Artemis

Robert Bridges (1844–1930) · 1873–1912

iambic pentameter · 216 lines · from Poetical Works

I'll love them betterEver for thy sake, Cora; but for meThe joy of Earth is in the breath of lifeAnd animal motions: nor are flowery sweetsDear as the scent of life. His petal'd cup,What is it by the wild fawn's liquid eyeEloquent as love-music 'neath the moon?Nay, not a flower in all thy garden here,Nor wer't a thousand-thousand-fold enhanc'tIn every charm, but thou wouldst turn from itTo view the antler'd stag, that in the gladeWith the coy gaze of his majestic fearFaced thee a moment ere he turn'd to fly.

PER. 'Tis not the same.Thy victims fly for life: they pant, they scream.

AR. Were they not mortal, sweet, I coud not kill them.They kill each other in their lust for life;Nay, cruelly persecute their blemisht kin:And they that thus are exiled from the herdSlink heart-brok'n to sepulchral solitudes,Defenceless and dishonour'd; there to fallPrey to the hungry glutton of the cave,Or stand in mute pain lingering, till they dropIn their last lair upon the ancestral bones.

ATH. 'Tis Pity, child,The mortal thought that clouds the brow of manWith dark reserve, or poisoning all deliteDrives him upon his knees in tearful prayerTo avert his momentary qualms: till ZeusAt his reiterated plaint grows wrath,And burdens with fresh curse the curse of care.And they that haunt with men are apt to takeInfection of his mind: thy mighty motherLeans to his tenderness.

PER. How should man, dwellingOn earth that is so gay, himself be sad?Is not earth gay? Look on the sea, the sky,The flowers!

ATH. 'Tis sad to him because 'tis gay.--For whether he consider how the flowers,--Thy miracles of beauty above praise,--Are wither'd in the moment of their glory,So that of all the mounting summer's wealthThe show is chang'd each day, and each day dies,Of no more count in Nature's estimateThan crowded bubbles of the fighting foam:Or whether 'tis the sea, whose azure wavesPlay'd in the same infinity of motionAges ere he beheld it, and will playFor ages after him;--alike 'tis sadTo read how beauty dies and he must die.

PER. Were I a man, I would not worship thee,Thou cold essential wisdom. If, as thou say'st,Thought makes men sorrowful, why help his thoughtTo quench enjoyment, who might else as IRevel among bright things, and feast his senseWith beauty well-discern'd? Nay, why came yeTo share my pastime? Ye love not the flowers.

ATH. Indeed I love thee, child; and love thy flowers,--Nor less for loving wisely. All emotions,Whether of gods or men, all loves and passions,Are of two kinds; they are either inform'd by wisdom,To reason obedient,--or they are unconducted,Flames of the burning life. The brutes of earthAnd Pan their master know these last; the firstAre seen in me: betwixt the extremes there lieInnumerable alloys and all of evil.

PER. Nay, and I guess your purpose with me well:I am a child, and ye would nurse me upA pupil in your school. I know ye twainOf all the immortals are at one in this;Ye wage of cold disdain a bitter feudWith Aphrodite, and ye fear for me,Lest she should draw me to her wanton way.Fear not: my party is taken. Hark! I'll tellWhat I have chosen, what mankind shall holdDevote and consecrate to me on earth:It is the flowers: but only among the flowersThose that men love for beauty, scent, or hue,Having no other uses: I have foundDemeter, my good mother, heeds them not.--She loves vines, olives, orchards, 'the rich leasOf wheat, rye, barley, vetches, oats, and peas,But for the idle flowers she hath little care:She will resign them willingly. And think not,Thou wise Athena, I shall go unhonour'd,Or rank a meaner goddess unto man.His spirit setteth beauty before wisdom,Pleasures above necessities, and thusHe ever adoreth flowers. Nor this I guessWhere rich men only and superfluous kingsAround their palaces reform the landTo terraces and level lawns, whereonAppointed slaves are told, to tend and feedLilies and roses and all rarest plantsFetch'd from all lands; that they--these lordly men--'Twixt flaunting avenues and wafted odoursMay pace in indolence: this is their bliss;This first they do: and after, it may be,Within their garden set their academe:--But in the poorest villages, aroundThe meanest cottage, where no other solaceComforts the eye, some simple gaietyOf flowers in tended garden is seen; some pinks,Tulips, or crocuses that edge the path;Where oft at eve the grateful labourerSits in his jasmin'd porch, and takes the sun:And even the children, that half-naked go,Have posies in their hands, and of themselvesWill choose a queen in whom to honour Spring,Dancing before her garlanded with may.The cowslip makes them truant, they forgetThe hour of hunger and their homely feastSo they may cull the delicate primrose,Sealing their birthright with the touch of beauty;With unconsider'd hecatombs assuringTheir dim sense of immortal mystery.--Yea, rich and poor, from cradle unto graveAll men shall love me, shall adore my name,And heap my everlasting shrine with flowers.

