The Alcayde of Molina

William Cullen Bryant (1794–1878) · 1821–1876

iambic hexameter · rhyming couplets · 34 lines · from Poems

To the town of Atienza, Molina's brave Alcayde,The courteous and the valorous, led forth his bold brigade.The Moor came back in triumph, he came without a wound,With many a Christian standard, and Christian captive bound.He passed the city portals, with swelling heart and vein,And towards his lady's dwelling he rode with slackened rein;Two circuits on his charger he took, and at the third,From the door of her balcony Zelinda's voice was heard."Now if thou wert not shameless," said the lady to the Moor,"Thou wouldst neither pass my dwelling, nor stop before my door.Alas for poor Zelinda, and for her wayward mood,That one in love with peace should have loved a man of blood!Since not that thou wert noble I chose thee for my knight,But that thy sword was dreaded in tournay and in fight.Ah, thoughtless and unhappy! that I should fail to seeHow ill the stubborn flint and the yielding wax agree.Boast not thy love for me, while the shrieking of the fifeCan change thy mood of mildness to fury and to strife.Say not my voice is magic--thy pleasure is to hearThe bursting of the carbine, and shivering of the spear.Well, follow thou thy choice--to the battle-field away,To thy triumphs and thy trophies, since I am less than they.Thrust thy arm into thy buckler, gird on thy crooked brand,And call upon thy trusty squire to bring thy spears in hand.Lead forth thy band to skirmish, by mountain and by mead,On thy dappled Moorish barb, or thy fleeter border steed.Go, waste the Christian hamlets, and sweep away their flocks,From Almazan's broad meadows to Siguenza's rocks.Leave Zelinda altogether, whom thou leavest oft and long,And in the life thou lovest forget whom thou dost wrong.These eyes shall not recall thee, though they meet no more thine own,Though they weep that thou art absent, and that I am all alone."She ceased, and turning from him her flushed and angry cheek,Shut the door of her balcony before the Moor could speak.

Words in this poem

alcayde n.
A commander of a castle or fortress among the Spaniards, Portuguese, and Moors. [Sp. alcaide, fr. Ar. al-qa\'c6d governor, fr. qada to lead, govern.]
valorous a.
Possessing or exhibiting valor; brave; courageous; valiant; intrepid. [Cf. F. valeureux, LL. valorosus.]
brigade n.
A body of troops, whether cavalry, artillery, infantry, or mixed, consisting of two or more regiments, under the command of a brigadier general. [F. brigade, fr. It. brigata troop, crew, brigade, originally, a contending troop, fr. briga trouble, quarrel. See Brigand.]
rode n.
Redness; complexion. [See Rud.]
charger n.
One who, or that which charges.
wayward a.
Taking one's own way; disobedient; froward; perverse; willful. [OE. weiward, for aweiward, i. e., turned away. See Away, and -ward.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
dappled a.
Marked with spots of different shades of color; spotted; variegated; as, a dapple horse.
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
altogether adv.
All together; conjointly. [OE. altogedere; al all + togedere together. See Together.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
angry a.
Troublesome; vexatious; rigorous. [See Anger.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Alcayde of Molina is in the public domain. This text is taken from Poems by William Cullen Bryant, Project Gutenberg ebook #16341; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Cullen Bryant, The Alcayde of Molina, in Poems (1821–1876), text of Project Gutenberg ebook #16341, Laurel, https://laurelpoetry.com/poem/bryant-poems/the-alcayde-of-molina-2.html, id L26101.

Form and metre

The Alcayde of Molina is 34 lines in a single stanza. It is in rhyming couplets, 88% of the lines. The metre is iambic hexameter, measured from the stress the words themselves fix (confidence 74%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 19 lines end on an unstressed syllable, a feminine ending. 22% of the lines run on without a stop at the line end.

