In a Copy of Browning

Bliss Carman (1861–1929) · 1896

iambic trimeter · 236 lines · from More Songs from Vagabondia

Browning, old fellow,Your leaves grow yellow,Beginning to mellowAs seasons pass.Your cover is wrinkled,And stained and sprinkled,And warped and crinkledFrom sleep on the grass.

Is it a wine stain,Or only a pine stain,That makes such a fine stainOn your dull blue,--Got as we numberedThe clouds that lumberedSouthward and slumberedWhen day was through?

What is the dear markThere like an earmark,Only a tear markA woman let fall?--As bending overShe bade me discover,"Who plays the lover,He loses all!"

With you for teacherWe learned love's featureIn every creatureThat roves or grieves;When winds were brawling,Or bird-folk calling,Or leaf-folk falling,About our eaves.

No law must straitenThe ways they wait in,Whose spirits greatenAnd hearts aspire.The world may dwindle,And summer brindle,So love but kindleThe soul to fire.

Here many a red line,Or pencilled headline,Shows love could wed lineTo golden sense;And something betterThan wisdom's fetterHas made your letterDense to the dense.

No April robin,Nor clacking bobbin,Can make of DobbinA Pegasus;But Nature's pleadingTo man's unheeding,Your subtile readingMade clear to us.

You made us farersAnd equal sharersWith homespun wearersIn home-made joys;You made us princesNo plea convincesThat spirit wincesAt dust and noise.

When Fate was nagging,And days were dragging,And fancy lagging,You gave it scope,--When eaves were drippy,And pavements slippy,--From Lippo LippiTo Evelyn Hope.

When winter's arrowPierced to the marrow,And thought was narrow,You gave it room;We guessed the warderOn Roland's border,And helped to orderThe Bishop's Tomb.

When winds were harshish,And ways were marshish,We found with KarshishEscape at need;Were bold with WaringIn far seafaring,And strong in snaringBen Ezra's creed.

We felt the menaceOf lovers pen us,Afloat in VeniceDevising fibs;And little matteredThe rain that pattered,While Blougram chatteredTo Gigadibs.

And we too waitedWith heart elatedAnd breathing bated,For Pippa's song;Saw Satan hover,With wings to coverPorphyria's lover,Pompilia's wrong.

Long thoughts were started,When youth departedFrom the half-heartedRiccardi's bride;For, saith your fable,Great Love is ableTo slip the cableAnd take the tide.

Or truth compels usWith Paracelsus,Till nothing else isOf worth at all.Del Sarto's visionIs our own mission,And art's ambitionIs God's own call.

Through all the seasons,You gave us reasonsFor splendid treasonsTo doubt and fear;Bade no foot falter,Though weaklings palter,And friendships alterFrom year to year.

Since first I sought you,Found you and bought you,Hugged you and brought youHome from Cornhill,While some upbraid you,And some parade you,Nine years have made youMy master still.

The body is no prison where we lieShut out from our true heritage of sun;It is the wings wherewith the soul may fly.Save through this flesh so scorned and spat upon,No ray of light had reached the caverned mind,No thrill of pleasure through the life had run,No love of nature or of humankind,Were it but love of self, had stirred the heartTo its first deed. Such freedom as we find,We find but through its service, not apart.And as an eagle's wings upbear him higherThan Andes or Himalaya, and chartRivers and seas beneath; so our desire,With more celestial members yet, may soarInto the space of empyrean fire,Still bodied but more richly than before.

The body is the man; what lurks behindThrough it alone unveils itself. ThereforeWe are not wrong, who seek to keep in mindThe form and feature of the mighty dead.So back of all the giving is divinedThe giver, back of all things done or saidThe man himself in elemental speechOf flesh and bone and sinew uttered.

