The Damsel of Peru
Where olive leaves were twinkling in every wind that blew,There sat beneath the pleasant shade a damsel of Peru.Betwixt the slender boughs, as they opened to the air,Came glimpses of her ivory neck and of her glossy hair;And sweetly rang her silver voice, within that shady nook,As from the shrubby glen is heard the sound of hidden brook.
'Tis a song of love and valour, in the noble Spanish tongue,That once upon the sunny plains of old Castile was sung;When, from their mountain holds, on the Moorish rout below,Had rushed the Christians like a flood, and swept away the foe.A while that melody is still, and then breaks forth anewA wilder rhyme, a livelier note, of freedom and Peru.
For she has bound the sword to a youthful lover's side,And sent him to the war the day she should have been his bride,And bade him bear a faithful heart to battle for the right,And held the fountains of her eyes till he was out of sight.Since the parting kiss was given, six weary months are fled,And yet the foe is in the land, and blood must yet be shed.
A white hand parts the branches, a lovely face looks forth,And bright dark eyes gaze steadfastly and sadly toward the northThou look'st in vain, sweet maiden, the sharpest sight would fail.To spy a sign of human life abroad in all the vale;For the noon is coming on, and the sunbeams fiercely beat,And the silent hills and forest-tops seem reeling in the heat.
That white hand is withdrawn, that fair sad face is gone,But the music of that silver voice is flowing sweetly on,Not as of late, in cheerful tones, but mournfully and low,--A ballad of a tender maid heart-broken long ago,Of him who died in battle, the youthful and the brave,And her who died of sorrow, upon his early grave.
But see, along that mountain's slope, a fiery horseman ride;Mark his torn plume, his tarnished belt, the sabre at his side.His spurs are buried rowel-deep, he rides with loosened rein,There's blood upon his charger's flank and foam upon the mane;He speeds him toward the olive-grove, along that shaded hill:God shield the helpless maiden there, if he should mean her ill!
And suddenly that song has ceased, and suddenly I hearA shriek sent up amid the shade, a shriek--but not of fear.For tender accents follow, and tenderer pauses speakThe overflow of gladness, when words are all too weak:"I lay my good sword at thy feet, for now Peru is free,And I am come to dwell beside the olive-grove with thee."
Words in this poem
- twinkling n.
- The act of one who, or of that which, twinkles; a quick movement of the eye; a wink; a twinkle. Holland.
- damsel n.
- A young person, either male or female, of noble or gentle extraction; as, Damsel Pepin; Damsel Richard, Prince of Wales. [OE. damosel, damesel, damisel, damsel, fr. OF. damoisele, damisele, gentlewoman, F. demoiselle young lady; cf. OF. damoisel young nobleman, F. damoiseau; fr. LL]
- betwixt prep.
- In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
- nook n.
- A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- rushed a.
- Abounding or covered with rushes.
- bade
- A form of the pat tense of Bid.
- steadfastly adv.
- In a steadfast manner; firmly.
- sadly adv.
- Wearily; heavily; firmly.
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- sabre n.
- A sword with a broad and heavy blade, thick at the back, and usually more or less curved like a scimiter; a cavalry sword. Saber fish, or Sabre fish (Zoöl.), the cutlass fish.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Damsel of Peru is in the public domain. This text is taken from Poems by William Cullen Bryant, Project Gutenberg ebook #16341; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Cullen Bryant, The Damsel of Peru, in Poems (1821–1876), text of Project Gutenberg ebook #16341, Laurel, https://laurelpoetry.com/poem/bryant-poems/the-damsel-of-peru.html, id L07298.
Form and metre
The Damsel of Peru is 42 lines in 7 stanzas of 6 lines each. Every stanza rhymes AABBCC. The metre is iambic heptameter, measured from the stress the words themselves fix (confidence 85%). 88% of its stressed syllables fall where the metre puts the beat. The lines average 13.7 syllables. 10% of the lines run on without a stop at the line end.
