The Summer-House on the Mound
How well my eyes remember the dim path!My homing heart no happier playground hath.I need not close my lids but it appearsThrough the bewilderment of forty yearsTo tempt my feet, my childish feet, betweenIts leafy walls, beneath its arching green;Fairer than dream of sleep, than Hope more fairLeading to dreamless sleep her sister Care.
There grew two fellow limes, two rising trees,Shadowing the lawn, the summer haunt of bees,Whose stems, engraved with many a russet scarFrom the spear-hurlings of our mimic war,Pillar'd the portico to that wide walk,A mossy terrace of the native chalkFashion'd, that led thro' the dark shades aroundStraight to the wooden temple on the mound.There live the memories of my early days,There still with childish heart my spirit plays;Yea, terror-stricken by the fiend despairWhen she hath fled me, I have found her there;And there 'tis ever noon, and glad suns bringAlternate days of summer and of spring,With childish thought, and childish faces bright,And all unknown save but the hour's delight.
High on the mound the ivied arbour stood,A dome of straw upheld on rustic wood:Hidden in fern the steps of the ascent,Whereby unto the southern front we went,And from the dark plantation climbing free,Over a valley look'd out on the sea.That sea is ever bright and blue, the skySerene and blue, and ever white ships lieHigh on the horizon steadfast in full sail,Or nearer in the roads pass within hail,Of naked brigs and barques that windbound rideAt their taut cables heading to the tide.
There many an hour I have sat to watch; nay, nowThe brazen disk is cold against my brow,And in my sight a circle of the seaEnlarged to swiftness, where the salt waves flee,And ships in stately motion pass so nearThat what I see is speaking to my ear:I hear the waves dash and the tackle strain,The canvas flap, the rattle of the chainThat runs out thro' the hawse, the clank of the winchWinding the rusty cable inch by inch,Till half I wonder if they have no care,Those sailors, that my glass is brought to bearOn all their doings, if I vex them notOn every petty task of their rough lotPrying and spying, searching every craftFrom painted truck to gunnel, fore and aft,--Thro' idle Sundays as I have watch'd them leanLong hours upon the rail, or neath its screenProne on the deck to lie outstretch'd at length,Sunk in renewal of their wearied strength.
But what a feast of joy to me, if someFast-sailing frigate to the Channel comeBack'd here her topsail, or brought gently upLet from her bow the splashing anchor drop,By faint contrary wind stay'd in her cruise,The Phaethon or dancing Arethuse,Or some immense three-decker of the line,Romantic as the tale of Troy divine;Ere yet our iron age had doom'd to fallThe towering freeboard of the wooden wall,And for the engines of a mightier MarsClipp'd their wide wings, and dock'd their soaring spars.The gale that in their tackle sang, the waveThat neath their gilded galleries dasht so braveLost then their merriment, nor look to playWith the heavy-hearted monsters of to-day.
One noon in March upon that anchoring groundCame Napier's fleet unto the Baltic bound:Cloudless the sky and calm and blue the sea,As round Saint Margaret's cliff mysteriously,Those murderous queens walking in Sabbath sleepGlided in line upon the windless deep:For in those days was first seen low and blackBeside the full-rigg'd mast the strange smoke-stack,And neath their stern revolv'd the twisted fan.Many I knew as soon as I might scan,The heavy Royal George, the Acre bright,The Hogue and Ajax, and could name arightOthers that I remember now no more;But chief, her blue flag flying at the fore,With fighting guns a hundred thirty and one,The Admiral ship The Duke of Wellington,Whereon sail'd George, who in her gig had flownThe silken ensign by our sisters sewn.The iron Duke himself,--whose soldier fameTo England's proudest ship had given her name,And whose white hairs in this my earliest sceneHad scarce more honour'd than accustom'd been,--Was two years since to his last haven past:I had seen his castle-flag to fall half-mastOne morn as I sat looking on the sea,When thus all England's grief came first to me,Who hold my childhood favour'd that I knewSo well the face that won at Waterloo.
But now 'tis other wars, and other men;--The year that Napier sail'd, my years were ten--Yea, and new homes and loves my heart hath found:A priest has there usurped the ivied mound,The bell that call'd to horse calls now to prayers,And silent nuns tread the familiar stairs.Within the peach-clad walls that old outlaw,The Roman wolf, scratches with privy paw.