This is thy language, Sculpture. Thine to reachBeneath all thoughts, all feelings, all desires,To that which thinks and lives and loves, and teachThe world the primal selfhood of its sires,Its heroes and its lovers and its gods.So shall Apollo flame in marble fires,The mien of Zeus suffice before he nods,So Gautama in ivory dream outThe calm of Time's untrammelled periods,So Sigurd's lips be in themselves a shout.

Mould us our Shakespeare, sculptor, in the formHis comrades knew, rare Ben and all the routThat found the taproom of the Mermaid warmWith wit and wine and fellowship, the faceWherein the men he chummed with found a charmTo make them love him; carve for us the graceThat caught Anne Hathaway in Shottery-side,The hand that clasped Southampton's in the daysEre that dark dame, of passion and of prideBurned in his heart the brand of her disdain,The eyes that wept when little Hamnet died,The lips that learned from Marlowe's and againTaught riper lore to Fletcher and the rest,The presence and demeanor sovereignAt last at Stratford calm and manifest,That rested on the seventh day and scannedHis work and knew it good, and left the questAnd like his own enchanter broke his wand.

No viewless mind! The very shape, no less,He used to speak and smile with, move and stand!God is most God not in his loneliness,Unfellowed, discreationed, unrevealed,Nor thundering on Sinai, pitiless,Nor when the seven vials are unsealed,But when his spirit companions with our thoughtAnd in his fellowship our pain is healed;And we are likest God when we are broughtMost near to all men. Bring us near to him,The gentle, human soul whose calm might wroughtImperious Lear and made our eyes grow dimFor Imogen,--who, though he heard the spheres"Still choiring to the young-eyed cherubim,"Could laugh with Falstaff and his loose compeersAnd love the rascal with the same big heartThat o'er Cordelia could not stay its tears.

For still the man is greater than his art.And though thy men and women, Shakespeare, riseLike giants in our fancy and depart,Thyself art more than all their masteries,Thy wisdom more than Hamlet's questioningsOr the cold searching of Ulysses' eyes,Thy mirth more sweet than Benedick's flouts and flings,Thy smiling dearer than Mercutio's,Thy dignity past that of all thy kings,And thy enchantment more than Prospero's.

For thou couldst not have had Othello's flaw,Not erred with Brutus,--greater, then, than thoseFor all their nobleness. Oh, albeit with awe,Leave we the mighty phantoms and draw nearThe man that fashioned them and gave them law!The Master Poet found with scarce a peerIn all the ages his domain to share,Yet of all singers gentlest and most dear!Oh, how shall words thy proper praise declare,Divine in thy supreme humanityAnd near as the inevitable air?

So he that wrought this image deemed of thee;So I, thy lover, keep thee in my heart;So may this figure set for men to seeWhere the world passes eager for the mart,Be as a sudden insight of the soulThat makes a darkness into order start,And lift thee up for all men, fair and whole,Till scholar, merchant farmer, artisan,Seeing, divine beneath the aureoleThe fellow heart and know thee for a man.

