Ode to Simplicity

William Collins (1721–1759) · 1746

iambic trimeter · AABCCB · 54 lines · from Poetical Works

O thou, by Nature taughtTo breathe her genuine thought,In numbers warmly pure, and sweetly strong;Who first, on mountains wild,In Fancy, loveliest child,Thy babe, or Pleasure's, nursed the powers of song!

Thou, who, with hermit heart,Disdain'st the wealth of art,And gauds, and pageant weeds, and trailing pall;But com'st a decent maid,In attic robe array'd,O chaste, unboastful Nymph, to thee I call!

By all the honey'd storeOn Hybla's thymy shore;By all her blooms, and mingled murmurs dear;By her whose lovelorn woe,In evening musings slow,Soothed sweetly sad Electra's poet's ear:

By old Cephisus deep,Who spread his wavy sweep,In warbled wanderings, round thy green retreat;On whose enamel'd side,When holy Freedom died,No equal haunt allured thy future feet.

O sister meek of Truth,To my admiring youth,Thy sober aid and native charms infuse!The flowers that sweetest breathe,Though Beauty cull'd the wreath,Still ask thy hand to range their order'd hues.

While Rome could none esteemBut virtue's patriot theme,You lov'd her hills, and led her laureat band:But staid to sing aloneTo one distinguish'd throne;And turn'd thy face, and fled her alter'd land.

No more, in hall or bower,The Passions own thy power,Love, only Love her forceless numbers mean:For thou hast left her shrine;Nor olive more, nor vine,Shall gain thy feet to bless the servile scene.

Though taste, though genius, blessTo some divine excess,Faints the cold work till thou inspire the whole;What each, what all supply,May court, may charm, our eye;Thou, only thou, canst raise the meeting soul!

Of these let others ask,To aid some mighty task,I only seek to find thy temperate vale;Where oft my reed might soundTo maids and shepherds round,And all thy sons, O Nature, learn my tale.

Words in this poem

warmly adv.
In a warm manner; ardently.
babe n.
An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
pageant n.
A theatrical exhibition; a spectacle. [OE. pagent, pagen, originally, a movable scaffold or stage, hence, what was exhibited on it, fr. LL. pagina, akin to pangere to fasten; cf. L. pagina page, leaf]
thymy a.
Abounding with thyme; fragrant; as, a thymy vale. Akenside.
lovelorn a.
Forsaken by one's love.
admiring a.
Expressing admiration; as, an admiring glance.
forceless a.
Having little or no force; feeble.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Ode to Simplicity is in the public domain. This text is taken from The Poetical Works of William Collins; With a Memoir, Project Gutenberg ebook #29879; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Collins, Ode to Simplicity, in Poetical Works (1746), text of Project Gutenberg ebook #29879, Laurel, https://laurelpoetry.com/poem/collins-poems/ode-to-simplicity.html, id L13344.

Form and metre

Ode to Simplicity is 54 lines in 9 stanzas of 6 lines each. Every stanza rhymes AABCCB. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 95%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 7.5 syllables. 2 lines end on an unstressed syllable, a feminine ending. 11% of the lines run on without a stop at the line end.

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCB taughtA · thoughtA · strongB · wildC · childC · songB
  2. 2 AABCCB heartA · artA · pallB · maidC · array'dC · callB
  3. 3 AABCCB storeA · shoreA · dearB · woeC · slowC · earB
  4. 4 AABCCB deepA · sweepA · retreatB · sideC · diedC · feetB
  5. 5 AABCCB truthA · youthA · infuseB · breatheC · wreathC · huesB
  6. 6 AABCCB esteemA · themeA · bandB · aloneC · throneC · landB
  7. 7 AABCCB bowerA · powerA · meanB · shrineC · vineC · sceneB
  8. 8 AABCCB blessA · excessA · wholeB · supplyC · eyeC · soulB
  9. 9 AABCCB askA · taskA · valeB · soundC · roundC · taleB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
O thou, by Nature taught6···/˘·
To breathe her genuine thought,7···/˘˘·
In numbers warmly pure, and sweetly strong;10·/˘/˘··/˘·
Who first, on mountains wild,6···/˘·
In Fancy, loveliest child,7·/˘····
Thy babe, or Pleasure's, nursed the powers of song!10···/˘··/··
Thou, who, with hermit heart,6···/˘·
Disdain'st the wealth of art,6······
And gauds, and pageant weeds, and trailing pall;10···/˘··/˘·
But com'st a decent maid,6···/˘·
In attic robe array'd,6·/˘·˘/
O chaste, unboastful Nymph, to thee I call!10··········
By all the honey'd store6······
On Hybla's thymy shore;6···/˘·
By all her blooms, and mingled murmurs dear;10·····/˘/˘·
By her whose lovelorn woe,6···/˘·
In evening musings slow,6·/˘/˘·
Soothed sweetly sad Electra's poet's ear:10·/˘·˘/˘/˘·
By old Cephisus deep,6······
Who spread his wavy sweep,6···/˘·
In warbled wanderings, round thy green retreat;10·/˘/˘···˘/
On whose enamel'd side,6··˘/˘·
When holy Freedom died,6·/˘/˘·
No equal haunt allured thy future feet.10·/˘·˘/·/˘·
O sister meek of Truth,6·/˘···
To my admiring youth,6··˘/˘·
Thy sober aid and native charms infuse!10·/˘··/˘·˘/
The flowers that sweetest breathe,7·/˘·/˘·
Though Beauty cull'd the wreath,6·/˘···
Still ask thy hand to range their order'd hues.10·······/˘·
While Rome could none esteem6····˘/
But virtue's patriot theme,7·/˘/˘˘·
You lov'd her hills, and led her laureat band:10··········
But staid to sing alone6····˘/
To one distinguish'd throne;6··˘/˘·
And turn'd thy face, and fled her alter'd land.10·······/˘·
No more, in hall or bower,7·····/˘
The Passions own thy power,7·/˘··/˘
Love, only Love her forceless numbers mean:10·/˘··/˘/˘·
For thou hast left her shrine;6······
Nor olive more, nor vine,6·/˘···
Shall gain thy feet to bless the servile scene.10·······/˘·
Though taste, though genius, bless6···/˘·
To some divine excess,6··˘/˘/
Faints the cold work till thou inspire the whole;10······˘/··
What each, what all supply,6····˘/
May court, may charm, our eye;7····/˘·
Thou, only thou, canst raise the meeting soul!10·/˘····/˘·
Of these let others ask,6···/˘·
To aid some mighty task,6···/˘·
I only seek to find thy temperate vale;10·/˘····/˘·
Where oft my reed might sound6······
To maids and shepherds round,6···/˘·
And all thy sons, O Nature, learn my tale.10·····/˘···
Notes from the edition 1

Notes to the Poetical Works of William Collins, ed. W. C. Bronson (Project Gutenberg #29879).

  1. Stanza 3, line 4 The ~aêdôn~, or nightingale, for which Sophocles seems to have entertained a peculiar fondness. C.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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