O Love, I complain,Complain of thee often,Because thou dost softenMy being to pain:
Thou makest me fearThe mind that createth,That loves not nor hatethIn justice austere;Who, ere he make one,With millions toyeth,And lightly destroyethWhate'er is begun.
An' wer't not for thee,My glorious passion,My heart I could fashionTo sternness, as he.
But thee, Love, he madeLest man should defy him,Connive and outvie him,And not be afraid:
Nay, thee, Love, he gaveHis terrors to cover,And turn to a loverHis insolent slave.
Words in this poem 34
- homing a.
- Home-returning; -- used specifically of carrier pigeons.
- playground n.
- A piece of ground used for recreation; as, the playground of a school.
- dreamless a.
- Free from, or without, dreams. Camden.
- shadowing n.
- Shade, or gradation of light and color; shading. Feltham.
- stricken p. p.
- Struck; smitten; wounded; as, the stricken deer.
- ivied a.
- Overgrown with ivy. [From Ivy.]
- arbour n.
- A kind of latticework formed of, or covered with, vines, branches of trees, or other plants, for shade; a bower. Sir P. [OE. herber, herbere, properly a garden of herbs, F. herbier, fr. L. herbarium. See Herb, and cf. Herbarium.]
- went n.
- Course; way; path; journey; direction.
- windbound a.
- prevented from sailing, by a contrary wind. See Weatherbound.
- heading n.
- The act or state of one who, or that which, heads; formation of a head.
- hawse n.
- A hawse hole. Harris. [Orig. a hawse hole, or hole in the ship; cf. Icel. hals, hals, neck, part of the bows of a ship, AS. heals neck. See Collar, and cf. Halse to embrace.]
- clank n.
- A sharp, brief, ringing sound, made by a collision of metallic or other sonorous bodies; -- usually expressing a duller or less resounding sound than clang, and a deeper and stronger sound than clink. [Akin to clink, and of imitative origin; cf. G. klang sound, D. klank. Cf. Clang.]
- prying a.
- Inspecting closely or impertinently.
- craft n.
- Strength; might; secret power. [AS. cr strength, skill, art, cunning; akin to OS., G., Sw., & Dan. kraft strength, D. kracht, Icel. kraptr; perh. originally, a drawing together, stretching, fr]
- cruise v. i.
- To sail back and forth on the ocean; to sail, as for the potection of commerce, in search of an enemy, for plunder, or for pleasure. [D. kruisen to move crosswise or in a zigzag, to cruise, fr. kruis cross, fr. OF. crois, croiz, F. croix, or directly fr. OF. croisier, F. croiser, to cross, cru]
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- cloudless a.
- Without a cloud; clear; bright.
- mysteriously adv.
- In a mysterious manner.
- windless a.
- Having no wind; calm.
- scan v. t.
- To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
- acre n.
- Any field of arable or pasture land. [OE. aker, AS. æcer; akin to OS. accar, OHG. achar, Ger. acker, Icel. akr, Sw. åker, Dan. ager, Goth. akrs, L. ager, Gr. ajra. *2, 206.]
- aright adv.
- Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]
- duke n.
- A leader; a chief; a prince. [F. duc, fr. L. dux, ducis, leader, commander, fr. ducere to lead; akin to AS. teón to draw; cf. AS. heretoga (here army) an army leader, general, G. herzog duke]
- whereon adv.
- On which; -- used relatively; as, the earth whereon we live.
- flown a.
- Flushed, inflated.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- childhood n.
- The state of being a child; the time in which persons are children; the condition or time from infancy to puberty. [AS. cildhad; cild child + -had. See Child, and hood.]
- clad v.
- To clothe. Holland.
- glorious a.
- Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
- sternness n.
- The quality or state of being stern.
- defy v. t.
- To renounce or dissolve all bonds of affiance, faith, or obligation with; to reject, refuse, or renounce. [F. défier, OF. deffier, desfier, LL. disfidare to disown faith or fidelity, to dissolve the bond of allegiance, as between the vassal and his lord; hence, to ch]
- connive v. i.
- To open and close the eyes rapidly; to wink. [L. connivere to shut the eues, connive, fr. con- + (perh.) a word akin to nicere to beckon, nictare to wink.]
