Claude to Eustace
Let me, then, bear to forget her. I will not cling to her falsely:Nothing factitious or forced shall impair the old happy relation.I will let myself go, forget, not try to remember;I will walk on my way, accept the chances that meet me,Freely encounter the world, imbibe these alien airs, andNever ask if new feelings and thoughts are of her or of others.Is she not changing herself?--the old image would only delude me.I will be bold, too, and change,--if it must be. Yet if in all things,Yet if I do but aspire evermore to the Absolute only,I shall be doing, I think, somehow, what she will be doing;--I shall be thine, O my child, some way, though I know not in what way,Let me submit to forget her; I must; I already forget her.
Utterly vain is, alas! this attempt at the Absolute,--wholly!I, who believed not in her, because I would fain believe nothing,Have to believe as I may, with a wilful, unmeaning acceptance.I, who refused to enfasten the roots of my floating existenceIn the rich earth, cling now to the hard, naked rock that is left me,--Ah! she was worthy, Eustace,--and that, indeed, is my comfort,--Worthy a nobler heart than a fool such as I could have given her.
Yes, it relieves me to write, though I do not send, and the chance thatTakes may destroy my fragments. But as men pray, without askingWhether One really exist to hear or do anything for them,--Simply impelled by the need of the moment to turn to a BeingIn a conception of whom there is freedom from all limitation,--So in your image I turn to an ens rationis of friendship,Even so write in your name I know not to whom nor in what wise.
There was a time, methought it was but lately departed,When, if a thing was denied me, I felt I was bound to attempt it;Choice alone should take, and choice alone should surrender.There was a time, indeed, when I had not retired thus early,Languidly thus, from pursuit of a purpose I once had adopted,But it is all over, all that! I have slunk from the perilous field inWhose wild struggle of forces the prizes of life are contested.It is over, all that! I am a coward, and know it.Courage in me could be only factitious, unnatural, useless.
Comfort has come to me here in the dreary streets of the city,Comfort--how do you think?--with a barrel-organ to bring it.Moping along the streets, and cursing my day as I wandered,All of a sudden my ear met the sound of an English psalm-tune,Comfort me it did, till indeed I was very near crying.Ah, there is some great truth, partial, very likely, but needful,Lodged, I am strangely sure, in the tones of the English psalm-tune.Comfort it was at least; and I must take without questionComfort, however it come, in the dreary streets of the city.
What with trusting myself and seeking support from within me,Almost I could believe I had gained a religious assurance,Formed in my own poor soul a great moral basis to rest on.Ah, but indeed I see, I feel it factitious entirely;I refuse, reject, and put it utterly from me;I will look straight out, see things, not try to evade them;Fact shall be fact for me, and the Truth the Truth as ever,Flexible, changeable, vague, and multiform, and doubtful.-Off, and depart to the void, thou subtle, fanatical tempter!
I shall behold thee again (is it so?) at a new visitation,O ill genius thou! I shall at my life's dissolution(When the pulses are weak, and the feeble light of the reasonFlickers, an unfed flame retiring slow from the socket),Low on a sick-bed laid, hear one, as it were, at the doorway,And, looking up, see thee standing by, looking emptily at me;I shall entreat thee then, though now I dare to refuse thee,--Pale and pitiful now, but terrible then to the dying.--Well, I will see thee again, and while I can, will repel thee.
Rome is fallen, I hear, the gallant Medici taken,Noble Manara slain, and Garibaldi has lost il Moro;--Rome is fallen; and fallen, or falling, heroical Venice.I, meanwhile, for the loss of a single small chit of a girl, sitMoping and mourning here,--for her, and myself much smaller.Whither depart the souls of the brave that die in the battle,Die in the lost, lost fight, for the cause that perishes with them?Are they upborne from the field on the slumberous pinions of angelsUnto a far-off home, where the weary rest from their labour,And the deep wounds are healed, and the bitter and burning moistureWiped from the generous eyes? or do they linger, unhappy,Pining, and haunting the grave of their by-gone hope and endeavour?All declamation, alas! though I talk, I care not for Rome norItaly; feebly and faintly, and but with the lips, can lament theWreck of the Lombard youth, and the victory of the oppressor.Whither depart the brave?--God knows; I certainly do not.
