Claude to Eustace
Dear Eustatio, I write that you may write me an answer,Or at the least to put us again en rapport with each other.Rome disappoints me much,--St Peter's, perhaps, in especial;Only the Arch of Titus and view from the Lateran please me:This, however, perhaps is the weather, which truly is horrid.Greece must be better, surely; and yet I am feeling so spiteful,That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,Though but to see with my eyes that these are vanity also.Rome disappoints me much; I hardly as yet understand it, butRUBBISHY seems the word that most exactly would suit it.All the foolish destructions, and all the sillier savings,All the incongruous things of past incompatible ages,Seem to be treasured up here to make fools of present and future.Would to Heaven the old Goths had made a cleaner sweep of it!Would to Heaven some new ones would come and destroy these churches!However, one can live in Rome as also in London.It is a blessing, no doubt, to be rid, at least for a time, ofAll one's friends and relations,--yourself (forgive me!) included,--All the assujettissement of having been what one has been,What one thinks one is, or thinks that others suppose one;Yet, in despite of all, we turn like fools to the English.Vernon has been my fate; who is here the same that you knew him,--Making the tour, it seems, with friends of the name of Trevellyn.
Rome disappoints me still; but I shrink and adapt myself to it.Somehow a tyrannous sense of a superincumbent oppressionStill, wherever I go, accompanies ever, and makes meFeel like a tree (shall I say?) buried under a ruin of brickwork.Rome, believe me, my friend, is like its own Monte Testaceo,Merely a marvellous mass of broken and castaway wine-pots.Ye gods! what do I want with this rubbish of ages departed,Things that Nature abhors, the experiments that she has failed in?What do I find in the Forum? An archway and two or three pillars.Well, but St. Peter's? Alas, Bernini has filled it with sculpture!No one can cavil, I grant, at the size of the great Coliseum.Doubtless the notion of grand and capacious and massive amusement,This the old Romans had; but tell me, is this an idea?Yet of solidity much, but of splendour little is extant:'Brickwork I found thee, and marble I left thee!' their Emperor vaunted;'Marble I thought thee, and brickwork I find thee!' the Tourist may answer.
At last, dearest Louisa, I take up my pen to address you.Here we are, you see, with the seven-and-seventy boxes,Courier, Papa and Mamma, the children, and Mary and Susan:Here we all are at Rome, and delighted of course with St. Peter's,And very pleasantly lodged in the famous Piazza di Spagna.Rome is a wonderful place, but Mary shall tell you about it;Not very gay, however; the English are mostly at Naples;There are the A.'s, we hear, and most of the W. party.George, however, is come; did I tell you about his mustachios?Dear, I must really stop, for the carriage, they tell me, is waiting;Mary will finish; and Susan is writing, they say, to Sophia.Adieu, dearest Louise,--evermore your faithful Georgina.Who can a Mr. Claude be whom George has taken to be with?Very stupid, I think, but George says so VERY clever.
No, the Christian faith, as at any rate I understood it,With its humiliations and exaltations combining,Exaltations sublime, and yet diviner abasements,Aspirations from something most shameful here upon earth andIn our poor selves to something most perfect above in the heavens,--No, the Christian faith, as I, at least, understood it,Is not here, O Rome, in any of these thy churches;Is not here, but in Freiburg, or Rheims, or Westminster Abbey.What in thy Dome I find, in all thy recenter efforts,Is a something, I think, more RATIONAL far, more earthly,Actual, less ideal, devout not in scorn and refusal,But in a positive, calm, Stoic-Epicurean acceptance.This I begin to detect in St. Peter's and some of the churches,Mostly in all that I see of the sixteenth-century masters;Overlaid of course with infinite gauds and gewgaws,Innocent, playful follies, the toys and trinkets of childhood,Forced on maturer years, as the serious one thing needful,By the barbarian will of the rigid and ignorant Spaniard.Curious work, meantime, re-entering society: how weWalk a livelong day, great Heaven, and watch our shadows!What our shadows seem, forsooth, we will ourselves be.Do I look like that? you think me that: then I AM that.
Luther, they say, was unwise; like a half-taught German, he could notSee that old follies were passing most tranquilly out of remembrance;Leo the Tenth was employing all efforts to clear out abuses;Jupiter, Juno, and Venus, Fine Arts, and Fine Letters, the Poets,Scholars, and Sculptors, and Painters, were quietly clearing away theMartyrs, and Virgins, and Saints, or at any rate Thomas Aquinas:He must forsooth make a fuss and distend his huge Wittenberg lungs, andBring back Theology once yet again in a flood upon Europe:Lo you, for forty days from the windows of heaven it fell; theWaters prevail on the earth yet more for a hundred and fifty;Are they abating at last? the doves that are sent to explore areWearily fain to return, at the best with a leaflet of promise,--Fain to return, as they went, to the wandering wave-tost vessel,--Fain to re-enter the roof which covers the clean and the unclean,--Luther, they say, was unwise; he didn't see how things were going;Luther was foolish,--but, O great God! what call you Ignatius?O my tolerant soul, be still! but you talk of barbarians,Alaric, Attila, Genseric;--why, they came, they killed, theyRavaged, and went on their way; but these vile, tyrannous Spaniards,These are here still,--how long, O ye heavens, in the country of Dante?These, that fanaticized Europe, which now can forget them, release notThis, their choicest of prey, this Italy; here you see them,--Here, with emasculate pupils and gimcrack churches of Gesu,Pseudo-learning and lies, confessional-boxes and postures,--Here, with metallic beliefs and regimental devotions,--Here, overcrusting with slime, perverting, defacing, debasing,Michael Angelo's Dome, that had hung the Pantheon in heaven,Raphael's Joys and Graces, and thy clear stars, Galileo!
Which of three Misses Trevellyn it is that Vernon shall marryIs not a thing to be known; for our friend is one of those naturesWhich have their perfect delight in the general tender-domestic,So that he trifles with Mary's shawl, ties Susan's bonnet,Dances with all, but at home is most, they say, with Georgina,Who is, however, TOO silly in my apprehension for Vernon.I, as before when I wrote, continue to see them a little;Not that I like them much or care a bajocco for Vernon,But I am slow at Italian, have not many English acquaintance,And I am asked, in short, and am not good at excuses.Middle-class people these, bankers very likely, not whollyPure of the taint of the shop; will at table d'hote and restaurantHave their shilling's worth, their penny's pennyworth even:Neither man's aristocracy this, nor God's, God knoweth!Yet they are fairly descended, they give you to know, well connected;Doubtless somewhere in some neighbourhood have, and are careful to keep, someThreadbare-genteel relations, who in their turn are enchantedGrandly among county people to introduce at assembliesTo the unpennied cadets our cousins with excellent fortunes.Neither man's aristocracy this, nor God's, God knoweth!
