Poppy and Mandragora
Let us go far from here!Here there is sadness in the early year:Here sorrow waits where joy went laughing late:The sicklied face of heaven hangs like hateAbove the woodland and the meadowland;And Spring hath taken fire in her handOf frost and made a dead bloom of her face,Which was a flower of marvel once and grace,And sweet serenity and stainless glow.Delay not. Let us go.
Let us go far awayInto the sunrise of a fairer May:Where all the nights resign them to the moon,And drug their souls with odor and soft tune,And tell their dreams in starlight: where the hoursTeach immortality with fadeless flowers;And all the day the bee weights down the bloom,And all the night the moth shakes strange perfume,Like music, from the flower-bells' affluence.Let us go far from hence.
Why should we sit and weep,And yearn with heavy eyelids still to sleep?Forever hiding from our hearts the hate,--Death within death,--life doth accumulate,Like winter snows along the barren leasAnd sterile hills, whereon no lover seesThe crocus limn the beautiful in flame;Or hyacinth and jonquil write the nameOf Love in fire, for each passer-by.Why should we sit and sigh?
We will not stay and long,Here where our souls are wasting for a song;Where no bird sings; and, dim beneath the stars,No silvery water strikes melodious bars;And in the rocks and forest-covered hillsNo quick-tongued echo from her grotto fillsWith eery syllables the solitude--The vocal image of the voice that wooed--She, of wild sounds the airy looking-glass.Our souls are tired, alas!
What should we say to her?--To Spring, who in our hearts makes no sweet stir:Who looks not on us nor gives thought unto:Too busy with the birth of flowers and dew,And vague gold wings within the chrysalis;Or Love, who will not miss us; had no kissTo give your soul or the sad soul of me,Who bound our hearts to her in poesy,Long since, and wear her badge of service still.--Have we not served our fill?
We will go far away.Song will not care, who slays our souls each dayWith the dark daggers of denying eyes,And lips of silence! ... Had she sighed us lies,Not passionate, yet falsely tremulous,And lent her mouth to ours in mockery; thusSmiled from calm eyes as if appreciative;Then, then our love had taught itself to liveFeeding itself on hope, and recompense.But no!--So let us hence.
So be the Bible shutOf all her Beauty, and her wisdom butA clasp for memory! We will not seekThe light that came not when the soul was weakWith longing, and the darkness gave no signOf star-born comfort. Nay! why kneel and whineSad psalms of patience and hosannas ofOld hope and dreary canticles of love?--Let us depart, since, as we long supposed,For us God's book was closed.
Words in this poem 15
- sadness n.
- Heaviness; firmness.
- went n.
- Course; way; path; journey; direction.
- sicklied a.
- Made sickly. See Sickly, v.
- stainless a.
- Free from stain; immaculate.
- starlight n.
- The light given by the stars.
- fadeless a.
- Not liable to fade; unfading.
- affluence n.
- A flowing to or towards; a concourse; an influx. [F. affluence, L. affluentia, fr. affluens, p. pr. of affluere to flow to; ad + fluere to flow. See Flux.]
- yearn v. t.
- To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]
- whereon adv.
- On which; -- used relatively; as, the earth whereon we live.
- limn v. t.
- To draw or paint; especially, to represent in an artistic way with pencil or brush. [OE. limnen, fr. luminen, for enluminen, F. enluminer to illuminate, to limn, LL. illuminare to paint. Illuminate, Luminous.]
- eery a.
- Serving to inspire fear, esp. a dread of seeing ghosts; wild; weird; as, eerie stories. [Scotch, fr. AS. earh timid.]
- poesy n.
- The art of composing poems; poetical skill or faculty; as, the heavenly gift of poesy. [F. poésie (cf. It. poesia), L. poesis, from Gr. Posy.]
- kneel v. i.
- To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
- dreary a.
- Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
- depart v. i.
- To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Poppy and Mandragora is in the public domain. This text is taken from Poems, Project Gutenberg ebook #7796; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Madison Julius Cawein, Poppy and Mandragora, in Poems (1911), text of Project Gutenberg ebook #7796, Laurel, https://laurelpoetry.com/poem/cawein-poems/poppy-and-mandragora.html, id L10908.