ATH. Thou sayest rightly thou art a child. May ZeusGive thee a better province than thy thought.

Come, Cora; wilt thou learn a hunting dance?I'll teach thee.

PER. Can I learn thy hunter-stepWithout thy bare legs and well-buskin'd feet?

PER. Stay! stay! I have left my flowers.I follow. [Exeunt Athena and Artemis.

They understand not--Now, praise be to Zeus,That, tho' I sprang not from his head, I knowSomething that Pallas knows not.

Thou tiny flower!Art thou not wise?Who taught thee else, thou frail anemone,Thy starry notion, thy wind-wavering motion,Thy complex of chaste beauty, unimagin'dTill thou art seen?--And how so wisely, thou,Indifferent to the number of thy rays,While others are so strict? This six-leaved tulip,--He would not risk a seventh for all his worth,--He thought to attain unique magnificenceBy sheer simplicity--a pointed ovalBare on a stalk erect: and yet, grown oldHe will his young idea quite abandon,In his dishevel'd fury wantoningBeyond belief.... Some are four-leaved: this poppyWill have but four. He, like a hurried thief,Stuffs his rich silks into too small a bag--I think he watch'd a summer-butterflyCreep out all crumpled from his winter-case,Trusting the sun to smooth his tender tissueAnd sleek the velvet of his painted wings:--And so doth he.--Between such different schemes,Such widely varied loveliness, how choose?Yet loving all, one should be most belov'd,Most intimately mine; to mortal menMy emblem: tho' I never find in oneThe sum of all distinctions.--Rose were best:But she is passion's darling, and unkindTo handle--set her by.--Choosing for odour,The violet were mine--men call her modest,Because she hides, and when in companyLacks manner and the assertive style of worth:--While this narcissus here scorns modesty,Will stand up what she is, tho' something prim:Her scent, a saturation of one tone,Like her plain symmetry, leaves nought to fancy:--Whereas this iris,--she outvieth man'sExcellent artistry; elaborationConfounded with simplicity, till noneCan tell which sprang of which. Coud I but findA scented iris, I should be content:Yet men would call me proud: Iris is Pride.--To-day I'll favour thee, sweet violet;Thou canst live in my bosom. I'll not wrong theeWearing thee in Olympus.--Help! help! Ay me!

darkness Hades is seen rushing from behind. He seizes her anddrags her backward. Her basket is thrown up and the flowers

Bright day succeedeth unto day--Night to pensive night--With his towering rayOf all-fathering light--With the solemn tranceOf her starry dance.--

Nought is new or strangeIn the eternal change.--

As the light clouds flyO'er the tree-tops high,So the days go by.--

Ripples that arriveOn the sunny shore,Dying to their liveMusic evermore.--

Like pearls on a thread,--Like notes of a song,--Like the measur'd treadOf a dancing throng.--

Ocëanides are we,Nereids of the foam,But we left the seaOn the earth to roamWith the fairest QueenThat the world hath seen.--Why amidst our playWas she sped away?--

Over hill and plainWe have sought in vain;She comes not again.--

Not the Naiads knewOn their dewy lawns:--Not the laughing crewOf the leaping Fauns.--

Now, since she is gone,All our dance is slow,All our joy is done,And our song is woe.--

