Wood-Folk Lore. To T. B. M
For every oneBeneath the sun,Where Autumn walks with quiet eyes,There is a word,Just overheardWhen hill to purple hill replies.
This afternoon,As warm as June,With the red apples on the bough,I set my earTo hark and hearThe wood-folk talking, you know how.
There comes a "Hush!"And then a "Tush,"As tree to scarlet tree responds,"Babble away!He'll not betrayThe secrets of us vagabonds.
"Are we not all,Both great and small,Cousins and kindred in a joyNo school can teach,No worldling reach,Nor any wreck of chance destroy?"
And so we are,However farWe journey ere the journey ends,One brotherhoodWith leaf and budAnd everything that wakes or wends.
The wind that blowsMy autumn roseWhere Grand Pre looks to Blomidon,--How great must beThe companyOf roses he has leaned upon,
Since first he shedTheir petals redThrough Persian gardens long ago,When Omar heardHis muttered wordRumoring things we may not know!
Our brother ghost,He is a mostIncorrigible wanderer;And still to-dayHe takes his wayAbout my hills of spruce and fir;
Will neither bideBy the great tide,In apple lands of Acadie,Nor in the leavesAbout your eaves,Where Scituate looks out to sea.
Words in this poem
- afternoon n.
- The part of the day which follows noon, between noon and evening.
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- tush interj.
- An exclamation indicating check, rebuke, or contempt; as, tush, tush! do not speak of it.
- worldling
- A person whose soul is set upon gaining temporal possessions; one devoted to this world and its enjoyments. [World + -ling.]
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- bide v. i.
- To dwell; to inhabit; to abide; to stay. [OE. biden, AS. bidan; akin to OHG. bitan, Goth. beidan, Icel. bi; perh. orig., to wait with trust, and akin to bid. See Bid, v. t., and cf. Abide.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Wood-Folk Lore. To T. B. M is in the public domain. This text is taken from More Songs From Vagabondia, Project Gutenberg ebook #18007; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Bliss Carman, Wood-Folk Lore. To T. B. M, in More Songs from Vagabondia (1896), text of Project Gutenberg ebook #18007, Laurel, https://laurelpoetry.com/poem/carman-vagabondia/wood-folk-lore-to-t-b-m.html, id L24716.
Form and metre
Wood-Folk Lore. To T. B. M is 54 lines in 9 stanzas of 6 lines each. The rhyme scheme is AABCCB, complete in 5 of its 9 stanzas. The metre is iambic dimeter, measured from the stress the words themselves fix (confidence 93%).
See other poems in iambic dimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABCCB oneA · sunA · eyesB · wordC · overheardC · repliesB
- 2 AABCCB afternoonA · juneA · boughB · earC · hearC · howB
- 3 --ABBA hush · tush · respondsA · awayB · betrayB · vagabondsA
- 4 AABCCB allA · smallA · joyB · teachC · reachC · destroyB
- 5 AABCCB areA · farA · endsB · brotherhoodC · budC · wendsB
- 6 AA---- blowsA · roseA · blomidon · be · company · upon
- 7 AABCCB shedA · redA · agoB · heardC · wordC · knowB
- 8 AA-BB- ghostA · mostA · wanderer · dayB · wayB · fir
- 9 AA-BB- bideA · tideA · acadie · leavesB · eavesB · sea
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic dimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| For every one | 4 | ·/˘· |
| Beneath the sun, | 4 | ···· |
| Where Autumn walks with quiet eyes, | 7 | ·/˘··/· |
| There is a word, | 4 | ···· |
| Just overheard | 4 | ·/˘/ |
| When hill to purple hill replies. | 8 | ···/˘·˘/ |
| This afternoon, | 4 | ··˘/ |
| As warm as June, | 4 | ···· |
| With the red apples on the bough, | 8 | ···/˘··· |
| I set my ear | 4 | ···· |
| To hark and hear | 4 | ···· |
| The wood-folk talking, you know how. | 8 | ···/˘··· |
| There comes a "Hush!" | 4 | ···· |
| And then a "Tush," | 4 | ···· |
| As tree to scarlet tree responds, | 8 | ···/˘·˘/ |
| "Babble away! | 4 | /˘˘/ |
| He'll not betray | 4 | ··˘/ |
| The secrets of us vagabonds. | 7 | ·/˘··/˘ |
| "Are we not all, | 4 | ···· |
| Both great and small, | 4 | ···· |
| Cousins and kindred in a joy | 8 | /˘·/˘··· |
| No school can teach, | 4 | ···· |
| No worldling reach, | 4 | ·/˘· |
| Nor any wreck of chance destroy?" | 8 | ·/˘···˘/ |
| And so we are, | 4 | ···· |
| However far | 4 | ·/˘· |
| We journey ere the journey ends, | 8 | ·/˘··/˘· |
| One brotherhood | 4 | ·/˘· |
| With leaf and bud | 4 | ···· |
| And everything that wakes or wends. | 8 | ·/˘····· |
| The wind that blows | 4 | ···· |
| My autumn rose | 4 | ·/˘· |
| Where Grand Pre looks to Blomidon,-- | 8 | ········ |
| How great must be | 4 | ···· |
| The company | 4 | ·/˘˘ |
| Of roses he has leaned upon, | 8 | ·/˘····· |
| Since first he shed | 4 | ···· |
| Their petals red | 4 | ·/˘· |
| Through Persian gardens long ago, | 8 | ·/˘/˘·˘/ |
| When Omar heard | 4 | ·/˘· |
| His muttered word | 4 | ·/˘· |
| Rumoring things we may not know! | 7 | /˘····· |
| Our brother ghost, | 4 | //˘· |
| He is a most | 4 | ···· |
| Incorrigible wanderer; | 5 | ˘/˘/˘ |
| And still to-day | 4 | ···· |
| He takes his way | 4 | ···· |
| About my hills of spruce and fir; | 8 | ········ |
| Will neither bide | 4 | ·/˘· |
| By the great tide, | 4 | ···· |
| In apple lands of Acadie, | 8 | ·/˘····· |
| Nor in the leaves | 4 | ···· |
| About your eaves, | 4 | ···· |
| Where Scituate looks out to sea. | 7 | ······· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.