Ah, what a shame, indeed, to abuse these most worthy people!Ah, what a sin to have sneered at their innocent rustic pretensions!Is it not laudable really, this reverent worship of station?Is it not fitting that wealth should tender this homage to culture?Is it not touching to witness these efforts, if little availing,Painfully made, to perform the old ritual service of manners?Shall not devotion atone for the absence of knowledge? and fervourPalliate, cover, the fault of a superstitious observance?Dear, dear, what do I say? but, alas! just now, like Iago,I can be nothing at all, if it is not critical wholly;So in fantastic height, in coxcomb exaltation,Here in the garden I walk, can freely concede to the MakerThat the works of His hand are all very good: His creatures,Beast of the field and fowl, He brings them before me; I name them;That which I name them, they are,--the bird, the beast, and the cattle.But for Adam,--alas, poor critical coxcomb Adam!But for Adam there is not found an help-meet for him.
No, great Dome of Agrippa, thou art not Christian! canst not,Strip and replaster and daub and do what they will with thee, be so!Here underneath the great porch of colossal Corinthian columns,Here as I walk, do I dream of the Christian belfries above them?Or, on a bench as I sit and abide for long hours, till thy whole vastRound grows dim as in dreams to my eyes, I repeople thy niches,Not with the Martyrs, and Saints, and Confessors, and Virgins, and children,But with the mightier forms of an older, austerer worship;And I recite to myself, howEager for battle hereStood Vulcan, here matronal Juno,And with the bow to his shoulder faithfulHe who with pure dew laveth of CastalyHis flowing locks, who holdeth of LyciaThe oak forest and the wood that bore him,Delos' and Patara's own Apollo.
* Hic avidus stetitVulcanus, hic matrona Juno, etNunquam humeris positurus arcum;Qui rore puro Castaliae lavitCrines solutos, qui Lyciae tenetDumeta natalemque silvam,Delius et Patareus Apollo.
Yet it is pleasant, I own it, to be in their company; pleasant,Whatever else it may be, to abide in the feminine presence.Pleasant, but wrong, will you say? But this happy, serene coexistenceIs to some poor soft souls, I fear, a necessity simple,Meat and drink and life, and music, filling with sweetness,Thrilling with melody sweet, with harmonies strange overwhelming,All the long-silent strings of an awkward, meaningless fabric.Yet as for that, I could live, I believe, with children; to have thosePure and delicate forms encompassing, moving about you,This were enough, I could think; and truly with glad resignationCould from the dream of Romance, from the fever of flushed adolescence,Look to escape and subside into peaceful avuncular functions.Nephews and nieces! alas, for as yet I have none! and, moreover,Mothers are jealous, I fear me, too often, too rightfully; fathersThink they have title exclusive to spoiling their own little darlings;And by the law of the land, in despite of Malthusian doctrine,No sort of proper provision is made for that most patriotic,Most meritorious subject, the childless and bachelor uncle.
Ye, too, marvellous Twain, that erect on the Monte CavalloStand by your rearing steeds in the grace of your motionless movement,Stand with your upstretched arms and tranquil regardant faces,Stand as instinct with life in the might of immutable manhood,--O ye mighty and strange, ye ancient divine ones of Hellas.Are ye Christian too? to convert and redeem and renew you,Will the brief form have sufficed, that a Pope has set up on the apexOf the Egyptian stone that o'ertops you, the Christian symbol?And ye, silent, supreme in serene and victorious marble,Ye that encircle the walls of the stately Vatican chambers,Juno and Ceres, Minerva, Apollo, the Muses and Bacchus,Ye unto whom far and near come posting the Christian pilgrims,Ye that are ranged in the halls of the mystic Christian Pontiff,Are ye also baptized? are ye of the kingdom of Heaven?Utter, O some one, the word that shall reconcile Ancient and Modern!Am I to turn me from this unto thee, great Chapel of Sixtus?
These are the facts. The uncle, the elder brother, the squire (aLittle embarrassed, I fancy), resides in the family place inCornwall, of course; 'Papa is in business,' Mary informs me;He's a good sensible man, whatever his trade is. The motherIs--shall I call it fine?--herself she would tell you refined, andGreatly, I fear me, looks down on my bookish and maladroit manners;Somewhat affecteth the blue; would talk to me often of poets;Quotes, which I hate, Childe Harold; but also appreciates Wordsworth;Sometimes adventures on Schiller; and then to religion diverges;Questions me much about Oxford; and yet, in her loftiest flights stillGrates the fastidious ear with the slightly mercantile accent.
Is it contemptible, Eustace--I'm perfectly ready to think so,--Is it,--the horrible pleasure of pleasing inferior people?I am ashamed of my own self; and yet true it is, if disgraceful,That for the first time in life I am living and moving with freedom.I, who never could talk to the people I meet with my uncle,--I, who have always failed,--I, trust me, can suit the Trevellyns;I, believe me,--great conquest, am liked by the country bankers.And I am glad to be liked, and like in return very kindly.So it proceeds; laissez faire, laissez aller,--such is the watchword.Well, I know there are thousands as pretty and hundreds as pleasant,Girls by the dozen as good, and girls in abundance with polishHigher and manners more perfect than Susan or Mary Trevellyn.Well, I know, after all, it is only juxtaposition,--Juxtaposition, in short; and what is juxtaposition?
But I am in for it now,--laissez faire, of a truth, laissez aller.Yes, I am going,--I feel it, I feel and cannot recall it,--Fusing with this thing and that, entering into all sorts of relations,Tying I know not what ties, which, whatever they are, I know one thing,Will, and must, woe is me, be one day painfully broken,--Broken with painful remorses, with shrinkings of soul, and relentings,Foolish delays, more foolish evasions, most foolish renewals.But I have made the step, have quitted the ship of Ulysses;Quitted the sea and the shore, passed into the magical island;Yet on my lips is the moly, medicinal, offered of Hermes.I have come into the precinct, the labyrinth closes around me,Path into path rounding slyly; I pace slowly on, and the fancy,Struggling awhile to sustain the long sequences, weary, bewildered,Fain must collapse in despair; I yield, I am lost, and know nothing;Yet in my bosom unbroken remaineth the clue; I shall use it.Lo, with the rope on my loins I descend through the fissure; I sink, yetInly secure in the strength of invisible arms up above me;Still, wheresoever I swing, wherever to shore, or to shelf, orFloor of cavern untrodden, shell sprinkled, enchanting, I know IYet shall one time feel the strong cord tighten about me,--Feel it, relentless, upbear me from spots I would rest in; and though theRope sway wildly, I faint, crags wound me, from crag unto crag re-Bounding, or, wide in the void, I die ten deaths, ere the end IYet shall plant firm foot on the broad lofty spaces I quit, shallFeel underneath me again the great massy strengths of abstraction,Look yet abroad from the height o'er the sea whose salt wave I have tasted.