Words in this poem 59
crinkled a.
Having short bends, turns, or wrinkles; wrinkled; wavy; zigzag.
earmark n.
A mark on the ear of sheep, oxen, dogs, etc., as by cropping or slitting.
bade
A form of the pat tense of Bid.
discover v. i.
To discover or show one's self.
brawling a.
Quarreling; quarrelsome; noisy.
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
greaten v. t.
To make great; to aggrandize; to cause to increase in size; to expand.
aspire v. t.
To aspire to; to long for; to try to reach; to mount to.
dwindle v. i.
To diminish; to become less; to shrink; to waste or consume away; to become degenerate; to fall away. [From OE. dwinen to languish, waste away, AS. dwinan; akin to LG. dwinen, D. dwijnen to vanish, Icel. dvina to cease, dwindle, Sw. tvina; of uncertain origin. Th]
brindle n.
The state of being brindled. [See Brindled.]
headline n.
The line at the head or top of a page.
dobbin n.
An old jaded horse.
homespun a.
Spun or wrought at home; of domestic manufacture; coarse; plain.
nagging a.
Fault-finding; teasing; persistently annoying; as, a nagging toothache.
lagging n.
The clothing (esp., an outer, wooden covering), as of a steam cylinder, applied to prevent the radiation of heat; a covering of lags; -- called also deading and cleading.
warder n.
One who wards or keeps; a keeper; a guard.
seafaring a.
Following the business of a mariner; as, a seafaring man.
afloat adv.
Borne on the water; floating; on board ship. [Pref. a- + float.]
bated a.
Reduced; lowered; restrained; as, to speak with bated breath.
hover n.
A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
saith
3d pers. sing. pres. of Say.
falter v. t.
To thrash in the chaff; also, to cleanse or sift, as barley.
palter v. i.
To haggle. Cotgrave. [See Paltry.]
upbraid n.
The act of reproaching; contumely.
heritage a.
That which is inherited, or passes from heir to heir; inheritance. [OE. heritage, eritage, OF. heritage, eritage, F. héritage, fr. hériter to inherit, LL. heriditare. See Hereditable.]
wherewith adv.
With which; -- used relatively.
spat n.
A young oyster or other bivalve mollusk, both before and after it first becomes adherent, or such young, collectively. [From the root of spit; hence, literally, that which is ejected.]
caverned a.
Containing caverns.
upbear v. t.
To bear up; to raise aloft; to support in an elevated situation; to sustain.
empyrean n.
The highest heaven, where the pure element of fire was supposed by the ancients to subsist. [See Empyreal.]
giver n.
One who gives; a donor; a bestower; a grantor; one who imparts or distributes.
sinew n.
A tendon or tendonous tissue. See Tendon. [OE. sinewe, senewe, AS. sinu, seonu; akin to D. zenuw, OHG. senawa, G. sehne, Icel. sin, Sw. sena, Dan. sene; cf. Skr. snava. sq. root290.]
primal a.
First; primary; original; chief. [LL. primalis, fr. L. primus the first. See Prime, a.]
selfhood n.
Existence as a separate self, or independent person; conscious personality; individuality. Bib. Sacra.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
suffice v. i.
To be enough, or sufficient; to meet the need (of anything); to be equal to the end proposed; to be adequate. [OE. suffisen, OF. soufire, F. suffire (cf. suffisant, p.pr.), L. sufficere to put under, to substitute, to avail for, to suffice; sub under + facere to make. Se]
mould n.
Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
sculptor n.
One who sculptures; one whose occupation is to carve statues, or works of sculpture. [L. sculptor, fr. sculpere, sculptum, to carve; cf. scalpere to cut, carve, scratch, and Gr. sculpteur.]
taproom n.
A room where liquors are kept on tap; a barroom.
mermaid n.
A fabled marine creature, typically represented as having the upper part like that of a woman, and the lower like a fish; a sea nymph, sea woman, or woman fish. [AS. mere lake, sea. See Mere lake, and maid.]
dame n.
A mistress of a family, who is a lady; a womam in authority; especially, a lady. [F. dame, LL. domna, fr. L. domina mistress, lady, fem. of dominus master, ruler, lord; akin to domare to tame, subdue. See Tame, and cf. Dam mother, Dan, Danger]
fletcher n.
One who fletches of feathers arrows; a manufacturer of bows and arrows. Mortimer. [OF. flechier.]
demeanor n.
Management; treatment; conduct. [For demeanure, fr. demean. See Demean, v. t.]
enchanter n.
One who enchants; a sorcerer or magician; also, one who delights as by an enchantment. [Cf. F. enchanteur.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
viewless a.
Not perceivable by the eye; invisible; unseen.
loneliness n.
The condition of being lonely; solitude; seclusion.
unfellowed a.
Being without a fellow; unmatched; unmated. [Pref. un- + fellowed.]
thundering a.
Emitting thunder.
imperious a.
Commanding; ascendant; imperial; lordly; majestic. [L. imperiosus: cf. F. impérieux. See Imperial.]
lear v. t.
To learn. See Lere, to learn.
cherubim n.
The Hebrew plural of Cherub.. Cf. Seraphim.
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
nobleness n.
The quality or state of being noble; greatness; dignity; magnanimity; elevation of mind, character, or station; nobility; grandeur; stateliness.
albeit conj.
Even though; although; notwithstanding. [OE. al be although it be, where al is our all. Cf. Although.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
mart v. t.
To buy or sell in, or as in, a mart.
insight n.
A sight or view of the interior of anything; a deep inspection or view; introspection; -- frequently used with into.
aureole n.
A celestial crown or accidental glory added to the bliss of heaven, as a reward to those (as virgins, martyrs, preachers, etc.) who have overcome the world, the flesh, and the devil. [F. auréole, fr. L. aureola, (fem adj.) of gold (sc. corona crown), dim. of aureus. See Aureate, Oriole.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

