On Our Late Taste in Music

William Collins (1721–1759) · 1746

iambic pentameter · heroic couplets · 90 lines · from Ode to Evening, and Other Poems

----Quid vocis modulamen inane juvabatVerborum sensusque vacans numerique loquacis?

Britons! away with the degenerate pack!Waft, western winds! the foreign spoilers back!Enough has been in wild amusements spent,Let British verse and harmony content!No music once could charm you like your own,Then tuneful Robinson, and Tofts were known;Then Purcell touched the strings, while numbers hungAttentive to the sounds--and blest the song!E'en gentle Weldon taught us manly notes,Beyond the enervate thrills of Roman throats!Notes, foreign luxury could ne'er inspire,That animate the soul, and swell the lyre!That mend, and not emasculate our hearts,And teach the love of freedom and of arts.Nor yet, while guardian Phoebus gilds our isle,Does heaven averse await the muses' toil;Cherish but once our worth of native race,The sister-arts shall soon display their face!Even half discouraged through the gloom they strive,Smile at neglect, and o'er oblivion live.See Handel, careless of a foreign fame,Fix on our shore, and boast a Briton's name:While, placed marmoric in the vocal grove,He guides the measures listening throngs approve.Mark silence at the voice of Arne confess'd,Soft as the sweet enchantress rules the breast;As when transported Venice lent an ear,Camilla's charms to view, and accents hear!So while she varies the impassion'd song,Alternate motions on the bosom throng!As heavenly Milton guides her magic voice,And virtue thus convey'd allures the choice.Discard soft nonsense in a slavish tongue,The strain insipid, and the thought unknown;From truth and nature form the unerring test;Be what is manly, chaste, and good the best!'Tis not to ape the songsters of the groves,Through all the quiverings of their wanton loves;'Tis not the enfeebled thrill, or warbled shake,The heart can strengthen, or the soul awake!But where the force of energy is foundWhen the sense rises on the wings of sound;When reason, with the charms of music twined,Through the enraptured ear informs the mind;Bids generous love or soft compassion glow,And forms a tuneful Paradise below!Oh Britons! if the honour still you boast,No longer purchase follies at such cost!No longer let unmeaning sounds inviteTo visionary scenes of false delight:When, shame to sense! we see the hero's rageLisp'd on the tongue, and danced along the stage!Or hear in eunuch sounds a hero squeak,While kingdoms rise or fall upon a shake!Let them at home to slavery's painted train,With siren art, repeat the pleasing strain:While we, like wise Ulysses, close our earTo songs which liberty forbids to hear!Keep, guardian gales, the infectious guests away,To charm where priests direct, and slaves obey.Madrid, or wanton Rome, be their delight;There they may warble as their poets write.The temper of our isle, though cold, is clear;And such our genius, noble though severe.Our Shakespeare scorn'd the trifling rules of art,But knew to conquer and surprise the heart!In magic chains the captive thought to bind,And fathom all the depths of human kind!Too long, our shame, the prostituted herdOur sense have bubbled, and our wealth have shared.Too long the favourites of our vulgar greatHave bask'd in luxury, and lived in state!In Tuscan wilds now let them villas rearEnnobled by the charity we spare.There let them warble in the tainted breeze,Or sing like widow'd orphans to the trees:There let them chant their incoherent dreams,Where howls Charybdis, and where Scylla screams!Or where Avernus, from his darksome round,May echo to the winds the blasted sound!As fair Alcyone, with anguish press'd,Broods o'er the British main with tuneful breast,Beneath the white-brow'd cliff protected sings,Or skims the azure plain with painted wings!Grateful, like her, to nature, and as just,In our domestic blessings let us trust;Keep for our sons fair learning's honour'd prize,Till the world own the worth they now despise!