Dearest Louisa,--Inquire, if you please, about Mr. Claude ----.He has been once at R., and remembers meeting the H.'s.Harriet L., perhaps, may be able to tell you about him.It is an awkward youth, but still with very good manners;Not without prospects, we hear; and, George says, highly connected.Georgy declares it absurd, but Mamma is alarmed, and insists he hasTaken up strange opinions, and may be turning a Papist.Certainly once he spoke of a daily service he went to.'Where?' we asked, and he laughed and answered, 'At the Pantheon.'This was a temple, you know, and now is a Catholic church; andThough it is said that Mazzini has sold it for Protestant service,Yet I suppose this change can hardly as yet be effected.Adieu again,--evermore, my dearest, your loving Georgina.
Words in this poem 89
- rapport n.
- Relation; proportion; conformity; correspondence; accord. [F., fr. rapporter to bring again or back, to refer; pref. re- re- + apporter to bring, L. apporter to bring, L. apportare. Cf. Report.]
- lateran n.
- The church and palace of St. John Lateran, the church being the cathedral church of Rome, and the highest in rank of all churches in the Catholic world.
- horrid a.
- Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
- cleaner n.
- One who, or that which, cleans.
- tour n.
- A going round; a circuit; hence, a journey in a circuit; a prolonged circuitous journey; a comprehensive excursion; as, the tour of Europe; the tour of France or England. [F. tour. See Turn, v. t.]
- somehow adv.
- In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
- tyrannous a.
- Tyrannical; arbitrary; unjustly severe; despotic. Sir P.
- wherever adv.
- At or in whatever place; wheresoever.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- brickwork n.
- Anything made of bricks.
- monte n.
- A favorite gambling game among Spaniards, played with dice or cards. [Sp., lit., mountain, hence, the stock of cards remaining after laying out a certain number, fr. L. mons, montis, mountain.]
- castaway n.
- One who, or that which, is cast away or shipwrecked.
- forum n.
- A market place or public place in Rome, where causes were judicially tried, and orations delivered to the people. [L.; akin to foris, foras, out of doors. See Foreign.]
- archway n.
- A way or passage under an arch.
- coliseum n.
- The amphitheater of Vespasian at Rome, the largest in the world. [Written also Colosseum.] [NL. (cf. It. coliseo, colosseo), fr. L. colosseus colossal, fr. colossus a colossus. See Colossus, and cf. Colosseum.]
- doubtless a.
- Free from fear or suspicion.
- amusement n.
- Deep thought; muse. [Cf. F. amusement.]
- splendour n.
- Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
- extant a.
- Standing out or above any surface; protruded. [L. extans, -antis, or exstans, -antis, p.pr. of extare, exstare, to stand out or forth; ex out + stare to stand: cf. F. extant. See Stand.]
- tourist n.
- One who makes a tour, or performs a journey in a circuit.
- papa n.
- A child's word for father. [F. papa, L. papa; cf. Gr. Pope.]
- delighted a.
- Endowed with delight.
- pleasantly adv.
- In a pleasant manner.
- piazza n.
- An open square in a European town, especially an Italian town; hence (Arch.), an arcaded and roofed gallery; a portico. In the United States the word is popularly applied to a veranda. [It., place, square, market place, L. platea street, courtyard. See Place.]
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- recenter v. t.
- To center again; to restore to the center. Coleridge. [Pref. re- + center.]
- childhood n.
- The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
- maturer n.
- One who brings to maturity.
- needful a.
- Full of need; in need or want; needy; distressing.
- spaniard n.
- A native or inhabitant of Spain.
- curious a.
- Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
- livelong a.
- Whole; entire; long in passing; -- used of time, as day or night, in adverbial phrases, and usually with a sense of tediousness. [For lifelong. Cf. Lifelong.]
- forsooth v. t.
- To address respectfully with the term forsooth.
- tranquilly adv.
- In a tranquil manner; calmly.
- fuss n.
- A tumult; a bustle; unnecessary or annoying ado about trifles. [Cf. Fusome.]
- explore v. t.
- To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
- wearily adv.
- In a weary manner.
- fain v. t.
- To be glad ; to wish or desire.
- went n.
- Course; way; path; journey; direction.
- tolerant a.
- Inclined to tolerate; favoring toleration; forbearing; ingulgent. [L. tolerans, p.pr. of tolerare to tolerate: cf. F. tolérant. See Tolerate.]
- gimcrack n.
- A trivial mechanism; a device; a toy; a pretty thing. [OE., a spruce and pert pretender, also, a spruce girl, prob. fr. gim + crack lad, boaster.]
- pantheon n.
- A temple dedicated to all the gods; especially, the building so called at Rome. [L. pantheon, pantheum, Gr. panthéon. See Pan-, and Theism.]
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- bajocco n.
- A small cooper coin formerly current in the Roman States, worth about a cent and a half. [It., fr. bajo brown, bay, from its color.]
- pennyworth n.
- A penny's worth; as much as may be bought for a penny.
- fairly adv.
- In a fairmanner; clearly; openly; plainly; fully; distinctly; frankly.
- somewhere adv.
- In some place unknown or not specified; in one place or another.
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- grandly adv.
- In a grand manner.
- county n.
- An earldom; the domain of a count or earl. [F. comt, fr. LL. comitatus. See Count.]
- wealth n.
- Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
- atone v. t.
- To set at one; to reduce to concord; to reconcile, as parties at variance; to appease.
- fervour n.
- Heat; excessive warmth. [OF. fervor, fervour, F. ferveur, L. fervor, fr. fervere. See Fervent.]
- palliate a.
- Covered with a mant Bp. Hall. [L. palliatus, fr. pallium a cloak. See Pall the garment.]
- concede v. t.
- To yield or suffer; to surrender; to grant; as. to concede the point in question. Boyle. [L. concedere, concessum; con- + cedere to go along, give way, yield: cf. F. concéder. See Cede.]
- colossal a.
- Of enormous size; gigantic; huge; as, a colossal statue. [Cf. F. cossal, L. colosseus. See Colossus.]
- repeople v. t.
- To people anew. [Pref. re- + people: cf. F. repeupler.]
- matronal a.
- Of or pertaining to a matron; suitable to an elderly lady or to a married woman; grave; motherly. [L. matronalis.]
- coexistence n.
- Existence at the same time with another; -- contemporary existence.
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
- resignation n.
- The act of resigning or giving up, as a claim, possession, office, or the like; surrender; as, the resignation of a crown or comission. [F. résignation. See Resign.]
- adolescence n.
- The state of growing up from childhood to manhood or womanhood; youth, or the period of life between puberty and maturity, generally considered to be, in the male sex, from fourteen to twenty-one. [Fr., fr. L. adolescentia.]
- avuncular a.
- Of or pertaining to an uncle. [L. avunculus uncle.]
- rightfully adv.
- According to right or justice.
- malthusian a.
- Of or pertaining to the political economist, the Rev. T. R.
- twain a.
- Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
- regardant a.
- Looking behind; looking backward watchfully. [F. regardant, fr. regarder. See Regard, v. t.]
- immutable a.
- Not mutable; not capable or susceptible of change; unchangeable; unalterable. [L. immutabilis; pref. im- not + mutabilis mutable. See Mutable.]
- vatican n.