- outvie v. t.
- To exceed in vying.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Summer-House on the Mound is in the public domain. This text is taken from The Poetical Works of Robert Bridges, Excluding the Eight Dramas, Project Gutenberg ebook #37804; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Bridges, The Summer-House on the Mound, in Poetical Works (1873–1912), text of Project Gutenberg ebook #37804, Laurel, https://laurelpoetry.com/poem/bridges-shorter-poems/the-summer-house-on-the-mound.html, id L01808.
Form and metre
The Summer-House on the Mound is 132 lines in 12 verse paragraphs. It is in rhyming couplets, 85% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 9.2 syllables. 11 lines end on an unstressed syllable, a feminine ending. 36% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDD pathA · hathA · appearsB · yearsB · betweenC · greenC · fairD · careD
- 2 AA--BBCCDDEEFFGG treesA · beesA · scar · war · walkB · chalkB · aroundC · moundC · daysD · playsD · despairE · thereE · bringF · springF · brightG · delightG
- 3 AABBCCDDEEFF stoodA · woodA · ascentB · wentB · freeC · seaC · skyD · lieD · sailE · hailE · rideF · tideF
- 4 AABBCCDDEEFFGGHHIIJJ nowA · browA · seaB · fleeB · nearC · earC · strainD · chainD · winchE · inchE · careF · bearF · notG · lotG · craftH · aftH · leanI · screenI · lengthJ · strengthJ
- 5 AA--BBCCDDEEFFGG someA · comeA · up · drop · cruiseB · arethuseB · lineC · divineC · fallD · wallD · marsE · sparsE · waveF · braveF · playG · dayG
- 6 AAB-CCDDEEFFGGHHIIJJ-HKKBBLL groundA · boundA · seaB · mysteriously · sleepC · deepC · blackD · stackD · fanE · scanE · brightF · arightF · moreG · foreG · oneH · wellingtonH · flownI · sewnI · fameJ · nameJ · scene · beenH · pastK · mastK · seaB · meB · knewL · waterlooL
- 7 AABBCCDD menA · tenA · foundB · moundB · prayersC · stairsC · outlawD · pawD
- 8 ABBA complainA · oftenB · softenB · painA
- 9 ABBACBBC fearA · createthB · hatethB · austereA · oneC · toyethB · destroyethB · begunC
- 10 ABBA theeA · passionB · fashionB · heA
- 11 ABBA madeA · himB · himB · afraidA
- 12 ABBA gaveA · coverB · loverB · slaveA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| How well my eyes remember the dim path! | 10 | ····˘/˘··· |
| My homing heart no happier playground hath. | 10 | ·/˘··/˘/·· |
| I need not close my lids but it appears | 10 | ········˘/ |
| Through the bewilderment of forty years | 10 | ··˘/˘˘·/˘· |
| To tempt my feet, my childish feet, between | 10 | ·····/˘··· |
| Its leafy walls, beneath its arching green; | 10 | ·/˘····/˘· |
| Fairer than dream of sleep, than Hope more fair | 10 | /˘········ |
| Leading to dreamless sleep her sister Care. | 10 | /˘·/˘··/˘· |
| There grew two fellow limes, two rising trees, | 10 | ···/˘··/˘· |
| Shadowing the lawn, the summer haunt of bees, | 10 | /˘···/˘··· |
| Whose stems, engraved with many a russet scar | 10 | ··˘/·/·/˘· |
| From the spear-hurlings of our mimic war, | 10 | ···/˘·//˘· |
| Pillar'd the portico to that wide walk, | 10 | /˘·/˘····· |
| A mossy terrace of the native chalk | 10 | ·/˘/˘··/˘· |
| Fashion'd, that led thro' the dark shades around | 10 | /˘········ |
| Straight to the wooden temple on the mound. | 10 | ···/˘/˘··· |
| There live the memories of my early days, | 10 | ···/˘··/˘· |
| There still with childish heart my spirit plays; | 10 | ···/˘··/˘· |
| Yea, terror-stricken by the fiend despair | 10 | ·/˘/˘···˘/ |
