Abra; Or, the Georgian Sultana

William Collins (1721–1759) · 1746

iambic pentameter · heroic couplets · 74 lines · from Poetical Works

SCENE, A forest.TIME, The evening.

In Georgia's land, where Tefflis' towers are seen,In distant view, along the level green,While evening dews enrich the glittering glade,And the tall forests cast a longer shade,What time 'tis sweet o'er fields of rice to stray,Or scent the breathing maize at setting day;Amidst the maids of Zagen's peaceful grove,Emyra sung the pleasing cares of love.

Of Abra first began the tender strain,Who led her youth with flocks upon the plain.At morn she came those willing flocks to lead,Where lilies rear them in the watery mead;From early dawn the livelong hours she told,Till late at silent eve she penn'd the fold.Deep in the grove, beneath the secret shade,A various wreath of odorous flowers she made:Gay-motley'd pinks and sweet jonquils she chose,The violet blue that on the moss-bank grows;All sweet to sense, the flaunting rose was there;The finish'd chaplet well adorn'd her hair.

Great Abbas chanced that fated morn to stray,By love conducted from the chase away;Among the vocal vales he heard her song,And sought, the vales and echoing groves among;At length he found, and woo'd the rural maid;She knew the monarch, and with fear obey'd.'Be every youth like royal Abbas moved,'And every Georgian maid like Abra loved!'

The royal lover bore her from the plain;Yet still her crook and bleating flock remain:Oft, as she went, she backward turn'd her view,And bade that crook and bleating flock adieu.Fair, happy maid! to other scenes remove,To richer scenes of golden power and love!Go leave the simple pipe and shepherd's strain;With love delight thee, and with Abbas reign!'Be every youth like royal Abbas moved,'And every Georgian maid like Abra loved!'

Yet, 'midst the blaze of courts, she fix'd her loveOn the cool fountain, or the shady grove;Still, with the shepherd's innocence, her mindTo the sweet vale, and flowery mead, inclined;And oft as spring renew'd the plains with flowers,Breathed his soft gales, and led the fragrant hours,With sure return she sought the sylvan scene,The breezy mountains, and the forests green.Her maids around her moved, a duteous band!Each bore a crook, all rural, in her hand:Some simple lay, of flocks and herds, they sung;With joy the mountain and the forest rung.'Be every youth like royal Abbas moved,'And every Georgian maid like Abra loved!'

And oft the royal lover left the careAnd thorns of state, attendant on the fair;Oft to the shades and low-roof'd cots retired,Or sought the vale where first his heart was fired:A russet mantle, like a swain, he wore,And thought of crowns, and busy courts, no more.'Be every youth like royal Abbas moved,'And every Georgian maid like Abra loved!'

Blest was the life that royal Abbas led:Sweet was his love, and innocent his bed.What if in wealth the noble maid excel?The simple shepherd girl can love as well.Let those who rule on Persia's jewel'd throneBe famed for love, and gentlest love alone;Or wreathe, like Abbas, full of fair renown,The lover's myrtle with the warrior's crown.O happy days! the maids around her say;O haste, profuse of blessings, haste away!'Be every youth like royal Abbas moved,'And every Georgian maid like Abra loved!'

Words in this poem 15
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
abra n.
A narrow pass or defile; a break in a mesa; the mouth of a cañon. [Southwestern U. S.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
livelong a.
Whole; entire; long in passing; -- used of time, as day or night, in adverbial phrases, and usually with a sense of tediousness. [For lifelong. Cf. Lifelong.]
chaplet n.
A garland or wreath to be worn on the head. [F. chapelet, dim. of OF. chapel hat, garland, dim. fr. LL. cappa. See Cap, and cf. Chapelet, Chapeau.]
georgian a.
Of or pertaining to Georgia, in Asia, or to Georgia, one of the United States.
bleating a.
Crying as a sheep does.
went n.
Course; way; path; journey; direction.
bade
A form of the pat tense of Bid.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
breezy a.
Characterized by, or having, breezes; airy.
duteous a.
Fulfilling duty; dutiful; having the sentiments due to a superior, or to one to whom respect or service is owed; obedient; as, a duteous son or daughter. [From Duty.]
rung n.
A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Abra; Or, the Georgian Sultana is in the public domain. This text is taken from The Poetical Works of William Collins; With a Memoir, Project Gutenberg ebook #29879; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Collins, Abra; Or, the Georgian Sultana, in Poetical Works (1746), text of Project Gutenberg ebook #29879, Laurel, https://laurelpoetry.com/poem/collins-poems/abra-or-the-georgian-sultana.html, id L13340.

