Elegy
Clear and gentle stream!Known and loved so long,That hast heard the songAnd the idle dreamOf my boyish day;While I once againDown thy margin stray,In the selfsame strainStill my voice is spent,With my old lamentAnd my idle dream,Clear and gentle stream!
Where my old seat wasHere again I sit,Where the long boughs knitOver stream and grassA translucent eaves:Where back eddies playShipwreck with the leaves,And the proud swans stray,Sailing one by oneOut of stream and sun,And the fish lie coolIn their chosen pool.
Many an afternoonOf the summer dayDreaming here I lay;And I know how soon,Idly at its hour,First the deep bell humsFrom the minster tower,And then evening comes,Creeping up the glade,With her lengthening shade,And the tardy boonOf her brightening moon.
Clear and gentle stream!Ere again I goWhere thou dost not flow,Well does it beseemThee to hear againOnce my youthful song,That familiar strainSilent now so long:Be as I contentWith my old lamentAnd my idle dream,Clear and gentle stream.
The wood is bare: a river-mist is steepingThe trees that winter's chill of life bereaves:Only their stiffened boughs break silence, weepingOver their fallen leaves;
That lie upon the dank earth brown and rotten,Miry and matted in the soaking wet:Forgotten with the spring, that is forgottenBy them that can forget.
Yet it was here we walked when ferns were springing,And through the mossy bank shot bud and blade:-Here found in summer, when the birds were singing,A green and pleasant shade.
'Twas here we loved in sunnier days and greener;And now, in this disconsolate decay,I come to see her where I most have seen her,And touch the happier day.
For on this path, at every turn and corner,The fancy of her figure on me falls;Yet walks she with the slow step of a mourner,Nor hears my voice that calls.
So through my heart there winds a track of feeling,A path of memory, that is all her own:Whereto her phantom beauty ever stealingHaunts the sad spot alone.
About her steps the trunks are bare, the branchesDrip heavy tears upon her downcast head;And bleed from unseen wounds that no sun stanches,For the year's sun is dead.
And dead leaves wrap the fruits that summer planted:And birds that love the South have taken wing.The wanderer, loitering o'er the scene enchanted,Weeps, and despairs of spring.
Poor withered rose and dry,Skeleton of a rose,Risen to testifyTo love's sad close:
Treasured for love's sweet sake,That of joy pastThou might'st again awakeMemory at last.
Yet is thy perfume sweet;Thy petals redYet tell of summer heat,And the gay bed:
Yet, yet recall the glowOf the gazing sun,When at thy bush we twoJoined hands in one.
But, rose, thou hast not seen,Thou hast not weptThe change that passed between,Whilst thou hast slept.
To me thou seemest yetThe dead dream's thrall:While I live and forgetDream, truth and all.
Thou art more fresh than I,Rose, sweet and red:Salt on my pale cheeks lieThe tears I shed.
Words in this poem 15
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- boyish a.
- Resembling a boy in a manners or opinions; belonging to a boy; childish; trifling; puerile.
- selfsame a.
- Precisely the same; the very same; identical. [Self, a. + same.]
- afternoon n.
- The part of the day which follows noon, between noon and evening.
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- boon n.
- A prayer or petition. [OE. bone, boin, a petition, fr. Icel. b; akin to Sw. & Dan. b, AS. b, and perh. to E. ban; but influenced by F. bon good, fr. L. bonus. Ban, Bounty.]
- beseem v. i.
- To seem; to appear; to be fitting.
- dank n.
- Moisture; humidity; water.
- disconsolate n.
- Disconsolateness. Barrow.
- mourner n.
- One who mourns or is grieved at any misfortune, as the death of a friend.
- whereto adv.
- To which; -- used relatively.
- drip v. i.
- To fall in drops; as, water drips from the eaves. [Akin to LG. drippen, Dan. dryppe, from a noun. See Drop.]
- unseen a.
- Not seen or discovered.
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- testify v. i.
- To make a solemn declaration, verbal or written, to establish some fact; to give testimony for the purpose of communicating to others a knowledge of something not known to them. [OF. testifier, L. testificari; testis a witness + -ficare (in comp.) to make. See -fy, and cf. Attest, Contest, Detest, Protest, Testament.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Elegy is in the public domain. This text is taken from The Poetical Works of Robert Bridges, Excluding the Eight Dramas, Project Gutenberg ebook #37804; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Robert Bridges, Elegy, in The Growth of Love, and Other Poems (1873–1912), text of Project Gutenberg ebook #37804, Laurel, https://laurelpoetry.com/poem/bridges-shorter-poems/elegy.html, id L01748.