- A magnificent assemblage of buildings at Rome, near the church of St. Peter, including the pope's palace, a museum, a library, a famous chapel, etc. [L. Vaticanus, mons, or collis, Vaticanus, the Vatican hill, in Rome, on the western bank of the Tiber: cf. F. Vatican, It. Vaticano.]
- ceres n.
- The daughter of Saturn and Ops or Rhea, the goddess of corn and tillage. [L., Ceres, also corn, grain, akin to E. create.]
- minerva n.
- The goddess of wisdom, of war, of the arts and sciences, of poetry, and of spinning and weaving; -- identified with the Grecian Pallas Athene. [L.]
- posting n.
- The act of traveling post.
- bookish a.
- Given to reading; fond of study; better acquainted with books than with men; learned from books.
- maladroit a.
- Of a quality opposed to adroitness; clumsy; awkward; unskillful. [F. See Malice, and Adroit.]
- childe n.
- A cognomen formerly prefixed to his name by the oldest son, until he succeeded to his ancestral titles, or was knighted; as, Childe Roland.
- aller a.
- Of all; -- used in composition; as, alderbest, best of all, alderwisest, wisest of all. [From ealra, alra, gen. pl. of AS. eal. The d is excrescent.]
- juxtaposition n.
- A placing or being placed in nearness or contiguity, or side by side; as, a juxtaposition of words. [L. juxta near + positio position: cf. F. juxtaposition. See Just, v. i., and Position.]
- moly n.
- A fabulous herb of occult power, having a black root and white blossoms, said by Homer to have been given by Hermes to Ulysses to counteract the spells of Circe.
- precinct n.
- The limit or exterior line encompassing a place; a boundary; a confine; limit of jurisdiction or authority; -- often in the plural; as, the precincts of a state. [LL. praecinctum, fr. L. praecingere, praecinctum, to gird about, to encompass; prae before + cingere to gird, surround. See Pre-, and Cincture.]
- rounding a.
- Round or nearly round; becoming round; roundish.
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- clue n.
- A ball of thread, yarn, or cord; also, The thread itself. [OE. clewe, clowe, clue, AS. cleowen, cliwen, clywe ball of thread; akin to D. kluwen, OHG. chliwa, chliuwa, G. dim. kleuel, knäuel, and perch. to L. gluma hull,]
- inly a.
- Internal; interior; secret. [OE. inlich, AS. inlic. See In.]
- relentless a.
- Unmoved by appeals for sympathy or forgiveness; insensible to the distresses of others; destitute of tenderness; unrelenting; unyielding; unpitying; as, a prey to relentless despotism.
- upbear v. t.
- To bear up; to raise aloft; to support in an elevated situation; to sustain.
- crag n.
- The neck or throat [A form of craw: cf. D. kraag neck, collar, G. kragen. See Craw.]
- massy a.
- Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
- papist n.
- A Roman catholic; one who adheres to the Church of Rome and the authority of the pope; -- an offensive designation applied to Roman Catholics by their opponents. [F. papiste. See Pape, Pope.]
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Claude to Eustace is in the public domain. This text is taken from Amours De Voyage, Project Gutenberg ebook #1393; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Arthur Hugh Clough, Claude to Eustace, in Amours de Voyage (1858), text of Project Gutenberg ebook #1393, Laurel, https://laurelpoetry.com/poem/clough-amours/claude-to-eustace.html, id L01590.
Form and metre
Claude to Eustace is 261 lines in 15 stanzas. 73% of its stressed syllables fall where the metre puts the beat. The lines average 15.4 syllables. 167 lines end on an unstressed syllable, a feminine ending. 20% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---A--A--B---B-C--CC--- answer · other · especial · meA · horrid · spiteful · sinaiA · also · but · itB · savings · ages · future · itB · churches · londonC · of · included · beenC · oneC · english · him · trevellyn
- 4 A----AB-----B--C-CD-D- itA · combining · abasements · and · heavens · itA · churchesB · abbey · efforts · earthly · refusal · acceptance · churchesB · masters · gewgaws · childhoodC · needful · spaniardC · weD · shadows · beD · that
- 5 A---B---B-----------A------- notA · remembrance · abuses · poets · theB · aquinas · and · europe · theB · fifty · are · promise · vessel · unclean · going · ignatius · barbarians · they · spaniards · dante · notA · them · gesu · postures · devotions · debasing · heaven · galileo
- 6 -----A-A-----B-----B marry · natures · domestic · bonnet · georgina · vernonA · little · vernonA · acquaintance · excuses · wholly · restaurant · even · knowethB · connected · some · enchanted · assemblies · fortunes · knowethB
- 7 --A-------A--B-BB people · pretensions · stationA · culture · availing · manners · fervour · observance · iago · wholly · exaltationA · maker · creatures · themB · cattle · adamB · himB
- 9 AB-AB-- stetitA · etB · arcum · lavitA · tenetB · silvam · apollo
- 13 ------------AA so · people · disgraceful · freedom · uncle · trevellyns · bankers · kindly · watchword · pleasant · polish · trevellyn · juxtapositionA · juxtapositionA
- 14 -A--------B---A-B-CBBBC--- aller · itA · relations · thing · broken · relentings · renewals · ulysses · island · hermes · meB · fancy · bewildered · nothing · itA · yet · meB · or · iC · meB · theB · reB · iC · shall · abstraction · tasted
- 15 A--BAB-----A- claudeA · — · him · mannersB · connectedA · hasB · papist · to · pantheon · and · service · effectedA · georgina
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Dear Eustatio, I write that you may write me an answer, | 14 | ············/˘ |
| Or at the least to put us again en rapport with each other. | 16 | ·······˘/·˘/··/˘ |