See other poems in rhyming couplets, other poems in iambic hexameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDD----EEFFGGHHIIJJKKLLMMNNOO alcaydeA · brigadeA · woundB · boundB · veinC · reinC · thirdD · heardD · moor · door · mood · blood · knightE · fightE · seeF · agreeF · fifeG · strifeG · hearH · spearH · awayI · theyI · brandJ · handJ · meadK · steedK · flocksL · rocksL · longM · wrongM · ownN · aloneN · cheekO · speakO
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic hexameter. How this is done.

LineSyl.Stress
To the town of Atienza, Molina's brave Alcayde,13····˘/˘˘/˘·˘/
The courteous and the valorous, led forth his bold brigade.14·/˘··/˘˘····˘/
The Moor came back in triumph, he came without a wound,13·····/˘······
With many a Christian standard, and Christian captive bound.13·/·/˘/˘·/˘/˘·
He passed the city portals, with swelling heart and vein,13···/˘/˘·/˘···
And towards his lady's dwelling he rode with slackened rein;13···/˘/˘···/˘·
Two circuits on his charger he took, and at the third,13·/˘··/˘······
From the door of her balcony Zelinda's voice was heard.13·····/˘······
"Now if thou wert not shameless," said the lady to the Moor,14·····/˘··/˘···
"Thou wouldst neither pass my dwelling, nor stop before my door.14··/˘··/˘······
Alas for poor Zelinda, and for her wayward mood,13˘/········/˘·
That one in love with peace should have loved a man of blood!13·············
Since not that thou wert noble I chose thee for my knight,13·····/˘······
But that thy sword was dreaded in tournay and in fight.13·····/˘······
Ah, thoughtless and unhappy! that I should fail to see13·/˘·˘/˘······
How ill the stubborn flint and the yielding wax agree.13···/˘···/˘·˘/
Boast not thy love for me, while the shrieking of the fife13········/˘···
Can change thy mood of mildness to fury and to strife.13·····/˘·/˘···
Say not my voice is magic--thy pleasure is to hear13·····/˘·/˘···
The bursting of the carbine, and shivering of the spear.13·/˘··/··/˘···
Well, follow thou thy choice--to the battle-field away,13·/˘·····/˘·˘/
To thy triumphs and thy trophies, since I am less than they.14··/˘··/˘······
Thrust thy arm into thy buckler, gird on thy crooked brand,14······/˘···/˘·
And call upon thy trusty squire to bring thy spears in hand.14·····/˘·······
Lead forth thy band to skirmish, by mountain and by mead,13·····/˘·/˘···
On thy dappled Moorish barb, or thy fleeter border steed.13···/˘·····/˘·
Go, waste the Christian hamlets, and sweep away their flocks,13···/˘/˘··˘/··
From Almazan's broad meadows to Siguenza's rocks.12·˘˘/·/······
Leave Zelinda altogether, whom thou leavest oft and long,15·····˘/˘··/˘···
And in the life thou lovest forget whom thou dost wrong.13·······˘/····
These eyes shall not recall thee, though they meet no more thine own,14····/·········
Though they weep that thou art absent, and that I am all alone."15······/˘·····˘/
She ceased, and turning from him her flushed and angry cheek,13···/˘·····/˘·
Shut the door of her balcony before the Moor could speak.13·····/˘······
Notes from the edition 1

William Cullen Bryant's own notes to his Poems (Project Gutenberg #16341).

  1. Line 31 This is the very expression of the original--No te llamaran mis ojos, &c. The Spanish poets early adopted the practice of calling a lady by the name of the most expressive feature of her countenance, her eyes. The lover styled his mistress "ojos bellos," beautiful eyes; "ojos serenos," serene eyes. Green eyes seem to have been anciently thought a great beauty in Spain, and there is a very pretty ballad by an absent lover, in which he addressed his lady by the title of "green eyes;" supplicating that he may remain in her remembrance.

    iAy ojuelos verdes! Ay los mis ojuelos! Ay, hagan los cielos Que de mi te acuerdes!

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