Words in this poem 21
quid n.
A portion suitable to be chewed; a cud; as, a quid of tobacco. [See Cud.]
inane a.
Without contents; empty; void of sense or intelligence; purposeless; pointless; characterless; useless. [L. inanis.]
waft v. t.
To give notice to by waving something; to wave the hand to; to beckon. [Prob. originally imp. & p. p. of wave, v. t. See Wave to waver.]
tuneful a.
Harmonious; melodious; musical; as, tuneful notes.
phoebus n.
Apollo; the sun god.
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
averse a.
Turned away or backward. [L. aversus, p. p. of avertere. See Avert.]
await v. t.
To watch for; to look out for. [OF. awaitier, agaitier; (L. ad) + waitier, gaitier to watch, F. guetter. See Wait.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
oblivion n.
The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
enchantress n.
A woman versed in magical arts; a sorceress; also, a woman who fascinates. [Cf. F. enchanteresse.]
unerring a.
Committing no mistake; incapable or error or failure certain; sure; unfailing; as, the unerring wisdom of God.
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
squeak v. i.
To utter a sharp, shrill cry, usually of short duration; to cry with an acute tone, as an animal; or, to make a sharp, disagreeable noise, as a pipe or quill, a wagon wheel, a door; to creak. [Probably of imitative origin; cf. Sw. sqväka to croak, Icel. skvakka to give a sound as of water shaken in a bottle.]
warble v. t.
To sing in a trilling, quavering, or vibratory manner; to modulate with turns or variations; to trill; as, certain birds are remarkable for warbling their songs. [OE. werbelen, OF. werbler; of Teutonic origin; cf. G. wirbeln to turn, to warble, D. wervelen, akin to E. whirl. See Whirl.]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
charybdis n.
A dangerous whirlpool on the coast of Sicily opposite Scylla on the Italian coast. It is personified as a female monster. See Scylla.
darksome a.
Dark; gloomy; obscure; shaded; cheerless.
blasted a.
Blighted; withered.
despise v. t.
To look down upon with disfavor or contempt; to contemn; to scorn; to disdain; to have a low opinion or contemptuous dislike of. [OF. despis-, in some forms of despire to despise, fr. L. despicere, despectum, to look down upon, despise; de- + spicere, specere, to look. See Spy, and cf. Des]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

On Our Late Taste in Music is in the public domain. This text is taken from The Poetical Works of William Collins; With a Memoir, Project Gutenberg ebook #29879; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Collins, On Our Late Taste in Music, in Ode to Evening, and Other Poems (1746), text of Project Gutenberg ebook #29879, Laurel, https://laurelpoetry.com/poem/collins-poems/on-our-late-taste-in-music.html, id L26197.