| Rome disappoints me much,--St Peter's, perhaps, in especial; | 15 | ··˘/···/˘˘/·˘/˘ |
| Only the Arch of Titus and view from the Lateran please me: | 16 | /˘···/˘····/˘˘·· |
| This, however, perhaps is the weather, which truly is horrid. | 16 | ··/˘˘/··/˘·/˘·/˘ |
| Greece must be better, surely; and yet I am feeling so spiteful, | 16 | ···/˘/˘····/˘·/˘ |
| That I could travel to Athens, to Delphi, and Troy, and Mount Sinai, | 17 | ···/˘·/˘·/˘····/· |
| Though but to see with my eyes that these are vanity also. | 15 | ··········/˘˘/˘ |
| Rome disappoints me much; I hardly as yet understand it, but | 16 | ··˘/···/˘···˘/·· |
| RUBBISHY seems the word that most exactly would suit it. | 14 | ········˘/˘··· |
| All the foolish destructions, and all the sillier savings, | 15 | ··/˘˘/˘···/˘˘/˘ |
| All the incongruous things of past incompatible ages, | 16 | ··˘/˘˘···˘˘/˘˘/˘ |
| Seem to be treasured up here to make fools of present and future. | 16 | ···/˘······/˘·/˘ |
| Would to Heaven the old Goths had made a cleaner sweep of it! | 15 | ··/˘······/˘··· |
| Would to Heaven some new ones would come and destroy these churches! | 15 | ··/˘······˘/·/˘ |
| However, one can live in Rome as also in London. | 14 | ·/˘······/˘·/˘ |
| It is a blessing, no doubt, to be rid, at least for a time, of | 16 | ···/˘··········· |
| All one's friends and relations,--yourself (forgive me!) included,-- | 15 | ····˘/˘˘/˘/·˘/˘ |
| All the assujettissement of having been what one has been, | 16 | ·········/˘····· |
| What one thinks one is, or thinks that others suppose one; | 13 | ········/˘˘/· |
| Yet, in despite of all, we turn like fools to the English. | 14 | ··˘/········/˘ |
| Vernon has been my fate; who is here the same that you knew him,-- | 15 | /˘············· |
| Making the tour, it seems, with friends of the name of Trevellyn. | 15 | /˘············· |
| Rome disappoints me still; but I shrink and adapt myself to it. | 16 | ··˘/······˘/·/·· |
| Somehow a tyrannous sense of a superincumbent oppression | 17 | /··/˘˘········˘/˘ |
| Still, wherever I go, accompanies ever, and makes me | 15 | ·˘/˘··˘/˘˘/˘··· |
| Feel like a tree (shall I say?) buried under a ruin of brickwork. | 17 | ·······/˘···/˘·/˘ |
| Rome, believe me, my friend, is like its own Monte Testaceo, | 15 | ·˘/·······/˘··· |
| Merely a marvellous mass of broken and castaway wine-pots. | 16 | /˘······/˘·/˘··· |
| Ye gods! what do I want with this rubbish of ages departed, | 16 | ········/˘·/˘˘/˘ |
| Things that Nature abhors, the experiments that she has failed in? | 16 | ··/˘˘/·˘/˘˘····· |
| What do I find in the Forum? An archway and two or three pillars. | 17 | ······/˘·/·····/˘ |
| Well, but St. Peter's? Alas, Bernini has filled it with sculpture! | 16 | ···/˘˘/·······/˘ |
| No one can cavil, I grant, at the size of the great Coliseum. | 17 | ···/˘·········˘/˘ |
| Doubtless the notion of grand and capacious and massive amusement, | 17 | /˘·/˘···˘/˘·/˘˘/˘ |
| This the old Romans had; but tell me, is this an idea? | 15 | ···/˘·······˘/˘ |
| Yet of solidity much, but of splendour little is extant: | 16 | ··˘/˘˘···/˘/˘·/˘ |
| 'Brickwork I found thee, and marble I left thee!' their Emperor vaunted; | 17 | /˘····/˘····/˘˘/˘ |
| 'Marble I thought thee, and brickwork I find thee!' the Tourist may answer. | 17 | /˘····/˘····/˘·/˘ |
| At last, dearest Louisa, I take up my pen to address you. | 16 | ··/˘˘/˘······/·· |
| Here we are, you see, with the seven-and-seventy boxes, | 15 | ·······/˘·/˘˘/˘ |
| Courier, Papa and Mamma, the children, and Mary and Susan: | 17 | /˘˘/˘·/˘·/˘·/˘·/˘ |
| Here we all are at Rome, and delighted of course with St. Peter's, | 16 | ·······˘/˘····/˘ |
| And very pleasantly lodged in the famous Piazza di Spagna. | 17 | ·/˘/˘˘···/˘˘/˘·/˘ |
| Rome is a wonderful place, but Mary shall tell you about it; | 16 | ···/˘˘··/˘······ |
| Not very gay, however; the English are mostly at Naples; | 16 | ·/˘··/˘·/˘·/˘·/˘ |
| There are the A.'s, we hear, and most of the W. party. | 16 | ···········/˘˘/˘ |
| George, however, is come; did I tell you about his mustachios? | 17 | ··/˘·········˘/˘· |
| Dear, I must really stop, for the carriage, they tell me, is waiting; | 16 | ···/˘···/˘····/˘ |
| Mary will finish; and Susan is writing, they say, to Sophia. | 17 | /˘·/˘·/˘·/˘···˘/˘ |
| Adieu, dearest Louise,--evermore your faithful Georgina. | 15 | ˘//˘˘//˘··/˘·/˘ |
| Who can a Mr. Claude be whom George has taken to be with? | 15 | ···/˘·····/˘··· |
| Very stupid, I think, but George says so VERY clever. | 14 | /˘/˘······/˘/˘ |
| No, the Christian faith, as at any rate I understood it, | 15 | ··/˘···/˘···˘/· |
| With its humiliations and exaltations combining, | 15 | ····˘/˘·····˘/˘ |
| Exaltations sublime, and yet diviner abasements, | 15 | ····˘/··˘/˘···· |
| Aspirations from something most shameful here upon earth and | 15 | ·˘/˘·/˘·/˘····· |
| In our poor selves to something most perfect above in the heavens,-- | 17 | ·/˘···/˘·˘/····/˘ |
| No, the Christian faith, as I, at least, understood it, | 13 | ··/˘······˘/· |
| Is not here, O Rome, in any of these thy churches; | 13 | ······/˘···/˘ |
| Is not here, but in Freiburg, or Rheims, or Westminster Abbey. | 15 | ···········/˘/˘ |
| What in thy Dome I find, in all thy recenter efforts, | 14 | ·········˘/˘/˘ |
| Is a something, I think, more RATIONAL far, more earthly, | 14 | ··/˘···/˘˘··/˘ |
| Actual, less ideal, devout not in scorn and refusal, | 15 | /˘˘·˘/˘/····˘/˘ |
| But in a positive, calm, Stoic-Epicurean acceptance. | 17 | ···/˘˘·/˘·˘˘/˘˘/˘ |
| This I begin to detect in St. Peter's and some of the churches, | 17 | ··˘/·˘/··/˘····/˘ |
| Mostly in all that I see of the sixteenth-century masters; | 16 | /˘·······˘//˘˘/˘ |
