Constancy to an Ideal Object

Samuel Taylor Coleridge (1772–1834) · 1796–1817

iambic pentameter · heroic couplets · 52 lines · from Poems of Coleridge

Since all that beat about in Nature's range,Or veer or vanish; why should'st thou remainThe only constant in a world of change,O yearning Thought! that liv'st but in the brain?Call to the Hours, that in the distance play,The faery people of the future day--Fond Thought! not one of all that shining swarmWill breathe on thee with life-enkindling breath,Till when, like strangers shelt'ring from a storm,Hope and Despair meet in the porch of Death!Yet still thou haunt'st me; and though well I see,She is not thou, and only thou art she,Still, still as though some dear embodied Good,Some living Love before my eyes there stoodWith answering look a ready ear to lend,I mourn to thee and say--"Ah! loveliest friend!That this the meed of all my toils might be,To have a home, an English home, and thee!"Vain repetition! Home and Thou are one.The peacefull'st cot, the moon shall shine upon,Lulled by the thrush and wakened by the lark,Without thee were but a becalmed bark,Whose helmsman on an ocean waste and wideSits mute and pale his mouldering helm beside.

And art thou nothing? Such thou art, as whenThe woodman winding westward up the glenAt wintry dawn, where o'er the sheep-track's mazeThe viewless snow-mist weaves a glist'ning haze,Sees full before him, gliding without tread,An image with a glory round its head;The enamoured rustic worships its fair hues,Nor knows he makes the shadow, he pursues!

A Lovely form there sate beside my bed,And such a feeding calm its presence shed,A tender love so pure from earthly leaven,That I unnethe the fancy might control,'Twas my own spirit newly come from heaven,Wooing its gentle way into my soul!But ah! the change--It had not stirr'd, and yet--Alas! that change how fain would I forget!That shrinking back, like one that had mistook!That weary, wandering, disavowing look!'Twas all another, feature, look, and frame,And still, methought, I knew, it was the same!

This riddling tale, to what does it belong?Is't history? vision? or an idle song?Or rather say at once, within what spaceOf time this wild disastrous change took place?

Call it a moment's work (and such it seems)This tale's a fragment from the life of dreams;But say, that years matur'd the silent strife,And 'tis a record from the dream of life.

Words in this poem

meed v. t.
To reward; to repay. Waytt.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
woodman n.
A forest officer appointed to take care of the king's woods; a forester. [Eng.]
wintry a.
Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
maze n.
A wild fancy; a confused notion. [OE. mase; cf. OE. masen to confuse, puzzle, Norweg. masast to fall into a slumber, masa to be continually busy, prate, chatter, Icel. masa to chatter, dial. Sw.]
viewless a.
Not perceivable by the eye; invisible; unseen.
sate v. t.
To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
unnethe adv.
With difficulty. See Uneath.
fain v. t.
To be glad ; to wish or desire.
riddling a.
Speaking in a riddle or riddles; containing a riddle.
disastrous a.
Full of unpropitious stellar influences; unpropitious; ill-boding. [Cf. F. désastreux. See Disaster.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Constancy to an Ideal Object is in the public domain. This text is taken from Poems of Coleridge, Project Gutenberg ebook #8208; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Samuel Taylor Coleridge, Constancy to an Ideal Object, in Poems of Coleridge (1796–1817), text of Project Gutenberg ebook #8208, Laurel, https://laurelpoetry.com/poem/coleridge-poems/constancy-to-an-ideal-object.html, id L00343.

Form and metre

Constancy to an Ideal Object is 52 lines in 5 verse paragraphs. It is in rhyming couplets, 73% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 1 line ends on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCCDEDEFFGGHHFF--IIJJ rangeA · remainB · changeA · brainB · playC · dayC · swarmD · breathE · stormD · deathE · seeF · sheF · goodG · stoodG · lendH · friendH · beF · theeF · one · upon · larkI · barkI · wideJ · besideJ
  2. 2 AABBCCDD whenA · glenA · mazeB · hazeB · treadC · headC · huesD · pursuesD
  3. 3 AABCBCDDEEFF bedA · shedA · leavenB · controlC · heavenB · soulC · yetD · forgetD · mistookE · lookE · frameF · sameF
  4. 4 AABB belongA · songA · spaceB · placeB
  5. 5 AABB seemsA · dreamsA · strifeB · lifeB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Since all that beat about in Nature's range,10·······/˘·
Or veer or vanish; why should'st thou remain10···/˘···˘/
The only constant in a world of change,10·/˘/˘·····
O yearning Thought! that liv'st but in the brain?10·/˘·······
Call to the Hours, that in the distance play,10···/···/˘·
The faery people of the future day--10···/˘··/˘·
Fond Thought! not one of all that shining swarm10·······/˘·
Will breathe on thee with life-enkindling breath,10··········
Till when, like strangers shelt'ring from a storm,10···/˘·····
Hope and Despair meet in the porch of Death!10··˘/······
Yet still thou haunt'st me; and though well I see,10··········
She is not thou, and only thou art she,10·····/˘···
Still, still as though some dear embodied Good,10······˘/˘·
Some living Love before my eyes there stood10·/˘·······
With answering look a ready ear to lend,10·/˘··/˘···
I mourn to thee and say--"Ah! loveliest friend!11···········
That this the meed of all my toils might be,10··········
To have a home, an English home, and thee!"10·····/˘···
Vain repetition! Home and Thou are one.10··˘/˘·····
The peacefull'st cot, the moon shall shine upon,11···········
Lulled by the thrush and wakened by the lark,10·····/˘···
Without thee were but a becalmed bark,10······˘/˘·
Whose helmsman on an ocean waste and wide10·/···/˘···
Sits mute and pale his mouldering helm beside.10·····/˘·˘/
And art thou nothing? Such thou art, as when10···/˘·····
The woodman winding westward up the glen10·/˘/˘/˘···
At wintry dawn, where o'er the sheep-track's maze10·/˘·······
The viewless snow-mist weaves a glist'ning haze,10·/˘·······
Sees full before him, gliding without tread,10·····/˘···
An image with a glory round its head;10·/˘··/˘···
The enamoured rustic worships its fair hues,11·˘/˘/˘/˘···
Nor knows he makes the shadow, he pursues!10·····/··˘/
A Lovely form there sate beside my bed,10·/˘···˘/··
And such a feeding calm its presence shed,10···/˘··/˘·
A tender love so pure from earthly leaven,11·/˘····/˘/˘
That I unnethe the fancy might control,10·····/˘·˘/
'Twas my own spirit newly come from heaven,11···/˘/˘··/˘
Wooing its gentle way into my soul!10/˘·/˘·····
But ah! the change--It had not stirr'd, and yet--10··········
Alas! that change how fain would I forget!10˘/······˘/
That shrinking back, like one that had mistook!10·/˘·····˘/
That weary, wandering, disavowing look!10·/˘/˘˘˘/˘·
'Twas all another, feature, look, and frame,10··˘/˘/˘···
And still, methought, I knew, it was the same!10··˘/······
This riddling tale, to what does it belong?10·/˘·····˘/
Is't history? vision? or an idle song?10·/˘/˘··/˘·
Or rather say at once, within what space10·/˘·······
Of time this wild disastrous change took place?10····˘/˘···
Call it a moment's work (and such it seems)10···/˘·····
This tale's a fragment from the life of dreams;10···/˘·····
But say, that years matur'd the silent strife,10····˘/·/˘·
And 'tis a record from the dream of life.10···˘/·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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