Words in this poem 26
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- aspire v. t.
- To aspire to; to long for; to try to reach; to mount to.
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- somehow adv.
- In one way or another; in some way not yet known or designated; by some means; as, the thing must be done somehow; he lives somehow.
- fain v. t.
- To be glad ; to wish or desire.
- dreary a.
- Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
- needful a.
- Full of need; in need or want; needy; distressing.
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
- multiform a.
- Having many forms, shapes, or appearances. [L. multiformis; multus much, many + forma shape: cf. F. multiforme.]
- depart v. i.
- To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
- fanatical a.
- Characteristic of, or relating to, fanaticism; fanatic. - Fa*nat"ic*al*ly, adv.
- tempter n.
- One who tempts or entices; especially, Satan, or the Devil, regarded as the great enticer to evil.
- visitation n.
- The act of visiting, or the state of being visited; access for inspection or examination. [L. visitatio: cf. F. visitation.]
- doorway n.
- The passage of a door; entrance way into a house or a room.
- entreat v. t.
- To treat, or conduct toward; to deal with; to use. [OE. entreten to treat, request, OF. entraiter to treat of; pref. en- (L. in) + traitier to treat. See Treat.]
- garibaldi n.
- A jacket worn by women; -- so called from its resemblance in shape to the red shirt worn by the Italians patriot Garibaldi.
- moro n.
- A small abscess or tumor having a resemblance to a mulberry. [Cf. It. mora mulberry, L. morum.]
- heroical a.
- Heroic. Spectator.
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- chit n.
- The embryo or the growing bud of a plant; a shoot; a sprout; as, the chits of Indian corn or of potatoes. [Cf. AS. ci shoot, sprig, from the same root as cinan to yawn. See Chink a cleft.]
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- slumberous a.
- Inviting slumber; soporiferous.
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- endeavour v. t.
- To exert physical or intellectual strength for the attainment of; to use efforts to effect; to strive to achieve or reach; to try; to attempt. [OE. endevor; pref. en- + dever, devoir, duty, F. devoir: cf. F. se mettre en devoir de faire quelque chose to try to do a thing, to go about it. See Devoir, Deb]
- lombard a.
- Of or pertaining to Lombardy, or the inhabitants of Lombardy.
- oppressor n.
- One who oppresses; one who imposes unjust burdens on others; one who harasses others with unjust laws or unreasonable severity. [L.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Claude to Eustace is in the public domain. This text is taken from Amours De Voyage, Project Gutenberg ebook #1393; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Arthur Hugh Clough, Claude to Eustace, in Amours de Voyage (1858), text of Project Gutenberg ebook #1393, Laurel, https://laurelpoetry.com/poem/clough-amours/claude-to-eustace-7.html, id L01609.