Words in this poem 46
cora n.
The Arabian gazelle (Gazella Arabica), found from persia to North Africa.
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
pant v. i.
To breathe quickly or in a labored manner, as after exertion or from eagerness or excitement; to respire with heaving of the breast; to gasp. [Cf. F. panteler to gasp for breath, OF. panteisier to be breathless, F. pantois out of breath; perh. akin to E. phantom, the verb prob. orig. meaning, to have t]
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
slink v. t.
To creep away meanly; to steal away; to sneak. [AS. slincan; probably akin to G. schleichen, E. sleek. See Sleek, a.]
lair n.
A place in which to lie or rest; especially, the bed or couch of a wild beast. [OE. leir, AS. leger; akin to D. leger, G. lager couch, lair, OHG. laga, Goth. ligrs, and to E. lie. See Lie to be prostrate, and cf. Layer, Leaguer.]
tearful a.
Abounding with tears; weeping; shedding tears; as, tearful eyes.
plaint n.
Audible expression of sorrow; lamentation; complaint; hence, a mournful song; a lament. Chaucer."The Psalmist's mournful plaint." [OE. plainte, pleynte, F. plainte, fr. L. plangere, planctum (plancta, fem. p.p.), to beat, beat the breast, lament. Cf. Complain, Plague, Plangent.]
wealth n.
Weal; welfare; prosperity; good. [OE. welthe, from wele; cf. D. weelde luxury. See Weal prosperity.]
pastime n.
That which amuses, and serves to make time pass agreeably; sport; amusement; diversion. [Pass + time: cf. F. passetemps.]
betwixt prep.
In the space which separates; between. [OE. betwix, bitwix, rarely bitwixt, AS. betweox, betweohs, betweoh, betwih; pref. be- by + a form fr. AS. twa two. See Between.]
twain a.
Two;- nearly obsolete in common discourse, but used in poetry and burlesque. [OE. twein, tweien, tweyne, AS. twegen, masc. See Two.]
wage v. i.
To bind one's self; to engage.
aphrodite n.
The Greek goddess of love, corresponding to the Venus of the Romans.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
willingly adv.
In a willing manner; with free will; without reluctance; cheerfully.
whereon adv.
On which; -- used relatively; as, the earth whereon we live.
indolence n.
Freedom from that which pains, or harasses, as toil, care, grief, etc. [L. indolentia freedom from pain: cf. F. indolence.]
solace n.
Comfort in grief; alleviation of grief or anxiety; also, that which relieves in distress; that which cheers or consoles; relief. [OF. solas, ssoulaz, L. solacium, solatium, fr. solari to comfort, console. Cf. Console, v. t.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
cowslip n.
A common flower in England (Primula veris) having yellow blossoms and appearing in early spring. It is often cultivated in the United States. [AS. c, c, prob. orig., cow's droppings. Cf. Slop, n.]
homely a.
Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
cull v. t.
To separate, select, or pick out; to choose and gather or collect; as, to cuil flowers. [OE., OF. cuillir, coillir, F.cueillir, to gather, pluck, pick, fr. L. colligere. See Coil, v. t., and cf. Collect.]
assuring a.
That assures; tending to assure; giving confidence.
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
rightly adv.
Straightly; directly; in front. [AS. richtlice.]
exeunt
They go out, or retire from the scene; as, exeunt all except Hamlet. See 1st Exit. [L., 3d pers. pl. pres. of exire to go out.]
pallas n.
Pallas Athene, the Grecian goddess of wisdom, called also Athene, and identified, at a later period, with the Roman Minerva.
starry a.
Abounding with stars; adorned with stars.
tulip n.
Any plant of the liliaceous genus Tulipa. Many varieties are cultivated for their beautiful, often variegated flowers. Tulip tree. [F. tulipe, OF. also tulipan, It. tulipano, tulipa, from Turk. tulbend, dulbend, literally, a turban, Per. dulband; -- so called from the resemblance of the form]
unique a.
Being without a like or equal; unmatched; unequaled; unparalleled; single in kind or excellence; sole. [F. unique; cf. It. unico; from L. unicus, from unus one. See One.]
magnificence n.
The act of doing what magnificent; the state or quality of being magnificent. Acts xix. 27. [F. magnificence, L. magnificentia. See Magnific.]
loveliness n.
The state or quality of being lovely. [From Lovely.]
unkind a.
Having no race or kindred; childless. [See Kin kindred.]
odour n.
Any smell, whether fragrant or offensive; scent; perfume. [OE. odor, odour, OF. odor, odour, F. odeur, fr. L. odor; akin to olere to smell, Gr. Olfactory, Osmium, Ozone, Redolent.]
assertive a.
Positive; affirming confidently; affirmative; peremptory.
narcissus n.
A genus of endogenous bulbous plants with handsome flowers, having a cup-shaped crown within the six-lobed perianth, and comprising the daffodils and jonquils of several kinds. [L. narcissus, and (personified) Narcissus, Gr. na`rkissos, Na`rkissos, fr. na`rkh torpor, in allusion to the narcotic properties of the flower. Cf. Narcotic.]
saturation n.
The act of saturating, or the state of being saturating; complete penetration or impregnation. [L. saturatio: cf. F. saturation.]
whereas adv.
At which place; where.
artistry n.
Works of art collectively.
elaboration n.
The act or process of producing or refining with labor; improvement by successive operations; refinement. [L. elaboratio: cf. F. élaboration.]
favour n.
Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
towering a.
Very high; elevated; rising aloft; as, a towering height.
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
evermore adv.
During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Artemis is in the public domain. This text is taken from The Poetical Works of Robert Bridges, Excluding the Eight Dramas, Project Gutenberg ebook #37804; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Bridges, Artemis, in Poetical Works (1873–1912), text of Project Gutenberg ebook #37804, Laurel, https://laurelpoetry.com/poem/bridges-shorter-poems/artemis.html, id L01731.