Form and metre
Elegy is 108 lines in 19 stanzas. The rhyme scheme is ABAB, complete in 14 of its 19 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 89%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 6.4 syllables. 18 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBACDCDEEAA streamA · longB · songB · dreamA · dayC · againD · strayC · strainD · spentE · lamentE · dreamA · streamA
- 2 -AA-BCBCDDEE was · sitA · knitA · grass · eavesB · playC · leavesB · strayC · oneD · sunD · coolE · poolE
- 3 ABBACDCDEEAA afternoonA · dayB · layB · soonA · hourC · humsD · towerC · comesD · gladeE · shadeE · boonA · moonA
- 4 ABBACDCDEEAA streamA · goB · flowB · beseemA · againC · songD · strainC · longD · contentE · lamentE · dreamA · streamA
- 5 ABAB steepingA · bereavesB · weepingA · leavesB
- 6 ABAB rottenA · wetB · forgottenA · forgetB
- 7 ABAB springingA · bladeB · singingA · shadeB
- 8 ABAB greenerA · decayB · herA · dayB
- 9 ABAB cornerA · fallsB · mournerA · callsB
- 10 ABAB feelingA · ownB · stealingA · aloneB
- 11 ABAB branchesA · headB · stanchesA · deadB
- 12 ABAB plantedA · wingB · enchantedA · springB
- 13 ABAB dryA · roseB · testifyA · closeB
- 14 ABAB sakeA · pastB · awakeA · lastB
- 15 ABAB sweetA · redB · heatA · bedB
- 16 -A-A glow · sunA · two · oneA
- 17 ABAB seenA · weptB · betweenA · sleptB
- 18 ABAB yetA · thrallB · forgetA · allB
- 19 ABAB iA · redB · lieA · shedB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Clear and gentle stream! | 5 | ··/˘· |
| Known and loved so long, | 5 | ····· |
| That hast heard the song | 5 | ····· |
| And the idle dream | 5 | ··/˘· |
| Of my boyish day; | 5 | ··/˘· |
| While I once again | 5 | ···˘/ |
| Down thy margin stray, | 5 | ··/˘· |
| In the selfsame strain | 5 | ··/˘· |
| Still my voice is spent, | 5 | ····· |
| With my old lament | 5 | ···˘/ |
| And my idle dream, | 5 | ··/˘· |
| Clear and gentle stream! | 5 | ··/˘· |
| Where my old seat was | 5 | ····· |
| Here again I sit, | 5 | ·˘/·· |
| Where the long boughs knit | 5 | ····· |
| Over stream and grass | 5 | ····· |
| A translucent eaves: | 5 | ·˘/˘· |
| Where back eddies play | 5 | ··/˘· |
| Shipwreck with the leaves, | 5 | /˘··· |
| And the proud swans stray, | 5 | ····· |
| Sailing one by one | 5 | /˘··· |
| Out of stream and sun, | 5 | ····· |
| And the fish lie cool | 5 | ····· |
| In their chosen pool. | 5 | ··/˘· |
| Many an afternoon | 5 | /··˘/ |
| Of the summer day | 5 | ··/˘· |
| Dreaming here I lay; | 5 | /˘··· |
| And I know how soon, | 5 | ····· |
| Idly at its hour, | 6 | /˘··/˘ |
| First the deep bell hums | 5 | ····· |
| From the minster tower, | 6 | ··/˘/˘ |
| And then evening comes, | 5 | ··/˘· |
| Creeping up the glade, | 5 | /˘··· |
| With her lengthening shade, | 5 | ··/˘· |
| And the tardy boon | 5 | ··/˘· |
| Of her brightening moon. | 5 | ··/˘· |
| Clear and gentle stream! | 5 | ··/˘· |
| Ere again I go | 5 | ·˘/·· |
| Where thou dost not flow, | 5 | ····· |
| Well does it beseem | 5 | ···˘/ |
| Thee to hear again | 5 | ···˘/ |
| Once my youthful song, | 5 | ··/˘· |
| That familiar strain | 5 | ·˘/˘· |
| Silent now so long: | 5 | /˘··· |
| Be as I content | 5 | ···/˘ |
| With my old lament | 5 | ···˘/ |