Form and metre

On Our Late Taste in Music is 90 lines in 2 verse paragraphs. It is in rhyming couplets, 80% of the lines: heroic couplets. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 AABBCC--DDEEFF--GGHHII--JJKKLLMM--NN--OOPPQQRR--SSTT--UUVVWWXXYYZZaa--bbccddeeffgghhiijj packA · backA · spentB · contentB · ownC · knownC · hung · song · notesD · throatsD · inspireE · lyreE · heartsF · artsF · isle · toil · raceG · faceG · striveH · liveH · fameI · nameI · grove · approve · confess'dJ · breastJ · earK · hearK · songL · throngL · voiceM · choiceM · tongue · unknown · testN · bestN · groves · loves · shakeO · awakeO · foundP · soundP · twinedQ · mindQ · glowR · belowR · boast · cost · inviteS · delightS · rageT · stageT · squeak · shake · trainU · strainU · earV · hearV · awayW · obeyW · delightX · writeX · clearY · severeY · artZ · heartZ · binda · kinda · herd · shared · greatb · stateb · rearc · sparec · breezed · treesd · dreamse · screamse · roundf · soundf · press'dg · breastg · singsh · wingsh · justi · trusti · prizej · despisej
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
----Quid vocis modulamen inane juvabat12·······˘/···
Verborum sensusque vacans numerique loquacis?13·············
Britons! away with the degenerate pack!10/˘˘/··˘/˘·
Waft, western winds! the foreign spoilers back!10·/˘··/˘/˘·
Enough has been in wild amusements spent,10˘/····˘/˘·
Let British verse and harmony content!10·/˘··/˘˘˘/
No music once could charm you like your own,10·/˘·······
Then tuneful Robinson, and Tofts were known;10·/˘/˘˘····
Then Purcell touched the strings, while numbers hung10·˘/····/˘·
Attentive to the sounds--and blest the song!10˘/˘·······
E'en gentle Weldon taught us manly notes,10·/˘/˘··/˘·
Beyond the enervate thrills of Roman throats!11···˘/˘··/˘·
Notes, foreign luxury could ne'er inspire,10·/˘/˘˘··˘/
That animate the soul, and swell the lyre!10·/˘·······
That mend, and not emasculate our hearts,10····˘/˘·/·
And teach the love of freedom and of arts.10·····/˘···
Nor yet, while guardian Phoebus gilds our isle,10···/˘/˘·/·
Does heaven averse await the muses' toil;10·/˘/˘/·/˘·
Cherish but once our worth of native race,10/˘··/··/˘·
The sister-arts shall soon display their face!10·/˘···˘/··
Even half discouraged through the gloom they strive,10/·˘/˘·····
Smile at neglect, and o'er oblivion live.10··˘/··˘/˘·
See Handel, careless of a foreign fame,10·/˘/˘··/˘·
Fix on our shore, and boast a Briton's name:10··/····/˘·
While, placed marmoric in the vocal grove,10·······/˘·
He guides the measures listening throngs approve.10···/˘/˘·˘/
Mark silence at the voice of Arne confess'd,10·/˘·····˘/
Soft as the sweet enchantress rules the breast;10····˘/˘···
As when transported Venice lent an ear,10··˘/˘/˘···
Camilla's charms to view, and accents hear!10˘/˘····/˘·
So while she varies the impassion'd song,10···/˘·˘/˘·
Alternate motions on the bosom throng!10/˘˘/˘··/˘·
As heavenly Milton guides her magic voice,10·/˘/˘··/˘·
And virtue thus convey'd allures the choice.10·/˘·˘/˘/··
Discard soft nonsense in a slavish tongue,10˘/·/˘··/˘·
The strain insipid, and the thought unknown;10··˘/˘···˘/
From truth and nature form the unerring test;11···/˘··˘/˘·
Be what is manly, chaste, and good the best!10···/˘·····
'Tis not to ape the songsters of the groves,10··········
Through all the quiverings of their wanton loves;10···/˘··/˘·
'Tis not the enfeebled thrill, or warbled shake,11···˘/˘··/˘·
The heart can strengthen, or the soul awake!10···/˘···˘/
But where the force of energy is found10·····/˘˘··
When the sense rises on the wings of sound;10···/˘·····
When reason, with the charms of music twined,10·/˘····/˘·
Through the enraptured ear informs the mind;10··˘/˘·˘/··
Bids generous love or soft compassion glow,10·/˘···˘/˘·
And forms a tuneful Paradise below!10···/˘/˘···
Oh Britons! if the honour still you boast,10·/˘··/˘···
No longer purchase follies at such cost!10·/˘/˘/˘···
No longer let unmeaning sounds invite10·/˘·˘/˘·˘/
To visionary scenes of false delight:10·/˘·˘···˘/
When, shame to sense! we see the hero's rage10·······/˘·
Lisp'd on the tongue, and danced along the stage!10······˘/··
Or hear in eunuch sounds a hero squeak,10···/˘··/˘·
While kingdoms rise or fall upon a shake!10·/˘·······
Let them at home to slavery's painted train,10·····/˘/˘·
With siren art, repeat the pleasing strain:10·/˘·˘/·/˘·
While we, like wise Ulysses, close our ear10····˘/˘·/·
To songs which liberty forbids to hear!10···/˘˘˘/··
Keep, guardian gales, the infectious guests away,11·/˘··˘/˘·˘/
To charm where priests direct, and slaves obey.10····˘/··˘/
Madrid, or wanton Rome, be their delight;10˘/·/˘···˘/
There they may warble as their poets write.10···/˘··/˘·
The temper of our isle, though cold, is clear;10·/˘·/·····
And such our genius, noble though severe.10··//˘/˘·˘/
Our Shakespeare scorn'd the trifling rules of art,10//···/˘···
But knew to conquer and surprise the heart!10···/˘·˘/··
In magic chains the captive thought to bind,10·/˘··/˘···
And fathom all the depths of human kind!10·/˘····/˘·
Too long, our shame, the prostituted herd10··/··/˘·˘·
Our sense have bubbled, and our wealth have shared.10/··/˘·/···
Too long the favourites of our vulgar great11·······//˘·
Have bask'd in luxury, and lived in state!10···/˘˘····
In Tuscan wilds now let them villas rear10·/˘····/˘·
Ennobled by the charity we spare.10˘/˘··/˘˘··
There let them warble in the tainted breeze,10···/˘··/˘·
Or sing like widow'd orphans to the trees:10···/˘/˘···
There let them chant their incoherent dreams,10·····˘˘/˘·
Where howls Charybdis, and where Scylla screams!10··˘/˘··/˘·
Or where Avernus, from his darksome round,10·······/˘·
May echo to the winds the blasted sound!10·/˘····/˘·
As fair Alcyone, with anguish press'd,8·····/˘·
Broods o'er the British main with tuneful breast,10···/˘··/˘·
Beneath the white-brow'd cliff protected sings,10······˘/˘·
Or skims the azure plain with painted wings!10···/˘··/˘·
Grateful, like her, to nature, and as just,10/˘···/˘···
In our domestic blessings let us trust;10·/˘/˘/˘···
Keep for our sons fair learning's honour'd prize,10··/··/˘···
Till the world own the worth they now despise!10········˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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