Romance
Thus have I pictured her:--In Arden oldA white-browed maiden with a falcon eye,Rose-flushed of face, with locks of wind-blown gold,Teaching her hawks to fly.
Or, 'mid her boar-hounds, panting with the heat,In huntsman green, sounding the hunt's wild prize,Plumed, dagger-belted, while beneath her feetThe spear-pierced monster dies.
Or in Brécéliand, on some high tower,Clad white in samite, last of her lost race,My soul beholds her, lovelier than a flower,Gazing with pensive face.
Or, robed in raiment of romantic lore,Like Oriana, dark of eye and hair,Riding through realms of legend evermore,And ever young and fair.
Or now like Bradamant, as brave as just,In complete steel, her pure face lit with scorn,At giant castles, dens of demon lust,Winding her bugle-horn.
Another Una; and in chastityA second Britomart; in beauty farO'er her who led King Charles's chivalryAnd Paynim lands to war....
Now she, from Avalon's deep-dingled bowers,--'Mid which white stars and never-waning moonsMake marriage; and dim lips of musk-mouthed flowersSigh faint and fragrant tunes,--
Implores me follow; and, in shadowy shapesOf sunset, shows me,--mile on misty mileOf purple precipice,--all the haunted capesOf her enchanted isle.
Where, bowered in bosks and overgrown with vine,Upon a headland breasting violet seas,Her castle towers, like a dream divine,With stairs and galleries.
And at her casement, Circe-beautiful,Above the surgeless reaches of the deep,She sits, while, in her gardens, fountains lullThe perfumed wind asleep.
Or, round her brow a diadem of spars,She leans and hearkens, from her raven height,The nightingales that, choiring to the stars,Take with wild song the night.
Or, where the moon is mirrored in the waves,To mark, deep down, the Sea King's city rolled,Wrought of huge shells and labyrinthine caves,Ribbed pale with pearl and gold.
There doth she wait forever; and the kingsOf all the world have wooed her: but she caresFor none but him, the Love, that dreams and sings,That sings and dreams and dares.
Words in this poem
- pictured a.
- Furnished with pictures; represented by a picture or pictures; as, a pictured scene.
- huntsman n.
- One who hunts, or who practices hunting.
- clad v.
- To clothe. Holland.
- samite a.
- A species of silk stuff, or taffeta, generally interwoven with gold. [OF. samit, LL. samitum, examitum, from LGr. Six, and cf. Dimity.]
- evermore adv.
- During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
- lust v. i.
- To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
- precipice n.
- A sudden or headlong fall. Fuller. [F. précipice, L. praecipitium, fr. praeceps, - cipitis, headlong; prae before + caput, capitis, the head. See Pre-, and Chief.]
- haunted a.
- Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- casement n.
- A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
- surgeless a.
- Free from surges; smooth; calm.
- lull v. t.
- To cause to rest by soothing influences; to compose; to calm; to soothe; to quiet. [Akin to OD. lullen to sing to sleep, G. lullen, Dan. lulle, Sw. lulla; all of imitative origin. Cf. Loll, Lollard.]
- labyrinthine a.
- Pertaining to, or like, a labyrinth; labyrinthal.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Romance is in the public domain. This text is taken from Poems, Project Gutenberg ebook #7796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Madison Julius Cawein, Romance, in Poems (1911), text of Project Gutenberg ebook #7796, Laurel, https://laurelpoetry.com/poem/cawein-poems/romance.html, id L10946.
