K. R. J

Susan Coolidge (1835–1905) · 1889

iambic pentameter · ABABCC · 36 lines · from A Few More Verses

WHERE is the voice gone which so many years,Each year grown sweeter, rose in glorious song,Interpreting to all our hearts and earsEcstasy, passion, pain, the yearning strongOf baffled love, the patience stronger yet,The pang of hope, the sweetness of regret?

How should that perish which seemed born of heavenAnd framed to breathe the meaning of the skies?Can music render back such gift once given;Or bear to know some subtlest harmoniesMust evermore go half expressed, perceived,Forever thwarted and forever grieved?

Heaven did not need her voice; its courts are fullOf choristers angelic trained for praise.No note is lacking in the wonderfulAccording chorus, which, untired, alwaysSings, “Holy, holy, holy!” round the throne;But earth seems dumb to us now it is gone!

God does not grudge us anything of good!And I will dare to fancy when she died,And on the sweet lips which so featly wooedMusic, the guest, to enter and abide,Death laid his hand, and with insistence strongShut in the secret of their power of song,—

That the dear voice, thus sadly dispossessedAnd reft of home, sped forth upon its road,And like a lost and lonely child, in questOf shelter, sought another warm abodeIn human shape,—some gentle, new-born thing,Where it might fold its torn and beaten wing.

And if, long years from now, we catch a strainWhich has the old, familiar, rapturous thrill,We shall smile, saying, “There it is again!It is not dead, it wakes in music still.Hark! how the lovely accents soar and float,A skylark singing from a woman’s throat!”

Words in this poem

glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
evermore adv.
During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
featly adv.
Neatly; dexterously; nimbly. [From Feat, a.]
insistence n.
The quality of insisting, or being urgent or pressing; the act of dwelling upon as of special importance; persistence; urgency.
sadly adv.
Wearily; heavily; firmly.
reft n.
A chink; a rift. See Rift. Rom. of R.
abode n.
Act of waiting; delay. [OE. abad, abood, fr. abiden to abide. See Abide. For the change of vowel, cf. abode, imp. of abide.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
skylark n.
A lark that mounts and sings as it files, especially the common species (Alauda arvensis) found in Europe and in some parts of Asia, and celebrated for its melodious song; -- called also sky laverock.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

K. R. J is in the public domain. This text is taken from A Few More Verses, Project Gutenberg ebook #49518; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Susan Coolidge, K. R. J, in A Few More Verses (1889), text of Project Gutenberg ebook #49518, Laurel, https://laurelpoetry.com/poem/coolidge-few-more-verses/k-r-j.html, id L26156.

Form and metre

K. R. J is 36 lines in 6 stanzas of 6 lines each. The rhyme scheme is ABABCC, complete in 3 of its 6 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCC yearsA · songB · earsA · strongB · yetC · regretC
  2. 2 -A-ABB heaven · skiesA · given · harmoniesA · perceivedB · grievedB
  3. 3 ABAB-- fullA · praiseB · wonderfulA · alwaysB · throne · gone
  4. 4 -A-ABB good · diedA · wooed · abideA · strongB · songB
  5. 5 ABABCC dispossessedA · roadB · questA · abodeB · thingC · wingC
  6. 6 ABABCC strainA · thrillB · againA · stillB · floatC · throatC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
WHERE is the voice gone which so many years,10·······/˘·
Each year grown sweeter, rose in glorious song,10···/˘··/˘·
Interpreting to all our hearts and ears10/˘·˘··/···
Ecstasy, passion, pain, the yearning strong10/˘˘/˘··/˘·
Of baffled love, the patience stronger yet,10·/˘··/˘/˘·
The pang of hope, the sweetness of regret?10·····/˘·˘/
How should that perish which seemed born of heaven11···/˘····/˘
And framed to breathe the meaning of the skies?10·····/˘···
Can music render back such gift once given;11·/˘/˘····/˘
Or bear to know some subtlest harmonies11·····/˘˘/˘˘
Must evermore go half expressed, perceived,10·/˘···˘/˘/
Forever thwarted and forever grieved?10˘/˘/˘·˘/˘·
Heaven did not need her voice; its courts are full10/·········
Of choristers angelic trained for praise.10·····/˘···
No note is lacking in the wonderful10···/˘··/˘˘
According chorus, which, untired, always10˘/˘/˘···/·
Sings, “Holy, holy, holy!” round the throne;10·/˘/˘/˘···
But earth seems dumb to us now it is gone!10··········
God does not grudge us anything of good!10·····/˘···
And I will dare to fancy when she died,10·····/˘···
And on the sweet lips which so featly wooed10·······/˘·
Music, the guest, to enter and abide,10/˘···/˘·˘/
Death laid his hand, and with insistence strong10······˘/˘·
Shut in the secret of their power of song,—10···/˘··/··
That the dear voice, thus sadly dispossessed10·····/˘·˘/
And reft of home, sped forth upon its road,10··········
And like a lost and lonely child, in quest10·····/˘···
Of shelter, sought another warm abode10·/˘·˘/˘·˘/
In human shape,—some gentle, new-born thing,10·/˘··/˘···
Where it might fold its torn and beaten wing.10·······/˘·
And if, long years from now, we catch a strain10··········
Which has the old, familiar, rapturous thrill,10····˘/˘/˘·
We shall smile, saying, “There it is again!10···/˘···˘/
It is not dead, it wakes in music still.10·······/˘·
Hark! how the lovely accents soar and float,10···/˘/˘···
A skylark singing from a woman’s throat!”10·/·/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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