In a Copy of Browning is in the public domain. This text is taken from More Songs From Vagabondia, Project Gutenberg ebook #18007; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Bliss Carman, In a Copy of Browning, in More Songs from Vagabondia (1896), text of Project Gutenberg ebook #18007, Laurel, https://laurelpoetry.com/poem/carman-vagabondia/in-a-copy-of-browning.html, id L24720.

Form and metre

In a Copy of Browning is 236 lines in 25 stanzas. The commonest rhyme scheme is AAABCCCB, in 11 of the 25 stanzas; the rest vary or could not be confirmed. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 92%).

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AAABCCCB fellowA · yellowA · mellowA · passB · wrinkledC · sprinkledC · crinkledC · grassB
  2. 2 AAABCCCB stainA · stainA · stainA · blueB · numberedC · lumberedC · slumberedC · throughB
  3. 3 AAAB-CCB markA · earmarkA · markA · fallB · over · discoverC · loverC · allB
  4. 4 AAABCC-B teacherA · featureA · creatureA · grievesB · brawlingC · callingC · falling · eavesB
  5. 5 A-ABCCCB straitenA · in · greatenA · aspireB · dwindleC · brindleC · kindleC · fireB
  6. 6 AAABCCCB lineA · headlineA · lineA · senseB · betterC · fetterC · letterC · denseB
  7. 7 AA-BCCCB robinA · bobbinA · dobbin · pegasusB · pleadingC · unheedingC · readingC · usB
  8. 8 AAABCCCB farersA · sharersA · wearersA · joysB · princesC · convincesC · wincesC · noiseB
  9. 9 AAABCCCB naggingA · draggingA · laggingA · scopeB · drippyC · slippyC · lippiC · hopeB
  10. 10 AAABCCCB arrowA · marrowA · narrowA · roomB · warderC · borderC · orderC · tombB
  11. 11 AAABCCCB harshishA · marshishA · karshishA · needB · waringC · seafaringC · snaringC · creedB
  12. 12 AAABCCCB menaceA · usA · veniceA · fibsB · matteredC · patteredC · chatteredC · gigadibsB
  13. 13 AAABCCCB waitedA · elatedA · batedA · songB · hoverC · coverC · loverC · wrongB
  14. 14 AAABCCCB startedA · departedA · heartedA · brideB · fableC · ableC · cableC · tideB
  15. 15 ---A-BBA us · paracelsus · is · allA · vision · missionB · ambitionB · callA
  16. 16 AAABCCCB seasonsA · reasonsA · treasonsA · fearB · falterC · palterC · alterC · yearB
  17. 17 AAABAAAB youA · youA · youA · cornhillB · youA · youA · youA · stillB
  18. 18 ABA-CBCDCDEDEFEF lieA · sunB · flyA · upon · mindC · runB · humankindC · heartD · findC · apartD · higherE · chartD · desireE · soarF · fireE · beforeF
  19. 19 A-ABAB-B behindA · therefore · mindA · deadB · divinedA · saidB · speech · utteredB
  20. 20 ABA-CBCDCD reachA · desiresB · teachA · sires · godsC · firesB · nodsC · outD · periodsC · shoutD
  21. 21 A-AB-BC-CDCDEDE-E- formA · rout · warmA · faceB · charm · graceB · sideC · days · prideC · disdainD · diedC · againD · restE · sovereignD · manifestE · scanned · questE · wand
  22. 22 A-ABABCBCDCDE-E-E lessA · stand · lonelinessA · unrevealedB · pitilessA · unsealedB · thoughtC · healedB · broughtC · himD · wroughtC · dimD · spheresE · cherubim · compeersE · heart · tearsE
  23. 23 ABABCBC-C- artA · riseB · departA · masteriesB · questioningsC · eyesB · flingsC · mercutio's · kingsC · prospero's