Form and metre
Romance is 52 lines in 13 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 12 of its 13 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 8.9 syllables. 4 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB oldA · eyeB · goldA · flyB
- 2 ABAB heatA · prizeB · feetA · diesB
- 3 ABAB towerA · raceB · flowerA · faceB
- 4 ABAB loreA · hairB · evermoreA · fairB
- 5 ABAB justA · scornB · lustA · hornB
- 7 ABAB bowersA · moonsB · flowersA · tunesB
- 8 ABAB shapesA · mileB · capesA · isleB
- 9 ABAB vineA · seasB · divineA · galleriesB
- 10 ABAB beautifulA · deepB · lullA · asleepB
- 11 ABAB sparsA · heightB · starsA · nightB
- 12 ABAB wavesA · rolledB · cavesA · goldB
- 13 ABAB kingsA · caresB · singsA · daresB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Thus have I pictured her:--In Arden old | 10 | ···/˘··/˘· |
| A white-browed maiden with a falcon eye, | 10 | ···/˘··/˘· |
| Rose-flushed of face, with locks of wind-blown gold, | 10 | ·········· |
| Teaching her hawks to fly. | 6 | /˘···· |
| Or, 'mid her boar-hounds, panting with the heat, | 10 | ·····/˘··· |
| In huntsman green, sounding the hunt's wild prize, | 10 | ·/˘·/˘···· |
| Plumed, dagger-belted, while beneath her feet | 10 | ·/˘/˘····· |
| The spear-pierced monster dies. | 7 | ···˘/˘· |
| Or in Brécéliand, on some high tower, | 9 | ········/ |
| Clad white in samite, last of her lost race, | 10 | ···/˘····· |
| My soul beholds her, lovelier than a flower, | 11 | ··˘/······/ |
| Gazing with pensive face. | 6 | /˘·/˘· |
| Or, robed in raiment of romantic lore, | 10 | ···/˘·˘/˘· |
| Like Oriana, dark of eye and hair, | 9 | ·˘/˘····· |
| Riding through realms of legend evermore, | 10 | /˘···/˘/˘· |
| And ever young and fair. | 6 | ·/˘··· |
| Or now like Bradamant, as brave as just, | 10 | ·········· |
| In complete steel, her pure face lit with scorn, | 10 | ·˘/······· |
| At giant castles, dens of demon lust, | 10 | ·/˘/˘··/˘· |
| Winding her bugle-horn. | 6 | /˘·/˘· |
| Another Una; and in chastity | 9 | ˘/˘/˘··/˘ |
| A second Britomart; in beauty far | 10 | ·/˘····/˘· |
| O'er her who led King Charles's chivalry | 9 | ·····/˘/˘ |
| And Paynim lands to war.... | 6 | ·/˘··· |
| Now she, from Avalon's deep-dingled bowers,-- | 10 | ···/˘··/˘/ |
| 'Mid which white stars and never-waning moons | 9 | ·····//˘· |
| Make marriage; and dim lips of musk-mouthed flowers | 10 | ·/˘······/ |
| Sigh faint and fragrant tunes,-- | 6 | ···/˘· |
| Implores me follow; and, in shadowy shapes | 10 | ˘/·/˘··/˘· |
| Of sunset, shows me,--mile on misty mile | 10 | ·/·····/˘· |
| Of purple precipice,--all the haunted capes | 10 | ·/˘/˘··/˘· |
| Of her enchanted isle. | 6 | ··˘/˘· |
| Where, bowered in bosks and overgrown with vine, | 10 | ·/····˘/·· |
| Upon a headland breasting violet seas, | 10 | ···/˘/˘/˘· |
| Her castle towers, like a dream divine, | 9 | ·/˘/···˘/ |
| With stairs and galleries. | 6 | ···/˘˘ |
| And at her casement, Circe-beautiful, | 9 | ···/˘·/˘˘ |
| Above the surgeless reaches of the deep, | 10 | ···/˘/˘··· |
| She sits, while, in her gardens, fountains lull | 10 | ·····/˘/˘· |
| The perfumed wind asleep. | 7 | ·˘/˘·˘/ |
| Or, round her brow a diadem of spars, | 10 | ·····/˘··· |
| She leans and hearkens, from her raven height, | 10 | ···/˘··/˘· |
| The nightingales that, choiring to the stars, | 9 | ·/˘·/˘··· |
| Take with wild song the night. | 6 | ······ |
| Or, where the moon is mirrored in the waves, | 10 | ·····/˘··· |
| To mark, deep down, the Sea King's city rolled, | 10 | ·······/˘· |
| Wrought of huge shells and labyrinthine caves, | 10 | ······˘/·· |
| Ribbed pale with pearl and gold. | 7 | ·˘····· |
| There doth she wait forever; and the kings | 10 | ····˘/˘··· |
| Of all the world have wooed her: but she cares | 10 | ·········· |
| For none but him, the Love, that dreams and sings, | 10 | ·········· |
| That sings and dreams and dares. | 6 | ······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.