| Overlaid of course with infinite gauds and gewgaws, | 13 | /˘····/˘˘··/˘ |
| Innocent, playful follies, the toys and trinkets of childhood, | 15 | /˘˘/˘/˘···/˘·/· |
| Forced on maturer years, as the serious one thing needful, | 15 | ··˘/˘···/˘˘··/˘ |
| By the barbarian will of the rigid and ignorant Spaniard. | 17 | ··˘/˘˘···/˘·/˘˘/˘ |
| Curious work, meantime, re-entering society: how we | 16 | /˘˘·/··/˘˘˘/˘˘·· |
| Walk a livelong day, great Heaven, and watch our shadows! | 14 | ··/˘··/˘··/˘/· |
| What our shadows seem, forsooth, we will ourselves be. | 14 | ·/˘/··˘/··˘˘/· |
| Do I look like that? you think me that: then I AM that. | 13 | ············· |
| Luther, they say, was unwise; like a half-taught German, he could not | 16 | /˘···˘/····/˘··· |
| See that old follies were passing most tranquilly out of remembrance; | 17 | ···/˘·/˘·/˘˘··˘/˘ |
| Leo the Tenth was employing all efforts to clear out abuses; | 17 | /˘···˘/˘·/˘···˘/˘ |
| Jupiter, Juno, and Venus, Fine Arts, and Fine Letters, the Poets, | 17 | /˘˘/˘·/˘····/˘·/˘ |
| Scholars, and Sculptors, and Painters, were quietly clearing away the | 17 | /˘·/˘·/˘·/˘˘/˘˘/· |
| Martyrs, and Virgins, and Saints, or at any rate Thomas Aquinas: | 17 | /˘·/˘····/˘·/˘˘/˘ |
| He must forsooth make a fuss and distend his huge Wittenberg lungs, and | 17 | ··˘/····˘/··/˘˘·· |
| Bring back Theology once yet again in a flood upon Europe: | 17 | ··˘/˘˘··˘/·····/˘ |
| Lo you, for forty days from the windows of heaven it fell; the | 16 | ···/˘···/˘·/˘··· |
| Waters prevail on the earth yet more for a hundred and fifty; | 16 | /˘˘/·······/˘·/˘ |
| Are they abating at last? the doves that are sent to explore are | 16 | ··˘/˘········˘/· |
| Wearily fain to return, at the best with a leaflet of promise,-- | 17 | /˘˘··˘/·····/˘·/˘ |
| Fain to return, as they went, to the wandering wave-tost vessel,-- | 16 | ··˘/·····/˘˘··/˘ |
| Fain to re-enter the roof which covers the clean and the unclean,-- | 16 | ···/˘···/˘····˘/ |
| Luther, they say, was unwise; he didn't see how things were going; | 16 | /˘···˘/·/˘····/˘ |
| Luther was foolish,--but, O great God! what call you Ignatius? | 15 | /˘·/˘·······˘/˘ |
| O my tolerant soul, be still! but you talk of barbarians, | 16 | ··/˘˘·······˘/˘˘ |
| Alaric, Attila, Genseric;--why, they came, they killed, they | 15 | /˘˘˘/˘········· |
| Ravaged, and went on their way; but these vile, tyrannous Spaniards, | 15 | /˘········/˘˘/˘ |
| These are here still,--how long, O ye heavens, in the country of Dante? | 17 | ········/˘··/˘·/˘ |
| These, that fanaticized Europe, which now can forget them, release not | 17 | ······/˘···˘/·˘/· |
| This, their choicest of prey, this Italy; here you see them,-- | 14 | ··/˘···/˘˘···· |
| Here, with emasculate pupils and gimcrack churches of Gesu, | 16 | ··˘/˘˘/˘·/˘/˘··· |
| Pseudo-learning and lies, confessional-boxes and postures,-- | 15 | /˘/˘··˘/˘˘/˘·/˘ |
| Here, with metallic beliefs and regimental devotions,-- | 15 | ··˘/˘˘/··˘/˘˘/˘ |
| Here, overcrusting with slime, perverting, defacing, debasing, | 16 | ·······˘/˘˘/˘˘/˘ |
| Michael Angelo's Dome, that had hung the Pantheon in heaven, | 16 | /˘/˘······/˘··/˘ |
| Raphael's Joys and Graces, and thy clear stars, Galileo! | 15 | ·˘/··/˘·····˘/˘ |
| Which of three Misses Trevellyn it is that Vernon shall marry | 16 | ···/˘······/˘·/˘ |
| Is not a thing to be known; for our friend is one of those natures | 17 | ········/˘·····/˘ |
| Which have their perfect delight in the general tender-domestic, | 17 | ···˘/˘/··/˘˘/˘˘/˘ |
| So that he trifles with Mary's shawl, ties Susan's bonnet, | 14 | ···/˘·/˘··/˘/˘ |
| Dances with all, but at home is most, they say, with Georgina, | 15 | /˘···········/˘ |
| Who is, however, TOO silly in my apprehension for Vernon. | 17 | ···/˘·/˘···˘/˘·/˘ |
| I, as before when I wrote, continue to see them a little; | 16 | ·······˘/˘····/˘ |
| Not that I like them much or care a bajocco for Vernon, | 15 | ·········˘/˘·/˘ |
| But I am slow at Italian, have not many English acquaintance, | 17 | ·····˘/˘··/˘/˘˘/˘ |
| And I am asked, in short, and am not good at excuses. | 14 | ···········˘/˘ |
| Middle-class people these, bankers very likely, not wholly | 15 | /˘·/˘·/˘/˘/˘·/˘ |
| Pure of the taint of the shop; will at table d'hote and restaurant | 16 | ·········/˘··/˘· |
| Have their shilling's worth, their penny's pennyworth even: | 13 | ··/˘··/˘/˘˘/˘ |
| Neither man's aristocracy this, nor God's, God knoweth! | 14 | /˘··˘/˘˘····/˘ |
| Yet they are fairly descended, they give you to know, well connected; | 17 | ···/˘˘/˘······˘/˘ |
| Doubtless somewhere in some neighbourhood have, and are careful to keep, some | 17 | /˘/·········/˘··· |
| Threadbare-genteel relations, who in their turn are enchanted | 15 | /·˘/˘/˘·····˘/˘ |
| Grandly among county people to introduce at assemblies | 16 | /˘··/˘/˘··˘/·˘/˘ |
| To the unpennied cadets our cousins with excellent fortunes. | 16 | ····˘//˘/˘·/˘˘/˘ |
| Neither man's aristocracy this, nor God's, God knoweth! | 14 | /˘··˘/˘˘····/˘ |
| Ah, what a shame, indeed, to abuse these most worthy people! | 15 | ····˘/·˘/··/˘/˘ |
| Ah, what a sin to have sneered at their innocent rustic pretensions! | 17 | ·········/˘˘/˘˘/˘ |
| Is it not laudable really, this reverent worship of station? | 17 | ···/˘˘/˘·/˘˘/˘·/˘ |
| Is it not fitting that wealth should tender this homage to culture? | 16 | ···/˘···/˘·/˘·/˘ |
| Is it not touching to witness these efforts, if little availing, | 17 | ···/˘·/˘·/˘·/˘˘/˘ |
| Painfully made, to perform the old ritual service of manners? | 17 | /˘˘··˘/··/˘˘/˘·/˘ |
| Shall not devotion atone for the absence of knowledge? and fervour | 17 | ··˘/˘˘/··/˘·/˘·/˘ |