  24. 24 A-ABABCBC-C flawA · those · aweA · nearB · lawA · peerB · shareC · dearB · declareC · humanity · airC
  25. 25 ABABCBCDCD theeA · heartB · seeA · martB · soulC · startB · wholeC · artisanD · aureoleC · manD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
Browning, old fellow,5/˘·/˘
Your leaves grow yellow,5···/˘
Beginning to mellow6˘/˘·/˘
As seasons pass.4·/˘·
Your cover is wrinkled,6·/˘·/˘
And stained and sprinkled,5···/˘
And warped and crinkled5···/˘
From sleep on the grass.5·····
Is it a wine stain,5·····
Or only a pine stain,6·/˘···
That makes such a fine stain6······
On your dull blue,--4····
Got as we numbered5···/˘
The clouds that lumbered5···/˘
Southward and slumbered5/˘·/˘
When day was through?4····
What is the dear mark5·····
There like an earmark,5···/·
Only a tear mark5/˘···
A woman let fall?--5·/˘··
As bending over5·/˘··
She bade me discover,6···˘/˘
"Who plays the lover,5···/˘
He loses all!"4·/˘·
With you for teacher5···/˘
We learned love's feature5···/˘
In every creature6·/˘˘/˘
That roves or grieves;4····
When winds were brawling,5···/˘
Or bird-folk calling,5···/˘
Or leaf-folk falling,5···/˘
About our eaves.5··/˘·
No law must straiten5···/˘
The ways they wait in,5·····
Whose spirits greaten5·/˘/˘
And hearts aspire.4··˘/
The world may dwindle,5···/˘
And summer brindle,5·/˘/˘
So love but kindle5···/˘
The soul to fire.5···/˘
Here many a red line,6·/˘···
Or pencilled headline,5·/˘/·
Shows love could wed line5·····
To golden sense;4·/˘·
And something better5·/˘/˘
Than wisdom's fetter5·/˘/˘
Has made your letter5···/˘
Dense to the dense.4····
No April robin,5·/˘/˘
Nor clacking bobbin,5·/˘/˘
Can make of Dobbin5···/˘
A Pegasus;4·/˘˘
But Nature's pleading5·/˘/˘
To man's unheeding,5·····
Your subtile reading5·/˘/˘
Made clear to us.4····
You made us farers5·····
And equal sharers5·/˘/˘
With homespun wearers5·/·/˘
In home-made joys;4····
You made us princes5···/˘
No plea convinces5··˘/˘
That spirit winces5·/˘/˘
At dust and noise.4····
When Fate was nagging,5···/˘
And days were dragging,5···/˘
And fancy lagging,5·/˘/˘
You gave it scope,--4····
When eaves were drippy,5·····
And pavements slippy,--5·/˘/˘
From Lippo Lippi5·/˘/˘
To Evelyn Hope.5·/˘˘·
When winter's arrow5·/˘/˘
Pierced to the marrow,5···/˘
And thought was narrow,5···/˘
You gave it room;4····
We guessed the warder5···/˘
On Roland's border,5·/˘/˘
And helped to order5···/˘
The Bishop's Tomb.4·/˘·
When winds were harshish,5·····
And ways were marshish,5·····
We found with Karshish5·····
Escape at need;4˘/··
Were bold with Waring5···/˘
In far seafaring,4··/˘
And strong in snaring5···/˘
Ben Ezra's creed.4·/˘·
We felt the menace5···/˘
Of lovers pen us,5·/˘··
Afloat in Venice5˘/·/˘
Devising fibs;4˘/˘·
And little mattered5·/˘/˘
The rain that pattered,5···/˘
While Blougram chattered5···/˘
To Gigadibs.4····
And we too waited5···/˘
With heart elated5··˘/˘
And breathing bated,5·/˘/˘
For Pippa's song;4····
Saw Satan hover,5·/˘/˘
With wings to cover5···/˘
Porphyria's lover,5···/˘
Pompilia's wrong.4····
Long thoughts were started,5···/˘
When youth departed5··˘/˘
From the half-hearted5···/˘
Riccardi's bride;4˘/˘·
