The Garden in September
Now thin mists temper the slow-ripening beamsOf the September sun: his golden gleamsOn gaudy flowers shine, that prank the rowsOf high-grown hollyhocks, and all tall showsThat Autumn flaunteth in his bushy bowers;Where tomtits, hanging from the drooping headsOf giant sunflowers, peck the nutty seeds;And in the feathery aster bees on wingSeize and set free the honied flowers,Till thousand stars leap with their visiting:While ever across the path mazily flit,Unpiloted in the sun,The dreamy butterfliesWith dazzling colours powdered and soft glooms,White, black and crimson stripes, and peacock eyes,Or on chance flowers sit,With idle effort plundering one by oneThe nectaries of deepest-throated blooms.
With gentle flaws the western breezeInto the garden saileth,Scarce here and there stirring the single trees,For his sharpness he vaileth:So long a comrade of the bearded corn,Now from the stubbles whence the shocks are borne,O'er dewy lawns he turns to stray,As mindful of the kisses and soft playWherewith he enamoured the light-hearted May,Ere he deserted her;Lover of fragrance, and too late repents;Nor more of heavy hyacinth now may drink,Nor spicy pink,Nor summer's rose, nor garnered lavender,But the few lingering scentsOf streakèd pea, and gillyflower, and stocksOf courtly purple, and aromatic phlox.
And at all times to hear are drowsy tonesOf dizzy flies, and humming drones,With sudden flap of pigeon wings in the sky,Or the wild cryOf thirsty rooks, that scour ascareThe distant blue, to watering as they fareWith creaking pinions, or--on business bent,If aught their ancient polity displease,--Come gathering to their colony, and thereSettling in ragged parliament,Some stormy council hold in the high trees.
So sweet love seemed that April morn,When first we kissed beside the thorn,So strangely sweet, it was not strangeWe thought that love could never change.
But I can tell--let truth be told--That love will change in growing old;Though day by day is nought to see,So delicate his motions be.
And in the end 'twill come to passQuite to forget what once he was,Nor even in fancy to recallThe pleasure that was all in all.
His little spring, that sweet we found,So deep in summer floods is drowned,I wonder, bathed in joy complete,How love so young could be so sweet.
Words in this poem 15
- nutty a.
- Abounding in nuts.
- mazily adv.
- In a mazy manner.
- flit a.
- Nimble; quick; swift. See Fleet.
- dreamy a.
- Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- mindful a.
- Bearing in mind; regardful; attentive; heedful; observant.
- wherewith adv.
- With which; -- used relatively.
- courtly a.
- Relating or belonging to a court. [From Court.]
- phlox n.
- A genus of American herbs, having showy red, white, or purple flowers. Phlox worm (Zoöl.), the larva of an American moth (Heliothis phloxiphaga). It is destructive to phloxes.
- aught n.
- Property; possession. [AS. , fr. agan to own, p. p. ahte.]
- displease v. i.
- To give displeasure or offense.
- settling n.
- The act of one who, or that which, settles; the act of establishing one's self, of colonizing, subsiding, adjusting, etc.
- parliament n.
- A parleying; a discussion; a conference. [OE. parlement, F. parlement, fr. parler to speak; cf. LL. parlamentum, parliamentum. See Parley.]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- strangely adv.
- As something foreign, or not one's own; in a manner adapted to something foreign and strange.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Garden in September is in the public domain. This text is taken from The Poetical Works of Robert Bridges, Excluding the Eight Dramas, Project Gutenberg ebook #37804; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Bridges, The Garden in September, in The Growth of Love, and Other Poems (1873–1912), text of Project Gutenberg ebook #37804, Laurel, https://laurelpoetry.com/poem/bridges-shorter-poems/the-garden-in-september.html, id L01777.