Form and metre

Artemis is 216 lines in 25 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 9.2 syllables. 38 lines end on an unstressed syllable, a feminine ending. 43% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A---A-B---BA better · meA · life · sweets · cup · eyeA · moon · hereB · enhanc't · it · glade · fearB · flyA
  2. 4 ---A--A--- child · man · delite · prayerA · zeus · wrath · careA · take · mother · tenderness
  3. 6 ABB--B----A-- gayA · flowersB · praiseB · glory · wealth · diesB · estimate · foam · waves · motion · playA · sad · die
  4. 7 A--A-A- theeA · say'st · thought · iA · sense · yeA · flowers
  5. 9 ----------A---AA--------------B---B------------------ well · up · twain · this · feud · me · way · tell · hold · earth · flowersA · hue · found · not · leasA · peasA · care · not · unhonour'd · man · wisdom · thus · guess · kings · land · whereon · feed · plants · men · odours · blissB · be · academe · around · solaceB · gaiety · pinks · path · labourer · sun · go · themselves · spring · may · forget · feast · primrose · beauty · assuring · mystery · grave · name · flowers
  6. 15 --AA----------------------B--B----C--CC----DD flower · wise · anemoneA · motionA · unimagin'd · thou · rays · tulip · worth · magnificence · oval · old · abandon · wantoning · poppy · thief · bag · butterfly · case · tissue · wings · schemes · choose · belov'd · men · one · bestB · unkind · odour · modestB · company · worth · modesty · prim · toneC · fancy · man's · elaborationC · noneC · find · content · pride · violet · theeD · meD
  7. 17 ABABCC dayA · nightB · rayA · lightB · tranceC · danceC
  8. 18 AA strangeA · changeA
  9. 19 AAA flyA · highA · byA
  10. 20 ABAB arriveA · shoreB · liveA · evermoreB
  11. 21 ABAB threadA · songB · treadA · throngB
  12. 22 ABABCCDD weA · foamB · seaA · roamB · queenC · seenC · playD · awayD
  13. 23 AAA plainA · vainA · againA
  14. 24 ABAB knewA · lawnsB · crewA · faunsB
  15. 25 -A-A gone · slowA · done · woeA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
I'll love them better5···/˘
Ever for thy sake, Cora; but for me10/˘···/˘···
The joy of Earth is in the breath of life10··········
And animal motions: nor are flowery sweets10·/˘/˘··/˘·
Dear as the scent of life. His petal'd cup,10··········
What is it by the wild fawn's liquid eye10·······/˘·
Eloquent as love-music 'neath the moon?10/˘˘··/˘···
Nay, not a flower in all thy garden here,10···/···/˘·
Nor wer't a thousand-thousand-fold enhanc't10···/˘/˘···
In every charm, but thou wouldst turn from it10·/˘·······
To view the antler'd stag, that in the glade10···/˘·····
With the coy gaze of his majestic fear10······˘/˘·
Faced thee a moment ere he turn'd to fly.10···/˘·····
PER. 'Tis not the same.5·····
Thy victims fly for life: they pant, they scream.10·/˘·······
AR. Were they not mortal, sweet, I coud not kill them.12····/˘······
They kill each other in their lust for life;10···/˘·····
Nay, cruelly persecute their blemisht kin:10·/˘/˘·····
And they that thus are exiled from the herd10·····/····
Slink heart-brok'n to sepulchral solitudes,10····˘/˘/˘·
Defenceless and dishonour'd; there to fall11···········
Prey to the hungry glutton of the cave,10···/˘/˘···