For, saith your fable,5···/˘
Great Love is able5···/˘
To slip the cable5···/˘
And take the tide.4····
Or truth compels us5··˘/·
With Paracelsus,5·····
Till nothing else is5·/˘··
Of worth at all.4····
Del Sarto's vision5···/˘
Is our own mission,6·/˘·/˘
And art's ambition5··˘/˘
Is God's own call.4····
Through all the seasons,5···/˘
You gave us reasons5···/˘
For splendid treasons5·/˘/˘
To doubt and fear;4····
Bade no foot falter,5···/˘
Though weaklings palter,5·/˘/˘
And friendships alter5·/˘/˘
From year to year.4····
Since first I sought you,5·····
Found you and bought you,5·····
Hugged you and brought you5·····
Home from Cornhill,4····
While some upbraid you,5··/··
And some parade you,5··˘/·
Nine years have made you5·····
My master still.4·/˘·
The body is no prison where we lie10·/˘··/˘···
Shut out from our true heritage of sun;9···/·/˘··
It is the wings wherewith the soul may fly.10····˘/····
Save through this flesh so scorned and spat upon,10··········
No ray of light had reached the caverned mind,10·······/˘·
No thrill of pleasure through the life had run,10···/˘·····
No love of nature or of humankind,10···/˘··/˘·
Were it but love of self, had stirred the heart10··········
To its first deed. Such freedom as we find,10·····/˘···
We find but through its service, not apart.10·····/˘·˘/
And as an eagle's wings upbear him higher10···/˘·˘/·/
Than Andes or Himalaya, and chart10·/˘··˘/˘··
Rivers and seas beneath; so our desire,10/˘·····/˘/
With more celestial members yet, may soar10··˘/˘/˘···
Into the space of empyrean fire,9········/
Still bodied but more richly than before.10·/˘··/˘···
The body is the man; what lurks behind10·/˘·······
Through it alone unveils itself. Therefore10··˘/˘/˘/··
We are not wrong, who seek to keep in mind10··········
The form and feature of the mighty dead.10···/˘··/˘·
So back of all the giving is divined10·····/˘·˘/
The giver, back of all things done or said10·/˘·······
The man himself in elemental speech10··˘/··˘/˘·
Of flesh and bone and sinew uttered.9·····/˘/˘
This is thy language, Sculpture. Thine to reach10···/˘/˘···
Beneath all thoughts, all feelings, all desires,10·····/˘·˘/
To that which thinks and lives and loves, and teach10··········
The world the primal selfhood of its sires,10···/˘/˘···
Its heroes and its lovers and its gods.10·/˘··/˘···
So shall Apollo flame in marble fires,10··˘/˘··/˘/
The mien of Zeus suffice before he nods,10····˘/····
So Gautama in ivory dream out9·····/˘··
The calm of Time's untrammelled periods,9·······/˘
So Sigurd's lips be in themselves a shout.10·/˘···˘/··
Mould us our Shakespeare, sculptor, in the form10··//·/˘···
His comrades knew, rare Ben and all the rout10·/········
That found the taproom of the Mermaid warm10···/˘··/··
With wit and wine and fellowship, the face10·····/˘···
Wherein the men he chummed with found a charm10··········
To make them love him; carve for us the grace10··········
That caught Anne Hathaway in Shottery-side,11···/˘······
The hand that clasped Southampton's in the days10····˘/˘···
Ere that dark dame, of passion and of pride10·····/˘···
Burned in his heart the brand of her disdain,10········˘/
