The Wood-God

Bliss Carman (1861–1929) · 1896

iambic pentameter · ABACBCDEDEFGGFHHIJJI · 20 lines · from More Songs from Vagabondia

Brother, lost brother!Thou of mine ancient kin!Thou of the swift will that no ponderings smother!The dumb life in me fumbles out to the shadeThou lurkest in.In vain--evasive ever through the gladeDeparting footsteps fail;And only where the grasses have been pressed,Or by snapped twigs I follow a fruitless trail.So--give o'er the quest!Sprawl on the roots and moss!Let the lithe garter squirm across my throat!Let the slow clouds and leaves above me floatInto mine eyeballs and across,--Nor think them further! Lo, the marvel! now,Thou whom my soul desireth, even thouSprawl'st by my side, who fled'st at my pursuit.I hear thy fluting; at my shoulder thereI see the sharp ears through the tangled hair,And birds and bunnies at thy music mute.

Words in this poem

glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
fruitless a.
Lacking, or not bearing, fruit; barren; destitute of offspring; as, a fruitless tree or shrub; a fruitless marriage.
sprawl v. i.
To spread and stretch the body or limbs carelessly in a horizontal position; to lie with the limbs stretched out ungracefully. [OE. spraulen; cf. Sw. sprattla to sprawl, dial. Sw. spralla, Dan. spælle, sprælde, D. spartelen, spertelen, to flounder, to struggle.]
lithe v. i.
To listen or listen to; to hearken to. P. Plowman. [Icel Listen.]
garter n.
A band used to prevent a stocking from slipping down on the leg. [OE. gartier, F. jarretière, fr. OF. garet bend of the knee, F. jarret; akin to Sp. garra claw, Prov. garra leg. See Garrote.]
squirm v. i.
To twist about briskly with contor [Cf. Swarm to climb a tree.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Wood-God is in the public domain. This text is taken from More Songs From Vagabondia, Project Gutenberg ebook #18007; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Bliss Carman, The Wood-God, in More Songs from Vagabondia (1896), text of Project Gutenberg ebook #18007, Laurel, https://laurelpoetry.com/poem/carman-vagabondia/the-wood-god.html, id L24687.

Form and metre

The Wood-God is 20 lines in a single stanza. It rhymes ABACBCDEDEFGGFHHIJJI. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABACBCDEDEFGGFHHIJJI brotherA · kinB · smotherA · shadeC · inB · gladeC · failD · pressedE · trailD · questE · mossF · throatG · floatG · acrossF · nowH · thouH · pursuitI · thereJ · hairJ · muteI
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Brother, lost brother!5/˘·/˘
Thou of mine ancient kin!6···/˘·
Thou of the swift will that no ponderings smother!11·······/˘/˘
The dumb life in me fumbles out to the shade11·····/˘····
Thou lurkest in.4·/˘·
In vain--evasive ever through the glade10··˘/˘/˘···
Departing footsteps fail;6˘/˘/··
And only where the grasses have been pressed,10·/˘··/˘···
Or by snapped twigs I follow a fruitless trail.11·····/˘·/˘·
So--give o'er the quest!5·····
Sprawl on the roots and moss!6······
Let the lithe garter squirm across my throat!10···/˘·˘/··
Let the slow clouds and leaves above me float10··········
Into mine eyeballs and across,--8···/··˘/
Nor think them further! Lo, the marvel! now,10···/˘··/˘·
Thou whom my soul desireth, even thou10····˘/˘/˘·
Sprawl'st by my side, who fled'st at my pursuit.10········˘/
I hear thy fluting; at my shoulder there10···/˘··/˘·
I see the sharp ears through the tangled hair,10·······/˘·
And birds and bunnies at thy music mute.10···/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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