| And my idle dream, | 5 | ··/˘· |
| Clear and gentle stream. | 5 | ··/˘· |
| The wood is bare: a river-mist is steeping | 11 | ·····/˘··/˘ |
| The trees that winter's chill of life bereaves: | 10 | ···/˘···˘/ |
| Only their stiffened boughs break silence, weeping | 11 | /˘·/˘··/˘/˘ |
| Over their fallen leaves; | 5 | ··/˘· |
| That lie upon the dank earth brown and rotten, | 11 | ·········/˘ |
| Miry and matted in the soaking wet: | 10 | /˘·/˘··/˘· |
| Forgotten with the spring, that is forgotten | 11 | ˘/˘·····˘/˘ |
| By them that can forget. | 6 | ····˘/ |
| Yet it was here we walked when ferns were springing, | 11 | ·········/˘ |
| And through the mossy bank shot bud and blade:- | 10 | ···/˘····· |
| Here found in summer, when the birds were singing, | 11 | ···/˘····/˘ |
| A green and pleasant shade. | 6 | ···/˘· |
| 'Twas here we loved in sunnier days and greener; | 11 | ·········/˘ |
| And now, in this disconsolate decay, | 10 | ····˘/˘˘˘/ |
| I come to see her where I most have seen her, | 11 | ··········· |
| And touch the happier day. | 6 | ···/˘· |
| For on this path, at every turn and corner, | 11 | ·····/˘··/˘ |
| The fancy of her figure on me falls; | 10 | ·/˘··/˘··· |
| Yet walks she with the slow step of a mourner, | 11 | ·········/˘ |
| Nor hears my voice that calls. | 6 | ······ |
| So through my heart there winds a track of feeling, | 11 | ·········/˘ |
| A path of memory, that is all her own: | 10 | ···/˘····· |
| Whereto her phantom beauty ever stealing | 10 | ˘/·/˘/˘//˘ |
| Haunts the sad spot alone. | 6 | ····˘/ |
| About her steps the trunks are bare, the branches | 11 | ·········/˘ |
| Drip heavy tears upon her downcast head; | 10 | ·/˘····/·· |
| And bleed from unseen wounds that no sun stanches, | 11 | ···˘/····/˘ |
| For the year's sun is dead. | 6 | ······ |
| And dead leaves wrap the fruits that summer planted: | 11 | ·······/˘/˘ |
| And birds that love the South have taken wing. | 10 | ·······/˘· |
| The wanderer, loitering o'er the scene enchanted, | 11 | ·/˘/˘···˘/˘ |
| Weeps, and despairs of spring. | 6 | ··˘/·· |
| Poor withered rose and dry, | 6 | ·/˘··· |
| Skeleton of a rose, | 5 | /˘··· |
| Risen to testify | 6 | /˘·/˘· |
| To love's sad close: | 4 | ···· |
| Treasured for love's sweet sake, | 6 | /˘···· |
| That of joy past | 4 | ···· |
| Thou might'st again awake | 6 | ··˘/˘/ |
| Memory at last. | 5 | /˘˘·· |
| Yet is thy perfume sweet; | 6 | ···˘/· |
| Thy petals red | 4 | ·/˘· |
| Yet tell of summer heat, | 6 | ···/˘· |
| And the gay bed: | 4 | ···· |
| Yet, yet recall the glow | 6 | ··/··· |
| Of the gazing sun, | 5 | ··/˘· |
| When at thy bush we two | 6 | ······ |
| Joined hands in one. | 5 | ·˘··· |
| But, rose, thou hast not seen, | 6 | ······ |
| Thou hast not wept | 4 | ···· |
| The change that passed between, | 6 | ······ |
| Whilst thou hast slept. | 4 | ···· |
| To me thou seemest yet | 6 | ···/˘· |
| The dead dream's thrall: | 4 | ···· |
| While I live and forget | 6 | ····˘/ |
| Dream, truth and all. | 4 | ···· |
| Thou art more fresh than I, | 6 | ······ |
| Rose, sweet and red: | 4 | ···· |
| Salt on my pale cheeks lie | 6 | ······ |
| The tears I shed. | 4 | ···· |
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