| Palliate, cover, the fault of a superstitious observance? | 16 | /˘˘/˘·····˘/˘˘/˘ |
| Dear, dear, what do I say? but, alas! just now, like Iago, | 15 | ·······˘/···˘/˘ |
| I can be nothing at all, if it is not critical wholly; | 16 | ···/˘······/˘˘/˘ |
| So in fantastic height, in coxcomb exaltation, | 13 | ··˘/˘··/˘···· |
| Here in the garden I walk, can freely concede to the Maker | 16 | ···/˘···/˘˘/··/˘ |
| That the works of His hand are all very good: His creatures, | 14 | ········/˘··/˘ |
| Beast of the field and fowl, He brings them before me; I name them; | 15 | ··············· |
| That which I name them, they are,--the bird, the beast, and the cattle. | 15 | ·············/˘ |
| But for Adam,--alas, poor critical coxcomb Adam! | 14 | ··/˘˘/·/˘˘/˘/˘ |
| But for Adam there is not found an help-meet for him. | 13 | ··/˘········· |
| No, great Dome of Agrippa, thou art not Christian! canst not, | 14 | ····˘/˘···/˘·· |
| Strip and replaster and daub and do what they will with thee, be so! | 16 | ················ |
| Here underneath the great porch of colossal Corinthian columns, | 17 | ··˘/····˘/˘˘/˘˘/˘ |
| Here as I walk, do I dream of the Christian belfries above them? | 16 | ·········/˘/˘··· |
| Or, on a bench as I sit and abide for long hours, till thy whole vast | 18 | ········˘/··/˘···· |
| Round grows dim as in dreams to my eyes, I repeople thy niches, | 16 | ··········˘/˘·/˘ |
| Not with the Martyrs, and Saints, and Confessors, and Virgins, and children, | 17 | ···/˘·······/˘·/˘ |
| But with the mightier forms of an older, austerer worship; | 16 | ···/˘˘···/˘···/˘ |
| And I recite to myself, how | 8 | ··˘/··/· |
| Eager for battle here | 6 | /˘·/˘· |
| Stood Vulcan, here matronal Juno, | 9 | ·/˘·/˘˘/˘ |
| And with the bow to his shoulder faithful | 10 | ······/˘/˘ |
| He who with pure dew laveth of Castaly | 11 | ··········· |
| His flowing locks, who holdeth of Lycia | 10 | ·/˘··/˘··· |
| The oak forest and the wood that bore him, | 10 | ··/˘······ |
| Delos' and Patara's own Apollo. | 10 | ·······˘/˘ |
| * Hic avidus stetit | 6 | ······ |
| Vulcanus, hic matrona Juno, et | 10 | ·······/˘· |
| Nunquam humeris positurus arcum; | 11 | ··········· |
| Qui rore puro Castaliae lavit | 8 | ········ |
| Crines solutos, qui Lyciae tenet | 8 | ······/˘ |
| Dumeta natalemque silvam, | 8 | ········ |
| Delius et Patareus Apollo. | 9 | ······˘/˘ |
| Yet it is pleasant, I own it, to be in their company; pleasant, | 17 | ···/˘·······/˘˘/˘ |
| Whatever else it may be, to abide in the feminine presence. | 17 | ·/˘·····˘/··/˘˘/˘ |
| Pleasant, but wrong, will you say? But this happy, serene coexistence | 17 | /˘·······/˘˘/·˘/˘ |
| Is to some poor soft souls, I fear, a necessity simple, | 15 | ·········˘/˘˘/˘ |
| Meat and drink and life, and music, filling with sweetness, | 13 | ······/˘/˘·/˘ |
| Thrilling with melody sweet, with harmonies strange overwhelming, | 16 | /˘·/˘˘··/˘˘··˘/˘ |
| All the long-silent strings of an awkward, meaningless fabric. | 15 | ···/˘···/˘/˘˘/˘ |
| Yet as for that, I could live, I believe, with children; to have those | 16 | ········˘/·/˘··· |
| Pure and delicate forms encompassing, moving about you, | 15 | ··/˘˘·˘/˘˘/˘··· |
| This were enough, I could think; and truly with glad resignation | 16 | ··˘/····/˘···˘/˘ |
| Could from the dream of Romance, from the fever of flushed adolescence, | 17 | ·····˘/··/˘···˘/˘ |
| Look to escape and subside into peaceful avuncular functions. | 17 | ··˘/·˘/··/˘˘/˘˘/˘ |
| Nephews and nieces! alas, for as yet I have none! and, moreover, | 17 | /˘·/˘˘/·······˘/˘ |
| Mothers are jealous, I fear me, too often, too rightfully; fathers | 17 | /˘·/˘····/˘·/˘˘/˘ |
| Think they have title exclusive to spoiling their own little darlings; | 17 | ···/˘˘/˘·/˘··/˘/˘ |
| And by the law of the land, in despite of Malthusian doctrine, | 16 | ········˘/·˘/˘/˘ |
| No sort of proper provision is made for that most patriotic, | 17 | ···/˘˘/˘······˘/˘ |
| Most meritorious subject, the childless and bachelor uncle. | 17 | ··˘/˘˘˘/·/˘·/˘˘/˘ |
| Ye, too, marvellous Twain, that erect on the Monte Cavallo | 16 | ·······˘/··/˘˘/˘ |
| Stand by your rearing steeds in the grace of your motionless movement, | 16 | ···/˘······/˘˘/˘ |
| Stand with your upstretched arms and tranquil regardant faces, | 14 | ·······/˘˘/˘/˘ |
| Stand as instinct with life in the might of immutable manhood,-- | 16 | ··/˘······˘/˘˘/· |
| O ye mighty and strange, ye ancient divine ones of Hellas. | 15 | ··/˘···/˘˘/···· |
| Are ye Christian too? to convert and redeem and renew you, | 15 | ··/˘··/˘·˘/·˘/· |
| Will the brief form have sufficed, that a Pope has set up on the apex | 17 | ·····˘/········/· |
| Of the Egyptian stone that o'ertops you, the Christian symbol? | 15 | ··˘/˘······/˘/˘ |
| And ye, silent, supreme in serene and victorious marble, | 16 | ··/˘˘/·˘/·˘/˘˘/˘ |
| Ye that encircle the walls of the stately Vatican chambers, | 16 | ··˘/˘····/˘/˘˘/˘ |
| Juno and Ceres, Minerva, Apollo, the Muses and Bacchus, | 17 | /˘·/˘˘/˘˘/˘·/˘·/˘ |
| Ye unto whom far and near come posting the Christian pilgrims, | 15 | ········/˘·/˘/˘ |
| Ye that are ranged in the halls of the mystic Christian Pontiff, | 15 | ·········/˘/˘/˘ |
| Are ye also baptized? are ye of the kingdom of Heaven? | 15 | ··/˘˘/····/˘·/˘ |
| Utter, O some one, the word that shall reconcile Ancient and Modern! | 17 | /˘·······/˘·/˘·/˘ |
| Am I to turn me from this unto thee, great Chapel of Sixtus? | 16 | ···········/˘··· |
| These are the facts. The uncle, the elder brother, the squire (a | 15 | ·····/˘·/˘/˘··· |
| Little embarrassed, I fancy), resides in the family place in | 17 | /˘˘/˘·/˘˘/··/˘˘·· |
| Cornwall, of course; 'Papa is in business,' Mary informs me; | 15 | /˘··/˘··/˘/˘˘/· |