The eyes that wept when little Hamnet died,10·····/˘···
The lips that learned from Marlowe's and again10·····/··˘/
Taught riper lore to Fletcher and the rest,10·····/˘···
The presence and demeanor sovereign9·/˘·˘/˘/˘
At last at Stratford calm and manifest,10···/˘··/˘·
That rested on the seventh day and scanned10·/˘··/˘···
His work and knew it good, and left the quest10··········
And like his own enchanter broke his wand.10····˘/˘···
No viewless mind! The very shape, no less,10·/˘··/˘···
He used to speak and smile with, move and stand!10··········
God is most God not in his loneliness,9·······/˘
Unfellowed, discreationed, unrevealed,9˘/˘······
Nor thundering on Sinai, pitiless,9·/˘·/·/˘˘
Nor when the seven vials are unsealed,9···//˘·˘/
But when his spirit companions with our thought10···/˘/˘·/·
And in his fellowship our pain is healed;10···/˘·/···
And we are likest God when we are brought10··········
Most near to all men. Bring us near to him,10··········
The gentle, human soul whose calm might wrought10·/˘/˘·····
Imperious Lear and made our eyes grow dim10˘/˘···/···
For Imogen,--who, though he heard the spheres9·/˘······
"Still choiring to the young-eyed cherubim,"10·/˘····/˘˘
Could laugh with Falstaff and his loose compeers10···/······
And love the rascal with the same big heart10···/˘·····
That o'er Cordelia could not stay its tears.10··········
For still the man is greater than his art.10·····/˘···
And though thy men and women, Shakespeare, rise10·····/˘/··
Like giants in our fancy and depart,10·/˘·//˘·˘/
Thyself art more than all their masteries,9˘/·····/˘
Thy wisdom more than Hamlet's questionings9·/˘··/˘/˘
Or the cold searching of Ulysses' eyes,10···/˘·˘/˘·
Thy mirth more sweet than Benedick's flouts and flings,10·····/˘···
Thy smiling dearer than Mercutio's,9·/˘/˘····
Thy dignity past that of all thy kings,9·/˘······
And thy enchantment more than Prospero's.10··˘/˘·····
For thou couldst not have had Othello's flaw,10······˘/˘·
Not erred with Brutus,--greater, then, than those10···/˘/˘···
For all their nobleness. Oh, albeit with awe,12···/˘˘·˘/˘··
Leave we the mighty phantoms and draw near10···/˘/˘···
The man that fashioned them and gave them law!10···/˘·····
The Master Poet found with scarce a peer10·/˘/˘·····
In all the ages his domain to share,10···/˘·˘/··
Yet of all singers gentlest and most dear!10···/˘/˘···
Oh, how shall words thy proper praise declare,10·····/˘·˘/
Divine in thy supreme humanity9˘/··˘/˘/˘
And near as the inevitable air?8····˘/˘·
So he that wrought this image deemed of thee;10·····/˘···
So I, thy lover, keep thee in my heart;10···/˘·····
So may this figure set for men to see10···/˘·····
Where the world passes eager for the mart,10···/˘/˘···
Be as a sudden insight of the soul10···/˘/····
That makes a darkness into order start,10···/˘··/˘·
And lift thee up for all men, fair and whole,10··········
Till scholar, merchant farmer, artisan,9·/˘/˘/˘/˘
Seeing, divine beneath the aureole9/˘/···/˘˘
The fellow heart and know thee for a man.10·/˘·······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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