Sermione
See how green Sermio laughs in the lake's lucid waters,she the peninsula's flower!
The Sun pours down his caresses, while, all around, the Benacoshines like a great silver cup
along whose rim is entwined a wreath of peaceful olivemixed with the laurel eternal;
and so the radiant goblet Italia the Mother holds forthwith lofty arms to the gods;
and they from the skies have let thee fall in, O Sermio,thee, the peninsular jewel!
Above, the paternal mountain boldly stands guard o'er thy beauty,watching with gloomy eyebrow.
Beneath lies the land like a Titan slain in some desperate battle,prostrate, but threatening revenge.
But along the curved shores of the bay at the left of the mountainstretch out the fair white arms
like unto those of a child who, happy on entering the dance,throws to the breeze her hair,
laughs, and with generous hand deals out her flowers right and left,and crowns the chief youth with her garland.
Garda there, far below, lifts up her dusky shouldersover the liquid mirror,
singing the while a saga of cities ancient and buried,and their barbaric kings.
But here, O Lalage, whence, through the holy joys of the azure,thou sendest thy soul-glance;
here Valerius Catullus moored to the wet rocks, of old,his frail pitched canoe,
sat through the long days and watched in the waves, phosphorescent and tremulous,the eyes of his Lesbia;
yea, and saw in those waves the changing moods of his Lesbia,saw her perfidious smile,
the while she beguiled with her charms, through darksome haunts of the town,the princely nephews of Romulus.
To him from the humid depths sang forth the nymph of the lake,“Come to us, Quintus Valerius!
“Here to our grottoes descend still the sun rays, but silveryand mild as those of Cynthia.
“Here the assiduous tumults that burden thy life but resemblethe distant humming of bees,
“and, in the silence cool, thy cares, all frenzied and fearful,gently fade into oblivion.
“Here the fresh air, here the sleep, the soothing music and chorusof the cerulean virgins,
“while Hesperus over the waters broadens his rosy face,and the waves are lapping the shore.”
Alas for sad Love! how the Muses he hates; how the poet he shatterswith lust, or with jealousy kills!
But who from thine eyes and the wars they are plotting afar,O Lalage, who shall protect?
Pluck for the Muses three boughs of sacred laurel and myrtle,wave them in sunlight eternal!
Seest thou not from Peschiera how the flocks of white swans are swimmingdown through the silvery Mincio?
Dost thou not hear from the green pastures where sleeps Bianorethe sound of Virgilius' voice?
O Lalage, turn and adore! From yonder tower of the Scaligerslooks out a face stern and grand.
“Suso in Italia bella,” smiling he murmurs, and looksat the water, the earth, and the sky.
Words in this poem 16
- peninsular a.
- Of or pertaining to a peninsula; as, a peninsular form; peninsular people; the peninsular war. [Cf. F. péninsulaire.]
- boldly adv.
- In a bold manner. [AS. bealdlice.]
- eyebrow n.
- The brow or hairy arch above the eye.
- desperate a.
- Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- saga n.
- A Scandinavian legend, or heroic or mythic tradition, among the Norsemen and kindred people; a northern European popular historical or religious tale of olden time. [Icel., akin to E. saw a saying. See Say, and cf. Saw.]
- barbaric a.
- Of, or from, barbarian nations; foreign; -- often with reference to barbarous nations of east. [L. barbaricus foreign, barbaric, Gr. .]
- darksome a.
- Dark; gloomy; obscure; shaded; cheerless.
- oblivion n.
- The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
- cerulean a.
- Sky-colored; blue; azure. [L. caeruleus.]
- hesperus n.
- Venus when she is the evening star; Hesper. [L. See Hesper.]
- lust v. i.
- To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- adore v. t.
- To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Sermione is in the public domain. This text is taken from By Frank Sewall (London: Osgood, McIlvaine & Co., 1893), Project Gutenberg ebook #56711, the Frank Sewall translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Giosuè Carducci, Sermione, in Poems of Giosuè Carducci (1893), text of Project Gutenberg ebook #56711, Laurel, https://laurelpoetry.com/poem/carducci-poems/sermione.html, id L26521.