Form and metre
Claude to Eustace is 78 lines in 8 stanzas. 73% of its stressed syllables fall where the metre puts the beat. The lines average 15.5 syllables. 46 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---A--A----- falsely · relation · remember · meA · and · others · meA · things · only · doing · way · her
- 4 -A-----A- departed · itA · surrender · early · adopted · in · contested · itA · useless
- 5 A--B--BBA cityA · it · wandered · tuneB · crying · needful · tuneB · questionB · cityA
- 6 A---A---- meA · assurance · on · entirely · meA · them · ever · doubtful · tempter
- 7 -----AA-A visitation · dissolution · reason · socket · doorway · meA · theeA · dying · theeA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Let me, then, bear to forget her. I will not cling to her falsely: | 16 | ·····˘/·······/˘ |
| Nothing factitious or forced shall impair the old happy relation. | 17 | /˘˘/˘···˘/··/˘˘/˘ |
| I will let myself go, forget, not try to remember; | 14 | ····/·˘/···˘/˘ |
| I will walk on my way, accept the chances that meet me, | 14 | ······˘/·/˘··· |
| Freely encounter the world, imbibe these alien airs, and | 15 | /˘˘/˘··˘/·/˘˘·· |
| Never ask if new feelings and thoughts are of her or of others. | 16 | /˘···/˘·······/˘ |
| Is she not changing herself?--the old image would only delude me. | 17 | ···/˘˘/··/˘·/˘˘/· |
| I will be bold, too, and change,--if it must be. Yet if in all things, | 16 | ················ |
| Yet if I do but aspire evermore to the Absolute only, | 17 | ·····˘//˘···/˘·/˘ |
| I shall be doing, I think, somehow, what she will be doing;-- | 15 | ···/˘··/·····/˘ |
| I shall be thine, O my child, some way, though I know not in what way, | 16 | ················ |
| Let me submit to forget her; I must; I already forget her. | 17 | ··˘/·˘/····˘/˘˘/· |
| Utterly vain is, alas! this attempt at the Absolute,--wholly! | 17 | /˘˘··˘/·˘/··/˘·/˘ |
| I, who believed not in her, because I would fain believe nothing, | 16 | ··˘/········˘//˘ |
| Have to believe as I may, with a wilful, unmeaning acceptance. | 17 | ··˘/·······˘/˘˘/˘ |
| I, who refused to enfasten the roots of my floating existence | 17 | ··˘/········/˘˘/˘ |
| In the rich earth, cling now to the hard, naked rock that is left me,-- | 16 | ·········/˘····· |
| Ah! she was worthy, Eustace,--and that, indeed, is my comfort,-- | 15 | ···/˘/˘··˘/··/˘ |
| Worthy a nobler heart than a fool such as I could have given her. | 17 | /˘·/˘·········/˘· |
| Yes, it relieves me to write, though I do not send, and the chance that | 16 | ··˘/············ |
| Takes may destroy my fragments. But as men pray, without asking | 15 | ··˘/·/˘······/˘ |
| Whether One really exist to hear or do anything for them,-- | 16 | ···/˘˘/····/˘··· |
| Simply impelled by the need of the moment to turn to a Being | 17 | /˘˘/·····/˘····/˘ |
| In a conception of whom there is freedom from all limitation,-- | 17 | ··˘/˘····/˘···˘/˘ |
| So in your image I turn to an ens rationis of friendship, | 16 | ···/˘·········/˘ |
| Even so write in your name I know not to whom nor in what wise. | 16 | /˘·············· |
| There was a time, methought it was but lately departed, | 14 | ····˘/···/˘˘/˘ |
| When, if a thing was denied me, I felt I was bound to attempt it; | 17 | ·····˘/·······˘/· |
| Choice alone should take, and choice alone should surrender. | 13 | ·˘/····˘/·˘/˘ |
| There was a time, indeed, when I had not retired thus early, | 15 | ····˘/····˘/·/˘ |
| Languidly thus, from pursuit of a purpose I once had adopted, | 17 | ·····˘/··/˘···˘/˘ |
| But it is all over, all that! I have slunk from the perilous field in | 18 | ·············/˘˘·· |
| Whose wild struggle of forces the prizes of life are contested. | 16 | ··/˘·/˘·/˘···˘/˘ |
| It is over, all that! I am a coward, and know it. | 14 | ·········/˘··· |