See other poems in iambic heptameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC blewA · peruA · airB · hairB · nookC · brookC
- 2 AABBCC tongueA · sungA · belowB · foeB · anewC · peruC
- 3 AABBCC sideA · brideA · rightB · sightB · fledC · shedC
- 4 AABBCC forthA · northA · failB · valeB · beatC · heatC
- 5 AABBCC goneA · onA · lowB · agoB · braveC · graveC
- 6 AABBCC rideA · sideA · reinB · maneB · hillC · illC
- 7 AABBCC hearA · fearA · speakB · weakB · freeC · theeC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic heptameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Where olive leaves were twinkling in every wind that blew, | 13 | ·/˘··/˘·/˘··· |
| There sat beneath the pleasant shade a damsel of Peru. | 14 | ·····/˘··/˘·˘/ |
| Betwixt the slender boughs, as they opened to the air, | 13 | ˘/·/˘···/˘··· |
| Came glimpses of her ivory neck and of her glossy hair; | 14 | ·/˘··/˘····/˘· |
| And sweetly rang her silver voice, within that shady nook, | 14 | ·/˘··/˘····/˘· |
| As from the shrubby glen is heard the sound of hidden brook. | 14 | ···/˘······/˘· |
| 'Tis a song of love and valour, in the noble Spanish tongue, | 15 | ······/˘··/˘/˘· |
| That once upon the sunny plains of old Castile was sung; | 15 | ·····/˘········ |
| When, from their mountain holds, on the Moorish rout below, | 13 | ···/˘···/˘··· |
| Had rushed the Christians like a flood, and swept away the foe. | 14 | ···/˘·····˘/·· |
| A while that melody is still, and then breaks forth anew | 13 | ···/˘······˘/ |
| A wilder rhyme, a livelier note, of freedom and Peru. | 13 | ·/··/˘··/˘·˘/ |
| For she has bound the sword to a youthful lover's side, | 13 | ········/˘/˘· |
| And sent him to the war the day she should have been his bride, | 14 | ·············· |
| And bade him bear a faithful heart to battle for the right, | 14 | ·····/˘··/˘··· |
| And held the fountains of her eyes till he was out of sight. | 14 | ···/˘········· |
| Since the parting kiss was given, six weary months are fled, | 13 | ··/˘··/·/˘··· |
| And yet the foe is in the land, and blood must yet be shed. | 14 | ·············· |
| A white hand parts the branches, a lovely face looks forth, | 13 | ·····/˘·/˘··· |
| And bright dark eyes gaze steadfastly and sadly toward the north | 15 | ·····/·˘·/˘···· |
| Thou look'st in vain, sweet maiden, the sharpest sight would fail. | 13 | ·····/˘·/˘··· |
| To spy a sign of human life abroad in all the vale; | 14 | ·····/˘·˘/···· |
| For the noon is coming on, and the sunbeams fiercely beat, | 14 | ····/˘···/·/˘· |
| And the silent hills and forest-tops seem reeling in the heat. | 15 | ··/˘··/˘··/˘··· |
| That white hand is withdrawn, that fair sad face is gone, | 12 | ····˘/······ |
| But the music of that silver voice is flowing sweetly on, | 14 | ··/˘··/˘··//˘· |
| Not as of late, in cheerful tones, but mournfully and low,-- | 14 | ·····/˘······· |
| A ballad of a tender maid heart-broken long ago, | 14 | ·/˘··/˘··/˘·˘/ |
| Of him who died in battle, the youthful and the brave, | 13 | ·····/˘·/˘··· |
| And her who died of sorrow, upon his early grave. | 13 | ·····/˘···/˘· |
| But see, along that mountain's slope, a fiery horseman ride; | 14 | ··˘/·/˘··/˘/˘· |
| Mark his torn plume, his tarnished belt, the sabre at his side. | 14 | ·····/˘··/˘··· |
| His spurs are buried rowel-deep, he rides with loosened rein, | 14 | ···/˘/˘····/˘· |
| There's blood upon his charger's flank and foam upon the mane; | 14 | ·····/˘······· |
| He speeds him toward the olive-grove, along that shaded hill: | 15 | ······/˘·˘/·/˘· |
| God shield the helpless maiden there, if he should mean her ill! | 14 | ···/˘/˘······· |
| And suddenly that song has ceased, and suddenly I hear | 12 | ·/˘·····/˘·· |
| A shriek sent up amid the shade, a shriek--but not of fear. | 14 | ····˘/········ |
| For tender accents follow, and tenderer pauses speak | 14 | ·/˘/˘/˘····/˘· |
| The overflow of gladness, when words are all too weak: | 13 | ·/˘··/˘······ |
| "I lay my good sword at thy feet, for now Peru is free, | 14 | ··········˘/·· |
| And I am come to dwell beside the olive-grove with thee." | 14 | ······˘/·/˘··· |
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