Noon
'Tis noon. At noon the Hebrew bowed the kneeAnd worshipped, while the husbandmen withdrewFrom the scorched field, and the wayfaring manGrew faint, and turned aside by bubbling fount,Or rested in the shadow of the palm.
I, too, amid the overflow of day,Behold the power which wields and cherishesThe frame of Nature. From this brow of rockThat overlooks the Hudson's western marge,I gaze upon the long array of groves,The piles and gulfs of verdure drinking inThe grateful heats. They love the fiery sun;Their broadening leaves grow glossier, and their spraysClimb as he looks upon them. In the midst,The swelling river, into his green gulfs,Unshadowed save by passing sails above,Takes the redundant glory, and enjoysThe summer in his chilly bed. Coy flowers,That would not open in the early light,Push back their plaited sheaths. The rivulet's pool,That darkly quivered all the morning longIn the cool shade, now glimmers in the sun;And o'er its surface shoots, and shoots again,The glittering dragon-fly, and deep withinRun the brown water-beetles to and fro.
A silence, the brief sabbath of an hour,Reigns o'er the fields; the laborer sits withinHis dwelling; he has left his steers awhile,Unyoked, to bite the herbage, and his dogSleeps stretched beside the door-stone in the shade.Now the grey marmot, with uplifted paws,No more sits listening by his den, but stealsAbroad, in safety, to the clover field,And crops its juicy blossoms. All the whileA ceaseless murmur from the populous townSwells o'er these solitudes: a mingled soundOf jarring wheels, and iron hoofs that clashUpon the stony ways, and hammer-clang,And creak of engines lifting ponderous bulks,And calls and cries, and tread of eager feet,Innumerable, hurrying to and fro.Noon, in that mighty mart of nations, bringsNo pause to toil and care. With early dayBegan the tumult, and shall only ceaseWhen midnight, hushing one by one the soundsOf bustle, gathers the tired brood to rest.
Thus, in this feverish time, when love of gainAnd luxury possess the hearts of men,Thus is it with the noon of human life.We, in our fervid manhood, in our strengthOf reason, we, with hurry, noise, and care,Plan, toil, and strife, and pause not to refreshOur spirits with the calm and beautifulOf God's harmonious universe, that wonOur youthful wonder; pause not to inquireWhy we are here; and what the reverenceMan owes to man, and what the mysteryThat links us to the greater world, besideWhose borders we but hover for a space.
Words in this poem 16
- wayfaring a.
- Traveling; passing; being on a journey.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- marge n.
- Border; margin; edge; verge. [F. marge. See Margin.]
- quivered a.
- Furnished with, or carrying, a quiver.
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- unyoked a.
- Not yet yoked; not having worn the yoke. [In sense 1 pref. un- not + yoked; in senses 2 and 3 properly p. p. of unyoke.]
- ceaseless a.
- Without pause or end; incessant.
- populous a.
- Abounding in people; full of inhabitants; containing many inhabitants in proportion to the extent of the country. [L. populosus, fr. populus people: cf. F. populeux.]
- jarring a.
- Shaking; disturbing; discordant. [See Jar.]
- creak v. i.
- To make a prolonged sharp grating or ssqueaking sound, as by the friction of hard substances; as, shoes creak. [OE. creken, prob. of imitative origin; cf. E. crack, and. D. kreiken to crackle, chirp.]
- mart v. t.
- To buy or sell in, or as in, a mart.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- hushing n.
- The process of washing ore, or of uncovering mineral veins, by a heavy discharge of water from a reservoir; flushing; -- also called booming.
- fervid a.
- Very hot; burning; boiling. [L. fervidus, fr. fervere. See Fervent.]
- strife n.
- The act of striving; earnest endeavor. [OF. estrif. See Strive.]
- hover n.
- A cover; a shelter; a protection. Carew. C. Kingsley. [Etymol. doubtful.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Noon is in the public domain. This text is taken from Poems by William Cullen Bryant, Project Gutenberg ebook #16341; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Cullen Bryant, Noon, in Poems (1821–1876), text of Project Gutenberg ebook #16341, Laurel, https://laurelpoetry.com/poem/bryant-poems/noon.html, id L07366.