| Courage in me could be only factitious, unnatural, useless. | 17 | /˘····/˘˘/˘˘/˘˘/˘ |
| Comfort has come to me here in the dreary streets of the city, | 16 | /˘·······/˘···/˘ |
| Comfort--how do you think?--with a barrel-organ to bring it. | 15 | /˘······/˘/˘··· |
| Moping along the streets, and cursing my day as I wandered, | 15 | /˘˘/···/˘····/˘ |
| All of a sudden my ear met the sound of an English psalm-tune, | 16 | ···/˘·······/˘·· |
| Comfort me it did, till indeed I was very near crying. | 15 | /˘····˘/··/˘·/˘ |
| Ah, there is some great truth, partial, very likely, but needful, | 15 | ······/˘/˘/˘·/˘ |
| Lodged, I am strangely sure, in the tones of the English psalm-tune. | 15 | ···/˘······/˘·· |
| Comfort it was at least; and I must take without question | 14 | /˘··········/˘ |
| Comfort, however it come, in the dreary streets of the city. | 16 | /˘·/˘····/˘···/˘ |
| What with trusting myself and seeking support from within me, | 15 | ··/˘·/·/˘˘/···· |
| Almost I could believe I had gained a religious assurance, | 16 | /···˘/····˘/˘˘/˘ |
| Formed in my own poor soul a great moral basis to rest on. | 15 | ········/˘/˘··· |
| Ah, but indeed I see, I feel it factitious entirely; | 16 | ··˘/·····˘/˘˘/˘˘ |
| I refuse, reject, and put it utterly from me; | 13 | ·˘/˘/···/˘˘·· |
| I will look straight out, see things, not try to evade them; | 13 | ··········˘/· |
| Fact shall be fact for me, and the Truth the Truth as ever, | 14 | ············/˘ |
| Flexible, changeable, vague, and multiform, and doubtful.- | 14 | /˘˘/˘˘··/˘˘·/˘ |
| Off, and depart to the void, thou subtle, fanatical tempter! | 16 | ··˘/····/˘˘/˘˘/˘ |
| I shall behold thee again (is it so?) at a new visitation, | 17 | ··˘/·˘/·······˘/˘ |
| O ill genius thou! I shall at my life's dissolution | 14 | ··/˘·······˘/˘ |
| (When the pulses are weak, and the feeble light of the reason | 15 | ··/˘····/˘···/˘ |
| Flickers, an unfed flame retiring slow from the socket), | 13 | /˘···˘/˘···/˘ |
| Low on a sick-bed laid, hear one, as it were, at the doorway, | 15 | ·············/· |
| And, looking up, see thee standing by, looking emptily at me; | 16 | ·/˘···/˘·/˘····· |
| I shall entreat thee then, though now I dare to refuse thee,-- | 14 | ··˘/·······˘/· |
| Pale and pitiful now, but terrible then to the dying.-- | 15 | ··/˘˘··/˘˘···/˘ |
| Well, I will see thee again, and while I can, will repel thee. | 15 | ·····˘/·····˘/· |
| Rome is fallen, I hear, the gallant Medici taken, | 14 | ··/˘···/˘˘/˘/˘ |
| Noble Manara slain, and Garibaldi has lost il Moro;-- | 16 | /˘······˘/˘···/· |
| Rome is fallen; and fallen, or falling, heroical Venice. | 16 | ··/˘·/˘·/˘˘/˘˘/˘ |
| I, meanwhile, for the loss of a single small chit of a girl, sit | 16 | ·/······/˘······ |
| Moping and mourning here,--for her, and myself much smaller. | 14 | /˘·/˘·····/·/˘ |
| Whither depart the souls of the brave that die in the battle, | 15 | /˘˘/·········/˘ |
| Die in the lost, lost fight, for the cause that perishes with them? | 15 | ··········/˘˘·· |
| Are they upborne from the field on the slumberous pinions of angels | 17 | ·········/˘˘/˘·/˘ |
| Unto a far-off home, where the weary rest from their labour, | 15 | ········/˘···/· |
| And the deep wounds are healed, and the bitter and burning moisture | 15 | ········/˘·/˘/˘ |
| Wiped from the generous eyes? or do they linger, unhappy, | 15 | ···/˘˘····/˘˘/˘ |
| Pining, and haunting the grave of their by-gone hope and endeavour? | 16 | /˘·/˘········˘/˘ |
| All declamation, alas! though I talk, I care not for Rome nor | 16 | ·····˘/········· |
| Italy; feebly and faintly, and but with the lips, can lament the | 17 | /˘˘/˘·/˘······˘/· |
| Wreck of the Lombard youth, and the victory of the oppressor. | 16 | ···/˘···/˘˘··˘/˘ |
| Whither depart the brave?--God knows; I certainly do not. | 14 | /˘˘/·····/˘˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.