Form and metre
Poppy and Mandragora is 70 lines in 7 stanzas of 10 lines each. The rhyme scheme is AABBCCDDEE, complete in 6 of its 7 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEE hereA · yearA · lateB · hateB · meadowlandC · handC · faceD · graceD · glowE · goE
- 2 AABBCCDDEE awayA · mayA · moonB · tuneB · hoursC · flowersC · bloomD · perfumeD · affluenceE · henceE
- 3 AABBCCDDEE weepA · sleepA · hateB · accumulateB · leasC · seesC · flameD · nameD · byE · sighE
- 4 AABBCCDDEE longA · songA · starsB · barsB · hillsC · fillsC · solitudeD · wooedD · glassE · alasE
- 5 AA--BB--CC herA · stirA · unto · dew · chrysalisB · kissB · me · poesy · stillC · fillC
- 6 AABBCCDDEE awayA · dayA · eyesB · liesB · tremulousC · thusC · appreciativeD · liveD · recompenseE · henceE
- 7 AABBCCDDEE shutA · butA · seekB · weakB · signC · whineC · ofD · loveD · supposedE · closedE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Let us go far from here! | 6 | ······ |
| Here there is sadness in the early year: | 10 | ···/˘··/˘· |
| Here sorrow waits where joy went laughing late: | 10 | ·/˘····/˘· |
| The sicklied face of heaven hangs like hate | 10 | ·/˘··/˘··· |
| Above the woodland and the meadowland; | 10 | ···/···/˘/ |
| And Spring hath taken fire in her hand | 10 | ···/˘/˘··· |
| Of frost and made a dead bloom of her face, | 10 | ·········· |
| Which was a flower of marvel once and grace, | 10 | ···/·/˘··· |
| And sweet serenity and stainless glow. | 10 | ··˘/˘˘·/˘· |
| Delay not. Let us go. | 6 | ˘/···· |
| Let us go far away | 6 | ····˘/ |
| Into the sunrise of a fairer May: | 10 | ···/···/˘· |
| Where all the nights resign them to the moon, | 10 | ····˘/···· |
| And drug their souls with odor and soft tune, | 10 | ·····/˘··· |
| And tell their dreams in starlight: where the hours | 11 | ·····/···/˘ |
| Teach immortality with fadeless flowers; | 11 | ··˘/˘˘·/˘/˘ |
| And all the day the bee weights down the bloom, | 10 | ·········· |
| And all the night the moth shakes strange perfume, | 10 | ········˘/ |
| Like music, from the flower-bells' affluence. | 11 | ·/˘··/˘·/˘˘ |
| Let us go far from hence. | 6 | ······ |
| Why should we sit and weep, | 6 | ······ |
| And yearn with heavy eyelids still to sleep? | 10 | ···/˘/···· |
| Forever hiding from our hearts the hate,-- | 10 | ˘/˘/˘·/··· |
| Death within death,--life doth accumulate, | 10 | ······˘/˘· |
| Like winter snows along the barren leas | 10 | ·/˘·˘/·/˘· |
| And sterile hills, whereon no lover sees | 10 | ·/˘·˘/·/˘· |
| The crocus limn the beautiful in flame; | 10 | ·/˘··/˘˘·· |
| Or hyacinth and jonquil write the name | 10 | ·/˘······· |
| Of Love in fire, for each passer-by. | 10 | ···/˘··/˘· |
| Why should we sit and sigh? | 6 | ······ |
| We will not stay and long, | 6 | ······ |
| Here where our souls are wasting for a song; | 10 | ··/··/˘··· |
| Where no bird sings; and, dim beneath the stars, | 10 | ·········· |
| No silvery water strikes melodious bars; | 10 | ·/˘/˘·˘/˘· |
| And in the rocks and forest-covered hills | 10 | ·····/˘/˘· |
| No quick-tongued echo from her grotto fills | 10 | ···/˘··/·· |
| With eery syllables the solitude-- | 10 | ···/˘˘·/˘· |
| The vocal image of the voice that wooed-- | 10 | ·/˘/˘····· |
| She, of wild sounds the airy looking-glass. | 10 | ·····/˘/˘· |
| Our souls are tired, alas! | 9 | /˘··/˘˘˘/ |
| What should we say to her?-- | 6 | ······ |
| To Spring, who in our hearts makes no sweet stir: | 10 | ····/····· |
| Who looks not on us nor gives thought unto: | 10 | ·········· |
| Too busy with the birth of flowers and dew, | 10 | ·/˘····/·· |
| And vague gold wings within the chrysalis; | 10 | ·······/˘˘ |
| Or Love, who will not miss us; had no kiss | 10 | ·········· |
| To give your soul or the sad soul of me, | 10 | ·········· |
| Who bound our hearts to her in poesy, | 11 | ··/˘····/˘˘ |
| Long since, and wear her badge of service still.-- | 10 | ·······/˘· |
| Have we not served our fill? | 7 | ····/˘· |
| We will go far away. | 6 | ····˘/ |
| Song will not care, who slays our souls each day | 10 | ······/··· |
| With the dark daggers of denying eyes, | 10 | ···/˘·˘/˘· |
| And lips of silence! ... Had she sighed us lies, | 10 | ···/˘····· |
| Not passionate, yet falsely tremulous, | 10 | ·/˘˘·/˘/˘˘ |
| And lent her mouth to ours in mockery; thus | 10 | ·····/·/˘· |
| Smiled from calm eyes as if appreciative; | 11 | ······˘/˘·˘ |
| Then, then our love had taught itself to live | 10 | ··/···˘/·· |
| Feeding itself on hope, and recompense. | 10 | /˘˘/···/˘· |
| But no!--So let us hence. | 6 | ······ |
| So be the Bible shut | 6 | ···/˘· |
| Of all her Beauty, and her wisdom but | 10 | ···/˘··/˘· |
| A clasp for memory! We will not seek | 10 | ···/˘˘···· |
| The light that came not when the soul was weak | 10 | ·········· |
| With longing, and the darkness gave no sign | 10 | ·/˘··/˘··· |
| Of star-born comfort. Nay! why kneel and whine | 10 | ···/˘····· |
| Sad psalms of patience and hosannas of | 10 | ···/˘····· |
| Old hope and dreary canticles of love?-- | 9 | ···/˘···· |
| Let us depart, since, as we long supposed, | 10 | ··˘/····˘/ |
| For us God's book was closed. | 6 | ······ |
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