As Hauing Been Writt When the Author Was Yet Among the Protestants

Richard Crashaw (1613–1649) · 1646–1652

iambic pentameter · heroic couplets · 46 lines · from Steps to the Temple and Other Poems

Thus haue I back again to thy bright name(Fair floud of holy fires!) transfus'd the flameI took from reading thee: 'tis to thy wrongI know, that in my weak and worthlesse songThou here art sett to shine where thy full dayScarse dawnes. O pardon, if I dare to sayThine own dear bookes are guilty. For from thenceI learn't to know that Loue is eloquence.That hopefull maxime gaue me hart to tryIf, what to other tongues is tun'd so high,Thy praise might not speak English too: forbid(By all thy mysteryes that here ly hidde)Forbid it, mighty Loue! let no fond hateOf names and wordes, so farr praeiudicate.Souls are not Spaniards too: one freindly floudOf baptism blends them all into a blood.Christ's faith makes but one body of all soules,And Loue's that body's soul; no law controwllsOur free traffique for Heau'n; we may maintainePeace, sure, with piety, though it come from Spain.What soul so e're, in any language, canSpeak Heau'n like her's, is my soul's country-man.O 'tis not Spanish, but 'tis Heau'n she speaks!'Tis Heau'n that lyes in ambush there, and breaksFrom thence into the wondring reader's brest;Who feels his warm heart hatcht into a nestOf little eagles and young loues, whose highFlights scorn the lazy dust, and things that dy.There are enow whose draughts (as deep as Hell)Drink vp all Spain in sack. Let my soul swellWith the strong wine of Loue: let others swimmeIn puddles; we will pledge this seraphimBowles full of richer blood then blush of grapeWas euer guilty of. Change we our shape(My soul) some drink from men to beasts, O thenDrink we till we proue more, not lesse, then men,And turn not beasts but angels. Let the KingMe euer into these His cellars bring,Where flowes such wine as we can haue of noneBut Him Who trod the wine-presse all alone:Wine of youth, life, and the sweet deaths of Loue;Wine of immortall mixture; which can proueIts tincture from the rosy nectar; wineThat can exalt weak earth; and so refineOur dust, that at one draught, MortalityMay drink it self vp, and forget to dy.

Words in this poem

hopefull a.
Full of hope, or agreeable expectation; inclined to hope; expectant.
farr n.
A young pig, or a litter of pigs. [See Farrow.]
enow
A form of Enough.
swimme v. i.
To be supported by water or other fluid; not to sink; to float; as, any substance will swim, whose specific gravity is less than that of the fluid in which it is immersed. [AS. swimman; akin to D. zwemmen, OHG. swimman, G. schwimmen, Icel. svimma, Dan. swömme, Sw. simma. Cf. Sound an air bladder, a strait.]
seraphim n.
The Hebrew plural of Seraph. Cf. Cherubim.
immortall a.
Not mortal; exempt from liability to die; undying; imperishable; lasting forever; having unlimited, or eternal, existance. [L. immortalis; pref. im- not + mortalis mortal: cf. F. immortel. See Mortal, and cf. Immortelle.]
mortality n.
The condition or quality of being mortal; subjection to death or to the necessity of dying. [L. mortalitas: cf. F. mortalité.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

As Hauing Been Writt When the Author Was Yet Among the Protestants is in the public domain. This text is taken from The Complete Works of Richard Crashaw, Volume I, Project Gutenberg ebook #38549; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Crashaw, As Hauing Been Writt When the Author Was Yet Among the Protestants, in Steps to the Temple and Other Poems (1646–1652), text of Project Gutenberg ebook #38549, Laurel, https://laurelpoetry.com/poem/crashaw-poems/as-hauing-been-writt-when-the-author-was-yet-among-the-prote.html, id L12078.

Form and metre

As Hauing Been Writt When the Author Was Yet Among the Protestants is 46 lines in a single stanza. It is in rhyming couplets, 70% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 3 lines end on an unstressed syllable, a feminine ending. 63% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGG----HHII--JJ--KK--LLMMNN--OOPP-- nameA · flameA · wrongB · songB · dayC · sayC · thenceD · eloquenceD · tryE · highE · forbidF · hiddeF · hateG · praeiudicateG · floud · blood · soules · controwlls · maintaineH · spainH · canI · manI · speaks · breaks · brestJ · nestJ · high · dy · hellK · swellK · swimme · seraphim · grapeL · shapeL · thenM · menM · kingN · bringN · none · alone · loueO · proueO · wineP · refineP · mortality · dy
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Thus haue I back again to thy bright name10····˘/····
(Fair floud of holy fires!) transfus'd the flame10···/˘/˘/··
I took from reading thee: 'tis to thy wrong10···/˘·····
I know, that in my weak and worthlesse song10··········
Thou here art sett to shine where thy full day10··········
Scarse dawnes. O pardon, if I dare to say10···/˘·····
Thine own dear bookes are guilty. For from thence10·····/˘···
I learn't to know that Loue is eloquence.10·······/˘˘
That hopefull maxime gaue me hart to try10·/˘˘/·····
If, what to other tongues is tun'd so high,10···/˘·····
Thy praise might not speak English too: forbid10·····/˘·˘/
(By all thy mysteryes that here ly hidde)10···/˘˘····
Forbid it, mighty Loue! let no fond hate10˘/·/˘·····
Of names and wordes, so farr praeiudicate.9·········
Souls are not Spaniards too: one freindly floud10···/˘·····
Of baptism blends them all into a blood.10·/˘·······
Christ's faith makes but one body of all soules,10·····/˘···
And Loue's that body's soul; no law controwlls10···/˘·····
Our free traffique for Heau'n; we may maintaine10/·········
Peace, sure, with piety, though it come from Spain.10···/˘·····
What soul so e're, in any language, can10·····/˘/˘·
Speak Heau'n like her's, is my soul's country-man.10·······/˘·
O 'tis not Spanish, but 'tis Heau'n she speaks!10···/˘·····
'Tis Heau'n that lyes in ambush there, and breaks10·····/····
From thence into the wondring reader's brest;10·····/˘/˘·
Who feels his warm heart hatcht into a nest10··········
Of little eagles and young loues, whose high10·/˘/˘·····
Flights scorn the lazy dust, and things that dy.10···/˘·····
There are enow whose draughts (as deep as Hell)10··˘/······
Drink vp all Spain in sack. Let my soul swell10··········
With the strong wine of Loue: let others swimme10·······/˘·
In puddles; we will pledge this seraphim10·/˘····/˘˘
Bowles full of richer blood then blush of grape10···/˘·····
Was euer guilty of. Change we our shape10··/˘···/˘·
(My soul) some drink from men to beasts, O then10··········
Drink we till we proue more, not lesse, then men,10··········
And turn not beasts but angels. Let the King10·····/˘···
Me euer into these His cellars bring,9······/˘·
Where flowes such wine as we can haue of none10··········
But Him Who trod the wine-presse all alone:10········˘/
Wine of youth, life, and the sweet deaths of Loue;10··········
Wine of immortall mixture; which can proue10··˘/˘/˘···
Its tincture from the rosy nectar; wine10·/˘··/˘/˘·
That can exalt weak earth; and so refine10··˘/····˘/
Our dust, that at one draught, Mortality11/˘·····˘/˘˘
May drink it self vp, and forget to dy.10······˘/··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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