Or stand in mute pain lingering, till they drop10·····/˘···
In their last lair upon the ancestral bones.11·······˘/˘·
ATH. 'Tis Pity, child,5··/˘·
The mortal thought that clouds the brow of man10·/˘·······
With dark reserve, or poisoning all delite10··˘/·/˘···
Drives him upon his knees in tearful prayer10·······/˘·
To avert his momentary qualms: till Zeus11·˘/·/˘·˘···
At his reiterated plaint grows wrath,10··˘/˘·˘···
And burdens with fresh curse the curse of care.10·/˘·······
And they that haunt with men are apt to take10··········
Infection of his mind: thy mighty mother11˘/˘····/˘/˘
Leans to his tenderness.6···/˘˘
PER. How should man, dwelling6····/˘
On earth that is so gay, himself be sad?10······˘/··
Is not earth gay? Look on the sea, the sky,10··········
The flowers!3·/˘
ATH. 'Tis sad to him because 'tis gay.--9·········
For whether he consider how the flowers,11····˘/˘··/˘
--Thy miracles of beauty above praise,--10·/˘˘·/˘···
Are wither'd in the moment of their glory,11·/˘··/˘··/˘
So that of all the mounting summer's wealth10·····/˘/˘·
The show is chang'd each day, and each day dies,10··········
Of no more count in Nature's estimate10·····/˘/˘·
Than crowded bubbles of the fighting foam:10·/˘/˘··/˘·
Or whether 'tis the sea, whose azure waves10·······/˘·
Play'd in the same infinity of motion11····˘/˘˘·/˘
Ages ere he beheld it, and will play10/˘··˘/····
For ages after him;--alike 'tis sad10·/˘···˘/··
To read how beauty dies and he must die.10···/˘·····
PER. Were I a man, I would not worship thee,11········/˘·
Thou cold essential wisdom. If, as thou say'st,11··˘/˘/˘····
Thought makes men sorrowful, why help his thought10···/˘˘····
To quench enjoyment, who might else as I10··˘/˘·····
Revel among bright things, and feast his sense10/˘········
With beauty well-discern'd? Nay, why came ye10·/˘·˘/····
To share my pastime? Ye love not the flowers.11···/·····/˘
ATH. Indeed I love thee, child; and love thy flowers,--11·˘/·······/
Nor less for loving wisely. All emotions,11···/˘/˘·˘/˘
Whether of gods or men, all loves and passions,11·········/˘
Are of two kinds; they are either inform'd by wisdom,13······/˘˘/·/˘
To reason obedient,--or they are unconducted,13·/˘˘/˘·······
Flames of the burning life. The brutes of earth10···/˘·····
And Pan their master know these last; the first10···/˘·····
Are seen in me: betwixt the extremes there lie11····˘/·˘/··
Innumerable alloys and all of evil.10˘/˘˘/····/
PER. Nay, and I guess your purpose with me well:11······/˘···
I am a child, and ye would nurse me up10··········
A pupil in your school. I know ye twain10·/˘·······
Of all the immortals are at one in this;11···˘/˘·····
Ye wage of cold disdain a bitter feud10····˘/·/˘·
With Aphrodite, and ye fear for me,10··˘/˘·····
Lest she should draw me to her wanton way.10·······/˘·
Fear not: my party is taken. Hark! I'll tell11···/˘·/˘···
What I have chosen, what mankind shall hold10···/˘·//··
Devote and consecrate to me on earth:10˘/·/˘·····
It is the flowers: but only among the flowers11···/·/˘···/
Those that men love for beauty, scent, or hue,10·····/˘···
Having no other uses: I have found10/˘·/˘/˘···
Demeter, my good mother, heeds them not.--10˘/˘··/˘···
She loves vines, olives, orchards, 'the rich leas10···/˘/˘···