| When she hath fled me, I have found her there; | 10 | ·········· |
| And there 'tis ever noon, and glad suns bring | 10 | ···/˘····· |
| Alternate days of summer and of spring, | 10 | /˘˘··/˘··· |
| With childish thought, and childish faces bright, | 10 | ·/˘··/˘/˘· |
| And all unknown save but the hour's delight. | 10 | ··˘/···/˘/ |
| High on the mound the ivied arbour stood, | 10 | ·····/˘/˘· |
| A dome of straw upheld on rustic wood: | 10 | ····˘/·/˘· |
| Hidden in fern the steps of the ascent, | 10 | /˘······˘/ |
| Whereby unto the southern front we went, | 10 | ·····/˘··· |
| And from the dark plantation climbing free, | 10 | ·····/˘/˘· |
| Over a valley look'd out on the sea. | 10 | ···/˘····· |
| That sea is ever bright and blue, the sky | 10 | ···/˘····· |
| Serene and blue, and ever white ships lie | 10 | ˘/···/˘··· |
| High on the horizon steadfast in full sail, | 11 | ···˘/˘/···· |
| Or nearer in the roads pass within hail, | 10 | ·/˘······· |
| Of naked brigs and barques that windbound ride | 10 | ·/˘····/˘· |
| At their taut cables heading to the tide. | 10 | ···/˘/˘··· |
| There many an hour I have sat to watch; nay, now | 11 | ·/·/······· |
| The brazen disk is cold against my brow, | 10 | ·/˘······· |
| And in my sight a circle of the sea | 10 | ·····/˘··· |
| Enlarged to swiftness, where the salt waves flee, | 10 | ˘/·/˘····· |
| And ships in stately motion pass so near | 10 | ···/˘/˘··· |
| That what I see is speaking to my ear: | 10 | ·····/˘··· |
| I hear the waves dash and the tackle strain, | 10 | ·······/˘· |
| The canvas flap, the rattle of the chain | 10 | ·/˘··/˘··· |
| That runs out thro' the hawse, the clank of the winch | 11 | ··········· |
| Winding the rusty cable inch by inch, | 10 | /˘·/˘/˘··· |
| Till half I wonder if they have no care, | 10 | ···/˘····· |
| Those sailors, that my glass is brought to bear | 10 | ·/˘······· |
| On all their doings, if I vex them not | 10 | ···/˘····· |
| On every petty task of their rough lot | 10 | ·/˘/˘····· |
| Prying and spying, searching every craft | 10 | /˘·/˘/˘/˘· |
| From painted truck to gunnel, fore and aft,-- | 10 | ·/˘··/˘··· |
| Thro' idle Sundays as I have watch'd them lean | 11 | ·/˘/······· |
| Long hours upon the rail, or neath its screen | 10 | ·/········ |
| Prone on the deck to lie outstretch'd at length, | 10 | ······˘/·· |
| Sunk in renewal of their wearied strength. | 10 | ··˘/˘··/˘· |
| But what a feast of joy to me, if some | 10 | ·········· |
| Fast-sailing frigate to the Channel come | 10 | ·/˘/˘··/˘· |
| Back'd here her topsail, or brought gently up | 10 | ···/˘··/˘· |
| Let from her bow the splashing anchor drop, | 10 | ·····/˘/˘· |
| By faint contrary wind stay'd in her cruise, | 10 | ··˘/˘····· |
| The Phaethon or dancing Arethuse, | 9 | ····/˘··· |
| Or some immense three-decker of the line, | 10 | ··˘/·/˘··· |
| Romantic as the tale of Troy divine; | 10 | ˘/˘·····˘/ |
| Ere yet our iron age had doom'd to fall | 10 | ··//˘····· |
| The towering freeboard of the wooden wall, | 10 | ·/˘····/˘· |
| And for the engines of a mightier Mars | 10 | ···/˘··/˘· |
| Clipp'd their wide wings, and dock'd their soaring spars. | 10 | ·······/˘· |
| The gale that in their tackle sang, the wave | 10 | ·····/˘··· |
| That neath their gilded galleries dasht so brave | 10 | ···/˘/˘··· |
| Lost then their merriment, nor look to play | 10 | ···/˘˘···· |