| He's a good sensible man, whatever his trade is. The mother | 16 | ···/˘˘··/˘····/˘ |
| Is--shall I call it fine?--herself she would tell you refined, and | 15 | ······˘/····˘/· |
| Greatly, I fear me, looks down on my bookish and maladroit manners; | 17 | /˘·······/˘··˘//˘ |
| Somewhat affecteth the blue; would talk to me often of poets; | 16 | //˘/˘······/˘·/˘ |
| Quotes, which I hate, Childe Harold; but also appreciates Wordsworth; | 16 | ·····/˘·/˘˘/˘·/˘ |
| Sometimes adventures on Schiller; and then to religion diverges; | 17 | ˘/˘/˘·/˘···˘/˘˘/˘ |
| Questions me much about Oxford; and yet, in her loftiest flights still | 16 | /˘····/˘········ |
| Grates the fastidious ear with the slightly mercantile accent. | 16 | ··˘/˘˘···/˘/˘·˘/ |
| Is it contemptible, Eustace--I'm perfectly ready to think so,-- | 17 | ··˘/˘˘/˘·/˘˘/˘··· |
| Is it,--the horrible pleasure of pleasing inferior people? | 17 | ···/˘˘/˘·/˘˘/˘˘/˘ |
| I am ashamed of my own self; and yet true it is, if disgraceful, | 17 | ··˘/··········˘/˘ |
| That for the first time in life I am living and moving with freedom. | 17 | ·········/˘·/˘·/˘ |
| I, who never could talk to the people I meet with my uncle,-- | 16 | ··/˘····/˘····/˘ |
| I, who have always failed,--I, trust me, can suit the Trevellyns; | 15 | ···/··········· |
| I, believe me,--great conquest, am liked by the country bankers. | 15 | ·˘/··/˘····/˘/˘ |
| And I am glad to be liked, and like in return very kindly. | 16 | ··········˘//˘/˘ |
| So it proceeds; laissez faire, laissez aller,--such is the watchword. | 16 | ··˘//··/·/˘···/· |
| Well, I know there are thousands as pretty and hundreds as pleasant, | 16 | ·····/˘·/˘·/˘·/˘ |
| Girls by the dozen as good, and girls in abundance with polish | 16 | ···/˘·····˘/˘·/˘ |
| Higher and manners more perfect than Susan or Mary Trevellyn. | 17 | /˘·/˘·˘/·/˘·/˘··· |
| Well, I know, after all, it is only juxtaposition,-- | 15 | ········/˘·˘˘/˘ |
| Juxtaposition, in short; and what is juxtaposition? | 15 | ·˘˘/˘······˘˘/˘ |
| But I am in for it now,--laissez faire, of a truth, laissez aller. | 17 | ·······/·····/·/˘ |
| Yes, I am going,--I feel it, I feel and cannot recall it,-- | 16 | ···/˘······/˘/·· |
| Fusing with this thing and that, entering into all sorts of relations, | 18 | /˘·····/˘˘·····˘/˘ |
| Tying I know not what ties, which, whatever they are, I know one thing, | 17 | /˘·······/˘······ |
| Will, and must, woe is me, be one day painfully broken,-- | 14 | ·········/˘˘/˘ |
| Broken with painful remorses, with shrinkings of soul, and relentings, | 17 | /˘·/˘˘/˘·/˘···˘/˘ |
| Foolish delays, more foolish evasions, most foolish renewals. | 16 | /˘˘/·/˘˘/˘·/˘˘/˘ |
| But I have made the step, have quitted the ship of Ulysses; | 15 | ·······/˘···˘/˘ |
| Quitted the sea and the shore, passed into the magical island; | 16 | /˘·········/˘˘/˘ |
| Yet on my lips is the moly, medicinal, offered of Hermes. | 17 | ······/˘˘/˘˘/˘·/˘ |
| I have come into the precinct, the labyrinth closes around me, | 17 | ······/··/˘·/˘··· |
| Path into path rounding slyly; I pace slowly on, and the fancy, | 17 | ····/˘/˘··/˘···/˘ |
| Struggling awhile to sustain the long sequences, weary, bewildered, | 18 | /˘˘˘/·˘/··/˘˘/˘˘/˘ |
| Fain must collapse in despair; I yield, I am lost, and know nothing; | 16 | ··˘/·˘/·······/˘ |
| Yet in my bosom unbroken remaineth the clue; I shall use it. | 17 | ···/˘˘/˘˘/˘······ |
| Lo, with the rope on my loins I descend through the fissure; I sink, yet | 17 | ········˘/··/˘··· |
| Inly secure in the strength of invisible arms up above me; | 17 | /˘˘/····˘/˘˘····· |
| Still, wheresoever I swing, wherever to shore, or to shelf, or | 16 | ·······˘/˘······ |
| Floor of cavern untrodden, shell sprinkled, enchanting, I know I | 16 | ··/˘····/˘˘/˘··· |
| Yet shall one time feel the strong cord tighten about me,-- | 13 | ········/˘··· |
| Feel it, relentless, upbear me from spots I would rest in; and though the | 17 | ··˘/˘˘/·········· |
| Rope sway wildly, I faint, crags wound me, from crag unto crag re- | 15 | ··/˘··········· |
| Bounding, or, wide in the void, I die ten deaths, ere the end I | 15 | /˘············· |
| Yet shall plant firm foot on the broad lofty spaces I quit, shall | 15 | ········/˘/˘··· |
| Feel underneath me again the great massy strengths of abstraction, | 16 | ··˘/·˘/··/˘··˘/˘ |
| Look yet abroad from the height o'er the sea whose salt wave I have tasted. | 17 | ··˘/···········/˘ |
| Dearest Louisa,--Inquire, if you please, about Mr. Claude ----. | 15 | /˘˘/˘˘/·····/˘· |
| He has been once at R., and remembers meeting the H.'s. | 15 | ·······˘/˘/˘··· |
| Harriet L., perhaps, may be able to tell you about him. | 16 | /˘˘·˘/··/˘······ |
| It is an awkward youth, but still with very good manners; | 14 | ···/˘····/˘·/˘ |
| Not without prospects, we hear; and, George says, highly connected. | 15 | ···/˘·····/˘˘/˘ |
| Georgy declares it absurd, but Mamma is alarmed, and insists he has | 18 | /˘˘/·˘/·/˘·˘/·˘/·· |
| Taken up strange opinions, and may be turning a Papist. | 15 | /˘··˘/˘···/˘·/˘ |
| Certainly once he spoke of a daily service he went to. | 15 | /˘˘·····/˘/˘··· |
| 'Where?' we asked, and he laughed and answered, 'At the Pantheon.' | 14 | ·······/˘··/˘· |
| This was a temple, you know, and now is a Catholic church; and | 15 | ···/˘······/˘·· |
| Though it is said that Mazzini has sold it for Protestant service, | 17 | ············/˘˘/˘ |
| Yet I suppose this change can hardly as yet be effected. | 15 | ··˘/···/˘···˘/˘ |
| Adieu again,--evermore, my dearest, your loving Georgina. | 16 | ˘/˘//˘··/˘·/˘·/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.