Form and metre
Noon is 59 lines in 4 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 -----AB----CC---B-A- day · cherishes · rock · marge · groves · inA · sunB · sprays · midst · gulfs · above · enjoysC · flowersC · light · pool · long · sunB · again · withinA · fro
- 3 --A-----A------------ hour · within · awhileA · dog · shade · paws · steals · field · whileA · town · sound · clash · clang · bulks · feet · fro · brings · day · cease · sounds · rest
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| 'Tis noon. At noon the Hebrew bowed the knee | 10 | ·····/˘··· |
| And worshipped, while the husbandmen withdrew | 10 | ·/˘·····˘/ |
| From the scorched field, and the wayfaring man | 10 | ···˘···/˘· |
| Grew faint, and turned aside by bubbling fount, | 10 | ····˘/·/˘· |
| Or rested in the shadow of the palm. | 10 | ·/˘··/···· |
| I, too, amid the overflow of day, | 10 | ··˘/·/˘··· |
| Behold the power which wields and cherishes | 11 | ˘/·/˘···/˘˘ |
| The frame of Nature. From this brow of rock | 10 | ···/˘····· |
| That overlooks the Hudson's western marge, | 10 | ·/˘··/˘/˘· |
| I gaze upon the long array of groves, | 10 | ······˘/·· |
| The piles and gulfs of verdure drinking in | 10 | ·····/˘/˘· |
| The grateful heats. They love the fiery sun; | 10 | ·/˘····/˘· |
| Their broadening leaves grow glossier, and their sprays | 10 | ·/˘··/˘··· |
| Climb as he looks upon them. In the midst, | 10 | ·········· |
| The swelling river, into his green gulfs, | 10 | ·/˘/˘····· |
| Unshadowed save by passing sails above, | 10 | ·····/˘··· |
| Takes the redundant glory, and enjoys | 10 | ··˘/˘/˘·˘/ |
| The summer in his chilly bed. Coy flowers, | 11 | ·/˘··/˘··/˘ |
| That would not open in the early light, | 10 | ···/˘··/˘· |
| Push back their plaited sheaths. The rivulet's pool, | 11 | ···/˘······ |
| That darkly quivered all the morning long | 10 | ·/˘/˘··/˘· |
| In the cool shade, now glimmers in the sun; | 10 | ·····/˘··· |
| And o'er its surface shoots, and shoots again, | 10 | ···/˘···˘/ |
| The glittering dragon-fly, and deep within | 10 | ·/˘/˘····· |
| Run the brown water-beetles to and fro. | 10 | ···/˘/˘··· |
| A silence, the brief sabbath of an hour, | 11 | ·/˘··/˘··/˘ |
| Reigns o'er the fields; the laborer sits within | 10 | ·····/˘··· |
| His dwelling; he has left his steers awhile, | 10 | ·/˘·····˘/ |
| Unyoked, to bite the herbage, and his dog | 10 | ˘/···/˘··· |
| Sleeps stretched beside the door-stone in the shade. | 10 | ··˘/······ |
| Now the grey marmot, with uplifted paws, | 10 | ···/˘·/˘˘· |
| No more sits listening by his den, but steals | 10 | ···/˘····· |
| Abroad, in safety, to the clover field, | 10 | ˘/·/˘··/˘· |
| And crops its juicy blossoms. All the while | 10 | ···/˘/˘··· |
| A ceaseless murmur from the populous town | 10 | ·/˘/˘··/˘· |
| Swells o'er these solitudes: a mingled sound | 10 | ···/˘··/˘· |
| Of jarring wheels, and iron hoofs that clash | 10 | ·/˘··/˘··· |
| Upon the stony ways, and hammer-clang, | 10 | ···/˘··/˘· |
| And creak of engines lifting ponderous bulks, | 10 | ···/˘/˘/˘· |
| And calls and cries, and tread of eager feet, | 10 | ·······/˘· |
| Innumerable, hurrying to and fro. | 10 | ˘/˘˘/˘˘··· |
| Noon, in that mighty mart of nations, brings | 10 | ···/˘··/˘· |
| No pause to toil and care. With early day | 10 | ·······/˘· |
| Began the tumult, and shall only cease | 10 | ˘/·/˘··/˘· |
| When midnight, hushing one by one the sounds | 10 | ·/·/˘····· |
| Of bustle, gathers the tired brood to rest. | 10 | ·/˘/˘·/··· |
| Thus, in this feverish time, when love of gain | 10 | ···/˘····· |
| And luxury possess the hearts of men, | 10 | ·/˘˘˘/···· |
| Thus is it with the noon of human life. | 10 | ·······/˘· |
| We, in our fervid manhood, in our strength | 10 | ··//˘/··/· |
| Of reason, we, with hurry, noise, and care, | 10 | ·/˘··/˘··· |
| Plan, toil, and strife, and pause not to refresh | 10 | ········˘/ |
| Our spirits with the calm and beautiful | 11 | /˘/˘····/˘˘ |
| Of God's harmonious universe, that won | 10 | ··˘/˘/˘··· |
| Our youthful wonder; pause not to inquire | 10 | //˘/˘···˘/ |
| Why we are here; and what the reverence | 10 | ·······/˘˘ |
| Man owes to man, and what the mystery | 10 | ·······/˘˘ |
| That links us to the greater world, beside | 10 | ·····/˘·˘/ |
| Whose borders we but hover for a space. | 10 | ·/˘··/˘··· |
Notes from the edition 1
William Cullen Bryant's own notes to his Poems (Project Gutenberg #16341).
- Stanza 1, line 1 Evening and morning, and at noon, will I pray and cry aloud, and he shall hear my voice.--PSALM LV. 17.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.