Of wheat, rye, barley, vetches, oats, and peas,10···/˘·····
But for the idle flowers she hath little care:11···/˘/··/˘·
She will resign them willingly. And think not,10··˘/·/˘···
Thou wise Athena, I shall go unhonour'd,11··˘/˘······
Or rank a meaner goddess unto man.10···/˘/˘···
His spirit setteth beauty before wisdom,11·/˘/˘/˘··/˘
Pleasures above necessities, and thus10/˘··˘/˘˘··
He ever adoreth flowers. Nor this I guess10·/˘/˘/····
Where rich men only and superfluous kings10···/˘·/˘··
Around their palaces reform the land10···/˘˘˘/··
To terraces and level lawns, whereon10·/˘˘·/˘·˘/
Appointed slaves are told, to tend and feed10˘/˘·······
Lilies and roses and all rarest plants10/˘·/˘··/˘·
Fetch'd from all lands; that they--these lordly men--10·······/˘·
'Twixt flaunting avenues and wafted odours11·/˘/˘··/˘/˘
May pace in indolence: this is their bliss;10···/˘˘····
This first they do: and after, it may be,10··········
Within their garden set their academe:--10···/˘··/˘·
But in the poorest villages, around10···/˘/˘˘··
The meanest cottage, where no other solace11·/˘/˘··/˘/˘
Comforts the eye, some simple gaiety10/˘···/˘/˘˘
Of flowers in tended garden is seen; some pinks,11·/·/˘/˘····
Tulips, or crocuses that edge the path;10/˘·/˘˘····
Where oft at eve the grateful labourer10·····/˘···
Sits in his jasmin'd porch, and takes the sun:10··········
And even the children, that half-naked go,10·/·/˘··/˘·
Have posies in their hands, and of themselves9·······˘/
Will choose a queen in whom to honour Spring,10·······/˘·
Dancing before her garlanded with may.10/˘···/˘˘··
The cowslip makes them truant, they forget10·/˘··/˘·˘/
The hour of hunger and their homely feast10·/·/˘··/˘·
So they may cull the delicate primrose,10·····/˘˘/·
Sealing their birthright with the touch of beauty;11/˘·/·····/˘
With unconsider'd hecatombs assuring11········˘/˘
Their dim sense of immortal mystery.--10····˘/˘/˘˘
Yea, rich and poor, from cradle unto grave10·····/˘···
All men shall love me, shall adore my name,10······˘/··
And heap my everlasting shrine with flowers.11····˘/˘··/˘
ATH. Thou sayest rightly thou art a child. May Zeus11···/˘······
Give thee a better province than thy thought.10···/˘/˘···
Come, Cora; wilt thou learn a hunting dance?10·/˘····/˘·
I'll teach thee.3···
PER. Can I learn thy hunter-step8·····/˘·
Without thy bare legs and well-buskin'd feet?10··········
PER. Stay! stay! I have left my flowers.9·······/˘
I follow. [Exeunt Athena and Artemis.13·/˘/˘˘˘/˘····
They understand not--Now, praise be to Zeus,10··˘/······
That, tho' I sprang not from his head, I know10··········
Something that Pallas knows not.7/˘·····
Thou tiny flower!5·/˘/˘
Art thou not wise?4····
Who taught thee else, thou frail anemone,9······/˘·
Thy starry notion, thy wind-wavering motion,11·/˘/˘··/˘/˘
Thy complex of chaste beauty, unimagin'd11·/˘··/˘·˘/˘
Till thou art seen?--And how so wisely, thou,10·······/˘·
Indifferent to the number of thy rays,10˘/˘··/˘···
While others are so strict? This six-leaved tulip,11·/˘······/˘
--He would not risk a seventh for all his worth,--11·····/˘····
He thought to attain unique magnificence11···˘/˘/˘/˘˘
By sheer simplicity--a pointed oval11··˘/˘˘·/˘/˘