Form and metre

Abra; Or, the Georgian Sultana is 74 lines in 8 verse paragraphs. It is in rhyming couplets, 86% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 5 lines end on an unstressed syllable, a feminine ending. 5% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 2 AABBCC-- seenA · greenA · gladeB · shadeB · strayC · dayC · grove · love
  2. 3 AABBCCDDEEFF strainA · plainA · leadB · meadB · toldC · foldC · shadeD · madeD · choseE · growsE · thereF · hairF
  3. 4 AA--BB-- strayA · awayA · song · among · maidB · obey'dB · moved · loved
  4. 5 AABBCCDDEE plainA · remainA · viewB · adieuB · removeC · loveC · strainD · reignD · movedE · lovedE
  5. 6 AABBCCDDEEFFGG loveA · groveA · mindB · inclinedB · flowersC · hoursC · sceneD · greenD · bandE · handE · sungF · rungF · movedG · lovedG
  6. 7 AABBCC-- careA · fairA · retiredB · firedB · woreC · moreC · moved · loved
  7. 8 AABBCCDDEEFF ledA · bedA · excelB · wellB · throneC · aloneC · renownD · crownD · sayE · awayE · movedF · lovedF
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
SCENE, A forest.4··/˘
TIME, The evening.4··/˘
In Georgia's land, where Tefflis' towers are seen,10·/˘····/··
In distant view, along the level green,10·/˘·˘/·/˘·
While evening dews enrich the glittering glade,10·/˘·˘/·/˘·
And the tall forests cast a longer shade,10···/˘··/˘·
What time 'tis sweet o'er fields of rice to stray,10··········
Or scent the breathing maize at setting day;10···/˘··/˘·
Amidst the maids of Zagen's peaceful grove,10˘/·····/˘·
Emyra sung the pleasing cares of love.10·····/˘···
Of Abra first began the tender strain,10·/˘·˘/·/˘·
Who led her youth with flocks upon the plain.10··········
At morn she came those willing flocks to lead,10·····/˘···
Where lilies rear them in the watery mead;10·/˘····/˘·
From early dawn the livelong hours she told,10·/˘··/˘/··
Till late at silent eve she penn'd the fold.10···/˘·····
Deep in the grove, beneath the secret shade,10·······/˘·
A various wreath of odorous flowers she made:10·/˘··/˘/··
Gay-motley'd pinks and sweet jonquils she chose,10··········
The violet blue that on the moss-bank grows;10·/˘·······
All sweet to sense, the flaunting rose was there;10·····/˘···
The finish'd chaplet well adorn'd her hair.10·/˘/˘·˘/··
Great Abbas chanced that fated morn to stray,10·˘/··/˘···
By love conducted from the chase away;10··˘/˘···˘/
Among the vocal vales he heard her song,10···/˘·····
And sought, the vales and echoing groves among;10·····/˘···
At length he found, and woo'd the rural maid;10·······/˘·
She knew the monarch, and with fear obey'd.10···/····˘/
'Be every youth like royal Abbas moved,10·/˘··/˘˘/·
'And every Georgian maid like Abra loved!'10·/˘/˘··/˘·
The royal lover bore her from the plain;10·/˘/˘·····
Yet still her crook and bleating flock remain:10·····/˘·˘/
Oft, as she went, she backward turn'd her view,10·····/˘···
And bade that crook and bleating flock adieu.10·····/˘·˘/
Fair, happy maid! to other scenes remove,10·/˘··/˘·˘/
To richer scenes of golden power and love!10·/˘··/˘/··
Go leave the simple pipe and shepherd's strain;10···/˘··/˘·
With love delight thee, and with Abbas reign!10··˘/···˘/·
'Be every youth like royal Abbas moved,10·/˘··/˘˘/·
'And every Georgian maid like Abra loved!'10·/˘/˘··/˘·
Yet, 'midst the blaze of courts, she fix'd her love10··········
On the cool fountain, or the shady grove;10···/˘··/˘·
Still, with the shepherd's innocence, her mind10···/˘/˘˘··
To the sweet vale, and flowery mead, inclined;10·····/˘·˘/
And oft as spring renew'd the plains with flowers,11····˘/···/˘
Breathed his soft gales, and led the fragrant hours,11·······/˘/˘
With sure return she sought the sylvan scene,10··˘/···/˘·
The breezy mountains, and the forests green.10·/˘/˘··/˘·
Her maids around her moved, a duteous band!11·······/˘˘·
Each bore a crook, all rural, in her hand:10·····/˘···
Some simple lay, of flocks and herds, they sung;10·/˘·······
With joy the mountain and the forest rung.10···/˘··/˘·
'Be every youth like royal Abbas moved,10·/˘··/˘˘/·
'And every Georgian maid like Abra loved!'10·/˘/˘··/˘·
And oft the royal lover left the care10···/˘/˘···
And thorns of state, attendant on the fair;10····˘/˘···
Oft to the shades and low-roof'd cots retired,10········˘/
Or sought the vale where first his heart was fired:11·········/˘
A russet mantle, like a swain, he wore,10·/˘/˘·····
And thought of crowns, and busy courts, no more.10·····/˘···
'Be every youth like royal Abbas moved,10·/˘··/˘˘/·
'And every Georgian maid like Abra loved!'10·/˘/˘··/˘·
Blest was the life that royal Abbas led:10·····/˘˘/·
Sweet was his love, and innocent his bed.10·····/˘˘··
What if in wealth the noble maid excel?10·····/˘·˘/
The simple shepherd girl can love as well.10·/˘/˘·····
Let those who rule on Persia's jewel'd throne10·····/˘···
Be famed for love, and gentlest love alone;10·····/˘·˘/
Or wreathe, like Abbas, full of fair renown,10···˘/···˘/
The lover's myrtle with the warrior's crown.10·/˘/˘··/˘·
O happy days! the maids around her say;10·/˘·······
O haste, profuse of blessings, haste away!10··˘/·/˘·˘/
'Be every youth like royal Abbas moved,10·/˘··/˘˘/·
'And every Georgian maid like Abra loved!'10·/˘/˘··/˘·
Notes from the edition 1

Notes to the Poetical Works of William Collins, ed. W. C. Bronson (Project Gutenberg #29879).

  1. Stanza 3, line 9 That these flowers are found in very great abundance in some of the provinces of Persia, see the Modern History of the ingenious Mr. Salmon. C.

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