Form and metre
Sermione is 60 lines in 30 stanzas of 2 lines each. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| See how green Sermio laughs in the lake's lucid waters, | 13 | ·········/˘/˘ |
| she the peninsula's flower! | 8 | ··˘/˘˘/˘ |
| The Sun pours down his caresses, while, all around, the Benaco | 16 | ·····˘/˘········ |
| shines like a great silver cup | 7 | ····/˘· |
| along whose rim is entwined a wreath of peaceful olive | 14 | ˘/···˘/···/˘/˘ |
| mixed with the laurel eternal; | 9 | ·˘··/˘˘/˘ |
| and so the radiant goblet Italia the Mother holds forth | 15 | ···/˘/˘˘/˘·/˘·· |
| with lofty arms to the gods; | 7 | ·/˘···· |
| and they from the skies have let thee fall in, O Sermio, | 13 | ············· |
| thee, the peninsular jewel! | 8 | ··˘/˘˘/˘ |
| Above, the paternal mountain boldly stands guard o'er thy beauty, | 16 | ···˘/˘/˘/˘····/˘ |
| watching with gloomy eyebrow. | 7 | /˘·/˘/· |
| Beneath lies the land like a Titan slain in some desperate battle, | 16 | ·······/˘···/˘/˘ |
| prostrate, but threatening revenge. | 8 | /˘·/˘˘˘/ |
| But along the curved shores of the bay at the left of the mountain | 16 | ·˘/···········/˘ |
| stretch out the fair white arms | 6 | ······ |
| like unto those of a child who, happy on entering the dance, | 15 | ········/˘·/˘·· |
| throws to the breeze her hair, | 6 | ······ |
| laughs, and with generous hand deals out her flowers right and left, | 13 | ···/˘····/··· |
| and crowns the chief youth with her garland. | 9 | ·······/˘ |
| Garda there, far below, lifts up her dusky shoulders | 13 | /˘·······/˘/˘ |
| over the liquid mirror, | 7 | ···/˘/˘ |
| singing the while a saga of cities ancient and buried, | 15 | /˘···/˘·/˘/˘·/˘ |
| and their barbaric kings. | 6 | ··˘/˘· |
| But here, O Lalage, whence, through the holy joys of the azure, | 15 | ········/˘···/˘ |
| thou sendest thy soul-glance; | 6 | ·/˘··· |
| here Valerius Catullus moored to the wet rocks, of old, | 14 | ·············· |
| his frail pitched canoe, | 5 | ···˘/ |
| sat through the long days and watched in the waves, phosphorescent and tremulous, | 17 | ···············/˘ |
| the eyes of his Lesbia; | 6 | ······ |
| yea, and saw in those waves the changing moods of his Lesbia, | 14 | ·······/˘····· |
| saw her perfidious smile, | 7 | ··˘/˘˘· |
| the while she beguiled with her charms, through darksome haunts of the town, | 15 | ···˘/····/˘···· |
| the princely nephews of Romulus. | 9 | ·/˘/˘·/˘˘ |
| To him from the humid depths sang forth the nymph of the lake, | 14 | ····/˘········ |
| “Come to us, Quintus Valerius! | 8 | ········ |
| “Here to our grottoes descend still the sun rays, but silvery | 14 | ··//·˘/·····/˘ |
| and mild as those of Cynthia. | 8 | ·····/˘˘ |
| “Here the assiduous tumults that burden thy life but resemble | 16 | ··˘/˘/˘·/˘···˘/˘ |
| the distant humming of bees, | 7 | ·/˘/˘·· |
| “and, in the silence cool, thy cares, all frenzied and fearful, | 14 | ···/˘····/˘·/˘ |
| gently fade into oblivion. | 9 | /˘···˘/˘˘ |
| “Here the fresh air, here the sleep, the soothing music and chorus | 15 | ········/˘/˘·/˘ |
| of the cerulean virgins, | 8 | ··˘/˘˘/˘ |
| “while Hesperus over the waters broadens his rosy face, | 14 | ·/˘˘··/˘/˘·/˘· |
| and the waves are lapping the shore.” | 8 | ····/˘·· |
| Alas for sad Love! how the Muses he hates; how the poet he shatters | 18 | ˘/·····/˘····/˘·/˘ |
| with lust, or with jealousy kills! | 8 | ····/˘˘· |
| But who from thine eyes and the wars they are plotting afar, | 14 | ··········/˘˘/ |
| O Lalage, who shall protect? | 7 | ·····˘/ |
| Pluck for the Muses three boughs of sacred laurel and myrtle, | 15 | ···/˘···/˘/˘·/˘ |
| wave them in sunlight eternal! | 8 | ···/·˘/˘ |
| Seest thou not from Peschiera how the flocks of white swans are swimming | 16 | ··············/˘ |
| down through the silvery Mincio? | 8 | ···/˘˘·· |
| Dost thou not hear from the green pastures where sleeps Bianore | 13 | ·······/˘···· |
| the sound of Virgilius' voice? | 7 | ······· |
| O Lalage, turn and adore! From yonder tower of the Scaligers | 16 | ·····˘/·/˘/····· |
| looks out a face stern and grand. | 7 | ······· |
| “Suso in Italia bella,” smiling he murmurs, and looks | 15 | ···˘/˘/˘/˘·/˘·· |
| at the water, the earth, and the sky. | 9 | ··/˘····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.