Form and metre
The Garden in September is 62 lines in 7 stanzas. The rhyme scheme is AABB, complete in 4 of its 7 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 90% of its stressed syllables fall where the metre puts the beat. The lines average 8.9 syllables. 8 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBC--DCDEFGHGEFH beamsA · gleamsA · rowsB · showsB · bowersC · heads · seeds · wingD · flowersC · visitingD · flitE · sunF · butterfliesG · gloomsH · eyesG · sitE · oneF · bloomsH
- 2 ABABCCDDD-EFF-E-- breezeA · sailethB · treesA · vailethB · cornC · borneC · strayD · playD · mayD · her · repentsE · drinkF · pinkF · lavender · scentsE · stocks · phlox
- 3 AABB-CDECDE tonesA · dronesA · skyB · cryB · ascare · fareC · bentD · displeaseE · thereC · parliamentD · treesE
- 4 AABB mornA · thornA · strangeB · changeB
- 5 AABB toldA · oldA · seeB · beB
- 6 AABB passA · wasA · recallB · allB
- 7 AABB foundA · drownedA · completeB · sweetB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Now thin mists temper the slow-ripening beams | 10 | ···/˘··/˘· |
| Of the September sun: his golden gleams | 10 | ··˘/˘··/˘· |
| On gaudy flowers shine, that prank the rows | 10 | ·/˘/˘····· |
| Of high-grown hollyhocks, and all tall shows | 10 | ···/˘····· |
| That Autumn flaunteth in his bushy bowers; | 11 | ·/˘/˘··/˘/˘ |
| Where tomtits, hanging from the drooping heads | 10 | ···/˘··/˘· |
| Of giant sunflowers, peck the nutty seeds; | 10 | ·/˘/˘··/˘· |
| And in the feathery aster bees on wing | 10 | ···/˘/˘··· |
| Seize and set free the honied flowers, | 9 | ·····/˘/˘ |
| Till thousand stars leap with their visiting: | 10 | ·/˘····/˘˘ |
| While ever across the path mazily flit, | 10 | ·/˘/··/˘˘· |
| Unpiloted in the sun, | 7 | ······· |
| The dreamy butterflies | 6 | ·/˘/˘· |
| With dazzling colours powdered and soft glooms, | 10 | ·/˘˘/˘/··· |
| White, black and crimson stripes, and peacock eyes, | 10 | ···/˘··/·· |
| Or on chance flowers sit, | 6 | ···/˘· |
| With idle effort plundering one by one | 10 | ·/˘/˘/˘··· |
| The nectaries of deepest-throated blooms. | 9 | ····/˘/˘· |
| With gentle flaws the western breeze | 8 | ·/˘··/˘· |
| Into the garden saileth, | 7 | ···/˘/˘ |
| Scarce here and there stirring the single trees, | 10 | ····/˘·/˘· |
| For his sharpness he vaileth: | 7 | ··/˘·/˘ |
| So long a comrade of the bearded corn, | 10 | ···/···/˘· |
| Now from the stubbles whence the shocks are borne, | 10 | ···/˘····· |
| O'er dewy lawns he turns to stray, | 8 | ·/˘····· |
| As mindful of the kisses and soft play | 10 | ·/˘··/˘··· |
| Wherewith he enamoured the light-hearted May, | 11 | ˘/·˘/˘··/˘· |
| Ere he deserted her; | 6 | ··˘/˘· |
| Lover of fragrance, and too late repents; | 10 | /˘·/˘···˘/ |
| Nor more of heavy hyacinth now may drink, | 11 | ···/˘/˘···· |
| Nor spicy pink, | 4 | ·/˘· |
| Nor summer's rose, nor garnered lavender, | 10 | ·/˘··/˘/˘˘ |
| But the few lingering scents | 7 | ···/˘˘· |
| Of streakèd pea, and gillyflower, and stocks | 9 | ····/˘˘·· |
| Of courtly purple, and aromatic phlox. | 11 | ·/˘/˘··˘/˘· |
| And at all times to hear are drowsy tones | 10 | ·······/˘· |
| Of dizzy flies, and humming drones, | 8 | ·/˘··/˘· |
| With sudden flap of pigeon wings in the sky, | 11 | ·/˘··/˘···· |
| Or the wild cry | 4 | ···· |
| Of thirsty rooks, that scour ascare | 9 | ·/˘··/˘·· |
| The distant blue, to watering as they fare | 10 | ·/˘··/˘··· |
| With creaking pinions, or--on business bent, | 10 | ·/˘/˘··/˘· |
| If aught their ancient polity displease,-- | 10 | ···/˘/˘˘˘/ |
| Come gathering to their colony, and there | 10 | ·/˘··/˘˘·· |
| Settling in ragged parliament, | 9 | /˘˘·/˘/˘˘ |
| Some stormy council hold in the high trees. | 10 | ·/˘/˘····· |
| So sweet love seemed that April morn, | 8 | ·····/˘· |
| When first we kissed beside the thorn, | 8 | ····˘/·· |
| So strangely sweet, it was not strange | 8 | ·/˘····· |
| We thought that love could never change. | 8 | ·····/˘· |
| But I can tell--let truth be told-- | 8 | ········ |
| That love will change in growing old; | 8 | ·····/˘· |
| Though day by day is nought to see, | 8 | ········ |
| So delicate his motions be. | 8 | ·/˘˘·/˘· |
| And in the end 'twill come to pass | 8 | ········ |
| Quite to forget what once he was, | 8 | ··˘/···· |
| Nor even in fancy to recall | 9 | ·/˘·/˘·˘/ |
| The pleasure that was all in all. | 8 | ·/˘····· |
| His little spring, that sweet we found, | 8 | ·/˘····· |
| So deep in summer floods is drowned, | 8 | ···/˘··· |
| I wonder, bathed in joy complete, | 8 | ·/˘···˘/ |
| How love so young could be so sweet. | 8 | ········ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.