The Parting

Madison Julius Cawein (1865–1914) · 1911

iambic pentameter · 38 lines · from Poems

She passed the thorn-trees, whose gaunt branches tossedTheir spider-shadows round her; and the breeze,Beneath the ashen moon, was full of frost,And mouthed and mumbled to the sickly trees,Like some starved hag who sees her children freeze.

Dry-eyed she waited by the sycamore.Some stars made misty blotches in the sky.And all the wretched willows on the shoreLooked faded as a jaundiced cheek or eye.She felt their pity and could only sigh.

And then his skiff ground on the river rocks.Whistling he came into the shadow madeBy that dead tree. He kissed her dark brown locks;And round her form his eager arms were laid.Passive she stood, her secret unbetrayed.

And then she spoke, while still his greeting kissAched in her hair. She did not dare to liftHer eyes to his--her anguished eyes to his,While tears smote crystal in her throat. One riftOf weakness humored might set all adrift.

Fields over which a path, overwhelmed with burrsAnd ragweeds, noisy with the grasshoppers,Leads,--lost, irresolute as paths the cowsWear through the woods,--unto a woodshed; then,With wrecks of windows, to a huddled house,Where men have murdered men.

A house, whose tottering chimney, clay and rock,Is seamed and crannied; whose lame door and lockAre bullet-bored; around which, there and here,Are sinister stains.--One dreads to look around.--The place seems thinking of that time of fearAnd dares not breathe a sound.

Within is emptiness: The sunlight fallsOn faded journals papering the walls;On advertisement chromos, torn with time,Around a hearth where wasps and spiders build.--The house is dead: meseems that night of crimeIt, too, was shot and killed.

Words in this poem

gaunt a.
Attenuated, as with fasting or suffering; lean; meager; pinched and grim. [Cf. Norw. gand a thin pointed stick, a tall and thin man, and W. gwan weak.]
ashen a.
Of or pertaining to the ash tree. [See Ash, the tree.]
jaundiced a.
affected with jaundice.
skiff n.
A small, light boat. [F. esquif, fr. OHG. skif, G. schiff. See Ship.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
adrift adv.
Floating at random; in a drifting condition; at the mercy of wind and waves. Also fig. [Pref. a- (for on) + drift.]
chimney n.
A fireplace or hearth. Sir W. Raleigh.
seamed a.
Out of condition; not in good condition; -- said of a hawk.
crannied a.
Having crannies, chinks, or fissures; as, a crannied wall.
advertisement n.
The act of informing or notifying; notification. [F.avertisement, formerly also spelled advertissement, a warning, giving notice, fr. avertir.]
meseems v.
It seems to me.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Parting is in the public domain. This text is taken from Poems, Project Gutenberg ebook #7796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Madison Julius Cawein, The Parting, in Poems (1911), text of Project Gutenberg ebook #7796, Laurel, https://laurelpoetry.com/poem/cawein-poems/the-parting.html, id L10939.

Form and metre

The Parting is 38 lines in 7 stanzas. The commonest rhyme scheme is ABABB, in 3 of the 7 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.6 syllables. 2 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABB tossedA · breezeB · frostA · treesB · freezeB
  2. 2 ABABB sycamoreA · skyB · shoreA · eyeB · sighB
  3. 3 ABABB rocksA · madeB · locksA · laidB · unbetrayedB
  4. 4 -A-AA kiss · liftA · his · riftA · adriftA
  5. 5 AAAB-B burrsA · grasshoppersA · cowsA · thenB · house · menB
  6. 6 AABCBC rockA · lockA · hereB · aroundC · fearB · soundC
  7. 7 AABCBC fallsA · wallsA · timeB · buildC · crimeB · killedC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
She passed the thorn-trees, whose gaunt branches tossed10·······/˘·
Their spider-shadows round her; and the breeze,10·/˘/······
Beneath the ashen moon, was full of frost,10···/˘·····
And mouthed and mumbled to the sickly trees,10···/˘··/˘·
Like some starved hag who sees her children freeze.10·······/˘·
Dry-eyed she waited by the sycamore.10···/˘··/˘·
Some stars made misty blotches in the sky.10···/˘/˘···
And all the wretched willows on the shore10···/˘/····
Looked faded as a jaundiced cheek or eye.10·/˘··/˘···
She felt their pity and could only sigh.10···/˘··/˘·
And then his skiff ground on the river rocks.10·······/˘·
Whistling he came into the shadow made10/˘·····/··
By that dead tree. He kissed her dark brown locks;10··········
And round her form his eager arms were laid.10·····/˘···
Passive she stood, her secret unbetrayed.10/˘···/˘··˘
And then she spoke, while still his greeting kiss10·······/˘·
Ached in her hair. She did not dare to lift10··········
Her eyes to his--her anguished eyes to his,10·····/˘···
While tears smote crystal in her throat. One rift10···/˘·····
Of weakness humored might set all adrift.10·/˘/˘···˘/
Fields over which a path, overwhelmed with burrs10······˘/··
And ragweeds, noisy with the grasshoppers,10·/·/˘··/·˘
Leads,--lost, irresolute as paths the cows10··˘/˘˘····
Wear through the woods,--unto a woodshed; then,10·······/··
With wrecks of windows, to a huddled house,10···/˘··/˘·
Where men have murdered men.6···/˘·
A house, whose tottering chimney, clay and rock,10···/˘/˘···
Is seamed and crannied; whose lame door and lock10···/˘·····
Are bullet-bored; around which, there and here,10·/˘·······
Are sinister stains.--One dreads to look around.--10·/˘·······
The place seems thinking of that time of fear10···/˘·····
And dares not breathe a sound.6······
Within is emptiness: The sunlight falls10···/˘˘·/··
On faded journals papering the walls;10·/˘/˘/˘˘··
On advertisement chromos, torn with time,10··˘/˘·····
Around a hearth where wasps and spiders build.--10·······/˘·
The house is dead: meseems that night of crime10····˘/····
It, too, was shot and killed.6······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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