rivale), L. rivales two neigbors having the same brook in common, rivals, fr. rivalis belonging to a brook, fr. rivus a brook. Cf. Rivulet, Re]
morne a.
Of or pertaining to the morn; morning.
lett v. t.
To retard; to hinder; to impede; to oppose. [OE.letten, AS. lettan to delay, to hinder, fr. læt slow; akin to D. letten to hinder, G. verletzen to hurt, Icel. letja to hold back, Goth. latjan. See Late.]
abode n.
Act of waiting; delay. [OE. abad, abood, fr. abiden to abide. See Abide. For the change of vowel, cf. abode, imp. of abide.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Mary Seeking Jesus When Lost is in the public domain. This text is taken from The Complete Works of Richard Crashaw, Volume I, Project Gutenberg ebook #38549; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Crashaw, Mary Seeking Jesus When Lost, in Steps to the Temple and Other Poems (1646–1652), text of Project Gutenberg ebook #38549, Laurel, https://laurelpoetry.com/poem/crashaw-poems/mary-seeking-jesus-when-lost.html, id L12089.

Form and metre

Mary Seeking Jesus When Lost is 50 lines in a single stanza. It is in rhyming couplets, 76% of the lines. The metre is iambic dimeter, measured from the stress the words themselves fix (confidence 88%). 100% of its stressed syllables fall where the metre puts the beat. The lines average 7.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in iambic dimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDD--EEFFGG----HHIIJJKKLLM-NNMMOOPPQQ--RR--SS nowA · vowA · heartB · partB · drestC · restC · boyD · joyD · vpon · gone · iE · lyE · comeF · homeF · joyG · boyG · i · dy · spheres · teares · otherH · motherH · birthI · earthI · mineJ · thineJ · enviedK · bedK · tongueL · sungL · airesM · cares · keptN · sleptN · eyesM · riseM · dietO · quietO · heartP · partP · seekeQ · cheekeQ · eyes · joyes · dayR · stayR · abode · god · beS · theeS
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic dimeter. How this is done.

LineSyl.Stress
And is He gone, Whom these armes held but now?10··········
Their hope, their vow!4····
Did euer greife and joy in one poore heart9·········
Soe soone change part?4····
Hee's gone! The fair'st flower that e're bosome drest;11···/˘/·····
My soule's sweet rest.4····
My wombe's chast pride is gone, my heauen-borne boy;10··········
And where is joy?4····
Hee's gone! and His lou'd steppes to wait vpon,9·········
My joy, is gone.4····
My joyes, and Hee are gone; my greife, and I10··········
Alone must ly.4˘/··
Hee's gone! not leaving with me, till He come,10···/˘·····
One smile at home.4····
Oh come then, bring Thy mother her lost joy:10·····/˘···
Oh come, sweet boy!4····
Make hast, and come, or e're my greife and I10··········
Make hast, and dy.4····
Peace, heart! The heauens are angry, all their spheres10·····/˘···
Rivall thy teares.4/˘··
I was mistaken, some faire sphere or other11··˘/˘····/˘
Was Thy blest mother.5···/˘
What but the fairest heauen, could owne the birth10···/˘·····
Of soe faire earth?4····
Yet sure Thou did'st lodge heere: this wombe of mine10··········
Was once call'd Thine!4····
Oft haue these armes Thy cradle envied,9·····/˘/˘
Beguil'd Thy bed.4˘/··
Oft to Thy easy eares hath this shrill tongue10···/˘·····
Trembled, and sung.4/˘··
Oft haue I wrapt Thy slumbers in soft aires,11·····/˘··/˘
And stroak't Thy cares.4····
Oft hath this hand those silken casements kept,11·····/˘····
While their sunnes slept.4····
Oft haue my hungry kisses made Thine eyes10···/˘/˘···
Too early rise.4·/˘·
Oft haue I spoild my kisses' daintiest diet,11·····/˘··/˘
To spare Thy quiet.5···/˘
Oft from this breast to Thine, my loue-tost heart10··········
Hath leapt, to part.4····
Oft my lost soule haue I bin glad to seeke10··········
On Thy soft cheeke.4····
Oft haue these armes--alas!--show'd to these eyes10····˘/····
Their now lost joyes.4····
Dawne then to me, Thou morne of mine owne day,11·····/˘····
And lett heauen stay.4····
Oh, would'st Thou heere still fixe Thy faire abode,10········˘/
My bosome God:4····
What hinders, but my bosome still might be10·/˘·······
Thy heauen to Thee?4····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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