Bare on a stalk erect: and yet, grown old10····˘/····
He will his young idea quite abandon,11····˘/˘·˘/˘
In his dishevel'd fury wantoning10··˘/˘/˘/˘˘
Beyond belief.... Some are four-leaved: this poppy11··˘/·····/˘
Will have but four. He, like a hurried thief,10·······/˘·
Stuffs his rich silks into too small a bag--10··········
I think he watch'd a summer-butterfly10·····/˘/˘·
Creep out all crumpled from his winter-case,10···/˘··/˘·
Trusting the sun to smooth his tender tissue11/˘·····/˘/˘
And sleek the velvet of his painted wings:--10···/˘··/˘·
And so doth he.--Between such different schemes,10·······/˘·
Such widely varied loveliness, how choose?10·/˘/˘/˘˘··
Yet loving all, one should be most belov'd,10·/˘·····˘/
Most intimately mine; to mortal men10·/˘˘˘··/˘·
My emblem: tho' I never find in one10·/˘··/˘···
The sum of all distinctions.--Rose were best:10····˘/˘···
But she is passion's darling, and unkind10···/˘/˘·˘/
To handle--set her by.--Choosing for odour,11·/˘···/˘·/˘
The violet were mine--men call her modest,11·/˘˘·····/˘
Because she hides, and when in company10·······/˘˘
Lacks manner and the assertive style of worth:--11·/˘··˘/˘···
While this narcissus here scorns modesty,10··˘/˘··/˘˘
Will stand up what she is, tho' something prim:10·······/˘·
Her scent, a saturation of one tone,10····˘/˘···
Like her plain symmetry, leaves nought to fancy:--11···/˘˘···/˘
Whereas this iris,--she outvieth man's9˘/·/˘····
Excellent artistry; elaboration11/˘˘/˘˘˘·˘/˘
Confounded with simplicity, till none10˘/˘·˘/˘˘··
Can tell which sprang of which. Coud I but find10··········
A scented iris, I should be content:10·/˘/˘···˘/
Yet men would call me proud: Iris is Pride.--10······/˘··
To-day I'll favour thee, sweet violet;10···/˘··/˘˘
Thou canst live in my bosom. I'll not wrong thee11·····/˘····
Wearing thee in Olympus.--Help! help! Ay me!11/˘··˘/˘····
darkness Hades is seen rushing from behind. He seizes her and16/˘/˘··/˘····/˘··
drags her backward. Her basket is thrown up and the flowers13··/˘·/˘·····/
Bright day succeedeth unto day--8··˘/˘···
Night to pensive night--5··/˘·
With his towering ray6··/˘˘·
Of all-fathering light--6··/˘˘·
With the solemn trance5··/˘·
Of her starry dance.--5··/˘·
Nought is new or strange5·····
In the eternal change.--6··˘/˘·
As the light clouds fly5·····
O'er the tree-tops high,5·····
So the days go by.--5·····
Ripples that arrive5/˘·˘/
On the sunny shore,5··/˘·
Dying to their live5/˘···
Music evermore.--5/˘/˘·
Like pearls on a thread,--5·····
Like notes of a song,--5·····
Like the measur'd tread5··/˘·
Of a dancing throng.--5··/˘·
Ocëanides are we,5·····
Nereids of the foam,5·····
But we left the sea5·····
On the earth to roam5·····
With the fairest Queen5··/˘·
That the world hath seen.--5·····
Why amidst our play6·˘//˘·
Was she sped away?--5···˘/
Over hill and plain5·····
We have sought in vain;5·····
She comes not again.--5···˘/
Not the Naiads knew4····
On their dewy lawns:--5··/˘·
Not the laughing crew5··/˘·
Of the leaping Fauns.--5··/˘·
Now, since she is gone,5·····
All our dance is slow,6·/˘···
All our joy is done,6·/˘···
And our song is woe.--6·/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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