| With the heavy-hearted monsters of to-day. | 11 | ··/˘/˘/˘··· |
| One noon in March upon that anchoring ground | 10 | ·······/˘· |
| Came Napier's fleet unto the Baltic bound: | 10 | ·/˘····/˘· |
| Cloudless the sky and calm and blue the sea, | 10 | /˘········ |
| As round Saint Margaret's cliff mysteriously, | 11 | ···/˘··/˘˘˘ |
| Those murderous queens walking in Sabbath sleep | 10 | ·/˘·/˘·/˘· |
| Glided in line upon the windless deep: | 10 | /˘·····/˘· |
| For in those days was first seen low and black | 10 | ·········· |
| Beside the full-rigg'd mast the strange smoke-stack, | 10 | ˘/········ |
| And neath their stern revolv'd the twisted fan. | 10 | ····˘/·/˘· |
| Many I knew as soon as I might scan, | 10 | /˘········ |
| The heavy Royal George, the Acre bright, | 10 | ·/˘/˘··/˘· |
| The Hogue and Ajax, and could name aright | 10 | ···/····˘/ |
| Others that I remember now no more; | 10 | /˘··˘/˘··· |
| But chief, her blue flag flying at the fore, | 10 | ·····/˘··· |
| With fighting guns a hundred thirty and one, | 11 | ·/˘··/˘/˘·· |
| The Admiral ship The Duke of Wellington, | 11 | ·/˘˘····/˘˘ |
| Whereon sail'd George, who in her gig had flown | 10 | ˘/········ |
| The silken ensign by our sisters sewn. | 10 | ·/˘/˘·//˘· |
| The iron Duke himself,--whose soldier fame | 10 | ·/˘·˘/·/˘· |
| To England's proudest ship had given her name, | 10 | ·/˘/˘··/·· |
| And whose white hairs in this my earliest scene | 10 | ·······/˘· |
| Had scarce more honour'd than accustom'd been,-- | 10 | ······˘/˘· |
| Was two years since to his last haven past: | 10 | ·······/˘· |
| I had seen his castle-flag to fall half-mast | 11 | ····/˘····· |
| One morn as I sat looking on the sea, | 10 | ·····/˘··· |
| When thus all England's grief came first to me, | 10 | ···/˘····· |
| Who hold my childhood favour'd that I knew | 10 | ···/······ |
| So well the face that won at Waterloo. | 10 | ·······/˘· |
| But now 'tis other wars, and other men;-- | 10 | ···/˘··/˘· |
| The year that Napier sail'd, my years were ten-- | 10 | ···/˘····· |
| Yea, and new homes and loves my heart hath found: | 10 | ·········· |
| A priest has there usurped the ivied mound, | 10 | ·····/·/˘· |
| The bell that call'd to horse calls now to prayers, | 10 | ·········· |
| And silent nuns tread the familiar stairs. | 10 | ·/˘···˘/˘· |
| Within the peach-clad walls that old outlaw, | 10 | ········/· |
| The Roman wolf, scratches with privy paw. | 10 | ·/˘·/˘·/˘· |
| O Love, I complain, | 5 | ···˘/ |
| Complain of thee often, | 6 | ˘/··/˘ |
| Because thou dost soften | 6 | ····/˘ |
| My being to pain: | 5 | ·/˘·· |
| Thou makest me fear | 5 | ····· |
| The mind that createth, | 6 | ···˘/˘ |
| That loves not nor hateth | 6 | ······ |
| In justice austere; | 5 | ·/˘˘/ |
| Who, ere he make one, | 5 | ····· |
| With millions toyeth, | 4 | ·/˘· |
| And lightly destroyeth | 6 | ·/˘˘/˘ |
| Whate'er is begun. | 6 | ˘˘/·/˘ |
| An' wer't not for thee, | 5 | ····· |
| My glorious passion, | 6 | ·/˘˘/˘ |
| My heart I could fashion | 6 | ····/˘ |
| To sternness, as he. | 5 | ·/˘·· |
| But thee, Love, he made | 5 | ····· |
| Lest man should defy him, | 6 | ···˘/· |
| Connive and outvie him, | 6 | ˘/·˘/· |
| And not be afraid: | 5 | ···˘/ |
| Nay, thee, Love, he gave | 5 | ····· |
| His terrors to cover, | 6 | ·/˘·/˘ |
| And turn to a lover | 6 | ····/˘ |
| His insolent slave. | 5 | ·/˘˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.